Journal of Design History

Papers
(The median citation count of Journal of Design History is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Adapting Modernity: Designing with Modern Architecture in East Jerusalem, 1948–19673
Cerebrum: Modelling the Mind through Psychedelic and Playful Environments2
Evelyn & William De Morgan: A Marriage of Arts & Crafts1
Modelling Modular Living: Furniture and Life Magazine and Interior Design in 1980s China1
Imitation and Piracy in Paisley Shawl Design, 1805–18701
Reading Graphic Design History: Image, Text, and Context1
Typographic Histories: Three Decades of Research1
Prioritizing Design Process over Design Outcomes to Address Non-Indigenous Engagement with Indigenous Knowledge Systems in Design Practice1
Ornament and European Modernism: From Art Practice to Art History1
Behind the Scenes of an Exhibition: The Commissioning of Designs in the Records of the Festival Office1
Unlearning Ableism: Design Knowledge, Contested Models, and the Experience of Disability in 1970s Berkeley1
‘Beautiful, plain objects like [SKF] ball bearings’: The Enigma of Aestheticizing Anonymity in ‘Machine Art’ and Modernist Logotypes1
Revealing the Hidden Colour in Representations of Eileen Gray’s Modern Architecture and Design1
Introduction: The Bauhaus Centennial and Design History1
Vernacular Design: A History of Hong Kong Neon Signs1
The Other Side of Play: Fear and Frustration in the Design, Consumption and Use of Construction Sets1
‘Lines of Becoming’ Misha Black and Entanglements through Exhibition Design0
Iteration: Episodes in the Mediation of Art and Architecture0
Tricky Design: The Ethics of Things0
The Culture of Nature in the History of Design0
The North-East Can Make It. Post-war Design Exhibitions at the Laing Art Gallery (Newcastle)0
The Third Realm of Luxury: Connecting Real Places and Imaginary Spaces0
The Future Sign Language: A Critical History of Aicher’s Ideas About Signs and Pictograms for the 1972 Munich Olympics0
Books Received0
In Sparkling Company: Reflections on Glass in the 18th-Century British World0
Fur: A Sensitive History0
Flow: Interior, Landscape and Architecture in the Era of Liquid Modernity0
In Between Breaths: Memories, Stories, and Otherwise Design Histories0
Chicago Modernism and the Ludlow Typograph: Douglas C. McMurtrie and Robert Hunter Middleton at Work0
The Bauhaus Centennial in International Publications0
Reconstructing the “Femme-Fleur”: Floral Modernism in the Work of Madeleine Vionnet and Jeanne Lanvin0
Wild Design in China’s Lifestyle Magazines (1978–1992)0
Domestic Space in Britain, 1750–1840: Materiality, Sociability and Emotion0
Introduction to Material Displacements0
Julia Keiner’s Universalism and the Question of Israeli style0
Vertical and Visual Integration at Container Corporation of America0
Follow the Boots: A Case Study of Design and Global Value Chains0
The Long Front of Culture: The Independent Group and Exhibition Design0
Design Struggles: Intersecting Histories, Pedagogies, and Perspectives0
Open Plan: A Design History of the American OfficeThe Filing Cabinet: A Vertical History of Information0
After Universal Design: The Disability Design Revolution0
Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France, 1853–19140
Taking a Stand? Debating the Bauhaus and ModernismImpact! From Bauhaus to IKEA0
Taking a Stand? Debating the Bauhaus and Modernism0
Industrious and Imitative Art: Manufacturing Artistic Expertise in Nineteenth-Century Britain0
Call for Papers for Special Issue of the Journal of Design History0
The Architecture of Social Reform: Housing, Tradition, and German Modernism0
Marie Neurath: Designing Bilston’s Housing Exhibition0
Fashion and Image as Anthropographic Elements in Nineteenth-century Colombia0
Danish Modern Furniture 1930–2016: The Rise, Decline and Re-emergence of a Cultural Market Category0
Enlightened Eclecticism: The Grand Design of the 1st Duke and Duchess of NorthumberlandLondon’s ‘Golden Mile’ The Great Houses of the Strand, 1550–16500
E. McKnight Kauffer: The Artist in Advertising0
Fashionability: Abraham Moon and the Creation of British Cloth for the Global Market0
Fashion and Feeling: The Affective Politics of Dress0
Designing the Department Store: Display and Retail at the Turn of the Twentieth Century0
Design in Motion: Film Experiments at the BauhausDesigning Russian Cinema: The Production Artist and the Material Environment in Silent Era Film0
Gothic Architecture and Sexuality in the Circle of Horace Walpole0
“Something really very odd and singularly appropriate:” The Fashionable Swastika in the US Before 19390
Shiny Black and Layers of White: Japanned Papier Mâché, Race and the British Empire0
Il design e l’invenzione del Made in ItalyA New History of “Made in Italy”: Fashion and Textiles in Post-War Italy0
The women behind Times New Roman0
Arte Programmata: Freedom, Control, and the Computer in 1960s Italy0
A Cultural History of Twin Beds0
Cosmopolitan Radicalism: The Visual Politics of Beirut’s Global Sixties0
More Brutal than Alton West? Elevation Design and the Gordon Wilson Memorial Flats, Wellington, New Zealand0
The Tastemakers: British Dealers and the Anglo-Gallic Interior, 1785–18650
“Thrice Precious Tube!” Negotiating the Visibility and Efficiency of Early Hearing Aids0
Paris Fashion and World War Two: Global Diffusion and Nazi Control0
The Leopard, the Lion, and the Cock: Colonial Memories and Monuments in Belgium0
P. Morton Shand and the Promotion of Alvar Aalto0
Disobedience as Usual: Why Design Activists Need Historians0
Spacewear: Weightlessness and the Final Frontier of Fashion0
Nazi Exhibition Design and Modernism0
Artisans Meet Design: The Reception of the Turkish Handicraft Development Office in Turkey10
Craftworkers in Nineteenth-Century Scotland: Making and Adapting in an Industrial Age0
The Responsive Environment: Design, Aesthetics, and the Human in the 1970s0
Otto Prutscher: Allgestalter der Wiener Moderne (Universal Designer of Viennese Modernism)0
Craft: An American History0
Picturing National History: Turkey’s Popular Nationalism on the Rise Through the 1950s New Print Culture0
The Female Secession: Art and the Decorative at the Viennese Women’s Academy0
House and Home in Georgian Ireland, Spaces and Cultures of Domestic Life0
Space Settlements0
Selling Time: Multiple Temporalities in the Promotion of Danish Design Classics0
Architecture after CovidInteriors in the Era of Covid-19: Interior Design between the Public and Private Realms0
Majolica Mania: Transatlantic Pottery in England and the United States, 1850–19150
African Motors: Technology, Gender and the History of Development0
Exhibitions Beyond Boundaries: Transnational Exchanges through Art, Architecture, and Design 1945-19850
Designs on Democracy: Architecture and the Public in Interwar London0
Design History Beyond the Canon0
Innovation and Revivalism: Powell & Sons’ Opus Sectile Mosaic0
Artisans, Objects, and Everyday Life in Renaissance Italy: The Material Culture of the Middling Class0
Shaping the American Interior: Structures, Contexts and Practices0
Screen Interiors: From Country House to Cosmic Heterotopias0
Design and Agency0
Unmaking Waste: New Histories of Old Things0
Rummage: A History of the Things We Have Reused, Recycled and Refused to Let GoArtifacts: How We Think and Write about Found Objects0
Curating Design: Context, Culture and Reflective Practice0
Comfort and Judgement: Nineteenth Century Advice Manuals and the Scripting of Australian Identity0
Crafting Identities: Artisan Culture in London, c.1550–16400
Frederike Huygen 1956-20230
Domestic Space in France and Belgium: Art, Literature and Design (1850–1920)0
Fashioning the Afropolis: Histories, Materialities and Aesthetic Practices0
Eileen Gray, Designer and Architect0
Situating the Bauhaus in Cold War Germany0
The Franko Prints: Joseph Urban’s Designs for the American Textile Market0
Lifestyle Revolution: How Taste Changed Class in Late Twentieth Century Britain0
Special Issue of the Journal of Design History: Design History and Digital Material Culture0
The Graphic Design Reader0
“From the Ground Up: Black Architects and Designers”, Museum of History and Industry, Seattle, USA (4 February–30 April, 2023)0
Suiting Children for Institutions: The Development, Calibration and Stabilization of the One-piece Snowsuit0
Balenciaga, licensee of Maison Vionnet0
Envisioning the Future by Design: Toyota’s Show Cars at the 1969 and 1970 Tokyo Motor Shows0
Eileen Gray and Jean Badovici at Vézelay0
The Foreign Designer: Antoinette Krasnik and the Wiener Moderne0
Craft Culture in Early Modern Japan: Materials, Makers, and Mastery0
Enemy of Secrets: Transparency and Displacement in Interwar Glass0
The Bauhaus and the Business of Window Display: Moholy-Nagy’s Endeavours at Window Display in London0
The Siege of the Outsiders ALADI: The first Latin American design association and its discourse of resistance0
‘The Indispensable Agent’: Coal and Its Displacements in Victorian Britain0
Deco Dandy: Designing Masculinity in 1920s Paris0
Richard Riemerschmid’s Extraordinary Living Things0
Performing Modernism: A Jewish Avant-Garde in Bucharest0
Reading Graphic Design in Cultural Context0
Plastic MatterPlastic Legacies: Pollution, Persistence, and Politics0
“The credit of priority”: The Japanese Collection Loaned From the Netherlands to The Great Industrial Exhibition, Dublin, 18530
Mid-Century Modernism and the American Body: Race, Gender and the Politics of Power in Design0
Henry van de Velde: Designing Modernism0
Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-18300
Powering the Nation: Images of the Shannon Scheme and Electricity in Ireland0
‘A Striking Air of Modernity Tempered with Tradition’: Vernacular Modernism and the Design of the Public House in Cork and Dublin, 1934–19690
International Design Organizations: Histories, Legacies, Values0
Nature Inside: Plants and Flowers in the Modern Interior0
Moving Objects: A Cultural History of Emotive Design0
Studies in Irish Georgian Silver0
Dressing Up: A History of Fancy Dress in Britain0
Object Lessons: How Nineteenth-Century Americans Learned to Make Sense of the Material World0
No More Giants: J.M. Richards, Modernism and the Architectural Review0
Home as an Aid: Domestic Design for Disabled Polio Survivors0
Young Poland: The Polish Arts and Crafts Movement, 1890–19180
Bernat Klein and High Sunderland: Displacement, Design and the Meanings of Home0
Modelling the Metropolis: The Architectural Model in Victorian LondonA History of Architectural Model Making in Britain: The Unseen Masters of Scale and Vision0
Corrigendum to: Gio Ponti’s Latin [American] Encounters: A Reading from the Archives0
Isokon and the Bauhaus in BritainMoholy-Nagy in Britain, 1935–19370
John A. Walker (1938 – 2023)0
A Dentist’s Chair: For Practicality, Comfort, or Spectacle?0
Shifting Geographies: Herbert Bayer’s World Geo-Graphic Atlas and the Mapping of the Post-war Globe0
The Invention of a Chair Tradition in Ethiopia: A Case Study of Liminoid Design0
Deviant Design: the Ad Hoc, the Illicit, the Controversial0
Danger in the Path of Chic: Violence and Fashion Between the Wars0
The Influence of German Tubular Steel on Soviet Furniture at the VKhUTEMAS, 1927–19300
OUP accepted manuscript0
The Theatre of Exhibitions: Czechoslovakia at the International Exhibition in Paris, 19370
Design and Heritage: The Construction of Identity and Belonging0
“Moroccan” Artek: Colonized Textiles within 1930s Modernist Interiors0
Uniform: Clothing and Discipline in the Modern World0
Irish Country Furniture and Furnishings 1700–20000
The Joining of the Arts: Danish Art and Design, 1880–19100
The Dot: Statistics, Society, and Graphic Design, c. 1830–19700
Carbon Technocracy: Energy Regimes in Modern East Asia0
From Cattle Brand to Corporate Brand: Blue Jean Trademarks in Mid-century America0
Corrigendum to: Globalization and Design Institutionalization: ICSID’s XIth Congress and the Formation of ALADI, 19790
Inhabited Machines: Genealogy of an Architectural ConceptProzessarchitekturen: Medien Der Betriebsorganisation (1880–1936)0
The Pocket: A Hidden History of Women’s Lives, 1660–19000
Masculinity, Fashion, and Design History0
David King: Designer, Activist, Visual Historian0
A Rhapsody of Chairs0
No Compromise: The Work of Florence Knoll0
Born in the USA: The Cigar Box Guitar, Object Displacement and Performative DIY0
Post-Craft0
Thinking Design Through Literature0
Designing Modern Japan0
Georgian Gothic: Medievalist Architecture, Furniture and Interiors, 1730–18400
Inclusive Textile Histories: Gender, Geopolitics and Decoration0
Ecological by Design: A History from Scandinavia0
Designing Transformation: Jews and Cultural Identity in Central European Modernism0
The Rise of Everyday Design: The Arts and Crafts Movement in Britain and America0
Critical Design in Japan: Material Culture, Luxury, and the Avant-Garde0
Between Script and Ornament: Delftware Decorated with Pseudo-Chinese Characters, 1680–17200
London Couture and the Making of a Fashion CenterPrêt-à-Porter, Paris and Women: A Cultural Study of French Readymade Fashion, 1945-680
Industrial Craft in Australia: Oral Histories of Creativity and Survival0
Jugendstil Women and the Making of Modern Design0
Becoming Imperial Brands: Japanese Advertising in Colonial Korea, 1920–19320
DESIGN is Everywhere: Elements of Design and MoMA’s Evolving Design Pedagogy0
Rethinking Fashion Globalization0
Netherlands ⇄ Bauhaus. Pioneers of a New World0
The Wardle Family and Its Circle: Textile Production in the Arts and Crafts Era0
Nordic Design Cultures in Transformation, 1960-1980: Revolt and Resilience0
Women Art Workers and the Arts and Crafts Movement0
Design and Modernity in Asia: National Identity and Transnational Exchange 1945–19900
Atari Design: Impressions on Coin-Operated Video Game Machines0
Weaving Modernism: Postwar Tapestry Between Paris and New York0
Scandinavian Design and the United States, 1890–19800
Archives, Collections and Curatorship: Live Archive Projects in a Design History Learning Setting0
The Fabric of Resistance: Textile Workshops and the Rise of Rebellious Landscapes in Colonial Peru0
Designing Educational and Home Computers in State Socialism: The Polish and Czechoslovak Experience0
Engineered to Sell: European Emigrés and the Making of Consumer Capitalism0
Art, Politics and the Pamphleteer0
Co-option or Recognition? Second-wave Feminist Politics and the Frigidaire Australia Women’s Design Conference, 19800
Design and Political Dissent: Spaces, Visuals, Materialities0
Space Suits and Gas Masks: Mary Ann Scherr and an Alternative View of Personal Technology0
Motherland and Progress: Hungarian Architecture and Design 1800–19000
Underground Mathematics: Craft Culture and Knowledge Production in Early Modern Europe0
The Presence of Displacement: Object Deposit at the Vietnam Veterans Memorial0
Jet Age Aesthetic: The Glamour of Media in Motion0
Josef Albers, Late Modernism and Pedagogic Form0
The Museum Age in Austria-Hungary: Art and Empire in the Long Nineteenth CenturyLiberalism, Nationalism and Design Reform in the Habsburg Empire: Museums of Design, Industry and Applied Arts0
Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy0
Victor Papanek: Designer for the Real World0
Marcel Breuer, the Wassily Chair and the ‘Frozen’ Bauhaus Modernism After 19450
Xanti Schawinsky and the Fascist Plebiscitary Elections of 1934: Everyday Design Practice and Visual Culture in Early 1930’s Italy0
Modern Asian Design0
From the Cinema ‘Dekorator’ to the Cinema ‘Arkhitektor’: Set Design, Medium Specificity and Technology in Russian Cinema of the Silent Era.0
The Unstable Object: Glifo, Blow and Sacco at MoMA, 19720
Seeds for New Beginnings? Ecological Uncertainty, Blurry Ideology, and Speculative Design at the Universitas Symposium, 19720
What Can a Body Do? How We Meet the Built WorldAccessible America: A History of Disability and DesignMaking Disability Modern: Design Histories0
The Multiple Stories Behind the Modern Ceramic Coffee Tables of the Grand National Assembly of Turkey0
Re-reading Bauhaus Histories: Appropriations and Global Perspectives0
“How we live and how we might live”: Design and the spirit of critical utopianism0
At Home in Renaissance Bruges: Connecting Objects, People and Domestic Spaces in a Sixteenth-Century City0
William Morris0
Luxury After the Terror0
Boutiques and Prêt-à-porter in Santiago de Chile: A Formula for Women’s Modernity (1967–1973)0
Frank Barr: Avant-Garde Designer in Mid-Century Chicago?0
Mag Men: Fifty Years of Making Magazines0
Unworking: The Reinvention of the Modern Office0
Erratum to: The Invention of a Chair Tradition in Ethiopia: A Case Study of Liminoid Design0
Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design0
After the Bauhaus, Before the Internet: A History of Graphic Design Pedagogy0
Radical Pedagogies0
The Lady in the Overall: First World War Patriotism, Respectability, and Workwear of Upper-Class Munitionettes0
Exhibition Making in Crisis: Professional Identity and Radical Museum Exhibition Design in Britain after the Second World War0
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