Third Text

Papers
(The TQCC of Third Text is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Repositories of Sound3
Diagnostic Revelations3
Hyphenated Performance On-Site3
Contemporary Confessional Forms and Confessional Art3
Contributors3
Decolonial Futures for African Collections2
Self-Imagining2
Standing Rock and its Ancestors1
Contributors1
Alfonso Ossorio’s Creative Breakthrough1
Lygia Clark and Architecture1
‘What happened? Where are they?’1
Writing with Surya Namaz1
Race, Climate Change and the Photographic Negative in Richard Mosse’s Heat Maps1
Piles of Bones1
Contributors1
Guy Ben-Ner1
Images That Sweat1
Borderscaping Hong Kong1
Doors, Windows and the Notebook of Solidarity1
The Origins of the Abbey: 1947–19501
Differential Dispossession and the White Indigenous Counter-Reformation1
Hybrid Aesthetics of Standby1
Polyphony1
Developing Digital Research Methodologies for Kenyan Collections Held in UK Museums1
Sensing History, Seeking Justice0
Review Essay Komar and Melamid: A Lesson in History0
Cinematic Cartographies0
The Social Form of Contemporary Art’s Autonomy0
(Re)Thinking Complicity0
Impossible Stillness0
Transwar Art in Japan0
Crypt, Cornucopia and the Surface of Pattern0
Interlude 2: Trickster Abrakadabra0
Arthur Bispo do Rosário0
Contributors0
Aural Resilience0
Unsettling the Archive0
Contributors0
The Buried Appraisals of Popular Art0
Interlude 10
The Slave Ship and Badagry in Ndidi Dike’s ‘Waka-into-Bondage: The Last 3/4 Mile'0
Art and Rebellion0
Dealing with Nordic Colonialism0
Debating Neoconcretism0
Agency and Erasure0
Photography between Publicity and Politics0
A Surreal Relation with Otherness in Shirin Neshat’s Land of Dreams0
‘Restoring’ Museum Collections to Decolonial Ends0
Woman as Battleground0
The Lowest Depths0
Kang Yong Suk’s Dongducheon Commemorative Portraits0
‘Why do you fall in love? Why do you worship Vishnu and Shiva?’0
Contributors0
The Tomb of the Sudanese Mahdī0
Cosmos, Fiction and Transcendence0
Displacement and Repositioning of the Quotidian0
Contributors0
Between the Social Limbo and the Art Canon0
Grid Locks0
A Conversation on Exhibitions and Cultural Worlds, with Serdar Arat0
Against and beyond the Museum0
Leave Your Psychopathic Behaviour Outside the Playground0
How to Decolonise Art and Science?0
Erasure0
A Post-Soviet Experiment0
Anthropocene as Capitalocene0
What Will Become of You0
The Implied Who0
Peripheral Visiting0
The Local Made Global0
The Search for an Individual Voice0
The Aesthetic Rift0
Indigenising Water0
Transformation of Political Discourse in Turkish Cinema from the 1960s to the 1990s0
‘We all came from Soros’0
Between Predator and Prey0
The Possibilities and Limitations of ‘Returned’ Digital Images0
Presenting Absence0
Crisis and Collectives Shaping Art Events0
New Thai Cinema and the Poetics of Resistance0
Joy Gregory and Philip Miller0
Zinc Vignettes0
Performing (the) Rural Migrant Workers0
‘Since They Can’t Put Venezuela in Their Suitcase, They Take Mosaic Tiles from the Maiquetía Airport’0
Contributors0
Mary Kelly’s Gloria Patri and Negative Narcissism0
Profit Versus Civilian0
Mining Matter/s0
Contributors0
A Toxic Hospitality?0
Apathy Meets Activism0
Make No Mystique!0
Phantom in the Landscape0
Negotiating Offence of Fallist Proportion0
Contributors0
The Memory Palaces of Do Ho Suh and Anne and Patrick Poirier0
More Process, Less Product0
Fugitive Aesthetics0
‘An occasion of power’0
Mapping the Agency of Trash0
Disobedience in Sámi Artist Marja Helander’s Film Birds in the Earth0
The Tour0
Burning the American Flag Before the World0
Contributors0
Arts in Dark Times0
Contributors0
Martin Parr and the Legacy of British Colonial Photography0
The Early Black Printmaker(s) in Ilanga Lase Natal , 1903–19050
Contributors0
Contributors0
Miss Chief and the Art of Decolonial Tease0
Text-Tiles of Dissent0
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