OOIR: Observatory of International Research

Papers

(The TQCC of Museum Management and Curatorship is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
Italian state museums during the COVID-19 crisis: from onsite closure to online openness	128
Heritage in lockdown: digital provision of memory institutions in the UK and US of America during the COVID-19 pandemic	96
Museums in the Infosphere: reshaping value creation	22
Inclusive museum audio guides: ‘guided looking’ through audio description enhances memorability of artworks for sighted audiences	20
Reinterpreting museums’ intended experience during the COVID-19 pandemic: insights from Italian University Museums	20
Young people and museums in the time of covid-19	19
Humanized museums? How digital technologies become relational tools	15
The J. Paul Getty Museum during the coronavirus crisis	14
The evolving responsibility of museum work in the time of climate change	13
China Science and Technology Museum boosting fight against COVID-19	12
Evolving climate change policy and museums	12
The Met and the COVID crisis	11
Online reputation and user engagement as strategic resources of museums	10
Museum as multisensorial site: story co-making and the affective interrelationship between museum visitors, heritage space, and digital storytelling	10
Curating good participants? Audiences, democracy and authority in the contemporary museum	9
Current use cases, benefits and challenges of NFTs in the museum sector: toward common pool model of NFT sharing for educational purposes	9
Instagram as an exhibition space: reflections on digital remediation in the time of COVID-19	9
Analysing narrative engagement with immersive environments: designing audience-centric experiences for cultural heritage learning	9
Developing experiences: creative process behind the design and production of immersive exhibitions	8
Symbolic power for student curators as social agents: the emergence of the museum of World Languages at Shanghai International Studies University during the COVID-19 era	7
A Twitter network analysis of European museums	7
Interactive communication using social media – the case of museums in Southern Poland	7
Leading the NATIONAL GALLERY of ART during COVID-19	7
Covid-19 and the cultural life of older people	6
Museum communication management in digital ecosystems. Impact of COVID-19 on digital strategy	6

Museums in perilous times	6
Teacher’s impact on museum education and design of new-generation school and museum collaboration in Turkey	6
This is not an apple! Benefits and challenges of applying computer vision to museum collections	6
Artists brands and museums: understanding brand identity	5
Instagram and the museum experience: theorising the connection through aesthetics, space and sharing	5
Image metadata. From information management to interpretative practice	5
Designing sensory museum experiences for visitors’ emotional responses	5
City museums in the age of datafication: could museums be meaningful sites of data practice in smart cities?	4
Actions for the future: determining sustainability efforts in practice in Arizona museums	4
‘ … Yet, it is still very White’: structural and cultural impediments to DEAI change in science museums	4
Social value in the orange economy: social accounting applied to museums	4
Making sense of visitors’ sense-making experiences: the REMIND method	4
Tourism marketing in a metaverse context: the new reality of European museums on meta	4
Connectedness, consumption and climate change: the exhibition human nature	4
Experimenting hybrid reality in cultural heritage reconstruction. The Peasant Civilisation Park and the ‘Vicinato a Pozzo’ museum of Matera (Italy)	4
How transformational leadership influences museums’ performance: a contextual ambidexterity view	4
Empowering cultural heritage professionals: designing interactive exhibitions with authoring tools	4
#Arttothepeople? An exploration of Instagram’s unfulfilled potential for democratising museums	4
Creating the ‘virtual’ witness: the limits of empathy	4
Understanding levels of online participation in the U.K. museum sector	3
Unsettling national narratives and multiplying voices: the art museum as renewed space for social advocacy and decolonization – a Canadian case study	3
Co-designing choice: objectivity, aesthetics and agency in audio-description	3
Designing mobile museum experiences for teenagers	3
Latent dimensions of museum experience: assessing cross-cultural perspectives of visitors from tripadvisor reviews	3
Museum translation as a political act: narrative engagement for affective experiences in the War and Women's Human Rights Museum in Seoul	3
From government management to board governance: the development history and practice of Board of Trustees in Chinese museums, a comparative analysis of museum boards in China and the US	3
Food heritage as a resource for museum cooperation: lessons from a project at the Estonian National Museum	3
Redefining professionalism for the informal STEM learning field	3
A cup of tea in history: visitors’ perception of the Iran Tea Museum and the Ho Yan Hor Museum in the modern age (a comparative study)	3
The undervalued power of museum-guided tours: a case study of Xuhui Art Museum in China	3
Revisiting museums of contemporary art: what factors affect visitors with low and high levels of revisit intention intensity?	3
Growing with Covid: curatorial innovation in times of uncertainty	3
Liminal spaces and the shaping of family museum visits: a spatial ethnography of a major international art museum	3
The Groninger Museum experience	3