Journal of the History of Collections

Article	Citations
Rediscovery of a Mesoamerican greenstone sculpture from the collection of Ulisse Aldrovandi	3
Counting when, who and how	3
The cabinet and the world: non-European objects in early modern European collections	2
Enlightenment architectures: the reconstruction of Sir Hans Sloane’s cabinets of ‘Miscellanies’	2
Teaching classics with objects? The acquisition of classical antiquities by British schools, 1860–1950	2
Introduction: Early modern collections in use	2
From merchant to elite artist and collector	1
Cultural diplomacy in the acquisition of the head of the Satala Aphrodite for the British Museum	1
Florian Sawiczewski (1797–1876), founder of the pharmacognostic collection in Kraków	1
A Crimson Rosella for Josephine	1
A botanical collector abroad: contextualizing Thomas Penny’s travels in Switzerland and France, 1565–1568	1
A Catalogue of the Sculpture Collection at Wilton House	1
Unpacking a(nother) voyage round the world	1
Displaying plaster casts, staging Romanization	1
Quanta prudentia et usus administrandæ reipublicæ: Quiccheberg and Mylaeus on the utility of techne	1
Sir Charles Eastlake, the National Gallery and Milan	0
‘The illustration of all art expressed in objects of utility’: The formation of the Renaissance collections at the Victoria and Albert Museum	0
Wilhelm Bode and the Art Market: Connoisseurship, networking and control of the marketplace	0
The Circulating Lifeblood of Ideas: Leo Steinberg’s library of prints	0
A nineteenth-century entrepreneur and collector	0
The influence of art censorship on New York collectors in the Gilded Age	0
Thomas Penny and the preservation of Conrad Gessner’s botanical legacy	0
The Wenceslaus Hollar collection of Sidney T. Fisher, and catalogue by Richard Pennington	0
Rediscovering John Martin	0
Metternich’s collection of Talbot’s photographs	0

The Stafford Gallery: The greatest art collection of Regency London	0
Dai Medici ai Rothschild: mecenati, collezionisti, filantropi	0
Giorgio de Chirico’s artful deception: The story of Nathan Cummings’s ‘true-fakes’ scandal	0
The Empress Eugénie in England: Art, architecture, collecting	0
Bell salts and bankers	0
Martin Folkes (1690–1754): Newtonian, antiquary, connoisseur	0
Blinded by Curiosity: The collector–dealer Hadriaan Beverland (1650–1716) and his radical approach to the printed image	0
America and the Art of Flanders: Collecting paintings by Rubens, Van Dyck, and their circles	0
Books Received	0
Two albums of drawings by Lombard masters of the sixteenth and early seventeenth centuries, from the estate of the Clary-Aldringen family	0
From guidebook to guest book	0
Antichità in giardino, giardini nell’antichità: studi sulla collezione Giusti a Verona e sulla tradizione delle raccolte di antichità in giardino	0
Doris Duke and Mary Crane: Collecting Islamic art for Shangri La, a Hawaiian hideaway home	0
Sculpture Collections in Europe and the United States, 1500–1930. Variety and ambiguity. Studies in the History of Collecting and Art Markets 10	0
‘Objects bring us traces of life’	0
Hector de Garriod (1803–1883): a marchand amateur in Risorgimento Italy	0
Chefs-d’œuvre of the Sternberg collection	0
Books Received	0
‘Sèvres-mania’ and collaborative collecting networks: The 2nd Earl of Lonsdale, Henry Broadwood and Edward Holmes Baldock	0
Curiosities in the Far North	0
Introduction: Bildung beyond borders	0
Women Art Dealers: Creating markets for modern art, 1940–1990	0
Foundational photographs	0
Tastemakers, Collectors, and Patrons: Collecting American art in the long nineteenth century	0
Michelangelo Gualandi (1793–1887) and the National Gallery: an unofficial ‘Travelling Agent’ for Sir Charles Eastlake	0
‘A matter of love’	0
Andrew Carnegie’s museum of evolution	0
Collecting Murillo in Britain and Ireland	0
Apelles’ Aphrodite Anadyomene: the itinerary of a sacred gift	0
La Grande Galleria: spazio del sapere e rappresentazione del mondo nell’età di Carlo Emanuele I di Savoia	0
The Brummer Galleries, Paris and New York: Defining taste from antiquities to the avant-garde	0
Enlightened Eclecticism: The grand design of the 1st Duke and Duchess of Northumberland	0
Statues and Busts. Part a.iv of The Paper Museum of Cassiano dal Pozzo: A catalogue raisonné	0
Actio de in rem verso	0
Women and the Art and Science of Collecting in Eighteenth-Century Europe	0
The Lost Library of the King of Portugal	0
The Private Lives of Pictures: Art at home in Britain, 1800–1940	0
Collective Wisdom: Collecting in the early modern academy	0
Elizabethan Globalism: England, China and the Rainbow Portrait	0
Museum, Magic, Memory: Curating Paul Denys Montague	0
Kunstkammer: Early modern art and curiosity cabinets in the Holy Roman Empire	0
John Singer Sargent, collector of modern art: works by Antonio Mancini and other Italian painters	0
The Solly Collection, 1821–2021: Founding the Berlin Gemäldegalerie	0
Illuminating Natural History: The art and science of Mark Catesby	0
Gian Giacomo Poldi Pezzoli, between Milan and Europe	0
La légende des objets: le cabinet de curiosités réfléchi par son catalogue (Europe, xvie—xviie siècles)	0
The elevation of Henry Willett	0
Books Received	0
Books received	0
The First Folio and the transatlantic trade in early drama c.1900–1929	0

Prince Albert’s donations to the library of the South Kensington Museum	0
América en Madrid: cultura material, arte e imágenes	0
Art Markets, Agents and Collectors: Collecting strategies in Europe and the United States, 1550–1950	0
Scholarship, skill and community: collections and the creation of ‘provincial’ medical education in Manchester, 1750–1850	0
Enriching the V&A: A collection of collections (1862–1914)	0
Smuggling the Renaissance: The illicit export of artworks out of Italy, 1861–1909	0
Leonardo’s Salvator Mundi & the Collecting of Leonardo in the Stuart Courts	0
The Berlin Masterpieces in America: Paintings, politics, and the Monuments Men	0
Creating the Bowes Museum	0
Raphael: The Power of Renaissance Images: The Dresden tapestries and their impactApostles in Prussia: The Raphael tapestries of the Bode-MuseumThe Raphael Cartoons	0
New light on the art collection of Andrea Menichini	0
Georg Forster: The South Seas at Wörlitz. Kulturstiftung Dessau-Wörlitz	0
Correction to: Actio de in rem verso: The Revd William MacGregor collection of Egyptian antiquities and the extraordinary claims of the dealer who helped its development	0
A Bolognese collector rediscovered: Count Ludovico Caprara (1621–1695) and the seventeenth-century art market	0
Rodolphe (1845–1905) and Maurice Kann (1839–1906)	0
Sarcophagi and other Reliefs, 4 vols., Part A.III of The Paper Museum of Cassiano dal Pozzo: A catalogue raisonné	0
Correction to: Picturing the flora of China: Early Qing dynasty plant paintings in Britain	0
Preserving Jewish heritage	0
Ancient Marbles in Naples in the Eighteenth Century: Findings, collections, dispersals	0
Gian Giacomo Poldi Pezzoli, between Milan and Europe: travels, connections and patterns of taste of a mid-nineteenth-century collector	0
Correction to: ‘I shall now go on selling as I can to these people’: Joseph Duveen and the making of the Stern–Michelham collection	0
A Collection in Context: kommentierte Edition der Briefe und Dokumente Sammlung Dr. Karl von Schäffer	0
Acquisition, duplicates and exchange	0
Picturing the flora of China	0
Reading between the lines	0
Felix Bamberg (1820–1893), a scholar and collector between Prussia, France, Italy and Romania	0
Why put a museum in a book? Ferrante Imperato and the image of natural history in sixteenth-century Naples	0
The House of Fragile Things: Jewish art collectors and the fall of France	0
Objects as Insights: R. H. Codrington’s ethnographic collections from Melanesia	0
Bernard Palissy: artisan des réformes entre art, science et foi	0
Illuminated Manuscripts from Europe in the Calouste Gulbenkian Collection	0
A Farnese acquisition: Ribera, Genovesino and other paintings and bronzes from Governor Carlo Luzzi’s collection	0
From Stosch through Carafa to Hamilton and the British Museum	0
The rediscovered Islamic manuscripts of the Cospi Museum in the University Library of Bologna	0
The Yorkshire Tea Ceremony: W. A. Ismay and his collection of British studio pottery	0
The poet’s skull	0
The New York Market for French Art in the Gilded Age, 1867–1893	0
Architektur-zeichnungen der Sammlung Albrecht Haupt	0
Da Rodolfo Pio ai Farnese: storia di due collezioni epigrafiche urbane, Commentationes Humanarum Literarum 141	0
Fabricating the past at Hammond Castle	0
The export of Old Masters from Poldi Pezzoli’s Milan to international museums	0
Country House Collections: Their lives and afterlives	0
Captain Cook, Mrs Taylor and a Mi’kmaw quillwork box: An uncorroborated inscription, an unwarranted assertion and an imagined collection	0
Milanese antique dealers and the international market	0
Protecting private collections of paintings in France in the nineteenth century	0
The Museum Age in Austria-Hungary. Art and empire in the long nineteenth century	0
Collecting copper alloy portrait heads	0
The Royal Navy in Indigenous Australia, 1795–1855: Maritime encounters and British Museum collections	0
The India Museum Revisited	0
Reframing Japonisme: Women and the Asian art market in nineteenth-century France, 1853–1914	0
Books Received	0
Promesses de Patagonie: l’exploration française en Amérique australe et la patrimonialisation du ‘bout du monde’	0
Framing colonial war loot	0
De Filarete à Riccio: bronzes italiens de la Renaissance (1430–1550)	0
The collection of Fabio Fani: Carracci, Luti, Garzi, sharks’ teeth and the ‘nail of the Great Beast’	0
The social life of Bartolomeo della Nave’s art collection in Seicento Venice	0
The World of Disney: From antiquarianism to archaeology	0
Connected fragments: an early Hong Kong archaeological collection	0
The Purchase of the Past: Collecting culture in post-Revolutionary Paris, c.1790–1890	0
Between science and art	0
Italy for Sale: Alternative objects – alternative markets	0
Siting China in Germany: Eighteenth-century Chinoiserie and its modern legacy	0
Rembrandt was here	0
A museum on the front line: The People’s Museum of Girona (1936–1938)	0
The Torlonia Marbles: Collecting masterpieces	0
The Temple of Fame & Friendship: Portraits, music, and history in the C.P.E. Bach circle	0
Titian and textile	0
Great Irish Households: Inventories from the long eighteenth century	0
The Numismatic World in the Long Nineteenth Century	0
The Hull Grundy collection in the Museum of Medicine and Health, University of Manchester	0
Johann Daniel Major (1634–1693) and the experimental museum	0
Collecting Raphael in reproduction in the nineteenth century	0
Die herzogliche Kunstkammer in Gotha	0
Correction to: ‘I shall now go on selling as much as I can to these people’: Duveen Brothers and the making of the Stern–Michelham collection	0
Le musée: une histoire mondiale, 3 vols., i: Du trésor au musée; ii: L’ancrage européen; iii: À la conquête du monde	0
The Art Collector in Early Modern Italy: Andrea Odoni and his Venetian palace	0
Doubts and certainties about the Duke of Urbino’s diplomatic gifts to Prince Philip of Spain in 1593	0
Learning to perform in early modern art collections	0
Arte e lettere a Napoli tra Cinque e Seicento	0
A. W. Franks, William Ridgeway and collections of Irish antiquities	0

Mystery and history: when did Catherine the Great purchase the Lyde Browne collection?	0
The historic mineralogical instruments collection of the Real Museo Mineralogico, University of Naples Federico II: meaning and value	0
Family portraits from the lost Gaddi gallery	0
Books Received	0
‘I heard about the negotiation with Agostini’	0
Twentieth-century private collecting	0
From Du Sommerard to Poldi Pezzoli	0
Creating ‘a palace of art’	0
Sir Ernest Cassel, a ‘Jew of taste’	0
Gian Giacomo Poldi Pezzoli and the decorative arts	0
Old Masters Worldwide: Markets, movements and museums, 1789–1939	0
Correction	0
Collecting antiquities in wartime	0
The art collections and museum of King William II of the Netherlands (1792–1849)	0
Looters to collectors	0
Mathematical Instruments in the Collections of the Bibliothèque Nationale de France	0
Correction to: Lucanian heritage across the world: the Spanish collections	0
The Matterozzi collection of Early Christian gold-glass at the British Museum: An investigation of textual records and an edition of archival sources	0
Ulisse Aldrovandi: Naturalist and collector	0
Hidden in plain sight: on copiousness in the Kunstkammer of Emperor Rudolf II	0
What’s Mine is Yours. Private collectors and public patronage in the United States. Essays in honor of Inge Reist	0
Lucanian heritage across the world: the Spanish collections	0
Rock value: Scientific and economic conditions for collecting minerals in the early nineteenth century	0
William Hunter and the Anatomy of the Modern Museum	0
Francisco de los Cobos y las artes en la corte de Carlos V	0
Books received	0
Collecting in the South Sea: The voyage of Bruni d’Entrecasteaux, 1791–1794.Tiki: Marquesan art and the Krusenstern expeditionResonant Histories: Pacific artefacts and the voyages of HMS Royalist, 189	0
T. J. Alldridge’s Sierra Leone collections	0
The art of rivalry	0
‘His utter unfitness for a commercial collector’	0
Jewishness, antiquity and civilization	0
Rudolf Weisker’s anatomical and developmental wax models: New evidence and contexts concerning his career and sources	0
Sweeping up the best things	0
Editorial changes at the Journal of the History of Collections	0
‘Now completely Americanized’: Collecting and transatlantic exchange of the Lansdowne Marbles	0
The one that didn’t get away	0
Mobile Museums	0
Gian Giacomo Poldi Pezzoli and Florence	0
The Pictor Doctus, between Knowledge and Workshop: Artists, collections and friendship in Europe, 1500–1900.	0
(Re)Making Collections: Origins, trajectories & reconnections / La fabrique des collections: origines, trajectoires & reconnexions	0
Correction to: Tastemakers, Collectors, and Patrons: Collecting American art in the long nineteenth century	0
Henry Clay Frick and the Museum of Fine Arts, Boston: the blockbuster exhibition of 1910	0
‘An indefatigable intermediary’: Harold Woodbury Parsons (1882–1967) and the formation of the European collections at the Cleveland Museum of Art: part 2	0
Continuity and change in the British diplomatic service in the Levant	0
‘The only delight of my life’: the collection of Pablo Bosch (1841–1915) and its bequest to the Museo del Prado	0
Holbein at the Tudor Court	0
Books Received	0
Fremdprägung: Münzwissen in Zeiten der Globalisierung	0
The Art Market in Rome in the Eighteenth Century: A study in the social history of art	0
Collections coloniales: à l’origine des fonds anciens non européens dans les musées suisses	0
Foreign travellers in Milan and their interests	0
Sealed and concealed: the uses of Hans Sloane’s collection of ‘Vegetable Substances’	0
Collecting people: bluestocking sociability and the assembling of knowledge	0
Books Received	0
Hiding in plain sight	0
‘I shall now go on selling as much as I can to these people’	0
Unexpected legacies	0
Les dessins de la collection Mariette: écoles flamande, hollandaise et allemande	0
Mystery and history: when did Catherine the Great purchase the Lyde Browne collection?	0
Rarities of these Lands. Art, trade, and diplomacy in the Dutch Republic	0
Jewellery and precious objects in the formation of Habsburg family relationships: Anne of Bohemia and Hungary (1503–1547) and her inventories	0
Carl Akeley’s ‘lost’ decorative taxidermy and anthropomorphic groups	0
Garden catalogues as sources for studying the collection and transmission of plants	0
India: A history in objects	0
The Amsterdam dealer Hans Le Thoor at the court of Emperor Rudolf II	0
Raffaello e l’antico nella villa di Agostino Chigi	0
Playful Pictures: Art, leisure, and entertainment in the Venetian Renaissance home	0
The picture collection of the Lords Kinnaird at Rossie Priory	0
An unknown collector of Late Antique textiles from Egypt	0
The Marquess and Marchioness of Buckingham, Sir Joshua Reynolds, and the eighteenth-century context for Rembrandt’s Bellona in the Metropolitan Museum of Art	0
The ‘beautiful enigma’	0
Collecting the nation in the museum of the Society of Antiquaries of Scotland, 1832–91	0
The Getty Gnaios	0
Bernini’s painting collection: a reconstructed inventory raisonné	0
Florence, Berlin and Beyond: Late nineteenth-century art markets and their social networks	0
Coke of Norfolk: politician, agriculturalist and art collector	0
Duped or duplicitous? Bode, Bardini and the many Madonnas of South Kensington	0
The Emergence of the Antique and Curiosity Dealer in Britain, 1815–1850: The commodification of historical objects	0
Paul Graupe, Arthur Goldschmidt and the dispute over an Adriaen van Ostade painting in wartime France	0
Maria Sybilla Merian: Changing the nature of art and science	0
The Testament politique of Nicholas I? Monarchical propaganda and the birth of a national collection	0
‘Ordinary’, ‘insignificant’ and ‘useless’ artefacts from Rome and Athens	0
Ancient Art and its Commerce in Early Twentieth-Century Europe: The John Marshall Archive. A collection of essays written by the participants of the John Marshall Archive Project	0
Gian Giacomo Poldi Pezzoli’s international network and models for a modern museum	0
Controversial collections	0
The Tastemakers: British dealers and the Anglo-Gallic interior, 1785–1865	0