Journal of Design History

Papers
(The TQCC of Journal of Design History is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Adapting Modernity: Designing with Modern Architecture in East Jerusalem, 1948–19673
Cerebrum: Modelling the Mind through Psychedelic and Playful Environments2
Prioritizing Design Process over Design Outcomes to Address Non-Indigenous Engagement with Indigenous Knowledge Systems in Design Practice1
Modelling Modular Living: Furniture and Life Magazine and Interior Design in 1980s China1
Vertical and Visual Integration at Container Corporation of America1
Between Script and Ornament: Delftware Decorated with Pseudo-Chinese Characters, 1680–17201
Paris Fashion and World War Two: Global Diffusion and Nazi Control1
Unlearning Ableism: Design Knowledge, Contested Models, and the Experience of Disability in 1970s Berkeley1
Exhibition Making in Crisis: Professional Identity and Radical Museum Exhibition Design in Britain after the Second World War1
Evelyn & William De Morgan: A Marriage of Arts & Crafts1
‘Lines of Becoming’ Misha Black and Entanglements through Exhibition Design1
Imitation and Piracy in Paisley Shawl Design, 1805–18701
Vernacular Design: A History of Hong Kong Neon Signs1
Reading Graphic Design History: Image, Text, and Context1
The Rise of Everyday Design: The Arts and Crafts Movement in Britain and America1
The Theatre of Exhibitions: Czechoslovakia at the International Exhibition in Paris, 19371
Introduction: The Bauhaus Centennial and Design History1
Behind the Scenes of an Exhibition: The Commissioning of Designs in the Records of the Festival Office1
Shifting Geographies: Herbert Bayer’s World Geo-Graphic Atlas and the Mapping of the Post-war Globe1
The Wardle Family and Its Circle: Textile Production in the Arts and Crafts Era1
Typographic Histories: Three Decades of Research1
‘Beautiful, plain objects like [SKF] ball bearings’: The Enigma of Aestheticizing Anonymity in ‘Machine Art’ and Modernist Logotypes1
Design and Modernity in Asia: National Identity and Transnational Exchange 1945–19900
Curating Design: Context, Culture and Reflective Practice0
Suiting Children for Institutions: The Development, Calibration and Stabilization of the One-piece Snowsuit0
Unworking: The Reinvention of the Modern Office0
Crafting Identities: Artisan Culture in London, c.1550–16400
Women Art Workers and the Arts and Crafts Movement0
Nature Inside: Plants and Flowers in the Modern Interior0
Balenciaga, licensee of Maison Vionnet0
Atari Design: Impressions on Coin-Operated Video Game Machines0
The Full-Length Mirror: A Global Visual History0
The Franko Prints: Joseph Urban’s Designs for the American Textile Market0
Design and Agency0
The Bauhaus and the Business of Window Display: Moholy-Nagy’s Endeavours at Window Display in London0
Engineered to Sell: European Emigrés and the Making of Consumer Capitalism0
Archives, Collections and Curatorship: Live Archive Projects in a Design History Learning Setting0
Design and Political Dissent: Spaces, Visuals, Materialities0
Home as an Aid: Domestic Design for Disabled Polio Survivors0
Co-option or Recognition? Second-wave Feminist Politics and the Frigidaire Australia Women’s Design Conference, 19800
“Something really very odd and singularly appropriate:” The Fashionable Swastika in the US Before 19390
Josef Albers, Late Modernism and Pedagogic Form0
Craft: An American History0
Studies in Irish Georgian Silver0
E. McKnight Kauffer: The Artist in Advertising0
The Lady in the Overall: First World War Patriotism, Respectability, and Workwear of Upper-Class Munitionettes0
Iteration: Episodes in the Mediation of Art and Architecture0
Bernat Klein and High Sunderland: Displacement, Design and the Meanings of Home0
Luxury After the Terror0
Eileen Gray and Jean Badovici at Vézelay0
Inhabited Machines: Genealogy of an Architectural ConceptProzessarchitekturen: Medien Der Betriebsorganisation (1880–1936)0
Deviant Design: the Ad Hoc, the Illicit, the Controversial0
Books Received0
Powering the Nation: Images of the Shannon Scheme and Electricity in Ireland0
Underground Mathematics: Craft Culture and Knowledge Production in Early Modern Europe0
The Responsive Environment: Design, Aesthetics, and the Human in the 1970s0
Innovation and Revivalism: Powell & Sons’ Opus Sectile Mosaic0
Jet Age Aesthetic: The Glamour of Media in Motion0
Situating the Bauhaus in Cold War Germany0
Radical Pedagogies0
Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy0
Danger in the Path of Chic: Violence and Fashion Between the Wars0
Histories of Exhibition Design in the Museum: Makers, Process, and Practice0
Scandinavian Design and the United States, 1890–19800
“Kingsway leads the way to modern living”: British Profit-seeking and Modernism in Ghana and Nigeria 1920–19700
Spacewear: Weightlessness and the Final Frontier of Fashion0
The Pocket: A Hidden History of Women’s Lives, 1660–19000
Designing Educational and Home Computers in State Socialism: The Polish and Czechoslovak Experience0
At Home in Renaissance Bruges: Connecting Objects, People and Domestic Spaces in a Sixteenth-Century City0
Frank Barr: Avant-Garde Designer in Mid-Century Chicago?0
No Compromise: The Work of Florence Knoll0
Picturing National History: Turkey’s Popular Nationalism on the Rise Through the 1950s New Print Culture0
In Between Breaths: Memories, Stories, and Otherwise Design Histories0
Irish Country Furniture and Furnishings 1700–20000
Performing Modernism: A Jewish Avant-Garde in Bucharest0
The Dot: Statistics, Society, and Graphic Design, c. 1830–19700
Examining the “unearthly archives”: Spiritualism, Psychical Research, and Psychometric Material Culture in the US and Britain0
African Motors: Technology, Gender and the History of Development0
Wild Design in China’s Lifestyle Magazines (1978–1992)0
Domestic Space in Britain, 1750–1840: Materiality, Sociability and Emotion0
Becoming Imperial Brands: Japanese Advertising in Colonial Korea, 1920–19320
Follow the Boots: A Case Study of Design and Global Value Chains0
Eileen Gray, Designer and Architect0
Jugendstil Women and the Making of Modern Design0
A Rhapsody of Chairs0
Introduction to Material Displacements0
Open Plan: A Design History of the American OfficeThe Filing Cabinet: A Vertical History of Information0
Marie Neurath: Designing Bilston’s Housing Exhibition0
Exhibitions Beyond Boundaries: Transnational Exchanges through Art, Architecture, and Design 1945-19850
DESIGN is Everywhere: Elements of Design and MoMA’s Evolving Design Pedagogy0
Selling Time: Multiple Temporalities in the Promotion of Danish Design Classics0
Inclusive Textile Histories: Gender, Geopolitics and Decoration0
Born in the USA: The Cigar Box Guitar, Object Displacement and Performative DIY0
The Museum Age in Austria-Hungary: Art and Empire in the Long Nineteenth CenturyLiberalism, Nationalism and Design Reform in the Habsburg Empire: Museums of Design, Industry and Applied Arts0
Rethinking Fashion Globalization0
Redeeming Objects: A West German Mythology0
London Couture and the Making of a Fashion CenterPrêt-à-Porter, Paris and Women: A Cultural Study of French Readymade Fashion, 1945-680
The Long Front of Culture: The Independent Group and Exhibition Design0
Flow: Interior, Landscape and Architecture in the Era of Liquid Modernity0
Enlightened Eclecticism: The Grand Design of the 1st Duke and Duchess of NorthumberlandLondon’s ‘Golden Mile’ The Great Houses of the Strand, 1550–16500
Listening to things and spaces: Sound archives for design historians0
Gothic Architecture and Sexuality in the Circle of Horace Walpole0
Julia Keiner’s Universalism and the Question of Israeli style0
Art, Politics and the Pamphleteer0
Dressing Up: A History of Fancy Dress in Britain0
Lifestyle Revolution: How Taste Changed Class in Late Twentieth Century Britain0
A Cultural History of Twin Beds0
Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design0
Victor Papanek: Designer for the Real World0
Call for Papers for Special Issue of the Journal of Design History0
Xanti Schawinsky and the Fascist Plebiscitary Elections of 1934: Everyday Design Practice and Visual Culture in Early 1930’s Italy0
Modelling the Metropolis: The Architectural Model in Victorian LondonA History of Architectural Model Making in Britain: The Unseen Masters of Scale and Vision0
Artisans, Objects, and Everyday Life in Renaissance Italy: The Material Culture of the Middling Class0
What Can a Body Do? How We Meet the Built WorldAccessible America: A History of Disability and DesignMaking Disability Modern: Design Histories0
Fashion and Feeling: The Affective Politics of Dress0
Design Struggles: Intersecting Histories, Pedagogies, and Perspectives0
Designs on Democracy: Architecture and the Public in Interwar London0
House and Home in Georgian Ireland, Spaces and Cultures of Domestic Life0
Henry van de Velde: Designing Modernism0
The Female Secession: Art and the Decorative at the Viennese Women’s Academy0
Il design e l’invenzione del Made in ItalyA New History of “Made in Italy”: Fashion and Textiles in Post-War Italy0
The Influence of German Tubular Steel on Soviet Furniture at the VKhUTEMAS, 1927–19300
Re-reading Bauhaus Histories: Appropriations and Global Perspectives0
Uniform: Clothing and Discipline in the Modern World0
Netherlands ⇄ Bauhaus. Pioneers of a New World0
Masculinity, Fashion, and Design History0
More Brutal than Alton West? Elevation Design and the Gordon Wilson Memorial Flats, Wellington, New Zealand0
Mag Men: Fifty Years of Making Magazines0
P. Morton Shand and the Promotion of Alvar Aalto0
Self-transcendence: Design Criticism in the 1928 Shanghai Exhibition of National Products0
The Culture of Nature in the History of Design0
Seeds for New Beginnings? Ecological Uncertainty, Blurry Ideology, and Speculative Design at the Universitas Symposium, 19720
The Third Realm of Luxury: Connecting Real Places and Imaginary Spaces0
Carbon Technocracy: Energy Regimes in Modern East Asia0
OUP accepted manuscript0
Design in Motion: Film Experiments at the BauhausDesigning Russian Cinema: The Production Artist and the Material Environment in Silent Era Film0
Fur: A Sensitive History0
Design and Heritage: The Construction of Identity and Belonging0
Fashioning the Afropolis: Histories, Materialities and Aesthetic Practices0
The Architecture of Social Reform: Housing, Tradition, and German Modernism0
“From the Ground Up: Black Architects and Designers”, Museum of History and Industry, Seattle, USA (4 February–30 April, 2023)0
Rummage: A History of the Things We Have Reused, Recycled and Refused to Let GoArtifacts: How We Think and Write about Found Objects0
Ecological by Design: A History from Scandinavia0
From Cattle Brand to Corporate Brand: Blue Jean Trademarks in Mid-century America0
Mid-Century Modernism and the American Body: Race, Gender and the Politics of Power in Design0
Special Issue of the Journal of Design History: Design History and Digital Material Culture0
Craft Culture in Early Modern Japan: Materials, Makers, and Mastery0
Plastic MatterPlastic Legacies: Pollution, Persistence, and Politics0
Critical Design in Japan: Material Culture, Luxury, and the Avant-Garde0
From ASCII Art to Comic Sans: Typography and Popular Culture in the Digital Age0
In Sparkling Company: Reflections on Glass in the 18th-Century British World0
The Foreign Designer: Antoinette Krasnik and the Wiener Moderne0
A Dentist’s Chair: For Practicality, Comfort, or Spectacle?0
Designing Modern Japan0
Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France, 1853–19140
The Joining of the Arts: Danish Art and Design, 1880–19100
Reconstructing the “Femme-Fleur”: Floral Modernism in the Work of Madeleine Vionnet and Jeanne Lanvin0
The North-East Can Make It. Post-war Design Exhibitions at the Laing Art Gallery (Newcastle)0
Cosmopolitan Radicalism: The Visual Politics of Beirut’s Global Sixties0
Taking a Stand? Debating the Bauhaus and ModernismImpact! From Bauhaus to IKEA0
Fashion and Image as Anthropographic Elements in Nineteenth-century Colombia0
Deco Dandy: Designing Masculinity in 1920s Paris0
Industrious and Imitative Art: Manufacturing Artistic Expertise in Nineteenth-Century Britain0
“The credit of priority”: The Japanese Collection Loaned From the Netherlands to The Great Industrial Exhibition, Dublin, 18530
No More Giants: J.M. Richards, Modernism and the Architectural Review0
International Design Organizations: Histories, Legacies, Values0
William Morris0
The Presence of Displacement: Object Deposit at the Vietnam Veterans Memorial0
“How we live and how we might live”: Design and the spirit of critical utopianism0
Arndís Sigríður Árnadóttir 1940-20230
Majolica Mania: Transatlantic Pottery in England and the United States, 1850–19150
The Tastemakers: British Dealers and the Anglo-Gallic Interior, 1785–18650
Arte Programmata: Freedom, Control, and the Computer in 1960s Italy0
Obituary: Frederike Huygen 1956-20230
Domestic Space in France and Belgium: Art, Literature and Design (1850–1920)0
Neoliberalizing Design and the State: The Political Origins of Australian Design Policy and Design Education Reform, 1987–19910
David King: Designer, Activist, Visual Historian0
Designing the Department Store: Display and Retail at the Turn of the Twentieth Century0
Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-18300
Nordic Design Cultures in Transformation, 1960-1980: Revolt and Resilience0
The Fabric of Resistance: Textile Workshops and the Rise of Rebellious Landscapes in Colonial Peru0
‘A Striking Air of Modernity Tempered with Tradition’: Vernacular Modernism and the Design of the Public House in Cork and Dublin, 1934–19690
The Bauhaus Centennial in International Publications0
“Moroccan” Artek: Colonized Textiles within 1930s Modernist Interiors0
Moving Objects: A Cultural History of Emotive Design0
Craftworkers in Nineteenth-Century Scotland: Making and Adapting in an Industrial Age0
From the Cinema ‘Dekorator’ to the Cinema ‘Arkhitektor’: Set Design, Medium Specificity and Technology in Russian Cinema of the Silent Era.0
Taking a Stand? Debating the Bauhaus and Modernism0
The Future Sign Language: A Critical History of Aicher’s Ideas About Signs and Pictograms for the 1972 Munich Olympics0
Young Poland: The Polish Arts and Crafts Movement, 1890–19180
Design History Beyond the Canon0
Richard Riemerschmid’s Extraordinary Living Things0
Interiors in the Age of Enlightenment: A Cultural History0
John A. Walker (1938 – 2023)0
“Thrice Precious Tube!”: Negotiating the Visibility and Efficiency of Early Hearing Aids0
Screen Interiors: From Country House to Cosmic Heterotopias0
Envisioning the Future by Design: Toyota’s Show Cars at the 1969 and 1970 Tokyo Motor Shows0
Post-Craft0
Disobedience as Usual: Why Design Activists Need Historians0
Architecture after CovidInteriors in the Era of Covid-19: Interior Design between the Public and Private Realms0
Marcel Breuer, the Wassily Chair and the ‘Frozen’ Bauhaus Modernism After 19450
Charlotte Benton 1944 – 20240
After the Bauhaus, Before the Internet: A History of Graphic Design Pedagogy0
The Graphic Design Reader0
Designing Transformation: Jews and Cultural Identity in Central European Modernism0
After Universal Design: The Disability Design Revolution0
Copyist or Creative? The Emergence of the Woman Fashion Artist in Britain, 1880–19200
Chicago Modernism and the Ludlow Typograph: Douglas C. McMurtrie and Robert Hunter Middleton at Work0
Unmaking Waste: New Histories of Old Things0
Tricky Design: The Ethics of Things0
Space Suits and Gas Masks: Mary Ann Scherr and an Alternative View of Personal Technology0
Industrial Craft in Australia: Oral Histories of Creativity and Survival0
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