Journal of the History of Collections

Article	Citations
Unexpected legacies	9
Books Received	2
Books Received	2
Gail Feigenbaum, Sandra van Ginhoven and Edward Sterrett (eds.), Money in the Air: Art Dealers and the Making of a Transatlantic Market, 1880–1930	1
Family portraits from the lost Gaddi gallery	1
‘The time is ripe for revolution’: Burt Chernow and the founding of the Housatonic Museum of Art	1
New light on the art collection of Andrea Menichini	1
Objects as Insights: R. H. Codrington’s ethnographic collections from Melanesia	1
Elizabeth Harding and Joëlle Weis (eds.), Gelistete Dinge: Objekte und Listen in der Frühen Neuzeit ; Otfried Czaika, Regine Elhs and Heinrich Holze (eds	1
Correction to: Actio de in rem verso: The Revd William MacGregor collection of Egyptian antiquities and the extraordinary claims of the dealer who helped its development	1
Jewellery and precious objects in the formation of Habsburg family relationships: Anne of Bohemia and Hungary (1503–1547) and her inventories	1
Gian Giacomo Poldi Pezzoli and the decorative arts	1
Prince Albert’s donations to the library of the South Kensington Museum	1
Curiosities in the Far North	0
‘The illustration of all art expressed in objects of utility’: The formation of the Renaissance collections at the Victoria and Albert Museum	0
Bruce Boucher, John Soane’s Cabinet of Curiosities: Reflections on an Architect and his Curiosities	0
The Royal Navy in Indigenous Australia, 1795–1855: Maritime encounters and British Museum collections	0
Connected fragments: An early Hong Kong archaeological collection	0
Aldrovandi’s planned history of marvels	0
Editorial	0
The Gibson microscope slide collection in the Museum of Medicine and Health, University of Manchester	0
Correction to: ‘I shall now go on selling as much as I can to these people’: Duveen Brothers and the making of the Stern–Michelham collection	0
Oliver Wunsch, A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France	0
Exuberant images in the Andean domestic setting: Inventories, private art collecting and provenance trends in viceregal Santiago, Chile (1650–1750)	0
A. W. Franks, William Ridgeway and collections of Irish antiquities	0

Carving out a niche for Chinese fungi	0
Katharina Martin, Martin Mulsow and Johannes Wienand (eds.), Universitäre Münzsammlungen im deutschprachigen Raum: Geschichte, Gegenwart und Zukunft	0
Picasso, Klee, Matisse, Giacometti: The Eye of Collector–Dealer Heinz Berggruen	0
Picturing the flora of China: Early Qing dynasty plant paintings in Britain	0
A museum on the front line: The People’s Museum of Girona (1936–1938)	0
Peter N. Lindfield, The Intimacies of George Shaw (1810–76): Diaries and Letters of a Gothic Architect, Antiquary, and Forger	0
The Galerie Georges Petit, 1881–1895: Newly discovered documents	0
‘His utter unfitness for a commercial collector’	0
Collecting after iconoclasm	0
La légende des objets: le cabinet de curiosités réfléchi par son catalogue (Europe, xvie—xviie siècles)	0
The Numismatic World in the Long Nineteenth Century	0
Die herzogliche Kunstkammer in Gotha	0
The Art Collector in Early Modern Italy: Andrea Odoni and his Venetian palace	0
Aristocratic collections after the fall of the Polish–Lithuanian Commonwealth, 1800–1830	0
Belle da Costa Greene: A Librarian’s Legacy. Morgan the Collector: Essays in Honor of Linda Roth’s 40th Anniversary at the Wadsworth Atheneum Museum of Art	0
Books Received	0
Vera Keller, Curating the Enlightenment: Johann Daniel Major and the Experimental Century	0
Women Art Dealers: Creating markets for modern art, 1940–1990	0
Gian Giacomo Poldi Pezzoli and Florence	0
Gian Giacomo Poldi Pezzoli, between Milan and Europe	0
Theodore Irwin	0
Gian Giacomo Poldi Pezzoli, between Milan and Europe: travels, connections and patterns of taste of a mid-nineteenth-century collector	0
The Past, Present and Future of the Study of Collecting	0
Sculpture Collections in Europe and the United States, 1500–1930. Variety and ambiguity. Studies in the History of Collecting and Art Markets 10	0
Andrew Carnegie’s museum of evolution	0
Orazio Gentileschi and the Medici court	0
The India Museum Revisited	0
Collecting Mesoamerican Art Before 1940: A New World of Latin American Antiquities	0
Wilhelm Bode und die deutsche Holzskulptur des Spätmittelalters	0
Four Centuries of Blue & White: The Frelinghuysen collection of Chinese and Japanese export porcelain	0
Between science and art	0
Raffaello e l’antico nella villa di Agostino Chigi	0
Collecting copper alloy portrait heads	0
Wilhelm Bode and the Art Market: Connoisseurship, networking and control of the marketplace	0
Martin Folkes (1690–1754): Newtonian, antiquary, connoisseur	0
Twentieth-century private collecting	0
Museum, Magic, Memory: Curating Paul Denys Montague	0
Thomas DaCosta Kaufmann, Rudolf II: The Life and Legend of the Mad Emperor	0
Books received	0
The Palatine portraits in the imperial painting collection at Prague Castle	0
Hiding in plain sight	0
Milanese antique dealers and the international market	0
Looters to collectors	0
Carl Akeley’s ‘lost’ decorative taxidermy and anthropomorphic groups	0
Juliet Carey and Abigail Green (eds.), with Hélène Binet (photography), Jewish Country Houses .	0
Lucanian heritage across the world: the Spanish collections	0
Garden catalogues as sources for studying the collection and transmission of plants	0
Books received	0
India: A history in objects	0
Jeffrey Abt, Too Jewish or Not Jewish Enough: Ritual Objects and Avant-Garde Art at the Jewish Museum of New York	0

‘Best presents for England!’: a New Zealand fern album in Scotland	0
Of Caribbean ‘white elephants’	0
The historic mineralogical instruments collection of the Real Museo Mineralogico, University of Naples Federico II: meaning and value	0
Dai Medici ai Rothschild: mecenati, collezionisti, filantropi	0
Counting when, who and how	0
‘I heard about the negotiation with Agostini’	0
Reading between the lines	0
From guidebook to guest book	0
The Solly Collection, 1821–2021: Founding the Berlin Gemäldegalerie	0
The First Folio and the transatlantic trade in early drama c.1900–1929	0
A Collection in Context: kommentierte Edition der Briefe und Dokumente Sammlung Dr. Karl von Schäffer	0
Collecting the nation in the museum of the Society of Antiquaries of Scotland, 1832–91	0
‘Figural fulfilment’ at the 1857 Manchester Art Treasures exhibition	0
Kunstkammer: Early modern art and curiosity cabinets in the Holy Roman Empire	0
Rock value: Scientific and economic conditions for collecting minerals in the early nineteenth century	0
Coke of Norfolk: politician, agriculturalist and art collector	0
Titian and textile	0
Anne Nellis Richter, The Gallery at Cleveland House: Displaying Art and Society in Late Georgian London	0
Editorial changes at the Journal of the History of Collections	0
(Re)Making Collections: Origins, trajectories & reconnections / La fabrique des collections: origines, trajectoires & reconnexions	0
Holbein at the Tudor Court	0
The Met: A History of a Museum and its People	0
Metternich’s collection of Talbot’s photographs	0
Great Irish Households: Inventories from the long eighteenth century	0
Ulisse Aldrovandi: Naturalist and collector	0
‘Now completely Americanized’: Collecting and transatlantic exchange of the Lansdowne Marbles	0
Les dessins de la collection Mariette: écoles flamande, hollandaise et allemande	0
The Marquess and Marchioness of Buckingham, Sir Joshua Reynolds, and the eighteenth-century context for Rembrandt’s Bellona in the Metropolitan Museum of Art	0
The art of rivalry	0
Books Received	0
Doubts and certainties about the Duke of Urbino’s diplomatic gifts to Prince Philip of Spain in 1593	0
Architektur-zeichnungen der Sammlung Albrecht Haupt	0
Secret Spaces. Sacred treasuries in England 1066–1320	0
Ancient vases from the Adolphe Raifé collection in St Petersburg: From Mikhail Petrovich Botkin to the State Hermitage Museum	0
Country House Collections: Their lives and afterlives	0
The New York Market for French Art in the Gilded Age, 1867–1893	0
The picture collection of the Lords Kinnaird at Rossie Priory	0
Sir Charles Eastlake, the National Gallery and Milan	0
‘Immigrant gifts’: Alphonso Trumpbour Clearwater, colonial silver and the limits of ‘Americanization’, 1906–1933	0
Leah R. Clark, Courtly Mediators: Transcultural Objects between Renaissance Italy and the Islamic World	0
Statues and Busts. Part a.iv of The Paper Museum of Cassiano dal Pozzo: A catalogue raisonné	0
Julien Bondaz, Poussière d’oiseaux: une autre histoire de la mission Dakar–Djibouti	0
The Private Lives of Pictures: Art at home in Britain, 1800–1940	0
Ancient Art and its Commerce in Early Twentieth-Century Europe: The John Marshall Archive. A collection of essays written by the participants of the John Marshall Archive Project	0
From Stosch through Carafa to Hamilton and the British Museum	0
The first public herbarium in modern China	0
The Amsterdam dealer Hans Le Thoor at the court of Emperor Rudolf II	0
The Yorkshire Tea Ceremony: W. A. Ismay and his collection of British studio pottery	0
Los almirantes de Castilla en el siglo xvii: coleccionismo, diplomacia y ocio nobiliario entre las cortes de España e Italia	0
Sarcophagi and other Reliefs, 4 vols., Part A.III of The Paper Museum of Cassiano dal Pozzo: A catalogue raisonné	0
The legal status of looted art from the Free City of Danzig	0
Continuity and change in the British diplomatic service in the Levant	0
Two Fabrianese manuscripts pertaining to the late activity of Carlo Crivelli	0
Correction to: Lucanian heritage across the world: the Spanish collections	0
Two albums of drawings by Lombard masters of the sixteenth and early seventeenth centuries, from the estate of the Clary-Aldringen family	0
The architect as agent: Charles Heathcote Tatham at Woburn Abbey and Castle Howard	0
Italy for Sale: Alternative objects – alternative markets	0
The unpublished quaderno vechio of Marquis Nicolò III d’Este	0
The art collections and museum of King William II of the Netherlands (1792–1849)	0
The Emergence of the Antique and Curiosity Dealer in Britain, 1815–1850: The commodification of historical objects	0
Foreign travellers in Milan and their interests	0
Provenance and Possession: Acquisitions from the Portuguese empire in Renaissance Italy	0
Maria Sybilla Merian: Changing the nature of art and science	0
The Temple of Fame & Friendship: Portraits, music, and history in the C.P.E. Bach circle	0
A twentieth-century history of the Georgia Museum of Natural History	0
Jessica Ratcliff, Monopolizing Knowledge: The East India Company and Britain’s Second Scientific Revolution	0
French art / English taste: Richard Wallace’s Fragonards	0
The rediscovered Islamic manuscripts of the Cospi Museum in the University Library of Bologna	0
Enriching the V&A: A collection of collections (1862–1914)	0
The Brummer Galleries, Paris and New York: Defining taste from antiquities to the avant-garde	0
Correction	0
Le musée: une histoire mondiale, 3 vols., i: Du trésor au musée; ii: L’ancrage européen; iii: À la conquête du monde	0
Correction to: Tastemakers, Collectors, and Patrons: Collecting American art in the long nineteenth century	0
The elevation of Henry Willett	0
Collections coloniales: à l’origine des fonds anciens non européens dans les musées suisses	0
Miriam Szőcs  and Márton Tóth  (eds.), Casting a New Light: Plaster Casts and Cast Collections in Europe and Beyond	0
‘Loaned by the wealthy virtuosi of the city’: How collectors shaped the Metropolitan Museum of Art, 1872-1905	0
Art Markets, Agents and Collectors: Collecting strategies in Europe and the United States, 1550–1950	0
An unknown collector of Late Antique textiles from Egypt	0
Correction to: The Seymour family’s art collection: development, display and dispersal, from Tudor origins to 1940s demise. Part 1: From Tudor origins to 1849	0

Collecting Raphael in reproduction in the nineteenth century	0
Jonathan Marsden, European Sculpture in the Collection of His Majesty The King	0
Blinded by Curiosity: The collector–dealer Hadriaan Beverland (1650–1716) and his radical approach to the printed image	0
Carl Peter Thunberg and his intermediaries at the Cape of Good Hope	0
Margaret Iacono Wertz and Esmée Quodbach (eds.), The Evolving House Museum: Art Collectors and their Residences, Then and Now	0
The Torlonia Marbles: Collecting masterpieces	0
A parade of wooden horses: The politics of presentation in the early modern Dresden armoury	0
Smuggling the Renaissance: The illicit export of artworks out of Italy, 1861–1909	0
Playful Pictures: Art, leisure, and entertainment in the Venetian Renaissance home	0
‘Objects bring us traces of life’	0
Fawkes’s Fairfaxiana , c. 1815–25A collection of the past to reform the future	0
The Circulating Lifeblood of Ideas: Leo Steinberg’s library of prints	0
Mobile Museums	0
Books Received	0
Problematic provenance and understanding restorations	0
David Gilks, Quatremère de Quincy: Art and Politics during the French Revolution	0
Collective Wisdom: Collecting in the early modern academy	0
The Empress Eugénie in England: Art, architecture, collecting	0
From Du Sommerard to Poldi Pezzoli	0
Fremdprägung: Münzwissen in Zeiten der Globalisierung	0
Correction to: Picturing the flora of China: Early Qing dynasty plant paintings in Britain	0
Peter Humfrey, Regency Collectors: Buying and Displaying Old Masters in Early Nineteenth-Century England	0
The export of Old Masters from Poldi Pezzoli’s Milan to international museums	0
Silvia Davoli and Tom Stammers (eds.), Jewish Dealers and the European Art Market, c.1860–1940: Negotiating Cultural Modernity	0
The Seymour family’s art collectionDevelopment, display and dispersal, from Tudor origins to 1940s demise	0
The Schmidt collection of envelopes in the Musée Zoologique in Strasbourg	0
Tastemakers, Collectors, and Patrons: Collecting American art in the long nineteenth century	0
‘The difference in our professions’: (In)forming collecting and archaeological practice by thwarting antiquities trafficking in Greece, 1860s–1880s	0
The volumes of prints at the Albertina	0
Gian Giacomo Poldi Pezzoli’s international network and models for a modern museum	0
Acquisition, duplicates and exchange	0
Francis Haskell and Nicholas Penny, Taste and the Antique: The Lure of Classical Sculpture, 1500–1900 , revised and amplified edition by Adriano Aymonino	0
Sweeping up the best things	0
Giorgio de Chirico’s artful deception: The story of Nathan Cummings’s ‘true-fakes’ scandal	0
Creating the Bowes Museum	0
Francisco de los Cobos y las artes en la corte de Carlos V	0
Private Collectors in Brussels, Antwerp, and Ghent, ca. 1780–1914: Between Public Relevance and Personal Pleasure	0
América en Madrid: cultura material, arte e imágenes	0
A forger’s cabinet at religious and familial crossroads	0
Geraldine A. Johnson and Deborah Schultz (eds.), Photo Archives and the Place of Photography: Routledge History of Photography	0
Paul Graupe, Arthur Goldschmidt and the dispute over an Adriaen van Ostade painting in wartime France	0
Rediscovering John Martin	0
Da Rodolfo Pio ai Farnese: storia di due collezioni epigrafiche urbane, Commentationes Humanarum Literarum 141	0
The collecting practices of Alfred Pope and Harris Whittemore	0
King Francis I’s dracunculus: Further solutions to the mystery of an infamous museum piece	0
Books Received	0
Collecting antiquities in wartime	0
Perspectives on the Study of the Art Market	0
The Pictor Doctus, between Knowledge and Workshop: Artists, collections and friendship in Europe, 1500–1900.	0
Books Received	0
Actio de in rem verso	0