Journal of New Music Research

Papers
(The median citation count of Journal of New Music Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Common and distinct quantitative characteristics of Chinese and Western music in terms of modes, scales, degrees and melody variations13
The evolution of inharmonicity and noisiness in contemporary popular music12
Pytakt: a Python library for symbolic music description, generation, and real-time processing9
Entropy, pitch, and noise: organisation and disorganisation in the perception of closure for different types of spectra8
Musical intra-actions with digital musical instruments8
A collaborative digital edition of 15th- and 16th-century German lute tablature: the E-LAUTE project7
Linguistic tone in Chinese rap: an interdisciplinary approach5
The Timbre of sape: identifying the sound quality in music instrument making4
Views from the South: how making cultures from the Global South can inform sustainability in technologically-mediated arts design practices4
The aesthetics of deconstruction: neural synthesis of transformation matrices using GANs on multichannel polyphonic MIDI data4
Human–machine agencies in live coding for music performance3
Ways of knowing, ways of writing: technical practice research in new musical instrument design3
Mid-century timings: an exploration into musical genre, tempo and tempo variability in Ecuadorian música nacional performance3
(Dis)Embodied mechatronic displays for telematic music performance3
Virtually reunited: the complete critical edition of Mozart’s Oeuvre in the Digital Mozart Edition2
Toward a community model of scholarly editing: FAIR/CARE, research ethics, & labour visibility2
User experience with digital musical instruments: a transferable method for longitudinal evaluation2
“‘A huge man is bursting out of a rock’”: bodies, motion, and creativity in verbal reports of musical connotation2
The virtual drum circle: polyrhythmic music interactions in mixed reality2
Editorial2
From genies performing magic to sages imparting wisdom: a value-centred survey of music AI user interfaces, creative affordances and artist objectives2
AMMRI: a computational assessment tool for music novices’ replication and improvisation tasks2
Automatic music transcription for sitar music analysis2
Audible partials (spectral pitches) in common musical chords2
Editing Purcell’s keyboard music: some reflections on collected editions, past and future2
Methods for pitch analysis in contemporary popular music: phenomenological analysis of Primaal's commercial works2
Theoretically informed training improves accent production in percussion2
Tonic identification in classical music using source-modified group delay functions1
The cognitive, affective, and motoric correlates of rhythmic complexity1
Musical performance in the Journal of New Music Research1
Validation of musical stimuli for emotion evaluation: the Musical Emotion Evaluation Test1
Beyond the instrument: a systematic review on the technological expansion of acoustic performance1
Research into new music? Or new research into music?1
The monumental edition in the digital age: creating a sustainable future1
Real-time sound synthesis from normal forms of dynamical systems1
Design for performability: a proposal for democratic redesign of the classical guitar1
Mechanisms of musical emotion transfer: insights from 22 composers and the musicological and psychological literature1
Geometries in sound: an investigation of embodied cognition in contemporary art music1
Editorial1
Correction0
Evaluation of audio-tactile congruences for a wearable musical interface0
Real-time auralisation for music performers on virtual stages: general definitions and pilot study with guitar duets0
Hindustani raga and singer classification using 2D and 3D pose estimation from video recordings0
Digital critical edition of Čiurlionis' piano music: a case study0
The Stretchy Strap: supporting encumbered interaction with guitars0
Classification of Iranian classical music using a combination of simple networks0
Similarity of structures in popular music0
Introduction to the special issue of technoscientific practices of music: critical implications of new technologies0
Research on human engagement with music in the Journal of New Music Research0
Correction0
The multimodal, multidimensional nature of music from multiple perspectives0
The future of scholarly, critical editions of music0
Effective features to define harmonic distance models0
The modal behaviour of a violin corpus0
Augmenting musical instruments with digital identities0
On the concept of Raga parentage in Carnatic music0
Multidisciplinarity in the Journal of New Music Research0
Detecting chord tone alterations and suspensions0
On mapping as a technoscientific practice in digital musical instruments0
A digital companion for musicological scholarship: the Lohengrin TimeMachine0
Innovation, data colonialism and ethics: critical reflections on the impacts of AI on Irish traditional music0
The Rebel Crank: redefining street barrel organs performance practice through physical gesture transgression0
The algorithmic nature of song-sequencing: statistical regularities in music albums0
Structural Segmentation and Labelling of Tabla Solo Performances0
Developing and testing an analysis system to assess singing-pitch accuracy of Chinese children0
Theory and practice of higher-order frequency modulation synthesis0
Development and perceptual validation of an optical see-through augmented reality paradigm for performance simulation research in music0
Polish Music Heritage in Open Access0
Data structures for music encoding: tables, trees, and graphs0
An unsupervised feature selection approach for finding diverse emotional-semantic representations in sonic branding music0
Examining transposed makams in Turkish music through machine learning: classification of Rengidil-Neveser and Ruhnevaz-Buselik pieces0
Phonetics as a means of nationalising art songs: a comparative music-phonetics study based on Zhao Yuanren’s New Poetry Collection0
Hit song science: a comprehensive survey and research directions0
Tempering the clavier: a corpus-based examination of Bach’s cognition of intonation in the Well-Tempered Clavier0
Postural adaptations of saxophone players during music performance0
A digital corpus for exploring the lute music of John Dowland (1563-1626)0
‘Texting Scarlatti’: unlocking a standard edition with a digital toolkit0
Sight-singing in a group context: An eye-tracking study with experienced choral singers0
Data- and interaction-driven approaches for sustained musical practices with machine learning0
How clarinettists vary amplitude, frequency, spectral features and microtiming to play music expressively0
Is the revised version of the Short Test of Musical Preferences a sound measure of musical tastes?0
The perception of tension in harmonic intervals across Indian and Western listeners: the roles of psychoacoustics and musical expertise0
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