Textual Practice

Article	Citations
Caring about lyricality	103
Deconstructing Narrative, Deconstructing the death penalty. The case of Billy Budd, Sailor	14
Engagements with Aimé Césaire: thinking with spirits Engagements with Aimé Césaire: thinking with spirits , by Jason Allen-Paisant, Oxford, Oxford University Press, 2024	6
The notion of criticism at the present time: from postcriticism to an ethics of reading well	4
‘A 40 years works feels / 40 more 40 thousand’: Lionel Fogarty’s hauntological poetics and the archive	4
‘Without too much anxiety’: re-reading Cage and Feldman through Gertrude Stein’s theatre poetics	4
Kazuo Ishiguro’s gestural poetics	3
New voices in an old form: rethinking the earliest Chinese translations of ‘The Isles of Greece’	3
Decolonizing the English literary curriculum	3
Kinship ecology and the bildungsroman: the child–animal relationship in Louise Erdrich’s The Birchbark House series	2
The actor-network in Herman Melville’s ‘The Apple-Tree Table’	2
As plain as spilt salt: the city as social structure in The Dispossessed	2
Narrating the (non)human: ecologies, consciousness and myth	2
How does the novel create life? Thinking the impossible in Elizabeth Costello	2
Metaphor, subjectivity and self-knowledge in Edward St. Aubyn’s novels	2
Stage directions as endotext: the psychological and socio-historical messages in the stage directions of Cao Yu and Lao She	2
Testimony, reconstructed: the secondary witness and testimonial possession in Bart van Es’ The Cut Out Girl: A Story of War and Family, Lost and Found	1
Elsewhere: Laura Marcus and autobiography	1
Telepathy terminable and interminable	1
Poundian influences and misty poetics in Yang Lian’s concentric circles	1
Antonin Artaud and the healing practices of language: how life matters in Artaud’s later writings	1
Imaginarium politicum	1
Yogic style in motion: experiments in power and knowledge	1
‘Mystery of the self’: embodied personhood and artificial intelligence in Ian McEwan’s Machines Like Me	1
Gazing beyond the fourth wall: shame and second-person narration in Fleabag	1

Wild Analysis: From the Couch to Cultural and Political Life	1
‘Someone lives in me’: how essayists enter our lives	1
Nègre, Figura	1
Huge urgency and consummate skill: an interview with Jim Pennington	1
Community for the friendless	1
‘As good as a chorus’: Hamlet’s Mousetrap in philosophy and psychoanalysis	1
Encountering Ulysses	1
Cliché and repetition: McLuhan understanding modernism	1
Queering history: palimpsestuous bodies and theirstories in Zen Cho’s The Order of the Pure Moon Reflected in Water	1
Alternative avatars of the plagiarist, or, an embarrassment of glitches	1
On Decolonisation and the University	1
Resourceful melodrama: carbon capitalism and the fossil unconscious in Dymphna Cusack’s Southern Steel (1953)	1
‘Life as literature’: Wright Morris's Love Among the Cannibals	1
Crisis and critique in Christine Smallwood’s The Life of the Mind (2021)	1
Creaturely forms in contemporary literature: narrating the war against animals	1
Limitation as excess: A reappraisal of transgressive aesthetics in Amanda Filipacchi's Love Creeps	1
Literary form and historicised relationality: theorising the city as text in Teju Cole’s novels	1
Editing Laura	1
The master as parasite in modern literature	1
W.S. Graham’s blanks	1
An archive of modern medical culture: the critique of turn-of-the-century medical discourses in Gertrude Stein’s Three Lives	1
Beware the Cat (2018): Adapted from William Baldwin by Frances Babbage, Terry O’Connor and Rachel Stenner, introduced and edited for publication by Frances Babbage and Terry O’Connor	1
Don DeLillo’s cinematic imaginary: from A(mericana) to Z(ero K)	1
Monuments, unreal spaces and national forgetting: Kazuo Ishiguro’s The Buried Giant and the abyss of memory	1
Ivan Juritz Prize 2020	1
Out of the blue: Prynne’s gifts	1
Beckett and politics. New directions in Irish and Irish American literature	1
S at the Beach	1
Louisa May Alcott and the Textual Child: A Critical Theory Approach	1
Modernism and the Aristocracy: Monsters of English Privilege Modernism and the Aristocracy: Monsters of English Privilege , by Adam Parkes, Oxford, Oxford University Pre	1
‘Exploiting magnificence’: Hart Crane versus T. S. Eliot on the matter of diction	1
Editing, directing, and The Cool World: filmmaking as a choreographic art	1
Tennessee Williams’ escapology and the heterotopia of ‘The Mysteries of the Joy Rio’	1
Ivan Juritz Prize 2021	1
Introduction: the irresolute language of images	1
From Palibino to Riviera: narrative rhythmanalysis of Sofia Kovalevskaya’s literary writings	1
Tediousness in Coryats Crudities (1611): early modern travel writing, rhetoric, and notions of canonicity	1
Deconstructing hegemony: contemporary Middle East literature, theory, and historiography	1
In light of myth: photography as truth in Roland Barthes’s Camera Lucida	1
Hypercanonical Joyce: Sam Selvon’s The Lonely Londoners, creative disaffiliation, and the global afterlives of Ulysses	1
‘Perfectly, perfectly funny’?: laughing with the internet in Patricia Lockwood’s No One Is Talking About This	1
Via literary mothers: Kathleen Fraser and the ‘permission-giving’ moment of ‘projective verse’	1
Writing the Liberal City: literature and the contested experience of economic change. Bogotá 1849–1870	1
Inhabiting the impasse: on care and ambivalence in Lisa Baraitser’s Enduring Time and Maggie Nelson’s The Argonauts	1
Mind reading?	1
Afterword (A hundred flowers)	0
Anonymity, canonicity, and literary value	0
Migrancy and utopia: the global network in Yamashita’s Tropic of Orange and Hamid’s Exit West	0
‘Time becomes memory, and memory becomes the ditch in which we drown’: rethinking modes of knowing the past in Ian McGuire’s The Abstainer (2020)	0
Juan Filloy’s Caterva and the geopolitics of the Joycean novel in Argentina	0

Introduction: the new stylism	0
Performing the poetics of the Iranian dream on silver screen: Hamoun as a tale of spiritual rebirth	0
Ghosts in the urban sacrifice zone: (De)colonial relationality in Global North imaginaries	0
Rendered obsolete: energy culture and the afterlife of U.S. whaling	0
Thinking destructively with aesthetics	0
For Laura	0
To decompose the gender possibilities of the contemporary sestina: queer formalism reimagined through a poetic fixed form	0
On not being able to read: doomscrolling and anxiety in pandemic times	0
Roland Barthes writing the political: history, dialectics, self	0
Breaking down in fits and starts: navigating a good naturalisation of J. H. Prynne’s ‘Blue Slides at Rest’ (2004)	0
Veering and tunnelling	0
Snow globes and instant coffee: transparent commodities and the global infrastructures of late capitalism in contemporary fiction	0
Stimming [live] pathologising [ifitfits] and restaged made, in a staged setting, repeat non – eye – contact – contact	0
Laura’s Virginia Woolf – a note	0
A virtual tour of a virtuous place	0
Speaking (from) out of tradition: hermeneutics, literary style and the task of textual interpretation in J. M. Coetzee’s Elizabeth Costello (2003) and Julian Barnes’s	0
Philosophy’s ghosts: Nicholas Royle, Naji al-Ali, and Me	0
Introduction to James Joyce’s Ulysses at 100: still learning	0
The other vow: affirmative Denial in Kafka, Shakespeare and Kol Nidrei	0
The work of literary studies: interpretation, argument, and socioaesthetic experience	0
The catastrophe of the face: ethics, deconstruction, plasticity	0
Emblem of ruin: the fate of allegory in a time of weak theory	0
Dissection Nation	0
Sounds like the Anthropocene: Alice Oswald’s water-stressed, Homeric verse	0
Rawi Hage’s Cockroach and Laila Lalami’s The Other Americans : images of twenty-first century Occident in Arab eyes	0
Autofiction and the possibility of life in neoliberal ruins: reification, friction and the affective dominant in Weijers and Heti	0
An exercise in analysis as enjoyment	0
Love in the sacrifice zone: queer ecopoetics in the Appalachian Mountains	0
Phillis Wheatley Peters’ fugitive poetics of freedom	0
Nick Makoha’s – a low pressure system	0
From Orientalism to neo-Orientalism: medial representations of Islam and the Muslim world	0
Editorial Note	0
‘ … Miles of the rustling secret corn’: nature, cosmic and autonomy in American cosmic horror literature	0
Language games: the gendered politics of the speech act in Ben Lerner's The Topeka School	0
Insurgent imaginations: world literature and the periphery	0
Wall woodpeckers project	0
Baldwin as phonographer	0
Expanding to bulk: scale and the challenge of posthuman ethics in Moby-Dick	0
A singing bird inside the human mind: a posthumanist rereading of Wallace Stevens	0
‘Piers Plowman’ and the reinvention of church law in the late middle ages	0
Do Shakespeare’s characters mean what they say?	0
Towards a counterfactual criticism: alternate history and the study of English Literature	0
This confused music	0
Fragmentary modernism: the classical fragment in literary and visual cultures, c.1896 – c.1936	0
Dialect, voice, and identity in Chinese translation: a descriptive study of Chinese translations of Huckleberry Finn , Tess , and	0
Public criticism	0
Watching readers reading	0
Helen Keller’s ‘Sense of light’: life-writing, light-writing and the photosynthetic subject	0
The intelligence of artifice: Oscar Wilde and AI	0
The satire of the meritocracy: foreclosed futures in Michael Young, Raymond Williams, and Muriel Spark	0
Translational Authorship and Multilingual (Re)writing in Uljana Wolf and Sophie Seita's Subsisters: Selected Poems (2017)	0
Influx and efflux: writing up with Walt Whitman	0
Making sense of the rural white working class: the contemporary novel of rural retreat and the politics of resentment	0
Beautiful aliens: a Steve Abbott reader	0
Bruce Boone Dismembered: Poems, Stories, and Essays	0
Defamiliarisation, invisible characters, and laboured connections	0
Assessing intelligence: the bildungsroman and the politics of human potential in England, 1860–1910	0
‘Little magazines were the only option’: an interview with Tina Morris	0
Creative and non-fiction writing during isolation and confinement: imaginative travel, prison, shipwrecks, pandemics, and war	0
‘The problem of other minds’: disappropriation and the limits of polyphony in Ben Lerner’s The Topeka School	0
Literary multilingualism: exploring latent practices	0
‘The dreadful done’: Henry James’s style of abstraction	0
Gold, cocaine, montage: Latin American sacrifice zones in Michael Taussig’s My Cocaine Museum	0
Shakespeare and the economics of the death penalty	0
Of lyric proportions: poetry and the genres of climate-change communications	0
Under the net: universal time, modernism, and the subversive temporality of golden age detective fiction	0
Aesthetics of obscenity: the avant-garde text and underground impact of My Own Mag and Poetmeat	0
The near future in twenty-first-century fiction: climate, retreat and revolution	0
Towards a poetics of the pipelines: an infrastructural analysis of the figure of the pipeline in Iranian petrofiction	0
Introduction: beyond the sacrifice zone	0
‘Good heavens! that’s where I got it!’ McLuhan reads Wyndham Lewis	0
Haptic poetics and community (re)building in Swinburne’s The Flogging Block	0
Reimagining Shakespeare’s The Tempest in its afterlife: a study of cuts, revisions, and potential sources	0
Poetic transcribbling: Ted Berrigan & Harris Schiff’s Yo-Yo’s with Money and Beaned in Boston	0
On inner voice, free indirect style, and lyric	0
Weird luck	0
Introduction: confronting medieval and early modern canons	0
Photomimesis and the anti-aesthetic	0
The space not beyond: T. S. Eliot’s Old Possum’s Book of Practical Cats (1939) and its musical adaptations as elemental melodrama of an upper-atmospheric limit	0
A case for religious criticism	0

Commemoration, modernism and self-identity in contemporary graphic memoir	0
Past forms, present concerns: reading transhistorically for feminised labour	0
Reading Ong reading McLuhan	0
To give the literary event: Blanchot and Lawrence’s narratives of life/death	0
Psychoanaliterature, or, how the American relational move made Are You My Mother? and The Argonauts	0
‘Our poison’d chalice to our own lips’: toxic masculinity and tyranny in Macbeth	0
‘Counting fry under a waterfall’: the history, development, and current use of the Small Press Collections at University College London	0
The scientific lab: sacrifice zones as contact zones	0
An intercultural dialogue: the Buddha, Schopenhauer and Beckett. Angela Moorjani in Colloquy with Asijit Datta	0
A horizon line: flat style in contemporary women’s poetry	0
Chinese modernist satire: Lao She’s Mr Ma and Son (1929), Qian Zhongshu’s Fortress Besieged (1947), and Eileen Chang’s Lege	0
Constructing the human in the works of William Baldwin: coloniality, race, and animality	0
Filling in the gaps: early middle English, nationalist philology, and reparative codicology	0
Simulation and flesh: total cinema, virtual reality and 1930s science fiction	0
Hollow children: utopianism and disability justice	0
Modernism, forgetting, and the book of the heart	0
Transculturality and the contingency of belonging	0
Critique du récit pur : gleam of time in Maurice Blanchot’s narratives	0
Footnotes	0
‘Toward the evening of a gone world’: on forgetting Hugh Kenner	0
The Comic turn in Contemporary English Fiction: Who’s Laughing Now?	0
Royle reading	0
Capture: American pursuits and the making of the new animal condition	0
Melville’s gravity: necessity, art, democracy	0
Reading McLuhan reading (and not reading)	0
Visceral goosebumps: on White-Jacket’s minor resistance	0
Literature and Class, from the Peasants' Revolt to the French Revolution Literature and Class, from the Peasants' Revolt to the French Revolution , by Andrew Hadfield, M	0
‘What is toast?’ Language and society in Margaret Atwood’s Oryx and Crake	0
Apropos of something: a history of irrelevance and relevance	0
Uncanny reminiscing: Nicholas Royle in conversation with Adrien Ordonneau	0
Revisiting Pascale Casanova’s world literary space	0
The minor poet: a case of John Wieners	0
‘A flicker of the divine progress?’: stage-managing narratives of Empire in Jan Morris's Pax Britannica trilogy	0
Seamus Eile (The 'Other' Seamus)	0
Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe	0
Are some more equal than others? Animated and animatronic adaptations of Animal Farm	0
Alexis Wright’s The Swan Book (2013) as ‘crisis fiction’	0
Private screenings: Ingmar Bergman's ‘Cries and Whispers’ and cinematic fiction	0
Death in flight	0
Exit this way: afterward	0
‘I am getting on nicely in the dark’: the environments of ‘Proteus’	0
Aesthetics of the fucked	0
Somewhere else in the market: an essay on the poetry of J.H. Prynne	0
Translated memories: autobiography and the surrender to literature	0
The impersonal forces of disease and death in J.M. Coetzee's Age of Iron	0
‘Speculative Fiction: What Nicholas Royle will have written in David Bowie, Enid Blyton and the Sun Machine , which I haven’t read’	0
Anticipating the plot: overdetermining heteronormative destiny on the twenty-first century screen	0
Media and environment in elemental melodrama: afterword	0
Reimagining postcolonial Sri Lanka as ‘Ceylon’: Shyam Selvadurai’s Cinnamon Gardens	0
Selection from Brightwork	0
Understanding ‘understanding music’ in Proust	0
Following Laura Marcus: from autobiography to testimony	0
Laura Marcus: Rhythmical Subject	0
When wasn't modernism? Reflections on the stone age	0
‘It envelops’: elementality and form in nineteenth-century Scottish melodrama	0
Vineland Reread	0
Anti-Humanism in the Counterculture	0
Framing potentiality in Vona Groarke’s X	0
Sexual difference without cisness in Ulysses	0
Style’s contentions	0
Insect or affect? John Ashbery's ‘Daffy Duck in Hollywood’, the dramatic monologue, and lyric theory	0
The lost shape of words: reading the post-literate condition in Ali Smith’s Like (1997)	0
Late reception [play memory of a free festival]	0
Materiality and the canon: manuscripts, fragments, and medieval outlaw literature	0
Introduction: origins, obsolescence and a new timeliness	0
Beyond trauma: provisional networks and eccentric forms in fiction of the blitz	0
The chaff and the wheat: Emily Dickinson and Maurice Blanchot	0
Knick-knacks or Nick’s wits	0
No. 44, The Mysterious Stranger: Mark Twain’s critique of progressive era meritocracy	0
Rethinking the discourse of ‘marginality’ in English literary studies and the social sciences: M. NourbeSe Philip’s ‘Discourse on the Logic of Language’	0
Multilingual style	0
The changing History of English Poetry 1774–1871: language, literature and Anglo-Saxon whiteness	0
Mike McCormack’s style of post-mortem modernism	0
Touching the screen: on visual textuality and knowledge construction in Anne Carson’s poetry	0
Laura’s living writing	0
Gertrude Stein’s radio audience	0
‘ … pure existence, without sense … ’: Joan Copjec, Hitchcock’s Rebecca , and reading the real	0
Reading bodies, books, and beyond: experience and contingency in Troilus and Criseyde*	0
The 2022 Ivan Juritz prize: Introduction	0
In praise of failure: four lessons in humility	0
Beyond the door, behind the veil: Brian Catling and the Weird/Visionary tradition	0
When the medium is war: Marshall McLuhan, media, and militarisation	0
‘I went and prayed to have my name put down in the missionaries’ book’: gift exchange and Bible transactions in Britain and Antigua, 1834–1884	0
Tribute to Laura Marcus	0
Constraint and corporeality: reading Brooke-Rose and Garréta’s gendered experiments	0
A Problem of Middlebrow Style: Dialect and Translation in Elena Ferrante’s Naples Tetralogy	0
Glossectomy and lyric histories in Sujata Bhatt’s poetry	0
Samuel Beckett and posthuman spaces	0
‘The dead dancer’s DDI’: Hervé Guibert, remedy, contaminant, and getting it down	0
Eroticism as the body without organs in Dennis Cooper’s Frisk: grand narratives, desire, and infinity	0
Zadie Smith’s Nonhuman turns	0
Warp	0
Ernst Bloch and the subject of orientalism	0
Wrestling with Gerard Manley Hopkins	0
THE SPIRIT LIVES! An interview with Douglas Blazek	0