Third Text

Papers
(The median citation count of Third Text is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Repositories of Sound3
Diagnostic Revelations3
Hyphenated Performance On-Site3
Contemporary Confessional Forms and Confessional Art3
Contributors3
Self-Imagining2
Decolonial Futures for African Collections2
Lygia Clark and Architecture1
‘What happened? Where are they?’1
Writing with Surya Namaz1
Race, Climate Change and the Photographic Negative in Richard Mosse’s Heat Maps1
Piles of Bones1
Contributors1
Guy Ben-Ner1
Images That Sweat1
Borderscaping Hong Kong1
Doors, Windows and the Notebook of Solidarity1
The Origins of the Abbey: 1947–19501
Differential Dispossession and the White Indigenous Counter-Reformation1
Hybrid Aesthetics of Standby1
Polyphony1
Developing Digital Research Methodologies for Kenyan Collections Held in UK Museums1
Standing Rock and its Ancestors1
Contributors1
Alfonso Ossorio’s Creative Breakthrough1
The Buried Appraisals of Popular Art0
A Post-Soviet Experiment0
Unsettling the Archive0
Art and Rebellion0
The Implied Who0
Interlude 10
Agency and Erasure0
The Search for an Individual Voice0
Dealing with Nordic Colonialism0
A Surreal Relation with Otherness in Shirin Neshat’s Land of Dreams0
Transformation of Political Discourse in Turkish Cinema from the 1960s to the 1990s0
Photography between Publicity and Politics0
Woman as Battleground0
‘Restoring’ Museum Collections to Decolonial Ends0
Kang Yong Suk’s Dongducheon Commemorative Portraits0
The Lowest Depths0
Contributors0
Crisis and Collectives Shaping Art Events0
The Tomb of the Sudanese Mahdī0
Cosmos, Fiction and Transcendence0
Zinc Vignettes0
Displacement and Repositioning of the Quotidian0
Between the Social Limbo and the Art Canon0
Profit Versus Civilian0
Grid Locks0
Against and beyond the Museum0
A Toxic Hospitality?0
Leave Your Psychopathic Behaviour Outside the Playground0
Anthropocene as Capitalocene0
Phantom in the Landscape0
Erasure0
Peripheral Visiting0
Contributors0
What Will Become of You0
The Aesthetic Rift0
Fugitive Aesthetics0
The Local Made Global0
‘We all came from Soros’0
Disobedience in Sámi Artist Marja Helander’s Film Birds in the Earth0
Indigenising Water0
Between Predator and Prey0
Contributors0
Presenting Absence0
The Possibilities and Limitations of ‘Returned’ Digital Images0
Joy Gregory and Philip Miller0
New Thai Cinema and the Poetics of Resistance0
Performing (the) Rural Migrant Workers0
Contributors0
‘Since They Can’t Put Venezuela in Their Suitcase, They Take Mosaic Tiles from the Maiquetía Airport’0
Contributors0
Cinematic Cartographies0
Mary Kelly’s Gloria Patri and Negative Narcissism0
Mining Matter/s0
Impossible Stillness0
Contributors0
Apathy Meets Activism0
Interlude 2: Trickster Abrakadabra0
Make No Mystique!0
The Memory Palaces of Do Ho Suh and Anne and Patrick Poirier0
Contributors0
Negotiating Offence of Fallist Proportion0
‘An occasion of power’0
Contributors0
More Process, Less Product0
The Tour0
The Slave Ship and Badagry in Ndidi Dike’s ‘Waka-into-Bondage: The Last 3/4 Mile'0
Mapping the Agency of Trash0
Arts in Dark Times0
Debating Neoconcretism0
Burning the American Flag Before the World0
Martin Parr and the Legacy of British Colonial Photography0
Contributors0
Contributors0
The Early Black Printmaker(s) in Ilanga Lase Natal , 1903–19050
Text-Tiles of Dissent0
Miss Chief and the Art of Decolonial Tease0
Sensing History, Seeking Justice0
‘Why do you fall in love? Why do you worship Vishnu and Shiva?’0
Review Essay Komar and Melamid: A Lesson in History0
The Social Form of Contemporary Art’s Autonomy0
Contributors0
(Re)Thinking Complicity0
Transwar Art in Japan0
A Conversation on Exhibitions and Cultural Worlds, with Serdar Arat0
Crypt, Cornucopia and the Surface of Pattern0
Aural Resilience0
How to Decolonise Art and Science?0
Arthur Bispo do Rosário0
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