Cultural Trends

Article	Citations
Cultural and creative ecosystems: a review of theories and methods, towards a new research agenda	41
The need for robust critique of research on social and health impacts of the arts	40
Five months under COVID-19 in the cultural sector: a German perspective	32
From public good to public value: arts and culture in a time of crisis	30
Covid-19 and the African cultural economy: an opportunity to reimagine and reinvigorate?	26
Valuing Culture and Heritage Capital: A framework towards informing decision making	25
Gamification and cultural institutions in cultural heritage promotion: a successful example from Italy	25
The next normal: Chinese indie music in a post-COVID China	23
Is it really about the evidence? argument, persuasion, and the power of ideas in cultural policy	21
So close yet so far: DIY cultures in Portugal and Brazil	17
Music and wellbeing vs. musicians’ wellbeing: examining the paradox of music-making positively impacting wellbeing, but musicians suffering from poor mental health	16
Digital access, skills, and dollars: applying a framework to digital exclusion in cultural institutions	14
The impact of austerity measures on local government funding for culture in England	12
Understanding the value of the creative arts: place-based perspectives from regional Australia	11
Understanding changes to perceived socioeconomic and psychosocial adversities during COVID-19 for UK freelance cultural workers	10
Culture wars? The (re)politicization of Swedish cultural policy	10
Editorial: Art and culture in the viral emergency	10
Funding resilience: market rationalism and the UK’s “mixed economy” for the arts	9
A hard day’s night: building sustainable careers for musicians	9
Visiting pop concerts and festivals: measuring the value of an integrated live music motivation scale	9
Urban art in Lisbon: opportunities, tensions and paradoxes	8
Tangibles, intangibles and other tensions in the Culture and Communities Mapping Project	8
Precarious work and creative placemaking: freelance labour in Bristol	7
Cultural capitals and creative labour of short video platforms: a study of wanghong on Douyin	7
Negotiating hybridity, inequality, and hyper-visibility: museums and galleries’ social media response to the COVID-19 pandemic	7

Embracing the messiness: a creative approach to participatory arts evaluation	6
Patronage as a way out of crisis? the case of major cultural institutions in Spain	6
The transformative role of Angels’ cultural organisations under austerity	6
Selection and survival in the field of cultural production: a longitudinal study of the Australian census	5
Decolonising the cultural policy and management curriculum – reflections from practice	5
The impact of COVID-19 on the cultural and creative industries: determinants of vulnerability and estimated recovery times	5
Inclusive online community arts: COVID and beyond COVID	5
Justifying creative work: Norwegian business support and the conflicting narratives of creative industries	5
Left cultural populism and podemos: is it possible to newly orient cultural policy in Spain?	4
The “music city” paradigm and its policy side: a focus on Brisbane and Melbourne	4
Care in creative work: exploring the ethics and aesthetics of care through arts-based methods	4
Cracking up: the pandemic effect on visual artists’ livelihoods	4
Understanding creative economy policies in the Canadian context: a case study of “Creative Canada”	4
Who cares for creative and cultural workers? The role of intermediaries in Europe’s creative economy	3
Supporting the cultural industries using venture capital: a policy experiment from South Korea	3
Screen monopoly and diversity: a comparative study between the Korean and French film industries	3
Bollywood and slum tours: poverty tourism and the Indian cultural industry	3
Living theatrical approach to creative placemaking: the case of Xisan Film Studio project in China	3
Opera-ting on inequality: gender representation in creative roles at The Royal Opera	3
The cultural industries of India: an introduction	3
The impacts of digital initiatives on musicians during COVID-19: examining the Melbourne Digital Concert Hall	3
What does Emily in Paris say about the “Netflix quota” and the “Netflix tax”?	3
Creative industries’ new entrants as equality, diversity and inclusion change agents?	3
Reimagining the creative industries in the community arts sector	2
“Where is your fixed point?” Dealing with ambiguous freelance musician careers	2
Collecting and classifying data on audience identity: the cultural background of festival audiences	2
Heritage conservation and the limitation of public-private partnerships	2
The paradox of impact measurement in cultural contexts	2
Milena Dragićević Šešić: Imagining post-capitalist cultural policy futures	2
The UK museum boom: continuity and change 1960–2019	2
Welcome to the inner circle? Earnings and inequality in the creative industries	2
Editorial	2
Developing craft business in Russia: capitals and tactics of young cultural entrepreneurs	2
Relocation, relocation, relocation: examining the narratives surrounding the Channel 4 move to regional production hubs	2
Between cultural trade and cultural development: examining the first decade of UNESCO's International Fund for Cultural Diversity	2
Opera houses as cultural white elephants? The effect of the creative city model, bureaucratic mismanagement and lack of accountability in Valencia's opera house	2
Unequal entanglements: how arts practitioners reflect on the impact of intensifying economic inequality	2
Esme Ward (Manchester Museum): in conversation	2
Beyond the “good story” and sales history: where is the reader in the publishing process?	2
Cultivating progressive development in the cultural industries: challenges and support needs identified by the creative workforce in the United Kingdom	2
“It’s been a roller coaster”: insights from performing artists on the COVID-19 pandemic and cultural policy	2
Designed for the job? An empirical study on the determinants of design graduates’ work choices	2
Understanding the factors that affected the resilience of performing arts workers during the COVID-19 pandemic	2
Mapping innovation in India’s creative industries: an ecosystem framework	2
Accountable countability. Digital cultural consumption among young people and the tools used to measure it	1
Unknown pleasures: techniques of taste in the algorithmic recommendation of unfamiliar art music	1
The impacts of processes of digitalization on the reception of contemporary art in Turkey during Covid-19	1
Mapping the creative sprawl: the design sector in Western Sydney	1
Play against the informality? Institutional reliance and strategic adaption in Chinese cultural governance	1
Towards a paradigm shift? The potential of participatory arts practices in a context of post-crisis reconstruction	1

Performance, cultural resistance and social justice: India’s creative economies since the COVID-19 pandemic	1
Cultural analytics in the UK: events data potential for the creative and cultural industries	1
Review editorial	1
The Invention of Creativity. Modern Society and the Culture of the New	1
Selective memory, funder documentation and peacebuilding: recovering the art of reconciliation	1
The impacts of cultural policy on gaming entrepreneurs in Shanghai: an entrepreneurial ecosystem approach	1
A guide for the analysis of cultural scenes: a measurement proposal and its validation for the Spanish case	1
Prof. Thomas Girst (Global Head of Cultural Engagement, BMW Group): in conversation	1
The symphony orchestra in the time of COVID-19: will American orchestras rise from the ashes?	1
Between engagement and disengagement in contemporary global culture. Types of cultural consumers among youth in Adriatic Croatia	1
Making it big in live music: a multilevel analysis of careers in live music	1
Unreconciled accounts? Screen and performing arts in post-conflict Northern Ireland	1
Legitimating cultural policy after the 2008 crisis: learnings from France, the UK, Spain and Greece	1
Deepening precarity – the impact of COVID-19 on freelancers in the UK television industry	1
The return of the prodigal B-boy: from marginalised subculture to protected Korean cultural institution	1
A public value typology for public service broadcasting in the UK	1
Turning post-materialism on its head: self-expression, autonomy and precarity at work in the creative industries	1
Long COVID for the craft industry: findings from China's “Porcelain Capital” pre and post COVID	1
The duality of creative hubs in non-Western contexts: the case of Bomontiada	1
A value based approach to assessing changes in cultural policies	1
Collective cultural infrastructures: ownership, architecture, governance	1
Factors associated with the attendance at cultural events in Mexico during the covid-19 pandemic	1
Institutional entrepreneurship through network governance: a social network analysis of NEA's creative placemaking national initiative	1
Mark Katz and Junious “House” Brickhouse (Next Level, USA): in conversation	0
On the role of “tactile value” in cultural consumption: an empirical research in the live music industry	0
A Museum in Public: Revisioning Canada’s Royal Ontario Museum,	0
Women in the Irish Film Industry: Stories and Storytellers	0
Artistic careers and crises. How did the pandemic affect Norwegian artists?	0
The Living Legacy of W. McNeil Lowry: Vision and Voice	0
Avant-garde or democracy? Transformations and Dilemmas of the U.S. public art programme in the 1970s	0
Towards monopolistic music promotion: an analysis of North American concert tours	0
James Hickey (European Film Academy): in conversation	0
Negotiating participation: investigation of an informal art and urban development initiative in Norway	0
The UNESCO Underwater Cultural Heritage Convention in Asia: the case of the Macao Special Administrative Region of the People’s Republic of China	0
Book Reviews The moral foundations of public funding for the arts , by Michael Rushton, Switzerland, Palgrave Macmillan, 2023, 185 pp., £109.99 (hbk), ISBN 978-3-031-351	0
Spirituality in creative work: how craft entrepreneurs in Ghana cope with precarity	0
Cultural Management and Policy in Latin America	0
Fashion as Creative Economy Fashion as Creative Economy by Angela McRobbie, Daniel Strutt and Carolina Bandinelli, 2023, Cambridge, Po	0
Editorial	0
Culture is not an industry: reclaiming art and culture for the common good Culture is not an industry: reclaiming art and culture for the common good , by Justin O'Conno	0
The role of cultural organisations in matters of equity, diversity, and inclusion	0
Who owns history? a case study on the recovery of looted Chinese cultural relics from Japan	0
Getting louder: music, “feedback loops” and social change in the Tamil transnational music scene	0
An ecological approach to mapping remote creative practices: insights from an Australian Desert region	0
Editorial	0
Correction	0
The writer’s contest: manifestos and literary struggle in Catalonia (2014–2020)	0
Cultural branding of cities: the role of live music in building a city’s brand	0
Gentrification and touristification in urban heritage preservation: threats and opportunities	0
Editorial	0
Advancing a multi-actor model of artist-in-residence practice	0
An Economic Approach to the Plagiarism of Music	0
Cultural mapping in smart sustainable cities: the Kashiwanoha Monogatari Project	0
Array collective (2021 Turner prize winners): in conversation	0
Basic income, post-precarious outcome? How creative workers perceive participating in an experiment with basic income	0
fayemi shakur (City of Newark, New Jersey): in conversation	0
Chinese TV in Changing Contexts – an instrumentalised perspective to deconstruct Chinese TV for “national governance”	0
Storying connectivity and value: the south west creative technology network’s cultural ecologies as network visualisations	0
Addressing causality: participatory evaluation on improvisational drama workshops for people with dementia and their carers	0
Inside the Critics’ Circle: Book Reviewing in Uncertain Times	0
Routledge Companion to Audiences and the Performing Arts	0
Do not forget the state! The supposed state free self-regulatory system in post-war Japan	0
“Feeling things happen”: Evaluating the Playhouse Theatre and Peace-building Academy (2018–2020)	0
Building mutual rewarding sponsor relationships between museums and corporations	0
Tech start-up capitalisation in an oligopolistic copyright industry: the case of the contemporary music industry	0
Suburban neighbourhoods as places for everyday cultural participation: the case of Jyväskylä in Finland	0
Transnational cultural networks: soft mechanisms for cultural diversity and frictionless mobility	0
Artists, government and cross-sector collaboration: A guiding framework of US-based artists in residence in government programs	0
Continuing conflicts in cultural development: a review of the conflict history surrounding the Asia Culture Center	0
The Digital Lives of Black Women in Britain	0
Re-imaging Creative Cities in Twenty-first Century	0
What is Cultural Sociology?	0
Capturing value: researching funded art for reconciliation	0
Audience Development and Cultural Policy	0
The Sociology of W.E.B Du Bois	0
Ireland’s cultural policy and the protection and promotion of the cultural rights of migrants	0
Private art collectors on motivations to donate, deposit, or lend out artworks in Norway	0
Get back: analysing the impact of the COVID-19 pandemic on the Lowlands festival	0
Measuring Culture	0
Pathways into Creative Working Lives	0

Model of cultural policy and the governance and management of cultural institutions: comparative analysis of three European opera houses	0
Correction	0
People or place? Towards a system of holistic locational values for creative workers	0
Cultural “levelling up” through the music corporation? The case of EMI North	0
What makes a successful artist?	0
The Class Ceiling: Why It Pays to Be Privileged	0
Correction	0
Philippe Blanchard (former Information Director at the International Olympic Committee): in conversation	0
Towards a paradigm for online heritage: cyber communities and digital educommunication	0
The Routledge Handbook of Placemaking	0
(De)politicising Argentinian cultural policy? an analysis of Macri’s cultural policy (2015–19)	0
Navigating creative partnerships and cross-cultural collaboration: a case study between China and the UK	0
Public libraries as social infrastructures: libraries’ response to the COVID crisis in the Emilia-Romagna region	0
Creating growth: labour’s plan for the arts, culture and creative industries	0
Cultural value as meaning-making	0
Avatar is a “drama” and Squid Game is a “movie”: a new era of convergence	0
Navigating disruption in the Southeast Asian arts and cultural sectors: the ANCER Conference, 17 to 19 September 2020 (online)	0
The show must go on: proposals to measure the economic value of Grassroots Music Venues	0
Introduction	0
The Political Economy of Local Cinema: A Critical Introduction	0
The Synchronization of National Policies: Ethnography of the Global Tribe of Moderns	0
Cakes and ale: the role of culture in the new municipalism	0
Mind the gap: causes and consequences of the racial gap in music funding organizations	0
What is an independent art space? Using a text-mining approach to describe independent art spaces	0
Russia’s cultural policy abroad as a projection of the “Russian World”	0
Feminist perspectives and cultural policies in Barcelona	0
The four worlds of creative employees: the role of education level and job-education match	0
The DCMS Committee’s inquiry on the economics of music streaming and its implications for artists	0
France and the restitution of African cultural property: a critical race theory view	0
Editorial	0
Julieta Brodsky (Minister of Culture, Chile): in conversation	0
Disruption in times of COVID-19? The hybrid film festival format	0
Dynamics of cultural policy valuations in contemporary Europe	0
Kenneth Kwok (Ministry of National Development, Singapore): in conversation	0
Oliver Mears (Royal Opera House): in conversation	0
Artrepreneurs and the autonomy paradox	0
Co-op mode: the emancipatory potential of freelancer co-operatives in the UK videogames industry following the COVID-19 pandemic	0
Beyond the “substitution effect”: the impact of digital experience quality on future cultural participation	0
The British Museum’s Korean gallery: a space embodying South Korean cultural diplomacy in the 1990s	0
Queer creative Indian city: queer film festivals, precarious cultural work and community making in Kolkata	0
Performing the self in contemporary rural China: voice from a villager	0
Understanding Well-Being Data: Improving Social and Cultural Policy, Practice and Research	0
Can Music Make You Sick? Measuring the Price of Musical Ambition	0
Conceptualizing Malaysian creative hubs: traversing normalcy to pandemicity and beyond	0
The benefits and attractiveness of local theatres. Comedy or Shakespeare – does it matter?	0
Book review: Creative Industries in Hong Kong and South Asia	0
The REED typology: understanding market-orientation and instrumental values in cultural policy across Europe	0
Museum educators’ views on digital museum education: opportunities and challenges	0
Asian Cultural Flows: Cultural Policies, Creative Industries, and Media Consumers	0
Cultural Leadership in Practice: Beyond Arts Management and Cultural Policy Cultural Leadership in Practice: Beyond Arts Management and Cultural Policy , edited by Steve	0
New management approaches and sustainability: the case of the Museo del Traje in Madrid	0
Promoting culture and creativity in Ghana: bottom-up strategies for creative industries development	0
Care at the centre of the post-pandemic sustainability of grassroots cultural centres and culture-led urban regeneration. A comparison of western and eastern perspectives	0
Editorial	0
Teaching Cultural Economics	0
Christos Carras (Senior Consultant, Onassis Stegi): in conversation	0
Whose lens? Gender behind the camera in Pacific filmmaking	0
The first national survey on cultural participation in Portugal: exploring social and professional backgrounds	0
Correction	0
Geopolitics of Digital HeritageGeopolitics of Digital Heritage, by Natalia Grincheva and Elizabeth Stainforth, Cambridge, Cambridge University Press, 2024, 94 pp., £17.00 (paperback), £49.99 (hardback	0
Beyond reconciliation, towards regeneration: social circus in Northern Ireland	0