Museum Management and Curatorship

Papers
(The median citation count of Museum Management and Curatorship is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Museums as agents for social change: collaborative programmes at the Mutare museum37
Beyond numbers: visual and textual diversity in the online art database35
Inclusivity and digital technologies in museums: lessons from an Italian experience32
Free-choice visitor engagement through play in cultural heritage museums31
From cognition to emotion: mechanisms of Participatory Museum Interpretation28
Editorial24
Investigating parent attitudes from the perspective of learning experiences in a museum21
Latent dimensions of museum experience: assessing cross-cultural perspectives of visitors from tripadvisor reviews20
Reframing exhibition accessibility: multisensory curatorship and non-visual experience of visual impairment18
Art and culture in the multiverse of metaverses: immersion, presence, and interactivity in the digital age16
Editorial15
China's hidden century in Chinese visitors' eyes: a sequential explanatory mixed methods study15
The use of social media in Greek museums during the COVID-19 pandemic13
Diversity and inclusion in museum studies: an analysis of current trends and practices through a systematic review of the literature13
‘We cannot, nor do we have the right to speak forgiveness for the grandmothers’: a study of visitor comment books at the Chinese Comfort Women Historical Museum in Shanghai12
Industrial museums with Chinese characteristics: theories and practices12
Enhancing parent–child interaction and satisfaction in cultural heritage exhibitions through multisensory experiences: a mixed-methods study11
Adult family members’ roles in mediating children’s visits at a Chinese science museum11
An exploratory study on children with special needs experiencing museum services: research data and lessons from being art museums11
Curating AI-driven Art: actors, institutional strategies and organisational change10
‘I felt I was right there with them’: the impact of sound-enriched audio description on experiencing and remembering artworks, for blind and sighted museum audiences10
Robots onboard? Investigating what individual predispositions and attitudes influence the reactions of museums’ employees towards the adoption of social robots10
Limitations and ethical reflection on the application of big data in museum visitor research9
Editorial9
Caring exhibitions: integrating care theory in museum practices and curatorship in Southern Europe8
Would the employment of advanced technology and online presence help museums in the Middle East achieve their organizational goals?8
Diversity as a matter of reality or a perception at the museum: samples of approaches and practices through research and analysis7
Whose culture is it anyway? Perceptions of accessibility in museums by professionals working with people with intellectual disabilities in Greece7
Tourism marketing in a metaverse context: the new reality of European museums on meta7
Unveiling the influence: multiple superposition attributes of museum digital technology on visitors’ online engagement behavior7
Editorial7
Curated polyrhythms at the museum of screen culture: rethinking agency in digital museum experiences6
Commoning the museum: participation and the civic role of contemporary art museums in global cities6
The role of leadership behaviors in organizational citizenship behaviors at Vietnamese museums: workplace incivility and work engagement as mediators6
Sick building syndrome in air-conditioned museum6
Comfort stations and their legacy: exhibitions of negative heritage6
Editorial5
The myth of ‘pink collaring’: blaming women for pay inequity in art museums5
Revolutionary exhibition and youth identity: a visitor study of the Shanghai Sihang warehouse battle memorial5
Short but meaningful: visitors’ experiences underlying time spent looking at artworks and labels5
Re-reading collections. A sustainable toolkit to achieve gender equality in museums5
Interfacing with history: curating with audio augmented objects5
The museum of other people. From colonial acquisitions to cosmopolitan exhibitions5
Communities of transformation: an example from the museum field5
Museum text translation in the Chinese context: the museum role and text production4
Mapping generation Z visitor experience priorities in small museums in China: an importance–performance analysis4
Exploring information practices in Greek museums: a qualitative study4
Practice architectures for bridging the semantic gap in museum documentation4
Quantifying factors influencing the interest in museums with the use of marketing mix modelling4
Queer as a method in museum practice: inspiration from Queer Museums: Radical Inclusion and Western Museology4
Participatory research with children in Liangzhu Museum: co-developing a ‘child-friendly’ museum evaluation toolkit4
Meeting of collaborators: projection of an experimental exhibition ‘The Toys in My Money Box Are in My Playground' (2021–2024)4
What is the gap between curator’s plan and visitors’ perception of the palace museum?4
Towards human-centric AI in museums: practitioners’ perspectives and technology acceptance of visitor-centered AI for value (co-)creation4
Correction4
Who stays late? Institutional practices and audience engagement in late-night museum programming: the case of Greece4
Social inequality determines science museums attendance in Latin America: a quantitative analysis of data from seven countries4
The slow museum: the affordances of a university art museum as a nurturing and caring space for young children and their families4
Behind the words: a quantitative analysis of museums’ tweets4
Copyright protection: a key element in realizing the development potential of digital cultural and creative products in museums4
Diversified visitors’ participation roles as an innovation factor: a case study of the ‘Seoul Museum of Art Group’3
Inventors and demolishers: children disrupting the museum from within3
The relationship between interactive kiosk design towards usage intention in the National Music Museum of Malaysia3
Plunder? How museums got their treasures3
Visitor orientation as a game changer for the digital transformation of museums3
‘Views for perverts!’: the threat of upskirting in the New Acropolis Museum, Athens3
Emotion-based indexing of cultural heritage: demographic differences in aesthetic vocabulary3
Building culturally sustainable communities. Community museums and transmedia storytelling3
Digitalization in Chinese museums: a policy evolution perspective3
Following community guidelines in publishing Native American archaeological collections online3
The value of technology and interactive systems in cultural heritage interpretation: a study based on existing empirical research2
The role of the museum shop in sustainable futures2
How to address a ‘curation crisis’: rethinking collection storage at the Museum of Tropical Queensland2
Editorial2
Lean on Me! Building trust and reducing risk through emotional rapport in inclusive museum experiences2
‘Imperfectly and by only a passing glance’: the return of the salon hang2
‘Critically disruptive’ museum interpretation as a methodology for challenging popular perceptions of Roman Britain2
The museum accessibility spectrum: re-imagining access and inclusion2
Awe in the museum: casting light on the role of the curator2
The adoption of virtual technology in museums: the case of a modern and contemporary museum in Indonesia2
Encoding object-oriented democracy in Swedish museums: implementing method of the thing in exhibition-making2
Co-curating with trans people: the challenges of collaborating with heterogenous minoritised communities2
Editorial2
Museum Finance: Issues, Challenges, and Successes2
The influence of visitors’ self-protective behaviors on social carrying capacity in museums during the COVID-19 pandemic2
Understanding levels of online participation in the U.K. museum sector2
Understanding virtual museum visits: generation Z experiences2
Transforming Museum Management: Evidence-Based Change through Open Systems Theory2
From origin to future: interdisciplinary approaches to provenance in art collections2
Understanding and harnessing the potential of front-line employees’ self-governance in technologised museums and theme parks: insights from a qualitative study2
New genre Arctic art in institutional and activistic contexts2
Revisiting museums of contemporary art: what factors affect visitors with low and high levels of revisit intention intensity?2
Creating of a xylarium and herbarium with a preventive conservation profile: review of procedures and materials1
Intangible Cultural Heritage and Participation: Encounters with Safeguarding Practices1
Research on the welcoming experience of the museum's arrival space1
Decolonising ethnographic documentation at the Sierra Leone National Museum: a systematic review1
Art curatorship strategy models: from tradition to contemporaneity1
Communities of practice as a strategy for research in museums1
Dialogues with cultural heritage via museum digitalisation: developing a model of visitors’ cognitive identity, technological agent, cultural symbolism, and public engagement1
Editorial1
Editorial1
Museums as catalysts for social change: reconstructing the narrative in Danish Society1
COVID-19 and the museum environment1
When stories are not the same: power and powerlessness in a Nigerian Museum1
From past achievements to possible futures: science museums as spaces for futures thinking1
Museums and wealth: the politics of contemporary art collections1
Museums and narrative. from ‘Grand Narratives’ and objects biographies to exhibition storytelling1
Translating environmental memory in a natural history museum1
Flourishing in museums: towards a positive museology1
Photo-Museology – The presence of absence and the absence of presence Photo-Museology – The presence of absence and the absence of presence , by Mark Adams and Nicholas 1
Curating lively objects: exhibitions beyond disciplines1
Museum literature as a foundation for change: new perspectives for museum practice1
Being present and bearing witness: talking about cultural revitalization programming in museums1
Symbolic power for student curators as social agents: the emergence of the museum of World Languages at Shanghai International Studies University during the COVID-19 era1
Sensory cues as transformative tools in driving inclusion: insights from visitors and managerial perspectives1
The edutainment scan: immersive media and its deployment in museums1
Enhancing the appeal of university art museums: perceptions, preferences and experiences of visitors and non-visitors1
War heritage impact on museum dynamics in Budapest: a multidimensional analysis of visitor satisfaction through cultural, statistical, and netnographic modalities1
Editorial1
Editorial0
Reconcile the past with the present by pranking on April Fool’s Day? A critical reflection on the Operation Bust of NTU History Gallery0
Correction0
An empirical study of visitors' engagement with a museum robot guide and a mobile audio guide: a case study in South Korea0
Public art and private wealth: the controversial collaboration between the National Museum in Norway and Fredriksen Family Art Company Ltd0
Editorial0
Workforce development: transforming museums or transforming people? Exploring the impact of the UK Museums Association’s Transformers programme, 2014–2010
‘We want to know more than that’: lessons learnt from the public workshop on collections data at the V&A0
Museums and Societal Collapse: The Museum as Lifeboat0
Mediated identity politics and museum visitors: a comparative analysis of Macedonian museums in Greece0
Editorial0
The usefulness of intellectual property rights in selected areas of museum activity0
How audiences play: an overview of typical play activities in museums0
Alone together? Solitary and shared visiting practices of pairs in the art museum0
Editorial0
How might we? Co-constructing recommendations on digital and organizational change0
Designing mobile museum experiences for teenagers0
The museum visiting experience journey: a comparative analysis of physical museums and virtual museums0
Application of the Long Tail theory in modern museum virtual curation: a study of curatorial directions in the digital age0
Editorial0
Access for the blind in the art setting: tactile paintings as touching experiences?0
Designing museum experiences for eudaimonic or hedonic well-being: insights from interviews with museum visitors0
Editorial0
Museum-audience interaction within permanent exhibitions of natural history museums: a systematic literature review0
Museum communication management in digital ecosystems. Impact of COVID-19 on digital strategy0
How basic psychological needs satisfaction combats museum fatigue: the influence of museum involvement and trait self-control0
Museums’ perspectives and actions regarding children with autism spectrum disorder participation and access0
Multisensory museum experience: an integrative view and future research directions0
Creative futures for cultural heritage: a typology of creative practice in the GLAM sector – towards a creative heritage approach0
Contesting collectors and conventions. An interdisciplinary approach to analyzing narrative identity in collectors’ museums0
Inclusive intangible cultural heritage safeguarding in museums: professionalism vs. ethnic attribution in a Western Balkan setting0
Too Jewish or Not Jewish Enough: Ritual Objects and Avant-Garde Art at the Jewish Museum of New York0
The colonial roots of botany – legacies of empire in the botanic gardens of Oxford and Kew0
Digitally enriched museum experiences – what technology can do0
Decolonising carceral heritage: narratives of violence and independence in colonial museums in Goa, India0
TikTok in museum management: an effective museum enhancement tool ?0
Art museums as ‘ cultural market organization’ : the case of the Espace Riopelle at the Musée national des beaux-arts du Québec0
COVID-19 and the economic sustainability of Italian museums: can digital technologies enhance new revenue models?0
A participatory approach to exhibition theme development0
Analysis of the October 2023 fire at the Balat Toy Museum in Istanbul: a qualitative case study in disaster management0
Storytelling in heritage tourism: an exploration of co-creative experiences from a tourist perspective0
Museums for peace: in search of history, memory and change0
Recommending art online: investigating user engagement and interactions with a digital collection0
Instagram and the museum experience: theorising the connection through aesthetics, space and sharing0
Museums as assemblages: analysing dynamic museum practice0
The effects of salience and ordinal position of exhibit objects on visitor attention in digital exhibitions0
Empowering cultural heritage professionals: designing interactive exhibitions with authoring tools0
Central Yup'ik masks in the Vatican Museums; indigenous American heritage in European museums0
The efficient use of new cultural management tools in the adaptation of public heritage during the COVID-19 pandemic0
Evaluating DEAI plans in nonprofit museums: trends and approaches0
The temporary exhibition as a tool for communication and relationship between science and society: the case study of the Darwin-Dohrn Museum in Naples (Italy)0
Experimental museology: institutions, representations, users,0
Design demand of souvenirs to improve the brand value of museums0
Civil war, museum and iconoclasm in Northern Ethiopia: Dessie and Merho Museums in focus0
Ethics of contemporary collecting0
From hopelessness to hope: using a desire-based approach to investigate the perspectives of museum specialists in Ghanaian museums0
The collection in contemporary museums: ideal vs. practice0
Study examines parent–child families’ interactions with exhibits in natural history museum0
The garden visitor experience0
Repatriation of aboriginal sacred objects: prospects for the return of the poorly provenanced0
Art museum visitors: how do they perform class distinction?0
Green public procurement in the museum sector: a first look at evidence0
Barriers to organisational changes in Poland's public museums0
Editorial0
Memories in quarantine: reconstructing museum visitors’ experiences in uncertain times0
Experiencing a historic garden online: impact of an inclusive digital multisensory audio descriptive tour0
Adopting multimedia techniques in art museums: the case of the national gallery of fine arts, Jordan0
Current use cases, benefits and challenges of NFTs in the museum sector: toward common pool model of NFT sharing for educational purposes0
Editorial0
Editorial0
Museum institutions and fashion: determinants of museums’ involvement in fashion-related activities0
Mine museums: a creative economics approach towards sustainable tourism0
Experimentation and collecting practice: balancing flexible policies and accountability in developing born-digital museum collections0
Editorial0
The evolution of organisational structures in Chinese museums: foreign concepts and local practices0
Why the museum matters0
Achieving museum performance: the role of learning orientation and product innovation0
Image metadata. From information management to interpretative practice0
Sustainability narratives and the green transition in museums: comparative insights from the gulf cooperation council (GCC) and European contexts0
Capturing interfaces between museum architecture and exhibition design: a critical inquiry into museum space concepts0
Museums and climate change discourse: the selected case studies analysis0
Editorial0
The museums and collections of higher education0
‘Qualifying the sacred: recognising First Nations cultural values in the management and repatriation of museum collections.’0
Museum as active aging place for elderly volunteer interpreters:from the perspective of Chinese ‘Family’ and ‘State’0
The digitalized ‘innovation lab’: valorizing the museum outside the museum0
Driving co-engineering in virtual children’s museum: using community engagement0
Emergency or emerging financing strategies of art museums in the context of a pandemic?0
Editorial0
Editorial0
Ambient topologies in the museum route (light, sound, and thermal): the method of analysis and visualization0
Measurement of visitors’ visual perceptions and emotional reactions for the Ulucanlar Prison Museum0
The museum education job taxonomy: how our job titles affect our work and our value0
Guest editorial0
Foundling museums: exhibition design and the intersection of the vital materiality of foundling tokens and affective visitor experience0
How to deal with ‘orphaned’ specimens in natural history collections – a malacological case study at the Arctic University Museum of Norway0
Material culture of childhood: tracing objects in museum collections0
Exploring engagement in value creation – a multi-stakeholder perspective in the museum context0
Canada's Indian residential schools: museums, heritage, and affect0
Are contemporary art museums non-profit institutions? Axioms, paradoxes, and contradictions on the economic role of museums0
The typology of drones-based initiatives by Italian museums0
Are visitors’ satisfaction reliable? A perspective from museum visitor behavior0
In what ways can Rapid Response Collecting be utilised by museums as a curatorial approach in advocating increased democratic and egalitarian approaches towards art within society?0
Human factor in European museums’ intellectual property management through sociocultural, legal, political and economic determinants0
Exploring the learning experiences of autistic children in museums and informal educational settings: a systematic review0
The affective turn in museums and the rise of affective curatorship0
Circular design strategies for exhibitions: how museums can limit their waste0
Museums in the COVID-19 pandemic: the impact of economic stimulus policy and market strategy of the national palace museums in Taiwan0
Corporate museums and performance measurement systems0
What free really costs: museum practice and policy in Finland0
Art and archives in the gallery: the archivist’s perspective0
Creating heritage. Unrecognised pasts and rejected futures0
The politics of (in)visibility: orientalism and Chinese representation in Indonesian museums0
Play in museums: a scoping review0
Virtual reality and decolonial practice: a case study of Dunhuang Mogao Caves0
Decolonisation as difficulty – dialogic analysis and institutional practice0
Museum diplomacy: how cultural institutions shape global engagement0
Preliminary exploration of multisensory experiences in museums: a phenomenological perspective0
Art management in the era of digitalization. Innovative approaches to the organization of virtual exhibitions in modern museums. Experience of cooperation between China and Russia0
Editorial0
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