Cultural Trends

Article	Citations
Kenneth Kwok (Ministry of National Development, Singapore): in conversation	47
In the labyrinth of culture. Professional development paths for public cultural organizations’ workers	23
Hustling in the projectariat? Financialisation and precarious creative industries	13
Street art as a paradox: urban regeneration and tourist attraction in Porto	13
Whose lens? Gender behind the camera in Pacific filmmaking	12
Gender and cultural heritage valuation: the case of flamenco in Spain	12
Co-op mode: the emancipatory potential of freelancer co-operatives in the UK videogames industry following the COVID-19 pandemic	12
Artists’ hidden heart on labor income and working hours in South Korea	10
The “music city” paradigm and its policy side: a focus on Brisbane and Melbourne	9
Welcome to the inner circle? Earnings and inequality in the creative industries	8
Model of cultural policy and the governance and management of cultural institutions: comparative analysis of three European opera houses	8
Chasing happiness? The meaning of wellbeing-oriented cultural heritage interventions in museums and cultural heritage institutions	8
Peripheral or not? Cinema of small countries in the programming of international film festivals	8
Basic income, post-precarious outcome? How creative workers perceive participating in an experiment with basic income	7
Navigating creative partnerships and cross-cultural collaboration: a case study between China and the UK	7
Museum educators’ views on digital museum education: opportunities and challenges	7
“Squeezing money out of a rock”: diverse economies of contemporary theatre in Ghana	6
Practice and policies of classical music in Chile and the challenges of cultural democracy: the case of FOJI	6
Artrepreneurs and the autonomy paradox	6
#WeAreViable, aren’t we? Music careers, state support, and the political feasibility of a Basic Income for the Arts	6
The impact of COVID-19 on the cultural and creative industries: determinants of vulnerability and estimated recovery times	6
The four worlds of creative employees: the role of education level and job-education match	5
Precarious labour and unpaid work: the processes that fragment cultural democracy	5
Addressing causality: participatory evaluation on improvisational drama workshops for people with dementia and their carers	5
Cultural Management and Policy in Latin America	5

Performing the self in contemporary rural China: voice from a villager	5
Heritage conservation and the limitation of public-private partnerships	5
Who cares for creative and cultural workers? The role of intermediaries in Europe’s creative economy	5
Negotiating hybridity, inequality, and hyper-visibility: museums and galleries’ social media response to the COVID-19 pandemic	5
Creative men, organised women: labour narratives, gender stereotypes and precarity among film festival women professionals	4
Cultural value as meaning-making	4
Capturing value: researching funded art for reconciliation	4
The benefits and attractiveness of local theatres. Comedy or Shakespeare – does it matter?	4
Clubs to institutions: culture-led nightlife policies in Amsterdam and Berlin	4
Negotiating participation: investigation of an informal art and urban development initiative in Norway	4
Private art collectors on motivations to donate, deposit, or lend out artworks in Norway	4
Cultural branding of cities: the role of live music in building a city’s brand	4
The return of the prodigal B-boy: from marginalised subculture to protected Korean cultural institution	4
Culture is not an industry: reclaiming art and culture for the common good	4
Towards a paradigm for online heritage: cyber communities and digital educommunication	4
Cultivating progressive development in the cultural industries: challenges and support needs identified by the creative workforce in the United Kingdom	4
The symphony orchestra in the time of COVID-19: will American orchestras rise from the ashes?	4
Queer workers, diversity data and the UK television industry: Is more data always better?	4
Play against the informality? Institutional reliance and strategic adaption in Chinese cultural governance	4
Explaining unwelcoming attitudes toward LGBTQI+ festivals in Sibiu and their implications for regional cultural change	3
“Feeling things happen”: Evaluating the Playhouse Theatre and Peace-building Academy (2018–2020)	3
The DCMS Committee’s inquiry on the economics of music streaming and its implications for artists	3
Conceptualizing Malaysian creative hubs: traversing normalcy to pandemicity and beyond	3
Correction	3
On the role of “tactile value” in cultural consumption: an empirical research in the live music industry	3
Creating growth: Labour’s plan for the arts, culture and creative industries	3
People or place? Towards a system of holistic locational values for creative workers	3
Making genre: the aesthetic affordances of governmental funding and its effects on emerging interdisciplinary artists in the Netherlands	3
Fashion as Creative Economy	3
Understanding the factors that affected the resilience of performing arts workers during the COVID-19 pandemic	3
“It’s been a roller coaster”: insights from performing artists on the COVID-19 pandemic and cultural policy	2
Basic Income for the Arts pilot scheme – an Irish case study	2
Music and wellbeing vs. musicians’ wellbeing: examining the paradox of music-making positively impacting wellbeing, but musicians suffering from poor mental health	2
Cultural policy, cultural democracy and the right to the city in the Brazilian context	2
Avatar is a “drama” and Squid Game is a “movie”: a new era of convergence	2
Cultural “levelling up” through the music corporation? The case of EMI North	2
The social organization of arts, a theoretical compendium	2
Promoting culture and creativity in Ghana: bottom-up strategies for creative industries development	2
fayemi shakur (City of Newark, New Jersey): in conversation	2
Public libraries as social infrastructures: libraries’ response to the COVID crisis in the Emilia-Romagna region	2
Global art markets: History and current trends	2
Legitimating cultural policy after the 2008 crisis: learnings from France, the UK, Spain and Greece	2
“A place for my art”: independent artist-run spaces as incubators of artistic careers in Italy	2
Cakes and ale: the role of culture in the new municipalism	2
Editorial	2
Queer creative Indian city: queer film festivals, precarious cultural work and community making in Kolkata	2
Correction	1
The mutability of cultural value: a critical analysis	1
The impacts of digital initiatives on musicians during COVID-19: examining the Melbourne Digital Concert Hall	1
Array collective (2021 Turner prize winners): in conversation	1

Correction	1
Cultural capitals and creative labour of short video platforms: a study of wanghong on Douyin	1
Routledge Companion to Audiences and the Performing Arts	1
Introduction	1
Precarity and second job-holding in the creative economy	1
Justifying creative work: Norwegian business support and the conflicting narratives of creative industries	1
“Where is your fixed point?” Dealing with ambiguous freelance musician careers	1
Screen monopoly and diversity: a comparative study between the Korean and French film industries	1
Researching the Creative and Cultural Industries. A Guide to Qualitative Research	1
Correction	1
James Hickey (European Film Academy): in conversation	1
Transnational cultural networks: soft mechanisms for cultural diversity and frictionless mobility: tools for EU legitimacy?	1
Building mutual rewarding sponsor relationships between museums and corporations	1
Performance, cultural resistance and social justice: India’s creative economies since the COVID-19 pandemic	1
The moral foundations of public funding for the arts; Funding the arts: politics, economics and their interplay in public policy	1
From host to guest settings: how the music festival has changed over time	1
Factors associated with the attendance at cultural events in Mexico during the covid-19 pandemic	1
“This is how I pictured it”: film industry perspectives on producing Scottish cinematic landscapes	1
Cracking up: the pandemic effect on visual artists’ livelihoods	1
Bollywood and slum tours: poverty tourism and the Indian cultural industry	1
Cultural Leadership in Practice: Beyond Arts Management and Cultural Policy	1
Beyond the “substitution effect”: the impact of digital experience quality on future cultural participation	1
Museums as the catalysts for a democratic revolution in cultural policy	0
Multiple narratives in museum theme-based exhibitions: combining digital technology and tangible heritage	0
Cultural analytics in the UK: events data potential for the creative and cultural industries	0
Classical music audiences. Evidence from Chile	0
Between cultural democratisation and cultural democracy: the design of a cultural policy in Portugal	0
Glorifying my gods: cultural politics of statue making, Hindu symbolism, and power iconography	0
Between cultural trade and cultural development: examining the first decade of UNESCO's International Fund for Cultural Diversity	0
Democracy as creative practice: weaving a culture of civic life	0
Feminist perspectives and cultural policies in Barcelona	0
The opportunity cost of an artist’s working life: a note from the field	0
Towards a paradigm shift? The potential of participatory arts practices in a context of post-crisis reconstruction	0
Esme Ward (Manchester Museum): in conversation	0
The REED typology: understanding market-orientation and instrumental values in cultural policy across Europe	0
A public value typology for public service broadcasting in the UK	0
Get back: analysing the impact of the COVID-19 pandemic on the Lowlands festival	0
Selective memory, funder documentation and peacebuilding: recovering the art of reconciliation	0
Cultural workers during the COVID-19 pandemic: an analysis of mobility in the workplace	0
Christos Carras (Senior Consultant, Onassis Stegi): in conversation	0
Avant-garde or democracy? Transformations and dilemmas of the U.S. public art programme in the 1970s	0
Unreconciled accounts? Screen and performing arts in post-conflict Northern Ireland	0
Storying connectivity and value: the south west creative technology network’s cultural ecologies as network visualisations	0
Tracing policy change of the NEA in urban design through the advocacy coalition framework	0
Public higher education in the arts: from democratization to cultural democracy. The case of the University of the Arts in Ecuador	0
The paradox of impact measurement in cultural contexts	0
Accountable countability. Digital cultural consumption among young people and the tools used to measure it	0
Inclusive online community arts: COVID and beyond COVID	0
Composite indices for the creative economy: a review and evaluation	0
Towards monopolistic music promotion: an analysis of North American concert tours	0
Understanding Well-Being Data: Improving Social and Cultural Policy, Practice and Research	0
Basic income for artists programs: who are the artists?	0
Artistic careers and crises. How did the pandemic affect Norwegian artists?	0
“The painting is colonial”: cancel culture and a heated media debate in Norway	0
Left cultural populism and podemos: is it possible to newly orient cultural policy in Spain?	0
Artists and their poor: economic and symbolic inequality in distorted China's post-pandemic art subsidy policies	0
Understanding changes to perceived socioeconomic and psychosocial adversities during COVID-19 for UK freelance cultural workers	0
The creative trident mark III: correlating creative qualifications and occupations	0
Creative industries’ new entrants as equality, diversity and inclusion change agents?	0
Spirituality in creative work: how craft entrepreneurs in Ghana cope with precarity	0
Entrepreneurial, precarious or leaving altogether? Work trajectories in the creative industries in the Netherlands	0
Strategies to reduce the effects of cost disease in orchestras	0
Collective cultural infrastructures: ownership, architecture, governance	0
Infrastructuring togetherness: exploring eventification of community and advocacy in a European network of cultural centres	0
Cultural mapping in smart sustainable cities: the Kashiwanoha Monogatari Project	0
From silence to solidarity: orchestras, cultural leadership, and the ethics of social engagement in Australia	0
Beyond the “good story” and sales history: where is the reader in the publishing process?	0
Reframing cultural policy: contributions to the north–south debate from a Latin-American Case	0
Do not forget the state! The supposed state free self-regulatory system in post-war Japan	0
The first national survey on cultural participation in Portugal: exploring social and professional backgrounds	0
Turning post-materialism on its head: self-expression, autonomy and precarity at work in the creative industries	0
Who owns history? a case study on the recovery of looted Chinese cultural relics from Japan	0
Suburban neighbourhoods as places for everyday cultural participation: the case of Jyväskylä in Finland	0
Correction	0
How do artists at risk of poverty navigate economic and professional insecurity?	0
Russia’s cultural policy abroad as a projection of the “Russian World”	0
France and the restitution of African cultural property: a critical race theory view	0
Collecting and classifying data on audience identity: the cultural background of festival audiences	0
New management approaches and sustainability: the case of the Museo del Traje in Madrid	0
Care at the centre of the post-pandemic sustainability of grassroots cultural centres and culture-led urban regeneration. A comparison of western and eastern perspectives	0

The global/local and omnivore/univore nexus: class divisions and cultural tastes in contemporary Croatia	0
Transformative dynamics: Galería CIMA's journey during the Chilean social uprising	0
Mind the gap: causes and consequences of the racial gap in music funding organizations	0
Making it big in live music: a multilevel analysis of careers in live music	0
Whose social impact is it anyway? Directionality and the potential of affect in community music	0
Advancing a multi-actor model of artist-in-residence practice	0
The cultural industries of India: an introduction	0
Philippe Blanchard (former Information Director at the International Olympic Committee): in conversation	0
Decolonising the cultural policy and management curriculum – reflections from practice	0
Beyond reconciliation, towards regeneration: social circus in Northern Ireland	0
Getting louder: music, “feedback loops” and social change in the Tamil transnational music scene	0
Dynamics of cultural policy valuations in contemporary Europe	0
The role of cultural organisations in matters of equity, diversity, and inclusion	0
The British Museum’s Korean gallery: a space embodying South Korean cultural diplomacy in the 1990s	0
European cultural networks and cultural governance: how culture makes policy,	0
On digital cultural value: What does research tell us?	0
Gentrification and touristification in urban heritage preservation: threats and opportunities	0
Long COVID for the craft industry: findings from China's “Porcelain Capital” pre and post COVID	0
The impacts of processes of digitalization on the reception of contemporary art in Turkey during Covid-19	0
Professional cultural institutions and the community? Lessons from the first community production of the Barcelona opera house	0
Deepening precarity – the impact of COVID-19 on freelancers in the UK television industry	0
The arts of prison cultures	0
Editorial	0
Irish arts abroad: future directions for Ireland’s cultural diplomacy and nation branding	0
Geopolitics of Digital Heritage	0
The UK museum boom: continuity and change 1960–2019	0
Mapping innovation in India’s creative industries: an ecosystem framework	0
Prof. Thomas Girst (Global Head of Cultural Engagement, BMW Group): in conversation	0
Navigating barriers: enhancing visibility and opportunities for Latin Canadian artists in the music industry	0
Institutional entrepreneurship through network governance: a social network analysis of NEA's creative placemaking national initiative	0
Exploring roles in digital co-creation: the case of Twittertheater	0
Mark Katz and Junious “House” Brickhouse (Next Level, USA): in conversation	0
The UNESCO Underwater Cultural Heritage Convention in Asia: the case of the Macao Special Administrative Region of the People’s Republic of China	0
Hybrid cultures. On Néstor García Canclini's contribution to cultural research in Latin America	0
The show must go on: proposals to measure the economic value of Grassroots Music Venues	0
Artists, government and cross-sector collaboration: A guiding framework of US-based artists in residence in government programs	0
Disruption in times of COVID-19? The hybrid film festival format	0
Tech start-up capitalisation in an oligopolistic copyright industry: the case of the contemporary music industry	0
2030 Agenda in teen series creation: a study of the Spanish audiovisual industry	0
Julieta Brodsky (Minister of Culture, Chile): in conversation	0
Ireland’s cultural policy and the protection and promotion of the cultural rights of migrants	0
What makes a successful artist?	0
Unknown pleasures: techniques of taste in the algorithmic recommendation of unfamiliar art music	0
Future of culture: financing and governance in the digital age	0
Museum value as a tension field: a Baltic perspective	0