OOIR: Observatory of International Research

Papers

(The median citation count of Plainsong & Medieval Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Revisiting ‘Toledo, Rome, and the Legacy of Gaul’: new evidence from the Divine Office	2
Processional melodies in the Old Hispanic rite	2
‘And lastly, one for Saint Blaise’: bishops, widows and patronage in a lost Office of Reginold of Eichstätt	1
David Andrés Fernández and Jane Morlet Hardie, eds., Into the Diaspora: Essays on Medieval and Early Modern Liturgical Music Manuscripts at the University of Sydney, Musicological Studies 113. Kitchen	1
PMM volume 32 issue 2 Cover and Front matter	0
PMM volume 32 issue 1 Cover and Back matter	0
PMM volume 30 issue 1 Cover and Back matter	0
Chevalier mult estes guariz and the ‘pre-chansonnier’ vernacular lyric	0
The music theory booklet Balliol 173A, fols. 74r–81v: scribal organisation of an early medieval theory miscellany	0
David Andrés Fernández and Alejandro Vera, Los Cantorales de la Catedral de Lima: Estudio, Reconstrucción y Catálogo. Madrid: Sociedad Española de Musicología, 2022. 594 pp. €35. ISBN 978 84 86878 92	0
On dubious claims regarding the enigmatic Chilston	0
Songs materialising as music: medieval monophony in song books and music manuscripts	0
Owen Rees, The Requiem of Tomás Luis de Victoria (1603). Cambridge: Cambridge University Press, 2019. xiv + 262 pp. £75. ISBN 978 1 107 05442 4.	0
Catherine Saucier, ed., Historia sancti Iohannis evangeliste (traditionibus Leodiensis et Boscudocis), Wissenschaftliche Abhandlungen/Musicological Studies 65, Historiae 34. Kitchener, ON: The Institu	0
PMM volume 30 issue 2 Cover and Front matter	0
PMM volume 32 issue 1 Cover and Front matter	0
Zsuzsa Czagány (ed.), Antiphonale Varadinense: s. XV, vol. I: Proprium de tempore; vol. II: Proprium de sanctis et commune sanctorum; vol. III: Tanulmányok / Essays, Musicalia Dan	0
Ars Antiqua motets in fourteenth-century Italy: liturgical priorities, style and notation in Bodleian, lat. liturg. e. 42	0
Dealing with change: the Carthusians and Corpus Christi	0
Benedictus es domine, the Ambrosian Canticle of the Three Children in the Fiery Furnace	0
Commemorating the Virgin Mary at Barking Abbey: Cambridge, University Library, Dd.12.56	0
Antonio Calvia, Stefano Campagnolo, Andreas Janke, Maria Sofia Lannutti and John Nádas, eds., The End of the Ars Nova in Italy: The San Lorenzo Palimpsest and Related Repertories, La Tradizione Musica	0
Johannes de Muris's Musica speculativa cited by Jacobus de Ispania	0
PMM volume 33 issue 1 Cover and Front matter	0
Jerome of Moray: a Scottish Dominican and the evolution of Parisian music theory 1220–1280	0

Dwight F. Reynolds, The Musical Heritage of Al-Andalus, SOAS Studies in Music. Abingdon: Routledge, 2021. xiii + 260 pp. ISBN 978 0 367 24314 2 (hardback); 978 0 429 28165 5 (ebook).	0
Preacher and prophet: intersecting voices of St John the Evangelist in late medieval ‘s-Hertogenbosch	0
PMM volume 33 issue 1 Cover and Back matter	0
PMM volume 32 issue 2 Cover and Back matter	0
PMM volume 31 issue 1 Cover and Back matter	0
Ornamental melismas in Aquitanian introits	0
PMM volume 31 issue 2 Cover and Back matter	0
New evidence from Shrewsbury on the creation and circulation of music in high-medieval England	0
The responsories of the Old Hispanic Night Office and their sources	0
PMM volume 30 issue 1 Cover and Front matter	0
Liturgical chant bibliography 30	0
Differentiating hands in square chant notation	0
Sarah Ann Long, Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550, Eastman Studies in Music. Rochester, NY: University of Rochester Press; Woodbridge: Boydell & Brewer, 2	0
Mass of the Blessed Virgin Mary According to the Use of Salisbury,I:Introduction and Choir Book;II:Priest's Book, Directory and Ordinal, ed. John Harper with Sally Harper and Matthew Che	0
Ainard of Dives and the Ste-Catherine-du-Mont office for St Katherine of Alexandria: ‘Inter praecipuos cantores scientia musicae artis’	0
Esperanza Rodríguez-García and Daniele V. Filippi, eds., Mapping the Motet in the Post-Tridentine Era. Abingdon and New York: Routledge, 2019. xvi + 287 pp. £95. ISBN 978 1 138 20710 3 (hardback); 978	0
Hidden colouration: deep metrical flexibility in Machaut	0
Two early layers of Sanctus melodies	0
PMM volume 30 issue 2 Cover and Back matter	0
Rachel May Golden, Mapping Medieval Identities in Occitanian Crusade Song. New York: Oxford University Press, 2020. xviii + 284 pp. £35.99. ISBN 978 0 190 94861 0.	0
PMM volume 31 issue 2 Cover and Front matter	0
PMM volume 31 issue 1 Cover and Front matter	0