OOIR: Observatory of International Research

Papers

(The TQCC of Museum Management and Curatorship is 4. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
Free-choice visitor engagement through play in cultural heritage museums	43
From cognition to emotion: mechanisms of Participatory Museum Interpretation	43
Beyond numbers: visual and textual diversity in the online art database	40
Inclusivity and digital technologies in museums: lessons from an Italian experience	39
Editorial	28
Investigating parent attitudes from the perspective of learning experiences in a museum	26
Art and culture in the multiverse of metaverses: immersion, presence, and interactivity in the digital age	23
Reframing exhibition accessibility: multisensory curatorship and non-visual experience of visual impairment	22
Editorial	19
The museum in Asia	18
Diversity and inclusion in museum studies: an analysis of current trends and practices through a systematic review of the literature	16
China's hidden century in Chinese visitors' eyes: a sequential explanatory mixed methods study	14
The use of social media in Greek museums during the COVID-19 pandemic	14
‘We cannot, nor do we have the right to speak forgiveness for the grandmothers’: a study of visitor comment books at the Chinese Comfort Women Historical Museum in Shanghai	13
Adult family members’ roles in mediating children’s visits at a Chinese science museum	12
Industrial museums with Chinese characteristics: theories and practices	12
Enhancing parent–child interaction and satisfaction in cultural heritage exhibitions through multisensory experiences: a mixed-methods study	12
Robots onboard? Investigating what individual predispositions and attitudes influence the reactions of museums’ employees towards the adoption of social robots	11
An exploratory study on children with special needs experiencing museum services: research data and lessons from being art museums	11
Limitations and ethical reflection on the application of big data in museum visitor research	9
Whose culture is it anyway? Perceptions of accessibility in museums by professionals working with people with intellectual disabilities in Greece	9
‘I felt I was right there with them’: the impact of sound-enriched audio description on experiencing and remembering artworks, for blind and sighted museum audiences	9
Diversity as a matter of reality or a perception at the museum: samples of approaches and practices through research and analysis	9
Curating AI-driven Art: actors, institutional strategies and organisational change	9
Editorial	8

Unveiling the influence: multiple superposition attributes of museum digital technology on visitors’ online engagement behavior	8
Caring exhibitions: integrating care theory in museum practices and curatorship in Southern Europe	8
Comfort stations and their legacy: exhibitions of negative heritage	7
Tourism marketing in a metaverse context: the new reality of European museums on meta	7
The role of leadership behaviors in organizational citizenship behaviors at Vietnamese museums: workplace incivility and work engagement as mediators	7
Curated polyrhythms at the museum of screen culture: rethinking agency in digital museum experiences	7
Editorial	7
Commoning the museum: participation and the civic role of contemporary art museums in global cities	7
Sick building syndrome in air-conditioned museum	7
Interfacing with history: curating with audio augmented objects	6
Communities of transformation: an example from the museum field	6
Practice architectures for bridging the semantic gap in museum documentation	6
The museum of other people. From colonial acquisitions to cosmopolitan exhibitions	6
Behind the words: a quantitative analysis of museums’ tweets	5
Revolutionary exhibition and youth identity: a visitor study of the Shanghai Sihang warehouse battle memorial	5
Copyright protection: a key element in realizing the development potential of digital cultural and creative products in museums	5
Short but meaningful: visitors’ experiences underlying time spent looking at artworks and labels	5
What is the gap between curator’s plan and visitors’ perception of the palace museum?	5
Towards human-centric AI in museums: practitioners’ perspectives and technology acceptance of visitor-centered AI for value (co-)creation	5
Quantifying factors influencing the interest in museums with the use of marketing mix modelling	5
The myth of ‘pink collaring’: blaming women for pay inequity in art museums	5
Re-reading collections. A sustainable toolkit to achieve gender equality in museums	5
Who stays late? Institutional practices and audience engagement in late-night museum programming: the case of Greece	5
The slow museum: the affordances of a university art museum as a nurturing and caring space for young children and their families	4
Museum text translation in the Chinese context: the museum role and text production	4
Queer as a method in museum practice: inspiration from Queer Museums: Radical Inclusion and Western Museology	4
Diversified visitors’ participation roles as an innovation factor: a case study of the ‘Seoul Museum of Art Group’	4
Meeting of collaborators: projection of an experimental exhibition ‘The Toys in My Money Box Are in My Playground' (2021–2024)	4
Social inequality determines science museums attendance in Latin America: a quantitative analysis of data from seven countries	4
Digitalization in Chinese museums: a policy evolution perspective	4
Correction	4
Participatory research with children in Liangzhu Museum: co-developing a ‘child-friendly’ museum evaluation toolkit	4
Mapping generation Z visitor experience priorities in small museums in China: an importance–performance analysis	4
Correction	4
Visitor orientation as a game changer for the digital transformation of museums	4
Exploring information practices in Greek museums: a qualitative study	4