Journal of New Music Research

Papers
(The median citation count of Journal of New Music Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Common and distinct quantitative characteristics of Chinese and Western music in terms of modes, scales, degrees and melody variations17
The evolution of inharmonicity and noisiness in contemporary popular music10
Pytakt: a Python library for symbolic music description, generation, and real-time processing8
Musical intra-actions with digital musical instruments5
Personalised popular music generation using imitation and structure5
Entropy, pitch, and noise: organisation and disorganisation in the perception of closure for different types of spectra5
The aesthetics of deconstruction: neural synthesis of transformation matrices using GANs on multichannel polyphonic MIDI data4
Creative uses of low tech in Bamako recording studios (Mali)4
Views from the South: how making cultures from the Global South can inform sustainability in technologically-mediated arts design practices3
The Timbre of sape: identifying the sound quality in music instrument making3
Ways of knowing, ways of writing: technical practice research in new musical instrument design3
(Dis)Embodied mechatronic displays for telematic music performance2
Human–machine agencies in live coding for music performance2
Linguistic tone in Chinese rap: an interdisciplinary approach2
A collaborative digital edition of 15th- and 16th-century German lute tablature: the E-LAUTE project2
Virtually reunited: the complete critical edition of Mozart’s Oeuvre in the Digital Mozart Edition2
Mid-century timings: an exploration into musical genre, tempo and tempo variability in Ecuadorian música nacional performance2
FluidHarmony: Defining an equal-tempered and hierarchical harmonic lexicon in the Fourier space1
The virtual drum circle: polyrhythmic music interactions in mixed reality1
Editing Purcell’s keyboard music: some reflections on collected editions, past and future1
From genies performing magic to sages imparting wisdom: a value-centred survey of music AI user interfaces, creative affordances and artist objectives1
Research on a method of conveying material sensations through sound effects1
The evolution of syncopation in twentieth-century American popular music1
Toward a community model of scholarly editing: FAIR/CARE, research ethics, & labour visibility1
“‘A huge man is bursting out of a rock’”: bodies, motion, and creativity in verbal reports of musical connotation1
Editorial1
User experience with digital musical instruments: a transferable method for longitudinal evaluation1
Success in reaching affect self-regulation goals through everyday music listening1
IRIS: A tunable sound sculpture based on acoustic periodic composites for musical performance1
Mapping timing and intensity strategies in drum-kit performance of a simple back-beat pattern1
Orchidea: a comprehensive framework for target-based computer-assisted dynamic orchestration1
A digital corpus for exploring the lute music of John Dowland (1563-1626)0
Effective features to define harmonic distance models0
What do we mean by ‘systematic’, ‘empirically grounded’ research in music?0
Data- and interaction-driven approaches for sustained musical practices with machine learning0
Augmenting musical instruments with digital identities0
Developing and testing an analysis system to assess singing-pitch accuracy of Chinese children0
Digital critical edition of Čiurlionis' piano music: a case study0
Evaluation of audio-tactile congruences for a wearable musical interface0
Tempering the clavier: a corpus-based examination of Bach’s cognition of intonation in the Well-Tempered Clavier0
Theory and practice of higher-order frequency modulation synthesis0
‘Texting Scarlatti’: unlocking a standard edition with a digital toolkit0
Hindustani raga and singer classification using 2D and 3D pose estimation from video recordings0
The monumental edition in the digital age: creating a sustainable future0
Research into new music? Or new research into music?0
Introduction to the special issue of technoscientific practices of music: critical implications of new technologies0
Design for performability: a proposal for democratic redesign of the classical guitar0
Detecting chord tone alterations and suspensions0
Inaugural editorial0
Polish Music Heritage in Open Access0
Is the revised version of the Short Test of Musical Preferences a sound measure of musical tastes?0
The multimodal, multidimensional nature of music from multiple perspectives0
Sight-singing in a group context: An eye-tracking study with experienced choral singers0
Correction0
Implementation of melodic morphing based on generative theory of tonal music0
The future of scholarly, critical editions of music0
Similarity of structures in popular music0
Hit song science: a comprehensive survey and research directions0
The Stretchy Strap: supporting encumbered interaction with guitars0
Phonetics as a means of nationalising art songs: a comparative music-phonetics study based on Zhao Yuanren’s New Poetry Collection0
Correction0
The algorithmic nature of song-sequencing: statistical regularities in music albums0
Mechanisms of musical emotion transfer: insights from 22 composers and the musicological and psychological literature0
Tonic identification in classical music using source-modified group delay functions0
Examining transposed makams in Turkish music through machine learning: classification of Rengidil-Neveser and Ruhnevaz-Buselik pieces0
Automatic music transcription for sitar music analysis0
AMMRI: a computational assessment tool for music novices’ replication and improvisation tasks0
Geometries in sound: an investigation of embodied cognition in contemporary art music0
Research on human engagement with music in the Journal of New Music Research0
Notation as visual representation of sound-based music0
Structural Segmentation and Labelling of Tabla Solo Performances0
How clarinettists vary amplitude, frequency, spectral features and microtiming to play music expressively0
Multidisciplinarity in the Journal of New Music Research0
The modal behaviour of a violin corpus0
On mapping as a technoscientific practice in digital musical instruments0
Data structures for music encoding: tables, trees, and graphs0
A digital companion for musicological scholarship: the Lohengrin TimeMachine0
The Rebel Crank: redefining street barrel organs performance practice through physical gesture transgression0
Innovation, data colonialism and ethics: critical reflections on the impacts of AI on Irish traditional music0
The cognitive, affective, and motoric correlates of rhythmic complexity0
Music in the moment: how twenty-four expert free form musicians experienced sense of agency and an improvisational state of mind0
Musical performance in the Journal of New Music Research0
On the concept of Raga parentage in Carnatic music0
LeMo: an assembly kit for musical acoustics education0
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