Cultural Trends

Papers
(The TQCC of Cultural Trends is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Creative and cultural work without filters: Covid-19 and exposed precarity in the creative economy147
“A plague upon your howling”: art and culture in the viral emergency53
COVID-19, inclusion and workforce diversity in the cultural economy: what now, what next?46
Cultural and creative ecosystems: a review of theories and methods, towards a new research agenda32
The need for robust critique of research on social and health impacts of the arts31
From public good to public value: arts and culture in a time of crisis28
Five months under COVID-19 in the cultural sector: a German perspective25
Valuing Culture and Heritage Capital: A framework towards informing decision making21
Covid-19 and the African cultural economy: an opportunity to reimagine and reinvigorate?20
Culture as care: Argentina’s cultural policy response to Covid-1919
The next normal: Chinese indie music in a post-COVID China18
Fire, pestilence and the extractive economy: cultural policy after cultural policy17
Is it really about the evidence? argument, persuasion, and the power of ideas in cultural policy16
So close yet so far: DIY cultures in Portugal and Brazil15
Tastes of our time: analysing age cohort effects in the contemporary distribution of music tastes15
Music and wellbeing vs. musicians’ wellbeing: examining the paradox of music-making positively impacting wellbeing, but musicians suffering from poor mental health14
Gamification and cultural institutions in cultural heritage promotion: a successful example from Italy12
Understanding the value of the creative arts: place-based perspectives from regional Australia10
France and the restitution of cultural goods: the Sarr-Savoy report and its reception10
The impact of austerity measures on local government funding for culture in England10
Visiting pop concerts and festivals: measuring the value of an integrated live music motivation scale8
Understanding changes to perceived socioeconomic and psychosocial adversities during COVID-19 for UK freelance cultural workers8
Editorial: Art and culture in the viral emergency8
Digital access, skills, and dollars: applying a framework to digital exclusion in cultural institutions8
Investigating the relationship between visitor location and motivations to attend a museum8
A hard day’s night: building sustainable careers for musicians7
Policy attachment in the arts: the underlying agendas of arts’ social role7
Urban art in Lisbon: opportunities, tensions and paradoxes7
Tangibles, intangibles and other tensions in the Culture and Communities Mapping Project7
Culture 2025A National Cultural Policy Framework for Ireland6
Precarious work and creative placemaking: freelance labour in Bristol6
Do the cultural industries offer labour market opportunities for women and youth? A global south case study6
Negotiating hybridity, inequality, and hyper-visibility: museums and galleries’ social media response to the COVID-19 pandemic5
Do state funding, geographic location, and networks matter?5
Culture wars? The (re)politicization of Swedish cultural policy5
Funding resilience: market rationalism and the UK’s “mixed economy” for the arts5
The impact of COVID-19 on the cultural and creative industries: determinants of vulnerability and estimated recovery times5
Patronage as a way out of crisis? the case of major cultural institutions in Spain5
Selection and survival in the field of cultural production: a longitudinal study of the Australian census4
Roses for everyone? Arts Council England’s 2020–2030 strategy and local authority museums – a thematic analysis and literature review4
Cultural capitals and creative labour of short video platforms: a study of wanghong on Douyin4
Left cultural populism and podemos: is it possible to newly orient cultural policy in Spain?3
Justifying creative work: Norwegian business support and the conflicting narratives of creative industries3
Urban and rural preferences for cultural policies and infrastructures3
Public value of cultural heritages – towards a better understanding of citizen’s valuation of Austrian museums3
The “music city” paradigm and its policy side: a focus on Brisbane and Melbourne3
The transformative role of Angels’ cultural organisations under austerity3
Screen monopoly and diversity: a comparative study between the Korean and French film industries3
“Where is your fixed point?” Dealing with ambiguous freelance musician careers3
War memorials, between propaganda and history: Mleeta Landmark and Hezbollah2
Editorial2
Care in creative work: exploring the ethics and aesthetics of care through arts-based methods2
Relocation, relocation, relocation: examining the narratives surrounding the Channel 4 move to regional production hubs2
Who cares for creative and cultural workers? The role of intermediaries in Europe’s creative economy2
Inclusive online community arts: COVID and beyond COVID2
Unequal entanglements: how arts practitioners reflect on the impact of intensifying economic inequality2
Understanding creative economy policies in the Canadian context: a case study of “Creative Canada”2
“It’s been a roller coaster”: insights from performing artists on the COVID-19 pandemic and cultural policy2
Designed for the job? An empirical study on the determinants of design graduates’ work choices2
The impacts of digital initiatives on musicians during COVID-19: examining the Melbourne Digital Concert Hall2
Supporting the cultural industries using venture capital: a policy experiment from South Korea2
Opera-ting on inequality: gender representation in creative roles at The Royal Opera2
Cracking up: the pandemic effect on visual artists’ livelihoods2
The paradox of impact measurement in cultural contexts2
Between cultural trade and cultural development: examining the first decade of UNESCO's International Fund for Cultural Diversity2
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