Irish Studies Review

Papers
(The TQCC of Irish Studies Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Folklore and nation in Britain and Ireland5
Walter Macken: critical perspectives5
Covid-19, cultural policy and the Irish arts sector: continuum or conjuncture?3
Contemporary Irish theatre and social change: activist aesthetics3
Post-Celtic Tiger Ireland and contemporary women’s writing: feminist interventions and imaginings2
Sally Rooney’s Normal People: the millennial novel of formation in recessionary Ireland2
Foreigners, non-nationals, immigrants”: precarious citizenship, precarious labour(s) in Oona Frawley’s Flight (2014)2
“Everything / we husband is always shedding”: intimacy, distance, and the politics of migration in Ailbhe Darcy’sInsistence2
Hardly working: eliding remunerative labour in recent Irish women’s fiction2
Finding a language that works for them: Gerald Dawe on young people’s engagement with poetry1
Performing social change on the island of Ireland: from republic to pandemic1
Yeats, revival, and the temporalities of Irish modernism1
Towards a religious understanding of the Orange Order: Belfast 1910 to 19141
Race, ethnicity, and representation in Irish children’s and young adult literature and film: an introduction1
The active lives of the material culture of commemoration: a Chinese braid and the Irish Citizen Army flag1
“A gathering of possibilities”: anthologisation and contemporary short fiction1
Sex and sexualities in Ireland: interdisciplinary perspectives1
The Celtic Phoenix, capitalist realism, and contemporary Irish women’s novels1
Donegal: the Irish Revolution, 1912–231
Reimagining Joyce’s Dublin: an interview with Freddie Phillipson1
Supporting parents with young children in Ireland: context, policies and research-supported interventions1
Remembering otherwise: media memory, gender and Margaret Thatcher in Irish hunger strike films1
Style over substance? The Blueshirts and transnational fascist culture1
Ireland and partition: Contexts and Consequences1
Reading work with Claire-Louise Bennett and Doireann Ní Ghríofa1
The pasts, presents and futures of transnational and global Irish Studies: “Snapshots”1
Backroads into buried pasts: Irish border mobilities and narrative film0
The modern Irish sonnet: revision and rebellion0
Representing the Great Famine in contemporary historical fiction: narrative and intertextual strategies in Joseph O’Connor’s Irish American trilogy0
Irish Modernisms: gaps, conjectures, possibilities0
“A call for women to be up and doing:” nationalism and suffrage in the work of Mary E.L. Butler0
“‘A story is a living thing’: a conversation with Oein DeBhairduin about the importance of Irish Traveller voices and authentic representation”0
Say Nope to the Pope : performance and resistance in the creative interventions during the 2018 papal visit to Ireland0
“Acting on apartheid in a way that is consonant with the Irish people’s love of freedom”: anti-apartheid activism in Ireland, 1959–19940
Writing work: a conversation with Caitríona Lally0
Re-staging the 1916 Rising: Eugene McCabe’sPull Down a Horseman(1966)0
Trauma and identity in contemporary Irish culture0
Writing Resistance in Northern Ireland0
The Edinburgh companion to W. B. Yeats and the arts0
Land and liberalism: Henry George and the Irish Land War0
Spectres and (Queer) spectrality inWuthering HeightsandPortia Coughlan0
Memories of the classical underworld in Irish and Caribbean poetry0
Rereading the Rising: towards an understanding of the influence of “Easter 1916” on contemporary Ireland0
Reading Rites: books, writing and other things that matter0
The Northern Ireland peace process: from armed conflict to Brexit0
Bernard Shaw, Sean O’Casey, and the Dead James Connolly0
Working in Cork: everyday life in Irish Steel, Sunbeam Wolsey and the Ford Marina plant, 1917–20010
Mystic modernity: Tagore and Yeats0
Erica Van Horn’s creative exercises0
The Irish Revival: a complex vision0
Somewhere bigger and brighter? Ambivalence and desire in memories of leaving the north of Ireland during the Troubles0
Myles na gCopaleen and the fate of “devocracy”:Cruiskeen Lawnand Irish electoral politics in the late 1950s0
“To all the brown kids, queer kids, fat kids”: exploring intersectionality in South-Asian-Irish young adult fiction through Adiba Jaigirdar’s contemporary novels0
Ireland, revolution and the English modernist imagination0
Unfeminine women and angry men: the Irish Post Office in 1902–19180
Canadian spy story: Irish revolutionaries and the secret police Canadian spy story: Irish revolutionaries and the secret police , by David A. Wilson, Montreal & King0
Art and sustenance in the work of Sara Baume0
Lost and found in the archives: Hannah Lynch and Dimitrios Vikélas Dublin, Athens, Paris: literary crossings and collaborations0
Cross-cultural gazes in contemporary Irish short stories0
Performance, modernity and the plays of J.M. Synge0
“Blurring the main story”: news in the work of Ciaran Carson0
“You are not to be cut off from Ireland:” Bram Stoker’s continuing relations with Edward Dowden0
Shadows from the trenches: Veterans of the great war & the Irish revolution, 1918–19230
Writing patriarchy out of tragedy? Marina Carr’s translocation of the atrides myth in Ariel0
“No irregularity or obstruction can resist them”: advertising of abortion pills in the Irish press, 1890–19300
Revisiting Brian Friel’s Translations through the lens of stage director Caitríona McLaughlin0
From the ‘Troubles’ to Trumpism: Ireland and America, 1960–20230
Legible affect and physical perspective-taking: promoting critical literacy about migration with Marie-Louise Fitzpatrick’s wordless picturebook, Owl Bat Bat Owl0
“The First National Museum”: Dublin’s Natural History Museum in the mid-nineteenth century0
Irish drama and wars in the twentieth century0
Reimagining Irish Studies for the twenty-first century0
Samuel Beckett and catastrophe0
Contraception and modern Ireland: a social history, c.1922–920
Ireland and the Magdalene Laundries: a campaign for justice0
Physical education in Irish schools, 1900–2000: a history0
The representation of the refugee experience in Jane Mitchell’s Run For Your Life and ‘There and Here’0
Ireland, slavery and the Caribbean: interdisciplinary perspectives0
Spectrality as ethical gift and the chance for justice: living on and dispossession in James Joyce’s “The Dead” and John Banville’sSnow0
The work of representation and representations of work: the feminist experimental poetries of Catherine Walsh and Ellen Dillon0
“The age-old struggle”: Irish republicanism from the battle of the Bogside to the Belfast agreement, 1969–19980
Neil Jordan: works for the page0
“The business of being a [twenty-first century] Rose”: racial capitalism in the Rose of Tralee pageant0
Seamus Heaney and American poetry0
Dancing enriched whiteness: race and gender in commercial Irish dance performance fromRiverdanceto the Trump Inaugural Ball0
Gossip, guerrilla intelligence, and women’s war work in Anna Burns’Milkman0
Hardy peasants, passive landlords: translating difference into agrarian capitalism0
Masculinities, the failed Bildungsroman, and the nation in Mary Lavin’sThe House in Clewe Street(1945)0
Moral authority in Seamus Heaney and Geoffrey Hill0
Decriminalizing abortion in Northern Ireland: volume 2, allies and abortion providers0
Race, difference, and Irish identity in Cartoon Saloon’s 2009 film, The Secret of Kells0
Electioneering and propaganda in Ireland, 1917–1921: votes, violence and victory0
Capitalism and Irish studies0
Narratives of the unspoken in contemporary Irish fiction: silences that speak0
Irish Theatre: Interrogating intersecting inequalities0
Contemporary Irish poetry and the climate crisis0
Post-catastrophic Irelands in contemporary fiction0
Haunted Heaney: Spectres and the Poetry0
“The sick body has its own narrative impulse”: contemporary Irish illness narratives and institutions of care0
Trad Nation: gender, sexuality, and race in Irish traditional music0
Commemorating Northern Ireland, 1921–20210
The Black and Tans 1920–1921: a complete alphabetical list, short history and genealogical guide0
The Shattered Worlds of Standish O’Grady: an Irish life in writing0
Disavowing asylum: documenting Ireland’s asylum industrial complex0
Transatlantic connections in John McGahern’s The Leavetaking0
Oscar Wilde, James Joyce and the Language of music0
James Joyce and Paul L. Léon: the story of a friendship0
The British and Anglo-Irish thing-essay from 1701 to 2021: of broomsticks and doughnuts0
“Stories last a long time after you go”: female solidarity in Emma Donoghue’s The Pull of the Stars and Elaine Feeney’s As You Were0
“Not with a bang but a whimper”: uncovering pandemic strains in Flann O’Brien’s later works0
Race, politics, and Irish America: a Gothic history0
The Edinburgh companion to Irish modernism0
On docile bodies: silence, control and surveillance as self-imposed disciplines in Anna Burns’ Milkman0
Objet petits pois : peas, domestics, and modernity in “Two Gallants”0
Contesting American citizenship on stage: sexuality, ethnicity, and the reception of The Playboy of the Western World0
“I took the left turn for eternity”: otherworlds, afterlives, and discursive storytelling traditions in Flann O’Brien’s The Third Policeman and Máirtín Ó Cadhain’s 0
Resting places: on wounds, war and the Irish Revolution0
Avant-Garde Nationalism at the Dublin Gate Theatre, 1928–19400
Form, affect and debt in Post-Celtic Tiger Irish fiction: Ireland in crisis0
Female gothics and the traumatic legacy of Ireland’s revolutionary years: Rosamond Jacob’s The Troubled House and Dorothy Macardle’s The Uninvited0
Austin Clarke0
Wilde Now : performance, celebrity and intermediality in Oscar Wilde0
Epistolary McGahern0
”Something that I read in a book”: W. B. Yeats’s Annotations at the National Library of Ireland. Vol. II: Yeats Writings0
Introduction: Critiquing crisis and commemoration0
Law and literature: the Irish case Law and literature: the Irish case , edited by Adam Hanna and Eugene McNulty, Liverpool, Liverpool University Press, 2022, 312 pp., £90
Theatre and archival memory: Irish drama and marginalised histories 1951–19770
The colleen and the crafting of Irishness: evolving national identity in McClinton’s Colleen Soap advertisements, 1910–19230
Even better than the real thing: a conceptual history of the “Celtic Phoenix”0
To Ireland in the end times: figuring the future in contemporary Irish fiction0
The Irish Jacobite army0
Subjects of tradition: cultural construction and Irish comprador capitalism0
Northern Irish writing after the troubles: intimacies, affects, pleasures0
The battle to control female fertility in modern Ireland0
Resonant and regular: silence in Derek Mahon’s later poetry and prose0
“We called ourselves the Irish Ladies’ distress committee”: Irish republican women in Britain, 1916–19230
Art history at the crossroads of Ireland and the United States0
John Montague: a poet’s life0
Conflict, diaspora, and empire: Irish nationalism in Britain, 1912–19220
Two exponents of observational comedy and the stage Irishman in nineteenth-century Irish theatre: Denis Leonard and Patrick Frederick Gallaher0
Revising the 1975 PIRA ceasefire through the lens of prospect theory0
“She is finally home”: feminist storytelling, family imaginaries and transnational solidarity in Irish abortion activism0
Belfast punk and the troubles: an oral history0
Transnational activism, solidarity and Ireland: an introduction0
Country house collections: their lives and afterlives0
Made in Ireland: studies in popular music0
Ireland and Ukraine: studies in comparative imperial and national history0
The making of Samuel Beckett’s Play/Comédie and Film0
A history of Irish women’s poetry0
Space and Irish lesbian fiction: towards a queer liminality0
Life after Emmet’s death: Sarah Curran’s literary and friendship circle0
Flann O’Brien: Gallows Humour0
Beyond the “republican family”: intergenerational memory, biography, and politics in Ireland since 19690
Irish dance and identity politics on TikTok0
Is ní cheilim, deirim, déarfad: the O’Donovan Rossa funeral, Pearse’s graveside oration and the Irish language context0
Defending Trinity College Dublin, Easter 1916: Anzacs and the Rising0
James Joyce and Samaritan hospitality: postcritical and postsecular reading in Dubliners and Ulysses0
Northern Ireland, the United States and the Second World War0
Songs in Irish popular politics: Cork election songs 1818–18370
H Blocks: an architecture of the conflict in and about Northern Ireland0
Irish crime fiction0
The economics of Empire: genealogies of capital and the colonial encounter0
“It’s a lot of work”: reading domestic labour in Anne Enright’s The Green Road0
“We know nothing except through style”: John Banville’s worldliness0
“That terrible, coloured little tragedy”?: Oscar Wilde, Salomé, and genre in transition0
“An gnáthléitheoir?”: representation, diversity and inclusion in Irish-language young adult and teen fiction0
“On the edge of foreign”: race and (non-)belonging in contemporary Irish crime fiction0
The healer in the tower: Biddy Early and discourses of healing in the work of W. B. Yeats and Lady Augusta Gregory0
Douglas Hyde: Irish ideology and international impact0
Sport, migration and national identity in contemporary Irish media0
Ireland, the Irish, and the rise of biofiction0
Getting to Good Friday: Literature and the Peace Process in Northern Ireland0
Making empire: Ireland, imperialism, and the early modern world0
Black abolitionists in Ireland0
Broken Irelands: literary form in post-crash Irish fiction0
Becoming an Irish traditional musician: learning and embodying musical culture0
Sounds Irish, acts global: explaining the success of Ireland’s popular music industry0
Domestic traumas in two plays by Jennifer Johnston0
From toxic industries to green extractivism: rural environmental struggles, multinational corporations and Ireland’s postcolonial ecological regime0
Guilt rules all: Irish mystery, detective, and crime fiction0
No foreign game: association football in the making of Irish identities0
Home-made in Belfast: domesticity as creative practice in Northern Irish art and performance0
Irish artisans and radical politics, 1776–1820: apprenticeship to revolution0
“Once it was Ireland, Now it is Kenya”: anti-colonialism and internationalism in the pages of the Connolly Association’s Irish Democrat in the 1950s–60s0
Roscommon: the Irish revolution, 1912–230
British intelligence and the Fenians, 1855–18800
“Love is a tide”: an interview with Anne Enright0
Stage Irish: performance, identity, cultural circulation0
Two censuses: religion and the politics of recognition0
The Irish media and the foundation of the Irish State on 6 December 19220
Dis-orienting Orientalism in contemporary Irish writing: Yan Ge’s Irish short stories0
Community nostalgia and transgenerational trauma: reconciling dichotomies from women’s oral history of West Belfast, 1975–1995 *0
Parody and performance: Paul Muldoon’s subversive pastoral0
Ageing masculinities in Irish literature and visual culture0
Austerity and Irish women’s writing and culture, 1980–20200
Rabindranath Tagore and James Henry Cousins: a conversation in letters, 1915–19400
Poppies, Para flags and the NHS: the iterability of commemoration in Northern Ireland0
Noraid and the Northern Ireland troubles, 1970–1994 Noraid and the Northern Ireland troubles, 1970–1994 , by Robert Collins, Dublin, Four Courts Press, 2022, 224 pp., €40
Diasporic subjects: migrant identities and twentieth-century Ireland0
Spiritual wounds: trauma, testimony and the Irish Civil War0
Flann O’Brien: acting out0
Elementary beckett0
A history of Irish literature and the environment A history of Irish literature and the environment , edited by Malcolm Sen, Cambridge, Cambridge University Press, 2022,0
'People who get up early in the morning': Irish political capital and the resonances ofIarnród Enda(2021)0
Plays by women in Ireland (1926–33): feminist theatres of freedom and resistance0
Music, the moving image and Ireland, 1897–20170
Wilde in the dream factory0
Introduction: women writing work0
Memory and counter-memory in contemporary Irish historical fictions: Lia Mills’Fallen(2015), Mary Morrissy’sThe Rising of Bella Casey(2016) and Emma Donoghue’sThe Pull of the Stars0
“A thing breaks beyond naming”: a review article on David Lloyd’s 2022 books, Counterpoetics of Modernity and The Harm Fields Counterpo0
Irish women in the First World War era: Irish women’s lives, 1914–19180
Exploring decolonial spaces in Irish-Language youth literature0
The Irish Bildungsroman0
Narrating Irish female development, 1916–20180
Dreams of the future in nineteenth century Ireland Dreams of the future in nineteenth century Ireland , edited by Richard J. Butler, Liverpool, Liverpool University Pres0
Northern Ireland a generation after Good Friday: lost futures and new horizons in the “long peace”0
The poets of Rapallo: how Mussolini’s Italy shaped British, Irish, and US writers0
Irish ex-servicemen, post-war reconstruction and the Empire Settlement Act0
Mere Bagatelles: women’s diaries from Ireland, 1760–18100
Temporality and finance in Post-crash Ireland: Paul Murray’s The Mark and the Void0
The Irish expatriate novel in late capitalist globalization0
Drama out of a crisis: James Connolly’sUnder Which Flag(1916) and Teresa Deevy’sThe Wild Goose(1936)0
Silence and articulacy in the poetry of Medbh McGuckian0
The rise of the phoenix: restoration and renaissance in contemporary Irish writing0
Classics and Celtic literary modernism: Years, Joyce, MacDiarmid and Jones0
Imperial translators: Hiberno-Spaniards, the Bourbon reforms and political economy0
Soccer and society in Dublin: a history of association football in Ireland’s capital0
Beyond the stereotype: educational underachievement in the Controlled sector in Northern Ireland0
The new Joyce studies0
Look! It’s a woman writer!: Irish literary feminisms 1970–20200
Irish English and Irish Studies: exploring language use and identity through fictional constructions of laddism0
Between two hells: the Irish Civil War0
Modern Irish and Scottish literature0
“The camera got through safely”: photography and women’s memory activism after the Irish Civil War and Spanish Civil War0
The formation of a writer: an interview with Elaine Feeney0
Music and sound in the life and literature of James Joyce: Joyces Noyces0
Bram Stoker’s dialects: nation, race, and speech in the early Irish fictions0
The Catholic Church and investor capitalism in late-nineteenth century Ireland0
“’Tis yourself is a skeleton”: deathbed scenes and ethnic identity in Irish-American short fiction, 1895–19100
Painting over the Troubles: street art, class, and re-imaging Belfast0
Yeats on theatre0
“What happened at all?” coming to terms with the past in Foster and An Cailín Ciúin0
Poetry, politics, and the law in modern Ireland0
Seamus Heaney, Virgil and the good of poetry0
“I think we all just got a bit too proud of ourselves too soon”: heteronormativity, whiteness, and Far-Right extremism in Caroline O’Donoghue’s All Our Hidden Gifts tril0
A woman’s place? Challenging values in 1960s Irish women’s magazines0
The Siege of Londonderry The Siege of Londonderry , by Piers Wauchope, Dublin, Four Courts Press, 2022, xvi + 276 pp., €45.00 (hardback), ISBN 97818015106220
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