OOIR: Observatory of International Research

Papers

(The median citation count of Journal of New Music Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
Common and distinct quantitative characteristics of Chinese and Western music in terms of modes, scales, degrees and melody variations	15
The evolution of inharmonicity and noisiness in contemporary popular music	12
Pytakt: a Python library for symbolic music description, generation, and real-time processing	9
Musical intra-actions with digital musical instruments	7
Entropy, pitch, and noise: organisation and disorganisation in the perception of closure for different types of spectra	6
The aesthetics of deconstruction: neural synthesis of transformation matrices using GANs on multichannel polyphonic MIDI data	5
A collaborative digital edition of 15th- and 16th-century German lute tablature: the E-LAUTE project	5
Linguistic tone in Chinese rap: an interdisciplinary approach	4
Views from the South: how making cultures from the Global South can inform sustainability in technologically-mediated arts design practices	4
Creative uses of low tech in Bamako recording studios (Mali)	4
Mid-century timings: an exploration into musical genre, tempo and tempo variability in Ecuadorian música nacional performance	3
The Timbre of sape: identifying the sound quality in music instrument making	3
Ways of knowing, ways of writing: technical practice research in new musical instrument design	3
Virtually reunited: the complete critical edition of Mozart’s Oeuvre in the Digital Mozart Edition	2
User experience with digital musical instruments: a transferable method for longitudinal evaluation	2
Editorial	2
Success in reaching affect self-regulation goals through everyday music listening	2
(Dis)Embodied mechatronic displays for telematic music performance	2
Research on a method of conveying material sensations through sound effects	2
From genies performing magic to sages imparting wisdom: a value-centred survey of music AI user interfaces, creative affordances and artist objectives	2
Editing Purcell’s keyboard music: some reflections on collected editions, past and future	2
Human–machine agencies in live coding for music performance	2
The evolution of syncopation in twentieth-century American popular music	2
Toward a community model of scholarly editing: FAIR/CARE, research ethics, & labour visibility	2
FluidHarmony: Defining an equal-tempered and hierarchical harmonic lexicon in the Fourier space	2

“‘A huge man is bursting out of a rock’”: bodies, motion, and creativity in verbal reports of musical connotation	1
Theoretically informed training improves accent production in percussion	1
Design for performability: a proposal for democratic redesign of the classical guitar	1
Geometries in sound: an investigation of embodied cognition in contemporary art music	1
Validation of musical stimuli for emotion evaluation: the Musical Emotion Evaluation Test	1
The virtual drum circle: polyrhythmic music interactions in mixed reality	1
AMMRI: a computational assessment tool for music novices’ replication and improvisation tasks	1
LeMo: an assembly kit for musical acoustics education	1
Tonic identification in classical music using source-modified group delay functions	1
Editorial	1
Research into new music? Or new research into music?	1
Musical performance in the Journal of New Music Research	1
Automatic music transcription for sitar music analysis	1
The cognitive, affective, and motoric correlates of rhythmic complexity	1
Mechanisms of musical emotion transfer: insights from 22 composers and the musicological and psychological literature	1
The monumental edition in the digital age: creating a sustainable future	1
Data- and interaction-driven approaches for sustained musical practices with machine learning	0
Is the revised version of the Short Test of Musical Preferences a sound measure of musical tastes?	0
The future of scholarly, critical editions of music	0
Notation as visual representation of sound-based music	0
The modal behaviour of a violin corpus	0
An unsupervised feature selection approach for finding diverse emotional-semantic representations in sonic branding music	0
The perception of tension in harmonic intervals across Indian and Western listeners: the roles of psychoacoustics and musical expertise	0
Hindustani raga and singer classification using 2D and 3D pose estimation from video recordings	0
Theory and practice of higher-order frequency modulation synthesis	0
On the concept of Raga parentage in Carnatic music	0
Tempering the clavier: a corpus-based examination of Bach’s cognition of intonation in the Well-Tempered Clavier	0
Postural adaptations of saxophone players during music performance	0
A digital corpus for exploring the lute music of John Dowland (1563-1626)	0
Phonetics as a means of nationalising art songs: a comparative music-phonetics study based on Zhao Yuanren’s New Poetry Collection	0
The Rebel Crank: redefining street barrel organs performance practice through physical gesture transgression	0
What do we mean by ‘systematic’, ‘empirically grounded’ research in music?	0
Correction	0
Effective features to define harmonic distance models	0
Hit song science: a comprehensive survey and research directions	0
Correction	0
The algorithmic nature of song-sequencing: statistical regularities in music albums	0
Introduction to the special issue of technoscientific practices of music: critical implications of new technologies	0
Real-time auralisation for music performers on virtual stages: general definitions and pilot study with guitar duets	0
Data structures for music encoding: tables, trees, and graphs	0
Digital critical edition of Čiurlionis' piano music: a case study	0
The Stretchy Strap: supporting encumbered interaction with guitars	0
Classification of Iranian classical music using a combination of simple networks	0
Real-time sound synthesis from normal forms of dynamical systems	0
Innovation, data colonialism and ethics: critical reflections on the impacts of AI on Irish traditional music	0
Research on human engagement with music in the Journal of New Music Research	0
Sight-singing in a group context: An eye-tracking study with experienced choral singers	0
The multimodal, multidimensional nature of music from multiple perspectives	0
How clarinettists vary amplitude, frequency, spectral features and microtiming to play music expressively	0
Polish Music Heritage in Open Access	0

Developing and testing an analysis system to assess singing-pitch accuracy of Chinese children	0
Augmenting musical instruments with digital identities	0
Detecting chord tone alterations and suspensions	0
Examining transposed makams in Turkish music through machine learning: classification of Rengidil-Neveser and Ruhnevaz-Buselik pieces	0
Multidisciplinarity in the Journal of New Music Research	0
Evaluation of audio-tactile congruences for a wearable musical interface	0
On mapping as a technoscientific practice in digital musical instruments	0
A digital companion for musicological scholarship: the Lohengrin TimeMachine	0
‘Texting Scarlatti’: unlocking a standard edition with a digital toolkit	0
Similarity of structures in popular music	0
Music in the moment: how twenty-four expert free form musicians experienced sense of agency and an improvisational state of mind	0
Structural Segmentation and Labelling of Tabla Solo Performances	0