Cultural Trends

Papers
(The TQCC of Cultural Trends is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
Promoting culture and creativity in Ghana: bottom-up strategies for creative industries development41
(De)politicising Argentinian cultural policy? an analysis of Macri’s cultural policy (2015–19)40
Editorial25
Performance, cultural resistance and social justice: India’s creative economies since the COVID-19 pandemic25
The four worlds of creative employees: the role of education level and job-education match21
Avant-garde or democracy? Transformations and dilemmas of the U.S. public art programme in the 1970s16
Transnational cultural networks: soft mechanisms for cultural diversity and frictionless mobility: tools for EU legitimacy?14
A value based approach to assessing changes in cultural policies12
The REED typology: understanding market-orientation and instrumental values in cultural policy across Europe11
Editorial10
The Class Ceiling: Why It Pays to Be Privileged10
Understanding Well-Being Data: Improving Social and Cultural Policy, Practice and Research9
Get back: analysing the impact of the COVID-19 pandemic on the Lowlands festival9
Kenneth Kwok (Ministry of National Development, Singapore): in conversation8
Cultural Management and Policy in Latin America8
Towards a paradigm shift? The potential of participatory arts practices in a context of post-crisis reconstruction7
Audience Development and Cultural Policy7
Relocation, relocation, relocation: examining the narratives surrounding the Channel 4 move to regional production hubs7
Negotiating participation: investigation of an informal art and urban development initiative in Norway6
The duality of creative hubs in non-Western contexts: the case of Bomontiada6
The Digital Lives of Black Women in Britain5
Editorial5
Cultural capitals and creative labour of short video platforms: a study of wanghong on Douyin5
Heritage conservation and the limitation of public-private partnerships5
Precarious work and creative placemaking: freelance labour in Bristol4
Cracking up: the pandemic effect on visual artists’ livelihoods4
Women in the Irish Film Industry: Stories and Storytellers4
What is an independent art space? Using a text-mining approach to describe independent art spaces4
Decolonising the cultural policy and management curriculum – reflections from practice4
Cakes and ale: the role of culture in the new municipalism3
Tracing policy change of the NEA in urban design through the advocacy coalition framework3
Geopolitics of Digital HeritageGeopolitics of Digital Heritage, by Natalia Grincheva and Elizabeth Stainforth, Cambridge, Cambridge University Press, 2024, 94 pp., £17.00 (paperback), £49.99 (hardback3
Addressing causality: participatory evaluation on improvisational drama workshops for people with dementia and their carers3
Do not forget the state! The supposed state free self-regulatory system in post-war Japan3
Future of culture: financing and governance in the digital age3
Music and wellbeing vs. musicians’ wellbeing: examining the paradox of music-making positively impacting wellbeing, but musicians suffering from poor mental health3
“It’s been a roller coaster”: insights from performing artists on the COVID-19 pandemic and cultural policy3
Mark Katz and Junious “House” Brickhouse (Next Level, USA): in conversation3
Urban art in Lisbon: opportunities, tensions and paradoxes3
Developing craft business in Russia: capitals and tactics of young cultural entrepreneurs3
Understanding changes to perceived socioeconomic and psychosocial adversities during COVID-19 for UK freelance cultural workers3
Introduction3
Towards a paradigm for online heritage: cyber communities and digital educommunication2
Editorial2
Building mutual rewarding sponsor relationships between museums and corporations2
Beyond the “good story” and sales history: where is the reader in the publishing process?2
Patronage as a way out of crisis? the case of major cultural institutions in Spain2
Professional cultural institutions and the community? Lessons from the first community production of the Barcelona opera house2
Cultural branding of cities: the role of live music in building a city’s brand2
Editorial2
The “music city” paradigm and its policy side: a focus on Brisbane and Melbourne2
Collecting and classifying data on audience identity: the cultural background of festival audiences2
Whose lens? Gender behind the camera in Pacific filmmaking2
Glorifying my gods: cultural politics of statue making, Hindu symbolism, and power iconography2
Cultural Leadership in Practice: Beyond Arts Management and Cultural Policy Cultural Leadership in Practice: Beyond Arts Management and Cultural Policy , edited by Steve2
The benefits and attractiveness of local theatres. Comedy or Shakespeare – does it matter?2
Making it big in live music: a multilevel analysis of careers in live music2
“A place for my art”: independent artist-run spaces as incubators of artistic careers in Italy2
Avatar is a “drama” and Squid Game is a “movie”: a new era of convergence2
Public libraries as social infrastructures: libraries’ response to the COVID crisis in the Emilia-Romagna region2
0.064072132110596