Third Text

Papers
(The TQCC of Third Text is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Activist Aesthetics in the Post-Socialist Balkans15
On Apartheid Ruins14
Last Angel of History11
This Should Happen Here More Often10
Desire Revolution10
Humour and the Commodification of Suffering4
Passing as… in Arab Labor by Sayed Kashua on Israeli TV3
The Uses of Found Footage and the ‘Archival Turn’ of Recent Korean Documentary3
Unbecoming Men2
Gender and Performativity in Xing Danwen’s East Village2
Nuclear Aesthetics against the Colonial Desert2
Decentring the Genealogies of Art Activism1
Conflict Reporting1
What is Contemporary about Institutional Critique?1
Haptic Perception and the Non-Western Monochrome1
The Search for an Individual Voice1
A Critique of the ‘Author Function’ Concept in Art History1
‘Living Artistically’ under Post-Fordist Conditions1
Being the Woman They Wanted Her to Be1
Arts in Dark Times1
Containment in Doris Salcedo’s Atrabiliarios1
‘Heavenly Beings’1
The Aesthetic Surveillance of Performance Art by the Romanian Securitate in the 1970s and 1980s1
Reconstructing Slave Stock1
Indigenising Water1
Fugitive Aesthetics1
Debating Neoconcretism1
Race, Climate Change and the Photographic Negative in Richard Mosse’s Heat Maps1
Unpacking the Aesthetics of Working in Public Space in Malaysia and Southeast Asia through the Lens of Art-Led Participative Processes1
Queer Tricontinentalism?1
‘Gay Sex Kits’1
An Exploration of the Scarcity of Asian Images in Morimura Yasumasa’s Oeuvre, 1991–20101
Contributors0
The Slave Ship and Badagry in Ndidi Dike’s ‘Waka-into-Bondage: The Last 3/4 Mile'0
‘The Place of the Transfagbidyke is in the Revolution’0
Performing Gender in Video Art0
A Non-Event0
Negotiating Offence of Fallist Proportion0
A Proximate Past0
‘We all came from Soros’0
Impossible Stillness0
Mapping the Agency of Trash0
Nostalgia for Futures Past0
Transformation of Political Discourse in Turkish Cinema from the 1960s to the 1990s0
Crypt, Cornucopia and the Surface of Pattern0
‘Artistic Exile’ and Professional Failure0
Women’s Action Cinema in Pakistan0
The Aesthetic Rift0
Craft as Anti-colonial Universalism in the Bienal de La Habana0
Please Help Yourself0
Postsecular Longings?0
Phantom in the Landscape0
Filming the Nation in Post-Independence Mozambique0
Contributors0
Doors, Windows and the Notebook of Solidarity0
Enjoy Sara-jevo0
On Sequins and Shit0
Aural Resilience0
The Origins of the Abbey: 1947–19500
PeoPL’s Bursting Light0
‘Since They Can’t Put Venezuela in Their Suitcase, They Take Mosaic Tiles from the Maiquetía Airport’0
Piles of Bones0
‘Black Fire’0
‘Blinded by Quarry Vision’0
Woman as Battleground0
The Sarajevo Ghetto Spectacle0
The Lowest Depths0
An Affect Alien in Aotearoa0
Shooting the Ambulance?0
Mary Kelly’s Gloria Patri and Negative Narcissism0
Contributors0
The Spotted Seppuku0
Burning the American Flag Before the World0
Images That Sweat0
Planets and Stars and Time Travel…0
Borderscaping Hong Kong0
The Implied Who0
Respectability – Armour Against Inferiority0
Erasure0
Crisis and Collectives Shaping Art Events0
Conspicuously Inconspicuous0
Contributors0
KwieKulik through the Lens of Feminism0
Between the Social Limbo and the Art Canon0
Sensing History, Seeking Justice0
Brexit and the Occult0
After the Fall0
Contributors0
Contributors0
The Semiperipheral Art Gallery0
Wallen Mapondera’s Conceptual Art0
Standing Rock and its Ancestors0
Militancy from the Margins in Brazil0
Phantom Images, Phantom Limbs, Phantoms of Empire0
The Aestheticisation of Late Capitalist Fascism0
Contributors0
Contributors0
The Remarkable Power of Language in The Battle of Algiers0
The Tour0
Contributors0
Contributors0
Martin Parr and the Legacy of British Colonial Photography0
Exhausting 20100
‘The Romanians are Coming’0
Zinc Vignettes0
Transwar Art in Japan0
Devoted Resistance0
On Mask-Ocracy0
Contributors0
Night Vision, Ghosts and Data Proxies0
Kang Yong Suk’s Dongducheon Commemorative Portraits0
Contributors0
Contributors0
Cinematic Cartographies0
Contributors0
Contributors0
Grid Locks0
Interlude 2: Trickster Abrakadabra0
Chen Zhen, Transcultural Dialogues under Construction0
Contemporary Confessional Forms and Confessional Art0
Decolonising Love0
Contributors0
Do You Have Place?0
Arthur Bispo do Rosário0
Anthropocene as Capitalocene0
Contributors0
From Dialogical Aesthetics in Eastern European Art to ‘Falling in Love’ with the Other(s)0
Beyond the Everyday0
Cosmos, Fiction and Transcendence0
Contributors0
Contributors0
Correction0
Hyphenated Performance On-Site0
Yin Xiuzhen’s Portable Cities0
The Broken Dinner Table0
Correction0
Make No Mystique!0
A Partial History of South–South Art Criticism0
Lee Ufan, the Hidden Face of the Moon0
Contributors0
Art and Rebellion0
Redemptive Constellations0
And Sex?0
Mining Matter/s0
Deviations and Conversions, Seventies Style0
Hijacking IKEA0
‘Why do you fall in love? Why do you worship Vishnu and Shiva?’0
Leave Your Psychopathic Behaviour Outside the Playground0
Trashing Scale0
The Early Black Printmaker(s) in Ilanga Lase Natal , 1903–19050
Against and beyond the Museum0
Photographs0
Afronauts0
Contributors0
New Thai Cinema and the Poetics of Resistance0
Addressing Karukinka0
Serious Dreaming0
The Buried Appraisals of Popular Art0
Disobedience in Sámi Artist Marja Helander’s Film Birds in the Earth0
Antitainment 700
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