Textual Practice

Article	Citations
On Decolonisation and the University	75
What do we talk about when we talk about extractivism?	35
On not being able to read: doomscrolling and anxiety in pandemic times	8
Measures of obliviousness and disarming obliqueness in Anna Burns’ Milkman	6
The political novel in our still-evolving reality: Kamila Shamsie’s Home Fire and the Shamima Begum case	5
Processes of translation: Bruno Latour’s heterodox semiotics	4
The extractive form of contemporary Black writing: Dionne Brand and Yaa Gyasi	4
‘Out of interest’: Klara and the Sun and the interests of fiction	4
The poetics of extractivism and the politics of visibility	4
Han Kang’s The Vegetarian and the International Booker Prize: reading with and against world literary prestige	3
Arborealism, or do novels do trees?	3
Monuments, unreal spaces and national forgetting: Kazuo Ishiguro’s The Buried Giant and the abyss of memory	3
‘Here is my shameful confession. I don’t really “get” poetry’: discerning reader types in responses to Sylvia Plath’s Ariel on Goodreads	3
Metamodernism and counterpublics: politics, aesthetics, and porosity in Ali Smith’s Seasonal Quartet	3
Drone fiction, empathy gap and the reader: Mohsin Hamid’s short story Terminator: Attack of the Drone (2011)	2
Consciousness and the nonhuman: the imaginary of the new brain sciences in Ian McEwan’s Nutshell and Machines Like Me	2
Literary multilingualism: exploring latent practices	2
Why the Bildungsroman no longer works	2
From the museum of civilisation to The Octopus Museum: curating the anthropocene in contemporary literature	2
Hotel-daddy-wasp-machine	2
Hollow children: utopianism and disability justice	2
Extrospection: Zen and the art of being posthuman in Ruth Ozeki’s A Tale for the Time Being	2
An ecoGothic reading of Hawthorne’s ‘Young Goodman Brown’ and ‘Roger Malvin’s Burial’	2
The Bildungsroman: form and transformations	2
This is not an oil novel: obstacles to reading petronarratives in high-energy cultures	2

Felskian Phenomenopolitics: decolonial reading through postcritical singularities	2
Reading Lionel Fogarty	1
Multilingual style	1
Expanding to bulk: scale and the challenge of posthuman ethics in Moby-Dick	1
Narrating the (non)human: ecologies, consciousness and myth	1
No. 44, The Mysterious Stranger: Mark Twain’s critique of progressive era meritocracy	1
The legacy of literary reflexivity; or, the benefits of doubt	1
Building the ‘houses of fiction’: textual spaces and architectural imagination in Eliza Meteyard’s Mainstone’s Housekeeper	1
Public criticism	1
Mike McCormack’s style of post-mortem modernism	1
‘At each remove the similarity fades a bit more’: queer politics and experimental prose in two generations of New Narrative	1
Adjustment-style: from H. G. Wells to Ali Smith and the metamodern novel	1
Translanguaging Joyce: monolingual disruptions and translingual enrichment in Ulysses	1
Capture: American pursuits and the making of the new animal condition	1
On inner voice, free indirect style, and lyric	1
Constructing the human in the works of William Baldwin: coloniality, race, and animality	1
Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe	1
Seamus Eile (The 'Other' Seamus)	1
Reading McLuhan reading (and not reading)	1
Sexual disorientation: queer narratology and affect plots in new narrative	1
An insectual perspective: text, theory, and politics in Tom McCarthy’s fiction – a conversation	1
Tennis as literary technique	1
Writing (with) the body: the case of Kim de l’Horizon’s Blutbuch	1
Magical realism and literature	1
The work of love: Great Expectations and the English Bildungsroman	1
The book and the pen: reading biography and writing autobiography as feminist project in Good Night Stories for Rebel Girls and I Am A Rebel Girl	1
Translated memories: autobiography and the surrender to literature	1
Planetary utopianism: geoengineering, speculative fiction, and the planetary turn	1
World energy literature: oil, finance and abstraction in João Paulo Borges Coelho’s Campo de Trânsito	1
Oil Cultures, World drama and contemporaneity: questions of time, space and form in Ella Hickson’s Oil	1
Not form, not genre, but style: on literary categories	1
Aesthetics of the fucked	1
Gazing beyond the fourth wall: shame and second-person narration in Fleabag	1
Neoextractivism, or the birth of magical realism as world literature	1
Don DeLillo’s cinematic imaginary: from A(mericana) to Z(ero K)	1
‘ … pure existence, without sense … ’: Joan Copjec, Hitchcock’s Rebecca , and reading the real	1
The fog of tyranny in ‘Benito Cereno’	1
Anticipating the plot: overdetermining heteronormative destiny on the twenty-first century screen	1
Gertrude Stein’s radio audience	1
Severed heads in Iraqi diasporic visual production: Aleiby, Baldin and Alsoudani	1
Library fever: lesbian memoir and the sexual politics of order	1
Becoming in a colonial world: approaching subjectivity with Fanon	1
Alexis Wright’s The Swan Book (2013) as ‘crisis fiction’	1
Kinship ecology and the bildungsroman: the child–animal relationship in Louise Erdrich’s The Birchbark House series	1
Brexitland’s dark ecologies: new British landscape writing	1
‘It is, that’s all.’: J. M. Coetzee’s Life & Times of Michael K (1983) and the cinema of Alain Robbe-Grillet	1
‘Exploiting magnificence’: Hart Crane versus T. S. Eliot on the matter of diction	1
Those scary migrants: feanxiety and Brexit in Agnieszka Dale’s Fox Season and Other Short Stories	1
Reading Ong reading McLuhan	1
As plain as spilt salt: the city as social structure in The Dispossessed	1

‘I must calculate over again’: measures of pain in Melville	1
Are some more equal than others? Animated and animatronic adaptations of Animal Farm	1
What can the romantic lyric do?	1
What the manifesto manifests: Fredric Jameson, Wyndham Lewis, and the problem with ‘An American Utopia’	1
Juan Filloy’s Caterva and the geopolitics of the Joycean novel in Argentina	1
‘They built a whole lot like that in the fifties and sixties’: Ishiguro and the ghosts of English institutions’	1
The empire’s double bind: Kazuo Ishiguro and the Imperial Rescript on Education	1
Meathead materialisms: César Aira’s ANTsy fictions of a world without conviction	1
Past forms, present concerns: reading transhistorically for feminised labour	0
Expository spirits: media and the material occult in J.R. Planché’s The Vampire	0
Doug Battersby, Troubling Late Modernism: Ethics, Feeling, and the Novel Form. Oxford: Oxford University Press, 2022; Thom Dancer, Critical Modesty in Contemporary Fiction. Oxford: Oxford University P	0
What happens to thought in a cyborg body? On Brain ships, embodiment and posthuman gest	0
Class struggle in the Forsyte chronicles	0
Beyond the silence of the voice: Leos Carax’s Annette and silent cinema	0
Rocky v The Wrestler: sport as genre, shifting ideology, and the doubleness of the sports film	0
A: Account	0
Tactics of dwelling: alterity and the room in Tender Buttons	0
Ungraspable: Black life in Juan Cárdenas’s novels	0
Native daughters, evil empires, Blazing Worlds: Margaret Cavendish's imperialism	0
‘A flicker of the divine progress?’: stage-managing narratives of Empire in Jan Morris's Pax Britannica trilogy	0
The uneasiness of emotion and its representations in Max Porter’s Grief Is the Thing with Feathers	0
Prospective criticism: on private and public things	0
Critique du récit pur : gleam of time in Maurice Blanchot’s narratives	0
The wanderer in the supermarket: an examination of consumer culture in Cold War America	0
Embroidering Palestine: Tatreez , cultural resistance, and female labour in Palestinian American graphic narratives	0
The master as parasite in modern literature	0
On the reprieve: deconstructive ethics and Primo Levi’s ‘Moments of Reprieve’	0
Wasting time? The politics and poetics of feminist waiting	0
Introduction: the irresolute language of images	0
Theorising the collective in British estate literature	0
Unbearable life: a genealogy of political erasure Unbearable life: a genealogy of political erasure , by Arthur Bradley, New York and Chichester, Colu	0
‘The power to burnish and renew’: porno-accumulation, fascism, and surplus populations in Don DeLillo’s Running Dog	0
‘But I doubt not the people’: beasts of the apocalypse in Thomas Müntzer and King Lear	0
Hypercanonical Joyce: Sam Selvon’s The Lonely Londoners, creative disaffiliation, and the global afterlives of Ulysses	0
Editing, directing, and The Cool World: filmmaking as a choreographic art	0
Tediousness in Coryats Crudities (1611): early modern travel writing, rhetoric, and notions of canonicity	0
Baldwin’s communicating cats	0
‘A 40 years works feels / 40 more 40 thousand’: Lionel Fogarty’s hauntological poetics and the archive	0
Introduction: beyond the sacrifice zone	0
Antonin Artaud and the healing practices of language: how life matters in Artaud’s later writings	0
Modernist futures: re-reading 1922	0
The role of plants in Jon Silkin’s Holocaust memorial poems	0
Gold, cocaine, montage: Latin American sacrifice zones in Michael Taussig’s My Cocaine Museum	0
Hospitalities: Transitions and Transgressions, North and South	0
Of squalls and mutinies: emergency politics and black democracy in Moby-Dick and ‘The Heroic Slave’	0
Afterword (A hundred flowers)	0
‘You are what you read’: beside a book, beside a self	0
Laura’s Virginia Woolf – a note	0
Literature and Class, from the Peasants' Revolt to the French Revolution Literature and Class, from the Peasants' Revolt to the French Revolution , by Andrew Hadfield, M	0
Introduction: ‘Baldewins Straunge Faschions’	0
On the epistolary as a function of eros in Aidan Higgins’s Bornholm Night-Ferry	0
A virtual tour of a virtuous place	0
Under the net: universal time, modernism, and the subversive temporality of golden age detective fiction	0
The other vow: affirmative Denial in Kafka, Shakespeare and Kol Nidrei	0
The notion of criticism at the present time: from postcriticism to an ethics of reading well	0
Creative and non-fiction writing during isolation and confinement: imaginative travel, prison, shipwrecks, pandemics, and war	0
Free Indirect: the novel in a postfictional age	0
Making sense of the rural white working class: the contemporary novel of rural retreat and the politics of resentment	0
New voices in an old form: rethinking the earliest Chinese translations of ‘The Isles of Greece’	0
Baudelaire and historical time, or, the limits of allegorical reading	0
Those who flee and those who see: Poussin’s drawing and withdrawing	0
How the earth feels: geological fantasy in the nineteenth-century United States How the earth feels: geological fantasy in the nineteenth-century United States , by Dana	0
Introduction to Laura Marcus, Rhythm: The Measure of the Modern	0
Decolonizing the English literary curriculum	0
Science-fictionalizing the Partition of India to ‘re-narrate’ trauma	0
Venus sans furs: wolves and women in three medieval poems	0
Inhabiting the impasse: on care and ambivalence in Lisa Baraitser’s Enduring Time and Maggie Nelson’s The Argonauts	0
‘New light’: gas and the elementary affect of early melodrama	0
From before to after – bridging the gap: photography, art and the state in J.M. Coetzee’s late fiction	0
Introduction: Gertrude Stein's theatre and the Radio Free Stein project	0
The dispositif of citizenship: technology and personhood in Iain M. Banks’s culture	0
Caring about lyricality	0
Migrancy and utopia: the global network in Yamashita’s Tropic of Orange and Hamid’s Exit West	0
Death by capitalism in Eliot’s The Waste Land	0
From Babel to biosemiotics: Christine Brooke-Rose's Joycean scripts	0
The paradoxes of Roland Barthes’s fait-divers murders and Edgar Allan Poe’s ‘Things external to the game’	0
‘The measure! The measure!’	0
Eroticism as the body without organs in Dennis Cooper’s Frisk: grand narratives, desire, and infinity	0
‘Deskless, commuteless, and theoretically omnipresent’: work, global violence, and capitalist realism in Jennifer Egan’s A Visit from the Goon Squad	0
Modernism and the Aristocracy: Monsters of English Privilege Modernism and the Aristocracy: Monsters of English Privilege , by Adam Parkes, Oxford, Oxford University Pre	0

Phronesis: shifting the concept of the political in the environmental humanities	0
Speaking practice	0
‘Dripping venison memory’: the radical ekphrasis of Max Porter’s The Death of Francis Bacon	0
The literary Mafia: Jews, publishing, and postwar American literature	0
On strangers sleuthing and flâneurs reading. The subversive power of C. J. Sansom’s historical crime fiction	0
Reading bodies, books, and beyond: experience and contingency in Troilus and Criseyde*	0
Kazuo Ishiguro’s gestural poetics	0
New Narrative now	0
Proust and the squiggle game	0
Signal and noise in Skelton	0
British romanticism and peace	0
Producing Historicity: Foucault, Joyce and European Art Cinema, 1955–1980	0
Out of the blue: Prynne’s gifts	0
World, war, zoo: zoo-break narratives in a biopolitical frame	0
A method of her own: tracing memory in Marion Milner's The Hands of the Living God	0
Dodie Bellamy is on our mind	0
A. S. Byatt and the quiddity of things: a material-semiotic approach to narrating the human through the non-human	0
Community for the friendless	0
Imagination, our commune	0
Materiality and the canon: manuscripts, fragments, and medieval outlaw literature	0
Deconstructing Narrative, Deconstructing the death penalty. The case of Billy Budd, Sailor	0
The actor-network in Herman Melville’s ‘The Apple-Tree Table’	0
Sport, life, This Sporting Life, and the hypertopia	0
Wild Analysis: From the Couch to Cultural and Political Life	0
The forces of fossil capital: Sister Carrie and American literary naturalism’s industrial middle-class ideology	0
‘A foot in both camps’: Michael Sappol’s Personal Injury , the New York School, and Language poetry before L = A = N = G = U = A = G = E	0
Catworld	0
Composing what happened	0
The new feminist literary studies	0
‘The problem of other minds’: disappropriation and the limits of polyphony in Ben Lerner’s The Topeka School	0
‘ … Miles of the rustling secret corn’: nature, cosmic and autonomy in American cosmic horror literature	0
Do Shakespeare’s characters mean what they say?	0
Introduction: unoccupied air	0
The nurse (5 min, video and sound)	0
Framing potentiality in Vona Groarke’s X	0
The power of space opera: energetic melodrama and the ecologies of Dune	0
‘Here she comes by God! ram away Doctor if one Bolus won’t do put in three’ – the Queen Caroline affair in satirical prints	0
Translational Authorship and Multilingual (Re)writing in Uljana Wolf and Sophie Seita's Subsisters: Selected Poems (2017)	0
Reimagining postcolonial Sri Lanka as ‘Ceylon’: Shyam Selvadurai’s Cinnamon Gardens	0
Engagements with Aimé Césaire: thinking with spirits Engagements with Aimé Césaire: thinking with spirits , by Jason Allen-Paisant, Oxford, Oxford University Press, 2024	0
‘With this first cigarette, I kissed childhood goodbye’: girlhood in crisis in Persepolis	0
(In)visible writing in art and performance	0
Testimony, reconstructed: the secondary witness and testimonial possession in Bart van Es’ The Cut Out Girl: A Story of War and Family, Lost and Found	0
Poetic transcribbling: Ted Berrigan & Harris Schiff’s Yo-Yo’s with Money and Beaned in Boston	0
Constraint and corporeality: reading Brooke-Rose and Garréta’s gendered experiments	0
‘Without too much anxiety’: re-reading Cage and Feldman through Gertrude Stein’s theatre poetics	0
‘Imbecile hopes’: dispositions of subjectivation in Joseph Conrad’s Lord Jim and Nostromo	0
Defamiliarisation, invisible characters, and laboured connections	0
‘A stream of words’ – the Antwerp Quay Poem as interrogation of urban open form, polyphony and radical dialogue	0
Homage to the square: Ian Hamilton Finlay’s Poor. Old. Tired. Horse .	0
Autofiction and the possibility of life in neoliberal ruins: reification, friction and the affective dominant in Weijers and Heti	0
Kae Tempest, London and the digital affects of neoliberalism	0
Sketch for a financial theory of the poem	0
Challenging positions: agency and expectations in testimonial writing about genocide in Rwanda and war in Bosnia and Herzegovina	0
‘Life as literature’: Wright Morris's Love Among the Cannibals	0
Polyphony, sonic texture and acoustic ecology in Cynan Jones’s Stillicide	0
Sex, lies, and architecture: Brutalism and the search for sexual truth in David Cronenberg’s Stereo	0
The reversed monomyth in a queer Russian web series	0
‘What is toast?’ Language and society in Margaret Atwood’s Oryx and Crake	0
Generic detachments in contemporary women’s (art) novels	0
Metaphors of confinement: the prison in fact, fiction and fantasy Metaphors of confinement: the prison in fact, fiction and fantasy , by Monika Fludernik, Oxford and New	0
About time: Rainer Maria Rilke and the abyssal distance of Duino Elegies	0
A poetic geography: placing urban literature in two districts of Istanbul, Türkiye	0
Anti-Humanism in the Counterculture	0
The middle ground of light	0
Limitation as excess: A reappraisal of transgressive aesthetics in Amanda Filipacchi's Love Creeps	0
And be but cryonically extant: Don DeLillo and Sir Thomas Browne	0
Expandability and expendability: reading the sacrifice zone	0
The scientific lab: sacrifice zones as contact zones	0
Commemoration, modernism and self-identity in contemporary graphic memoir	0
Genesis (what can’t light see?) retrospectively	0
The framing of selfless role-playing in Mohsin Hamid’s The Reluctant Fundamentalist	0
‘A small, fierce being’: Jon Silkin, Isaac Rosenberg, and the definition of the Anglo-Jewish poet	0
Stage directions as endotext: the psychological and socio-historical messages in the stage directions of Cao Yu and Lao She	0
Beautiful aliens: a Steve Abbott reader	0
Ad Salutem Publicam: public health and pastoral government in More’s Utopia	0
Following Laura Marcus: from autobiography to testimony	0
Performing the poetics of the Iranian dream on silver screen: Hamoun as a tale of spiritual rebirth	0
Metaphor, subjectivity and self-knowledge in Edward St. Aubyn’s novels	0
Jewishness and postcoloniality in Borges and Derrida: the singular and the specific	0
Manufacturing crisis under globalisation: middle-class precarity in Dave Eggers’s A Hologram for the King	0
Inscribed in code: depictions of computational algorithms in twenty-first century fiction	0
Warp	0
Thinking the contemporary: beyond distinctiveness in the literary humanities	0
Demon writing	0
Writing pain in the nineteenth-century United States	0
Liberation and the historical present: Gertrude Stein @ Zero Hour	0
‘Common people to talk of Mr. Dombey and his domestic affairs!’: the politics of gossip in Dombey and Son	0
The nonhuman and coming community in the selected works of Olga Tokarczuk	0
Editing Laura	0
‘There; keep thy finger on it’: the prosthetics of measurement in Moby-Dick	0
Introduction: origins, obsolescence and a new timeliness	0
How does the novel create life? Thinking the impossible in Elizabeth Costello	0
Compliant and impetuous: the phenomenology of existence in Elena Ferrante’s Neapolitan novels	0
‘Lovescape crucified’: Gerard Manley Hopkins’s red letter and ‘The Wreck of the Deutschland’	0