Musicae Scientiae

Papers
(The TQCC of Musicae Scientiae is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Assessing teachers’ perspectives on giving music lessons remotely during the COVID-19 lockdown period43
Prevalence and predictors of music performance anxiety in adolescent learners: Contributions of individual, task-related and environmental factors21
Processes and Experiences of Creative Cognition in Seven Western Classical Composers15
Mindfulness for musicians: A mixed methods study investigating the effects of 8-week mindfulness courses on music students at a leading conservatoire15
The dynamics of musical participation12
A PRISMA review of research on music practice12
The benefits of participation in a choir and an exercise group on older adults’ wellbeing in a naturalistic setting12
Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience11
The influence of music training on motoric inhibition in German preschool children10
Auditory and visual mental imagery in musicians and non-musicians8
Is music listening an effective intervention for reducing anxiety? A systematic review and meta-analysis of controlled studies8
A systematic review of music-induced substance craving8
The Japanese translation of the Gold-MSI: Adaptation and validation of the self-report questionnaire of musical sophistication7
Mind-wandering during contemporary live music: An exploratory study7
Promoting prosociality in Colombia: Is music more effective than other cultural interventions?7
The role of personality and self-efficacy in music students’ health-promoting behaviours7
Music students’ experienced workload in higher education: A systematic review and recommendations for good practice7
Can perseverance of effort become maladaptive? Study addiction moderates the relationship between this component of grit and well-being among music academy students7
Individual differences in music reward sensitivity influence the perception of emotions represented by music7
Listening to music to cope with everyday stressors7
Music-Colour Synaesthesia: A Sensorimotor Account6
The social impact of music making5
Characterizing prototypical musical instrument timbres with timbre trait profiles5
Affective responses to European art music by Israeli Arabs and Israeli Jews: A cross-ethnic study5
Tell me what you see: An exploratory investigation of visual mental imagery evoked by music5
Using Psycholinguistic Inquiry and Content Analysis to Investigate Emotions in Memories of Musical Experiences4
Perception and learning of relative pitch by musicians using the vibrotactile mode4
Musical communities in the society of captives: Exploring the impact of music making on the social world of prison4
Quality of network support for the deliberate practice of popular musicians4
Musical features that aid sleep4
Everyday crying over music: A survey4
Individual differences in autism traits, personality, and emotional responsiveness to music in the general population4
Embodiment in composition: 4E theoretical considerations and empirical evidence from a case study3
Identity processes and musicians during the COVID-19 pandemic3
Video feedback and the choice of strategies of college-level guitarists during individual practice3
Validation of the Chinese Involuntary Musical Imagery Scale and its Application in Mainland China3
Wavescapes: A visual hierarchical analysis of tonality using the discrete Fourier transform3
Always liminal, always learning: Why community learning is needed, and how to start3
The effects of a multimodal music program on young children’s facial expressions during controlled singing tasks3
Identifying individual vulnerabilities and problematic behaviors hindering musicians’ development: Obsessive–compulsive personality disorder versus study addiction3
Going online: Successes and challenges in delivering group music instrument and aural learning for older adult novices during the COVID-19 pandemic3
Student perceptions of the classroom environment, student characteristics, and motivation for music lessons at secondary school3
Understanding the musical identity and career thinking of postgraduate classical music performance students3
Coordinating free improvisation: An integrative framework for the study of collective improvisation3
Making the Unfamiliar Familiar: The Effect of Exposure on Ratings of Unfamiliar Musical Chords3
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