Textual Practice

Papers
(The median citation count of Textual Practice is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Decolonizing the English literary curriculum19
Caring about lyricality9
‘Without too much anxiety’: re-reading Cage and Feldman through Gertrude Stein’s theatre poetics7
Engagements with Aimé Césaire: thinking with spirits Engagements with Aimé Césaire: thinking with spirits , by Jason Allen-Paisant, Oxford, Oxford University Press, 20246
How does the novel create life? Thinking the impossible in Elizabeth Costello5
From Palibino to Riviera: narrative rhythmanalysis of Sofia Kovalevskaya’s literary writings4
New voices in an old form: rethinking the earliest Chinese translations of ‘The Isles of Greece’4
Narrating the (non)human: ecologies, consciousness and myth4
Genet’s dying words3
Modernism and the Aristocracy: Monsters of English Privilege Modernism and the Aristocracy: Monsters of English Privilege , by Adam Parkes, Oxford, Oxford University Pre3
The notion of criticism at the present time: from postcriticism to an ethics of reading well3
An atelic model for the textual limen3
The master as parasite in modern literature3
Editing Laura3
Staging the state of exception: William le Queux and the campaign for emergency powers in Britain 1906–19143
Stage directions as endotext: the psychological and socio-historical messages in the stage directions of Cao Yu and Lao She3
Kinship ecology and the bildungsroman: the child–animal relationship in Louise Erdrich’s The Birchbark House series2
Metaphor, subjectivity and self-knowledge in Edward St. Aubyn’s novels2
Surviving marriage narratively. Storytelling through women's friendships in Mary McCarthy's The Group (1963) and its adaptation by Lara Feigel (2020)2
Bloom’s Freud and Bloom’s anxiety2
‘Mystery of the self’: embodied personhood and artificial intelligence in Ian McEwan’s Machines Like Me2
Telepathy terminable and interminable2
Tediousness in Coryats Crudities (1611): early modern travel writing, rhetoric, and notions of canonicity2
Beware the Cat (2018): Adapted from William Baldwin by Frances Babbage, Terry O’Connor and Rachel Stenner, introduced and edited for publication by Frances Babbage and Terry O’Connor2
Limitation as excess: A reappraisal of transgressive aesthetics in Amanda Filipacchi's Love Creeps2
The actor-network in Herman Melville’s ‘The Apple-Tree Table’2
‘Life as literature’: Wright Morris's Love Among the Cannibals2
Spectres of the district commissioner: the negotiation of Achebe’s Things Fall Apart in contemporary African historical fiction2
Antonin Artaud and the healing practices of language: how life matters in Artaud’s later writings2
‘Perfectly, perfectly funny’?: laughing with the internet in Patricia Lockwood’s No One Is Talking About This1
The translator’s task: influence beyond the monolingual paradigm1
Tennessee Williams’ escapology and the heterotopia of ‘The Mysteries of the Joy Rio’1
Huge urgency and consummate skill: an interview with Jim Pennington1
Elsewhere: Laura Marcus and autobiography1
Crisis and critique in Christine Smallwood’s The Life of the Mind (2021)1
Ivan Juritz Prize 20211
On poetry and the crowd: lyric and locodescription1
Deconstructing hegemony: contemporary Middle East literature, theory, and historiography1
Monuments, unreal spaces and national forgetting: Kazuo Ishiguro’s The Buried Giant and the abyss of memory1
‘Sweet Mephistopheles, tell me’: desire between the scholar and the devil in Christopher Marlowe’s Doctor Faustus1
Yogic style in motion: experiments in power and knowledge1
Listening as influence1
Playing with fire: unhousing and unsettlement at the antebellum hearthside1
Writing the Liberal City: literature and the contested experience of economic change. Bogotá 1849–18701
Creaturely forms in contemporary literature: narrating the war against animals1
W.S. Graham’s blanks1
Louisa May Alcott and the Textual Child: A Critical Theory Approach1
Alternative avatars of the plagiarist, or, an embarrassment of glitches1
Mind reading?1
Poundian influences and misty poetics in Yang Lian’s concentric circles1
Wild Analysis: From the Couch to Cultural and Political Life1
Writing (with) the body: the case of Kim de l’Horizon’s Blutbuch1
Via literary mothers: Kathleen Fraser and the ‘permission-giving’ moment of ‘projective verse’1
Encountering Ulysses1
Queering history: palimpsestuous bodies and their stories in Zen Cho’s The Order of the Pure Moon Reflected in Water1
Beckett and politics. New directions in Irish and Irish American literature1
The empire’s double bind: Kazuo Ishiguro and the Imperial Rescript on Education1
When worlds converge: geological ontologies and volcanic epistemologies in Colombian literature after the 1985 eruption of the Nevado del Ruiz1
In light of myth: photography as truth in Roland Barthes’s Camera Lucida1
Literary form and historicised relationality: theorising the city as text in Teju Cole’s novels1
An archive of modern medical culture: the critique of turn-of-the-century medical discourses in Gertrude Stein’s Three Lives1
Imaginarium politicum1
‘Someone lives in me’: how essayists enter our lives1
‘Exploiting magnificence’: Hart Crane versus T. S. Eliot on the matter of diction1
To body or not to body?: Gender performativity and posthumanism in the actor-network of Jeanette Winterson’s Frankissstein1
Affect, precarity, unhousing: reading trends in twenty-first-century US literature1
Inhabiting the impasse: on care and ambivalence in Lisa Baraitser’s Enduring Time and Maggie Nelson’s The Argonauts1
Testimony, reconstructed: the secondary witness and testimonial possession in Bart van Es’ The Cut Out Girl: A Story of War and Family, Lost and Found1
Out of the blue: Prynne’s gifts1
Resourceful melodrama: carbon capitalism and the fossil unconscious in Dymphna Cusack’s Southern Steel (1953)1
The legacy of the forest: a source study of ‘Wood’ (2009) by Alice Munro1
Veering and tunnelling0
‘ … Miles of the rustling secret corn’: nature, cosmic and autonomy in American cosmic horror literature0
When wasn't modernism? Reflections on the stone age0
Seamus Eile (The 'Other' Seamus)0
Introduction: origins, obsolescence and a new timeliness0
Weird luck0
Materiality and the canon: manuscripts, fragments, and medieval outlaw literature0
Seamus Heaney as letter writer0
Assessing intelligence: the Bildungsroman and the politics of human potential in England, 1860–19100
Past forms, present concerns: reading transhistorically for feminised labour0
Climate engineering in The Ministry for the Future and Termination Shock0
At home in a racist universe: weird phenomenology and cosmic alterity in H.P. Lovecraft’s ‘The Dunwich Horror’0
Philosophy’s ghosts: Nicholas Royle, Naji al-Ali, and Me0
Understanding ‘understanding music’ in Proust0
The infinite unleashed: Benjamin revisited in the context of the mechanical philosophy0
Nabokov’s secret trees0
To give the literary event: Blanchot and Lawrence’s narratives of life/death0
Toni Morrison and the writing of place0
‘It envelops’: elementality and form in nineteenth-century Scottish melodrama0
Introduction to James Joyce’s Ulysses at 100: still learning0
Aesthetics of obscenity: the avant-garde text and underground impact of My Own Mag and Poetmeat0
Unhousing and unhoming: the politics of space in Thi Bui’s The Best We Could Do0
Chinese modernist satire: Lao She’s Mr Ma and Son (1929), Qian Zhongshu’s Fortress Besieged (1947), and Eileen Chang’s Lege0
Insect or affect? John Ashbery's ‘Daffy Duck in Hollywood’, the dramatic monologue, and lyric theory0
Gertrude Stein’s radio audience0
Late reception [play memory of a free festival]0
An intercultural dialogue: the Buddha, Schopenhauer and Beckett. Angela Moorjani in Colloquy with Asijit Datta0
A horizon line: flat style in contemporary women’s poetry0
Translated memories: autobiography and the surrender to literature0
Snow globes and instant coffee: transparent commodities and the global infrastructures of late capitalism in contemporary fiction0
Reimagining Shakespeare’s The Tempest in its afterlife: a study of cuts, revisions, and potential sources0
The Comic turn in Contemporary English Fiction: Who’s Laughing Now?0
If you could read my mind …0
Deleuze, Palestine, and Ghassan Kanafani’s Men in the Sun0
Psychoanaliterature, or, how the American relational move made Are You My Mother? and The Argonauts0
The lost shape of words: reading the post-literate condition in Ali Smith’s Like (1997)0
Rethinking the discourse of ‘marginality’ in English literary studies and the social sciences: M. NourbeSe Philip’s ‘Discourse on the Logic of Language’0
On the reading mind: what you will already have known I was about to say now anyway0
‘A flicker of the divine progress?’: stage-managing narratives of Empire in Jan Morris's Pax Britannica trilogy0
A Problem of Middlebrow Style: Dialect and Translation in Elena Ferrante’s Naples Tetralogy0
Outlived by a lesser shamelessness : the inscrutable subject and sensuality before the Law in Augustine, Dostoevsky and Kafka0
Literature and Class, from the Peasants' Revolt to the French Revolution Literature and Class, from the Peasants' Revolt to the French Revolution , by Andrew Hadfield, M0
‘Speculative Fiction: What Nicholas Royle will have written in David Bowie, Enid Blyton and the Sun Machine , which I haven’t read’0
Public criticism0
Zadie Smith’s Nonhuman turns0
Introduction0
‘Our idea of distortion’: misprision between Bloom and Ashbery0
Under the net: universal time, modernism, and the subversive temporality of golden age detective fiction0
On not being able to read: doomscrolling and anxiety in pandemic times0
Royle reading0
The space not beyond: T. S. Eliot’s Old Possum’s Book of Practical Cats (1939) and its musical adaptations as elemental melodrama of an upper-atmospheric limit0
Anonymity, canonicity, and literary value0
Hollow children: utopianism and disability justice0
Towards a counterfactual criticism: alternate history and the study of English Literature0
Footnotes0
Of lyric proportions: poetry and the genres of climate-change communications0
Thinking destructively with aesthetics0
Following Laura Marcus: from autobiography to testimony0
Apropos of something: a history of irrelevance and relevance0
Radical openness against African American Houses of Law: Gloria Naylor’s Linden Hills and the rhetoric of decline0
In praise of failure: four lessons in humility0
Beyond the door, behind the veil: Brian Catling and the Weird/Visionary tradition0
Laura’s Virginia Woolf – a note0
The catastrophe of the face: ethics, deconstruction, plasticity0
Knick-knacks or Nick’s wits0
Winner for text0
Speaking (from) out of tradition: hermeneutics, literary style and the task of textual interpretation in J. M. Coetzee’s Elizabeth Costello (2003) and Julian Barnes’s 0
Time against the sovereign power: the interregnum in Stuart Brisley’s performance art0
A case for religious criticism0
Anticipating the plot: overdetermining heteronormative destiny on the twenty-first century screen0
Breach and suture in China Miéville’s interstitial cities0
Introduction: confronting medieval and early modern canons0
Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe0
Dis/placed: veerer – where , and when , are you? (asides)0
The near future in twenty-first-century fiction: climate, retreat and revolution0
Introduction: beyond the sacrifice zone0
Fire escapes: queer unhousing in Tennessee Williams, James Baldwin, and Ocean Vuong0
Modernism, forgetting, and the book of the heart0
Eating and cooking beyond the borders in Elif Shafak’s The Saint of Incipient Insanities0
Haptic poetics and community (re)building in Swinburne’s The Flogging Block0
Disburdening the house, liberating the self: narratives of domestic discomfort and unhousing in Henry James’ late short fiction0
An exercise in analysis as enjoyment0
Love in the sacrifice zone: queer ecopoetics in the Appalachian Mountains0
Monkeying around with fact and fiction: radical epistemology and reactionary metaphysics in the work of R.A. Lafferty0
Baldwin as phonographer0
The significance of Osip Mandelstam for Paul Celan0
‘The great unequivocal International Gestures’: Benjaminian Gestus in Zadie Smith’s The Autograph Man0
Mike McCormack’s style of post-mortem modernism0
Defamiliarisation, invisible characters, and laboured connections0
Dissection Nation0
THE SPIRIT LIVES! An interview with Douglas Blazek0
‘Counting fry under a waterfall’: the history, development, and current use of the Small Press Collections at University College London0
The 2022 Ivan Juritz prize: Introduction0
Cyril Connolly, late modernism and the essay form0
Reimagining postcolonial Sri Lanka as ‘Ceylon’: Shyam Selvadurai’s Cinnamon Gardens0
Anxiety again0
Helen Keller’s ‘Sense of light’: life-writing, light-writing and the photosynthetic subject0
Fragmentary modernism: the classical fragment in literary and visual cultures, c.1896 – c.19360
Tribute to Laura Marcus0
The satire of the meritocracy: foreclosed futures in Michael Young, Raymond Williams, and Muriel Spark0
Poetic transcribbling: Ted Berrigan & Harris Schiff’s Yo-Yo’s with Money and Beaned in Boston0
Laura’s living writing0
Do stories need critics? Environmental storyism and the ends of ecocriticism0
‘Time becomes memory, and memory becomes the ditch in which we drown’: rethinking modes of knowing the past in Ian McGuire’s The Abstainer (2020)0
Eroticism as the body without organs in Dennis Cooper’s Frisk: grand narratives, desire, and infinity0
Performing the poetics of the Iranian dream on silver screen: Hamoun as a tale of spiritual rebirth0
Son et lumière in Proust0
The early reception of the Sun Machine0
Reading lovecraft in the Anthropocene: a new dark age0
The minor poet: a case of John Wieners0
Autofiction and the possibility of life in neoliberal ruins: reification, friction and the affective dominant in Weijers and Heti0
Smiles are made of tears0
Glossectomy and lyric histories in Sujata Bhatt’s poetry0
‘Little magazines were the only option’: an interview with Tina Morris0
The other vow: affirmative Denial in Kafka, Shakespeare and Kol Nidrei0
Ezra Pound’s drafts for the translation of Confucius’ ShijingThe Book of Odes0
Critique du récit pur : gleam of time in Maurice Blanchot’s narratives0
Transculturality and the contingency of belonging0
Literary multilingualism: exploring latent practices0
Anti-Humanism in the Counterculture0
Revisiting Pascale Casanova’s world literary space0
Feminist refusal from Jacob’s Room to the climate protest: Bonnie Honig, Virginia Woolf and Greta Thunberg0
Border-crossing Japanese literature: reading multiplicity0
Breaking down in fits and starts: navigating a good naturalisation of J. H. Prynne’s ‘Blue Slides at Rest’ (2004)0
The scientific lab: sacrifice zones as contact zones0
Photomimesis and the anti-aesthetic0
Making sense of the rural white working class: the contemporary novel of rural retreat and the politics of resentment0
Framing potentiality in Vona Groarke’s X0
Aesthetics of the fucked0
Commemoration, modernism and self-identity in contemporary graphic memoir0
Virginia Woolf’s ‘ontology of style’: Mrs. Brown, The Waves , and the ethics of character*0
Stimming [live] pathologising [ifitfits] and restaged made, in a staged setting, repeat non – eye – contact – contact0
‘The problem of other minds’: disappropriation and the limits of polyphony in Ben Lerner’s The Topeka School0
Media and environment in elemental melodrama: afterword0
Phillis Wheatley Peters’ fugitive poetics of freedom0
Inimitability0
Anthropomorphism in Professional Crocodile and Agamben’s ‘man-animal’0
To decompose the gender possibilities of the contemporary sestina: queer formalism reimagined through a poetic fixed form0
Roland Barthes writing the political: history, dialectics, self0
Insurgent imaginations: world literature and the periphery0
Wall woodpeckers project0
Deleuze, subjectivity, and literature as life0
The work of literary studies: interpretation, argument, and socioaesthetic experience0
‘On it, in it, what you will’ – Reading Nicholas Royle’s Quilt0
The changing History of English Poetry 1774–1871: language, literature and Anglo-Saxon whiteness0
Beyond trauma: provisional networks and eccentric forms in fiction of the blitz0
The chaff and the wheat: Emily Dickinson and Maurice Blanchot0
Filling in the gaps: early middle English, nationalist philology, and reparative codicology0
The impersonal forces of disease and death in J.M. Coetzee's Age of Iron0
A singing bird inside the human mind: a posthumanist rereading of Wallace Stevens0
Poetry or politics? On Jacques-Alain Miller’s Effort of Poetry after Lacan0
Touching the screen: on visual textuality and knowledge construction in Anne Carson’s poetry0
Bringing the dead back to life: Marx, Muriel Rukeyser, and the work of documentary0
‘Our poison’d chalice to our own lips’: toxic masculinity and tyranny in Macbeth0
‘Toward the evening of a gone world’: on forgetting Hugh Kenner0
The ‘wonder’ in the handkerchief0
Do Shakespeare’s characters mean what they say?0
Failure as/in the queer bildungsroman0
Uncanny reminiscing: Nicholas Royle in conversation with Adrien Ordonneau0
The art of imitation and the desire for violence: the rebirth of Homo Mimeticus0
Language games: the gendered politics of the speech act in Ben Lerner's The Topeka School0
Reflections on sublation0
Constraint and corporeality: reading Brooke-Rose and Garréta’s gendered experiments0
The Cambridge Companion to Kazuo Ishiguro0
‘ … pure existence, without sense … ’: Joan Copjec, Hitchcock’s Rebecca , and reading the real0
Towards a poetics of the pipelines: an infrastructural analysis of the figure of the pipeline in Iranian petrofiction0
Translational Authorship and Multilingual (Re)writing in Uljana Wolf and Sophie Seita's Subsisters: Selected Poems (2017)0
Oxford Freud: autofictions and reflections0
From Orientalism to neo-Orientalism: medial representations of Islam and the Muslim world0
Death in flight0
Gold, cocaine, montage: Latin American sacrifice zones in Michael Taussig’s My Cocaine Museum0
Drone fiction, empathy gap and the reader: Mohsin Hamid’s short story Terminator: Attack of the Drone (2011)0
This confused music0
Empathy, curiosity, and critique: an AI-assisted mapping of non-academic reception of Asian American literature0
Somewhere else in the market: an essay on the poetry of J.H. Prynne0
‘What is toast?’ Language and society in Margaret Atwood’s Oryx and Crake0
Nick Makoha’s – a low pressure system0
For Laura0
The intelligence of artifice: Oscar Wilde and AI0
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