International Journal of Cultural Policy

Papers
(The median citation count of International Journal of Cultural Policy is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
Mirror, mirror on the wall, do I want to know at all? A story about cultural organizations that conduct research on themselves and those that do not20
Tracing the Atom. Nuclear Legacies in Russia and Central Asia19
Creative hubs: an anomaly in cultural policy?17
Resilience and adaptation of the UK’s arts sector during the process of the UK’s withdrawal from the EU12
Assessing the validity of cultural policy typologies for Central-Eastern European countries12
Shakespeare Lives on Twitter: cultural diplomacy in the digital age12
Disentangling economics and culture in European policies for cinema: what can we learn from Portugal and non-commercial exhibition?11
Sport as social policy: Midnight Football and the governing of society9
Cultural policy on the move: between the paradigmatic and the pragmatic9
Cultural policy beyond the economy: work, value and the social8
Moving towards an integrated approach to fight against illicit trafficking of cultural heritage for the Chinese Mainland, Hong Kong and Macao8
The ‘commodified’ colonial past in small cities: shifting heritage-making from nation-building to city branding in South Korea and Taiwan8
Digital cultural politics: from policy to practice7
Dialogic approach in the EU’s international cultural relations: joint EUNIC-EU delegation projects as heritage diplomacy7
Finally, beyond status quo? Analysis of steps taken to improve gender equality in the European audiovisual sector in light of the #MeToo movement7
Mentoring as affective practice7
Emergent film production in the Pacific: Oceanic strategies of connection and exchange7
China’s emerging legislative and policy framework for safeguarding intangible cultural heritage7
The dynamics of EU cultural policies in post-socialist urban regeneration strategies: a case study of Timișoara – European Capital of Culture 20237
Global arts world and the worlding of Wynwood, Miami, Florida6
Reimagining the cultural impact of neoliberalism: an analysis of Istanbul and Liverpool biennials6
The future of creative work– creativity and digital disruption6
The normative role of experts in policy development: a comparison of two Scandinavian cultural policy reports6
Science policy as implicit cultural policy: evaluation of the arts in Polish academia6
Review of cultural industries and the COVID-19 pandemic: a European focus6
Creative work: conditions, contexts and practices5
Cultural participation as a human right: holding nation states to account5
Transformational governance framework for institutions of cultural diplomacy: the case of the Chinese Confucius Institute5
The Covid-19 crisis and ‘critical juncture’ in cultural policy: a comparative analysis of cultural policy responses in South Korea, Japan and China5
Problematizing Iranian university autonomy: a historical-institutional perspective5
Democratizing opera. Accessibility to opera in the digital age among Swedish-speaking Finns5
The role of experience and reputation in the performance of Australian films5
Cultural policy aspirations and the turn in Saudi Arabia’s video game industry5
The platformisation of culture: challenges to cultural policy5
Democratising access to domestic audiovisual production in the digital environment: the case of the Argentinian VOD service Cine.Ar Play5
Changes in the governance of the reading subject: Swedish reading policy, c .1949–19844
Translation as cultural diplomacy: a Chinese perspective4
Culture is Digitaland the shifting terrain of UK cultural policy4
EU heritage diplomacy: entangled external and internal cultural relations4
Designating heritage as European: between the European Union’s heritage initiatives and the nation-state4
Opera houses: from democratization to plutocratic control? Lyric production, economic management, and elite control in the main Spanish opera houses during the period of austerity (2009–2018)4
The road to censorship: the case of digital audiovisual industries in India4
Present absence: when cultural participation goes digital4
Heritage diplomacy; an afterword4
Accomplishing cultural policy in Europe. Financing, governance and responsiveness4
The culture of ban: pop culture, social media and securitization of youth politics in today’s Russia4
The rise of Chinese animation: policy evolution and industry development since the 1990s4
Authenticity of cultural heritage vis-à-vis heritage reproducibility and intangibility: from conservation philosophy to practice4
The ambivalence in the ambiguity of UNESCO’s cultural policy remit: a structural description of the Common Heritage of Mankind in the Cultural Diversity Convention4
‘Contact zones’ of heritage diplomacy: transformations of museums in the (post)pandemic reality4
Cultural policy and the politics of display. The establishment of the opera house in Oslo4
Genius fails to appear: the Atlantic Awards in literature, 1946–19504
Cross-cultural collaboration and cultural production within China’s public museums: examining the challenges and practices guiding administration3
National disability strategies as rights-based cultural policy tools3
Things, practices & policies: relationality and the early stages of the international promotion of Dutch design, 1920s–1970s3
Indeterminacy in the cultural property restitution debate3
When the whole-nation system meets cultural heritage in China3
Failures in cultural participation3
Agonistic articulations in the ‘creative’ city: on new actors and activism in Berlin’s cultural politics3
From aims to results: justifying and implementing Japanese cultural policies in Southeast Asia3
Sovetskaia kul’turnaia diplomatiia v usloviiakh Kholodnoi voiny 1945 – 19893
Mediations of cultural policymaking during COVID-19: British newspaper reporting of the Culture Recovery Fund3
Arts and cultural management: sense and sensibilities in the state of the field3
From a contracted market to an expanding horizon: an analysis of Indonesia’s film production chain and accessibility3
Public deliberation and the justification of public service media2
Perceptions of e-lending in Scandinavian libraries: tension and harmony between institutional logics2
Cultural diversity and cultural trade: theory and an application to the motion picture industry2
They expand their own language; God bless them: positions of Iranian cultural activists on English in Iran2
An evaluation of the web accessibility of China’s national-level museums2
Accounting for non-economic loss: climate displacement and the meaningful omission of the intangible2
What price culture? – a taxonomy of the admission pricing policy at museums2
Examining restitution and repatriation options for cultural artefacts: an empirical enquiry in South Africa2
How culture became digital: editor’s introduction2
Mainstreaming heritages: abstract heritage values as strategic resources in EU external relations2
Developing a sense of place. The role of the arts in regenerating communities2
Histories of cultural participation, values and governance2
Heritage diplomacy through the lens of the European Capitals of Culture programme2
The fragility of cultural philanthropy: why private art museums close2
“Happy, healthy and participatory citizens”: suburban cultural policy in the Finnish city of Jyväskylä2
From cultural policy towards cultural politics? The case of the Hungarian cultural sphere2
Multilingualism, diversity, and performing arts. A home for Spanish language theatre in post-Brexit gentrified London2
Cooperation among intergovernmental organizations in global cultural governance: Towards an actor-centered constructivist approach2
The Eurovision song contest as a cultural phenomenon: from concert halls to the halls of academia2
Comparing landscape values and heritage stakeholders: a case study of West Lake Cultural Landscape of Hangzhou, China2
Ours or yours? Localizing the ‘mixed sites’ concept for the sustainable preservation of heritage in Africa: the case of Chongoleani Peninsular, Tanzania2
Art-oriented reconstruction movement and governance in rural China: illustrated by cases in Guangdong Province2
‘They need to know that it’s theirs’: considerations for policy and practice when developing a public art trail in remote communities2
To receive and to give something back – director’s perspectives on public – private collaborations in Norwegian art museums2
Folk soft power in nation-state building: the political use of folk culture in post-Mao China2
Whose culture is it? Recovering illegally excavated Chinese bronze wares from Japan2
Trading devil Fish and Monkey kings: French and Chinese film industry policies and exchanges 1978-19932
Corporate sponsorship as cultural policy: tax incentives in Brazilian contemporary art2
Deploying destruction: Islamic State, international actors, and public opinion in Mosul1
China’s ‘new cultural diplomacy’ in international broadcasting: branding the nation through CGTN Documentary1
Forbidden literature: case studies on censorship1
‘Homegrown and national culture’: the cultural policies of Erdogan’s ‘New Turkey’1
Designing cultural diplomacy policy: structuring a flagship mechanism1
Culture and trade: Chinese practices and perspectives1
The making of a dissonant heritage: the Foro Italico in Rome1
U.S. public perceptions of artists during the COVID-19 pandemic1
The pandemic politics of cultural work: collective responses to the COVID-19 crisis1
Intangible cultural heritage safeguarding policies: a comparative overview of models employed in Serbia, Montenegro and Bosnia and Herzegovina1
Ruin(ed) policies: why we should aim for protecting ruins regionally1
Ethics, values and legality in the restoration of cultural artefacts: the case of South Africa1
‘Constructing’ heritage diplomacy in Central Asia: China’s Sinocentric historicisation of transnational World Heritage Sites1
Cultural and political imaginaries in Putin’s Russia1
Cultural governance: Current and future European perspectives1
Integrating music and sound into efforts to advance the sustainable development goals in the Asia-Pacific: case studies from Indonesia, Vanuatu and Australia1
Epistemological shifts, power imbalances and conflicts at documenta fifteen: decolonial cultural policy conceptions beyond Eurocentric universalism1
Tears in the classroom: teaching and learning cultural policy in a multicultural environment. Can the subaltern talk?1
Recovering cultural heritage: historical insights into Ethiopia’s unique approach1
Media-political inroads for Europeanising national cultural public spheres: EU-level obstacles and national public service perspectives1
An animal as a cultural landscape: the horse in Seoul, South Korea1
The last paradise for creative workers? The case of Shueisha and Weekly Shōnen Jump1
Protecting the classics in Swedish copyright law: intellectual property as a cultural policy tool1
The UNESCO convention for the safeguarding of the intangible cultural heritage: a critical analysis1
Platforms and cultural production1
Contributions to a future law on cultural rights in Catalonia: challenges and reflections from the artistic, cultural and creative sectors1
The K-pop industry: competitiveness and sustainability1
The implementation of Sustainable Development Goals (SDGs) in Andorran cultural policy1
Cultural policy regimes and arts councils. Thelongue duréeperspective, birth of the state, religious trajectories and national cultural policies1
Survey evidence on the impact of COVID-19 on Australian musicians and implications for policy1
‘If you can’t beat them…’: AVMSD policy-making for Portuguese audiovisual production in the context of the small markets and of multistakeholderism1
Conflictual cultural politics: unpacking local tensions in three Austrian cities1
Disagreement over monuments: cultural planning of national jubilees and public spaces in Vilnius1
National identity, transnational ideology, and cultural policy in Iran1
Creativity and the curriculum: educational apartheid in 21st Century England, a European outlier?1
“Do not forget your pain”: identities, affect and emotions in Russian and EU cultural diplomacy in Armenia1
Debating structural violence in European heritage diplomacy1
Between strong and weak copyright: their impacts on the Korean music industry1
The balancing act of minority cultural identity expression policy: palestinian cultural struggles at the Israeli local government level1
The Australian Art Field - Practices, Policies, Institutions edited by Tony Bennett, Deborah Stevenson, Fred Myers and Tamara Winikoff. New York: Routledge, 2020. 354 pp., US$48.95 (paperback), ISBN: 1
The justice of visual art. Creative state-building in times of political transition (Series: law in context)1
Innovating the humanities, reimagining the future: empirical evidence from virtual reality practice in China1
Introduction: reflecting on heritage diplomacy1
Scandinavian success as European policy dilemma: creative Europe’s funding for TV drama co-productions, 2014-201
Cultural survival amid disaster: support for artists in New Orleans1
Putting creative labour in its place in the shadow of the Korean Wave1
Dating apps: towards post-romantic love in digital societies1
Cultural industries and environmental crisis. New approaches for policy1
Heritage for identity and as diplomacy: the case of Korean martial arts1
Cultural equality and policy in Taiwan: the case studies on children/adolescents and the people with disabilities1
Leveraging EU non-discrimination law to make the cultural and creative sectors more inclusive of professionals with disabilities: socio-legal perspectives0
Effective cultural policy in the 21stcentury: challenges and strategies from Australian television0
The development of Ukrainian cultural policy in the context of Russian hybrid aggression against Ukraine0
Multicologies? The development of multi-racial creative ecologies in East London0
Birds of a feather?: Lessons on U.S. cultural diplomacy from Walt Disney during the Good Neighbor Policy0
Festivals & the city: the contested geographies of urban events Festivals & the city: the contested geographies of urban events , edited by Andrew Smith, Guy Osb0
From copycat to copyright: intellectual property amendments and the development of Chinese online video industries0
Failure seems to be the hardest word to say0
The heritage desires of society through social representations0
The end of an era? The decrease of the EU influence in Ibero-American digital media policy discourses0
Restitution of material objects and indigenous ontology: towards coloniality of dispossession/theft in Africa0
Media policy attitudes and political attitudes: the politization of media policy and the support for the ‘media welfare state’0
Chinese Maker Culture – co-opting digitally mediated making for nation building0
The origin of Chilean pottery-making policies (1930-1990)0
Historical dynamics of cultural policy: the case of literary translation from English to Czech (1918–2018)0
Digital cultural policy. The story of a slow and reluctant revolution0
What makes for a creative-friendly community? Untangling the location attributes of creative clusters0
Toward a decentralized copyright infrastructure as a ‘public service’: the case of Digiciti and Estonia0
Orange Economy: definition and measurement – the case of Jordan0
Chinese legislation on protection of underwater cultural heritage in marine spatial planning and its implementation0
Risky business: policy legacy and gender inequality in Australian opera production0
Cultural values in political economy0
A Common Market for film: British policy and the unification of European film0
Is ‘Revive’ a ‘game changer’ or more of the same? Whose needs are addressed in Australia’s new cultural policy and what will change?0
Enrichment: a critique of commodities0
AI, a wicked problem for cultural policy? Pre-empting controversy and the crisis of cultural participation0
State–business–civic partnerships in children’s film policy: the roles of the CFD/CEF Advisory Council in post-war Britain0
The moral economy of the cultural sector0
Tolerants versus traditionalists: making sense of online conversations on the new Finnish flagship library Oodi0
Film subsidies and cultural policy: the status of Hong Kong cinema0
A study on the artwork policy for buildings in South Korea from the perspective of cooperative governance0
Correction0
From standardising cultural data to coordinating data cultures: the history and politics of digital heritage aggregation in Australia0
Pursuing decentralisation: regional cultural policies in Finland and Sweden0
Private taste and public space: the heated media debate about a privately initiated sculpture park in Oslo0
Cultural work and creative subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries0
Cultural policy between television and digital platforms: the case of SVOD regulation in Australia0
Scholarship diplomacy and India’s Neighbourhood First strategy0
Industrial heritage reuse ideas on the move: comparative case studies in Shanghai and Chongqing, China0
Audience development and cultural policy0
Public art debates as boundary struggles0
Exploring the dynamics of EDI leadership in the Irish screen industries: policy, practice and perspective0
Creative and cultural hub sustainability: from theory to practice0
Punitive tendencies, commercialization and the archaeological law: revealed contradictions through interpersonal interviews with experts0
Implementing gender equality policies in the Spanish film industry: persistent prejudices and a feminist will to ‘exploit the centre into concentric circles’0
Philippine anger and American conciliation: discourse and emotional diplomacy in the 2018 restitution of the Balangiga Bells0
Evolution, trends, and narratives of cultural crowdfunding: the case of Norway0
Correction0
Cultural heritage in modern conflict: past, propaganda, parade0
Practices and challenges of developing handicrafts as a core tourism product in Chencha and Konso, southern Ethiopia0
Brokering arts to build cross-cultural relations: how strength and embedded relations influence outcomes0
Cosmopolitan internationalism: UNESCO’s ideological ambiguity and the difference/diversity problematic0
Measures for the betterment of the labor market position of non-standard working regimes in the cultural and creative sector in the Netherlands0
Canadian cultural policy in transition0
Negotiating between national and local policy on participation: local authority arts offices in Ireland0
Left off the circuit: the impact of shrinking live music tours on cities0
From texts to contexts: the self-regulating body in the Japanese adult video industry0
Cultural strategy for people with disability in Australia0
Netflix’ Spain: critical perspectives0
License to stream? A study of how rights-holders have responded to music streaming services in Norway0
Cultural diplomacy as an external voice of cultural policy. The case of Poland0
Regional partnerships and media policy in the age of China’s rise: the case of Singapore-China film co-productions0
Fundraising policies in cultural and creative industries: public stock market and crowdfunding channels0
Entrepreneurship at the edge? The characteristics and role of creative entrepreneurs in peripheral regions0
The Asian cultural heritage Alliance: a new public good for the protection of underwater cultural heritage in Asia?0
Gastrodiplomacy in Turkey: ‘saving the world’ or neoliberal conservative cultural policies at work0
Shaping cultural policy discourse in Germany: the case of ‘Cultural Education’0
Museums after the pandemic, from resilience to innovation: the case of the Uffizi0
The discursive construction of the role of public service broadcasting amid the rise of the Korean Wave0
Heritage diplomacy and soft power competition between Iran and Turkey: competing claims over Rumi and Nowruz0
Policy experimentation, everyday state informality, and contested cultural-creative entrepreneurial practices in urbanizing China0
Geir Vestheim: a tribute0
Inviting all humanity to an elite club? Understanding tensions in UNESCO’s global heritage regimes through the lens of a typology of goods0
The past and future of cultural diplomacy0
Missing the point- the disappointed hope of self- publishing authors0
Africa’s soft power. Philosophies, political values, foreign policies and cultural exports0
Computing taste: algorithms and the makers of music recommendation Computing taste: algorithms and the makers of music recommendation , by Nick Seaver, Chicago and Londo0
The fuzzy place of interreligious dialogue in the international community’s intercultural dialogue efforts0
Creative Justice: cultural industries, work, and inequality by Mark Banks, Rowman & Littlefield, 2017, 200 pp., £163;38.00 (paperback), ISBN 978-1-78660-129-2, https://rowman.com/ISBN/9781786601280
Can the ‘creative city’ be sustainable? Lessons from the Sant Martí district (Barcelona)0
South Korea’s intangible cultural heritage claims and China’s ontological security0
Libraries, archives, and museums in transition: changes, challenges, and convergence in a Scandinavian perspective0
‘Putting on the Green Jersey’: Irish artists as critical insiders and co-authors of an authentic nation brand0
Media graduates at work. Irish narratives on policy, education and industry0
Changes in North Korea’s heritage law and policy in relation to UNESCO World Heritage during Kim Jong-un’s regime0
Cultures of digital finance: the rise of the financial public sphere0
Transforming cultural policy in Eastern Europe: the endless frontier0
Minority language broadcasting beyond the core audience: the approach of BBC Alba and S4C to non-speakers of Scottish Gaelic and Welsh0
Rethinking ‘collective effervescence,’ post-COVID-19: what Japanese punks can teach us about crowd control0
Culture is bad for you: inequality in the cultural and creative industries0
Symphonic music and cultural statecraft: the rise of symphonic statecraft in the post-Mao China0
Justifying authoritarian practices: epistemic governance in two opposite interventionist policies on women’s attire in Iran’s pre- and post-revolution 19790
A critical-discursive investigation of smart heritage politics in China from macro-political, meso-institutional and micro-user perspectives0
Mirroring the inequalities of mainstream music platforms: popularity, revenue, and monetization strategies on Bandcamp0
Transformation. Art in East-Central Europe since 19890
Iran’s soft power in Azerbaijan: shifting cultural dynamics in the post-Soviet era0
Civilisations in dialogue? UNESCO and the politics of building East and West relations0
Participation and cultural heritage management in Norway. Who, when, and how people participate0
Health, financial means and cultural participation in Flanders: dissecting complex interaction patterns for nine forms of cultural participation0
From party politics to governing instruments: an analysis of letters of allocation to the Norwegian and Swedish heritage agencies0
At the juncture of funding, policy, and technology: how promising is match-funding of arts and culture through crowdfunding platforms?0
Reframing instrumentality: from New Public Management to New Public Governance0
Placemaking and the dynamic transformation of urban landscapes: a comprehensive exploration0
Age, mobility and creative output: prominent authors in 18th and 19th century Germany0
The hidden roots of the creative economy: a critical history of the concept along the twentieth century0
Funding the arts0
The COVID-19 pandemic, cultural heritage, and policy in Japan: implications of survey data0
Museums and societal collapse: the museum as lifeboat0
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