Museum Management and Curatorship

Papers
(The TQCC of Museum Management and Curatorship is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
From cognition to emotion: mechanisms of Participatory Museum Interpretation37
Museums as agents for social change: collaborative programmes at the Mutare museum37
Free-choice visitor engagement through play in cultural heritage museums35
Inclusivity and digital technologies in museums: lessons from an Italian experience31
Beyond numbers: visual and textual diversity in the online art database28
Editorial25
Art and culture in the multiverse of metaverses: immersion, presence, and interactivity in the digital age20
Investigating parent attitudes from the perspective of learning experiences in a museum20
Reframing exhibition accessibility: multisensory curatorship and non-visual experience of visual impairment18
Editorial15
China's hidden century in Chinese visitors' eyes: a sequential explanatory mixed methods study13
Diversity and inclusion in museum studies: an analysis of current trends and practices through a systematic review of the literature13
‘We cannot, nor do we have the right to speak forgiveness for the grandmothers’: a study of visitor comment books at the Chinese Comfort Women Historical Museum in Shanghai12
The use of social media in Greek museums during the COVID-19 pandemic12
Adult family members’ roles in mediating children’s visits at a Chinese science museum11
Industrial museums with Chinese characteristics: theories and practices11
Enhancing parent–child interaction and satisfaction in cultural heritage exhibitions through multisensory experiences: a mixed-methods study11
The museum in Asia11
An exploratory study on children with special needs experiencing museum services: research data and lessons from being art museums10
Curating AI-driven Art: actors, institutional strategies and organisational change9
‘I felt I was right there with them’: the impact of sound-enriched audio description on experiencing and remembering artworks, for blind and sighted museum audiences9
Robots onboard? Investigating what individual predispositions and attitudes influence the reactions of museums’ employees towards the adoption of social robots9
Limitations and ethical reflection on the application of big data in museum visitor research8
Unveiling the influence: multiple superposition attributes of museum digital technology on visitors’ online engagement behavior7
Tourism marketing in a metaverse context: the new reality of European museums on meta7
Whose culture is it anyway? Perceptions of accessibility in museums by professionals working with people with intellectual disabilities in Greece7
Editorial7
Caring exhibitions: integrating care theory in museum practices and curatorship in Southern Europe7
Diversity as a matter of reality or a perception at the museum: samples of approaches and practices through research and analysis7
Comfort stations and their legacy: exhibitions of negative heritage6
The role of leadership behaviors in organizational citizenship behaviors at Vietnamese museums: workplace incivility and work engagement as mediators6
Commoning the museum: participation and the civic role of contemporary art museums in global cities6
Curated polyrhythms at the museum of screen culture: rethinking agency in digital museum experiences6
The museum of other people. From colonial acquisitions to cosmopolitan exhibitions5
Communities of transformation: an example from the museum field5
Practice architectures for bridging the semantic gap in museum documentation5
Copyright protection: a key element in realizing the development potential of digital cultural and creative products in museums5
Sick building syndrome in air-conditioned museum5
The myth of ‘pink collaring’: blaming women for pay inequity in art museums5
Short but meaningful: visitors’ experiences underlying time spent looking at artworks and labels5
Towards human-centric AI in museums: practitioners’ perspectives and technology acceptance of visitor-centered AI for value (co-)creation5
Editorial5
Revolutionary exhibition and youth identity: a visitor study of the Shanghai Sihang warehouse battle memorial5
Interfacing with history: curating with audio augmented objects5
Re-reading collections. A sustainable toolkit to achieve gender equality in museums5
Behind the words: a quantitative analysis of museums’ tweets4
Participatory research with children in Liangzhu Museum: co-developing a ‘child-friendly’ museum evaluation toolkit4
Mapping generation Z visitor experience priorities in small museums in China: an importance–performance analysis4
Meeting of collaborators: projection of an experimental exhibition ‘The Toys in My Money Box Are in My Playground' (2021–2024)4
What is the gap between curator’s plan and visitors’ perception of the palace museum?4
Quantifying factors influencing the interest in museums with the use of marketing mix modelling4
Social inequality determines science museums attendance in Latin America: a quantitative analysis of data from seven countries4
Correction4
The slow museum: the affordances of a university art museum as a nurturing and caring space for young children and their families4
Museum text translation in the Chinese context: the museum role and text production4
Who stays late? Institutional practices and audience engagement in late-night museum programming: the case of Greece4
Queer as a method in museum practice: inspiration from Queer Museums: Radical Inclusion and Western Museology4
Digitalization in Chinese museums: a policy evolution perspective3
Correction3
Building culturally sustainable communities. Community museums and transmedia storytelling3
‘Critically disruptive’ museum interpretation as a methodology for challenging popular perceptions of Roman Britain3
Diversified visitors’ participation roles as an innovation factor: a case study of the ‘Seoul Museum of Art Group’3
The relationship between interactive kiosk design towards usage intention in the National Music Museum of Malaysia3
Inventors and demolishers: children disrupting the museum from within3
‘Views for perverts!’: the threat of upskirting in the New Acropolis Museum, Athens3
Exploring information practices in Greek museums: a qualitative study3
Visitor orientation as a game changer for the digital transformation of museums3
Emotion-based indexing of cultural heritage: demographic differences in aesthetic vocabulary3
Following community guidelines in publishing Native American archaeological collections online3
Plunder? How museums got their treasures3
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