OOIR: Observatory of International Research

Papers

(The TQCC of Cultural Trends is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)

Article	Citations
Kenneth Kwok (Ministry of National Development, Singapore): in conversation	47
In the labyrinth of culture. Professional development paths for public cultural organizations’ workers	23
Hustling in the projectariat? Financialisation and precarious creative industries	13
Street art as a paradox: urban regeneration and tourist attraction in Porto	13
Whose lens? Gender behind the camera in Pacific filmmaking	12
Gender and cultural heritage valuation: the case of flamenco in Spain	12
Co-op mode: the emancipatory potential of freelancer co-operatives in the UK videogames industry following the COVID-19 pandemic	12
Artists’ hidden heart on labor income and working hours in South Korea	10
The “music city” paradigm and its policy side: a focus on Brisbane and Melbourne	9
Chasing happiness? The meaning of wellbeing-oriented cultural heritage interventions in museums and cultural heritage institutions	8
Peripheral or not? Cinema of small countries in the programming of international film festivals	8
Welcome to the inner circle? Earnings and inequality in the creative industries	8
Model of cultural policy and the governance and management of cultural institutions: comparative analysis of three European opera houses	8
Museum educators’ views on digital museum education: opportunities and challenges	7
Basic income, post-precarious outcome? How creative workers perceive participating in an experiment with basic income	7
Navigating creative partnerships and cross-cultural collaboration: a case study between China and the UK	7
The impact of COVID-19 on the cultural and creative industries: determinants of vulnerability and estimated recovery times	6
“Squeezing money out of a rock”: diverse economies of contemporary theatre in Ghana	6
Practice and policies of classical music in Chile and the challenges of cultural democracy: the case of FOJI	6
Artrepreneurs and the autonomy paradox	6
#WeAreViable, aren’t we? Music careers, state support, and the political feasibility of a Basic Income for the Arts	6
Who cares for creative and cultural workers? The role of intermediaries in Europe’s creative economy	5
Negotiating hybridity, inequality, and hyper-visibility: museums and galleries’ social media response to the COVID-19 pandemic	5
The four worlds of creative employees: the role of education level and job-education match	5
Precarious labour and unpaid work: the processes that fragment cultural democracy	5

Addressing causality: participatory evaluation on improvisational drama workshops for people with dementia and their carers	5
Cultural Management and Policy in Latin America	5
Performing the self in contemporary rural China: voice from a villager	5
Heritage conservation and the limitation of public-private partnerships	5
Play against the informality? Institutional reliance and strategic adaption in Chinese cultural governance	4
Creative men, organised women: labour narratives, gender stereotypes and precarity among film festival women professionals	4
Cultural value as meaning-making	4
Capturing value: researching funded art for reconciliation	4
The benefits and attractiveness of local theatres. Comedy or Shakespeare – does it matter?	4
Clubs to institutions: culture-led nightlife policies in Amsterdam and Berlin	4
Negotiating participation: investigation of an informal art and urban development initiative in Norway	4
Private art collectors on motivations to donate, deposit, or lend out artworks in Norway	4
Cultural branding of cities: the role of live music in building a city’s brand	4
The return of the prodigal B-boy: from marginalised subculture to protected Korean cultural institution	4
Culture is not an industry: reclaiming art and culture for the common good	4
Towards a paradigm for online heritage: cyber communities and digital educommunication	4
Cultivating progressive development in the cultural industries: challenges and support needs identified by the creative workforce in the United Kingdom	4
The symphony orchestra in the time of COVID-19: will American orchestras rise from the ashes?	4
Queer workers, diversity data and the UK television industry: Is more data always better?	4
People or place? Towards a system of holistic locational values for creative workers	3
Making genre: the aesthetic affordances of governmental funding and its effects on emerging interdisciplinary artists in the Netherlands	3
Fashion as Creative Economy	3
Understanding the factors that affected the resilience of performing arts workers during the COVID-19 pandemic	3
Explaining unwelcoming attitudes toward LGBTQI+ festivals in Sibiu and their implications for regional cultural change	3
“Feeling things happen”: Evaluating the Playhouse Theatre and Peace-building Academy (2018–2020)	3
The DCMS Committee’s inquiry on the economics of music streaming and its implications for artists	3
Conceptualizing Malaysian creative hubs: traversing normalcy to pandemicity and beyond	3
Correction	3
On the role of “tactile value” in cultural consumption: an empirical research in the live music industry	3
Creating growth: Labour’s plan for the arts, culture and creative industries	3