Cultural Trends

Papers
(The TQCC of Cultural Trends is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Precarious work and creative placemaking: freelance labour in Bristol54
In the labyrinth of culture. Professional development paths for public cultural organizations’ workers53
Kenneth Kwok (Ministry of National Development, Singapore): in conversation33
Co-op mode: the emancipatory potential of freelancer co-operatives in the UK videogames industry following the COVID-19 pandemic25
Whose lens? Gender behind the camera in Pacific filmmaking25
Model of cultural policy and the governance and management of cultural institutions: comparative analysis of three European opera houses17
The “music city” paradigm and its policy side: a focus on Brisbane and Melbourne15
Care in creative work: exploring the ethics and aesthetics of care through arts-based methods14
Welcome to the inner circle? Earnings and inequality in the creative industries13
Navigating creative partnerships and cross-cultural collaboration: a case study between China and the UK13
Chasing happiness? The meaning of wellbeing-oriented cultural heritage interventions in museums and cultural heritage institutions9
Basic income, post-precarious outcome? How creative workers perceive participating in an experiment with basic income9
An Economic Approach to the Plagiarism of Music9
Artrepreneurs and the autonomy paradox9
The impact of COVID-19 on the cultural and creative industries: determinants of vulnerability and estimated recovery times8
Museum educators’ views on digital museum education: opportunities and challenges8
An ecological approach to mapping remote creative practices: insights from an Australian Desert region7
Negotiating hybridity, inequality, and hyper-visibility: museums and galleries’ social media response to the COVID-19 pandemic7
Book review: Creative Industries in Hong Kong and South Asia7
Embracing the messiness: a creative approach to participatory arts evaluation7
Negotiating participation: investigation of an informal art and urban development initiative in Norway6
Who cares for creative and cultural workers? The role of intermediaries in Europe’s creative economy6
Developing craft business in Russia: capitals and tactics of young cultural entrepreneurs6
Performing the self in contemporary rural China: voice from a villager6
Cultural Management and Policy in Latin America5
The Digital Lives of Black Women in Britain5
Relocation, relocation, relocation: examining the narratives surrounding the Channel 4 move to regional production hubs5
The four worlds of creative employees: the role of education level and job-education match5
Editorial5
Cultivating progressive development in the cultural industries: challenges and support needs identified by the creative workforce in the United Kingdom4
Addressing causality: participatory evaluation on improvisational drama workshops for people with dementia and their carers4
Culture is not an industry: reclaiming art and culture for the common good4
The symphony orchestra in the time of COVID-19: will American orchestras rise from the ashes?4
The benefits and attractiveness of local theatres. Comedy or Shakespeare – does it matter?4
Private art collectors on motivations to donate, deposit, or lend out artworks in Norway4
Heritage conservation and the limitation of public-private partnerships4
Play against the informality? Institutional reliance and strategic adaption in Chinese cultural governance4
Cultural branding of cities: the role of live music in building a city’s brand3
The return of the prodigal B-boy: from marginalised subculture to protected Korean cultural institution3
Asian Cultural Flows: Cultural Policies, Creative Industries, and Media Consumers3
Queer workers, diversity data and the UK television industry: Is more data always better?3
The DCMS Committee’s inquiry on the economics of music streaming and its implications for artists3
Digital access, skills, and dollars: applying a framework to digital exclusion in cultural institutions3
Towards a paradigm for online heritage: cyber communities and digital educommunication3
What is Cultural Sociology?3
People or place? Towards a system of holistic locational values for creative workers3
Tangibles, intangibles and other tensions in the Culture and Communities Mapping Project3
Conceptualizing Malaysian creative hubs: traversing normalcy to pandemicity and beyond3
The Sociology of W.E.B Du Bois3
Cultural value as meaning-making3
Pathways into Creative Working Lives3
Capturing value: researching funded art for reconciliation3
Fashion as Creative Economy Fashion as Creative Economy by Angela McRobbie, Daniel Strutt and Carolina Bandinelli, 2023, Cambridge, Po3
Explaining unwelcoming attitudes toward LGBTQI+ festivals in Sibiu and their implications for regional cultural change3
Legitimating cultural policy after the 2008 crisis: learnings from France, the UK, Spain and Greece2
Promoting culture and creativity in Ghana: bottom-up strategies for creative industries development2
Editorial2
Understanding the factors that affected the resilience of performing arts workers during the COVID-19 pandemic2
On the role of “tactile value” in cultural consumption: an empirical research in the live music industry2
The social organization of arts, a theoretical compendium2
A value based approach to assessing changes in cultural policies2
(De)politicising Argentinian cultural policy? an analysis of Macri’s cultural policy (2015–19)2
“Feeling things happen”: Evaluating the Playhouse Theatre and Peace-building Academy (2018–2020)2
Making genre: the aesthetic affordances of governmental funding and its effects on emerging interdisciplinary artists in the Netherlands2
Audience Development and Cultural Policy2
“A place for my art”: independent artist-run spaces as incubators of artistic careers in Italy2
Cakes and ale: the role of culture in the new municipalism2
Creating growth: labour’s plan for the arts, culture and creative industries2
Correction2
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