OOIR: Observatory of International Research

Papers

(The TQCC of Nordic Theatre Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)

Article	Citations
The Displeasure of Implication in Fix & Foxy’s Dark Noon (2019)	1
The Cathartic Value of Applied Theatre	1
What Kind of Bodies Will Come Together in Passage 468?	1
Polishing Reykjavík	0
Harriet Bosse’s Autobiography	0
“Ready to fly with a lust for life”	0
On Ibsen and Strindberg. The Reversed Telescope.	0
How to Resolve the Trauma of Exile?	0
The Enabling Materialities of the Charcoal Suit	0
SCAN-AESTHETICS – Aesthetic strategies in Scandinavian and Nordic-Baltic independent theatre and performing arts: 1960-2010	0
Performative Representation of “Others” in the Opera Genre	0
Theatre and Social Responsibility	0
Coeval Dancefutures in the Nordics	0
Theatre and Displeasure	0
Expanded choreography and history writing in the flesh	0
Keep calm, the corridor will be open soon	0
Kim Skjoldager-Nielsen 1971-2022	0
Migration and Opera Old and New	0
Hamlet and Its Danish Double. The Historical Performance as Medium for a Utopian Monarchy	0
Rise and Fall of Theatre NO99 in Estonia	0
Performances that Disappeared	0
Theatre Making “Space for the Unassimilable”	0
The emergence of the independent theatre scene in Estonia (1987–92)	0
When Contextual Events Become Central to Fiction	0
Opera-film Baņuta	0

Theatre Talks	0
I avantgardets skugga	0
Performativity and Transgression	0
Thinking Matter(s) in Theatre Practice	0
Disseminating Shakespeare in the Nordic Countries	0
When the Utopian Performative Encounters Beauty	0
Rethinking Nordic	0
Maciunas	0
Reconstructing Shakespeare in the Nordic Countries National Revival and Interwar Politics, 1870 – 1940	0
Cause of Death: Lähiö	0
Late Nineteenth-Century Radical Utopias in Theatre Reviews	0
Actors as Co-Creators in Contemporary Latvian Theatre	0
Unknown Stories	0
Nordic Gore?	0
Magic of Presence	0
Theatre and Transgression	0
Utopia and Performance	0
Stop Making Sense	0
Introducing Behavioral Wedges and Nudging Into the Production Process to Reduce CO2	0
Precarization in the Name of Freedom	0
The Wet Pants - Becoming an Audience with the More than Human	0
Icebreakers	0
Theatre and Materiality	0
“We Are Still Not Being Heard”	0
Silence and Affect in the Swedish Performing Arts After #MeToo	0
“Solos” with Sourdough and Drying, Cracking: Dramaturgy with Other-Than-Human Species	0
Aesthetics of Presence: Philosophical and Practical Reconsiderations	0
Reduce, Reuse, or Refuse?	0
Speculative Geographies and the Horizons of Performance Studies	0
Essentially Contested	0
Theatre displeasure touching society’s raw nerves: Castellucci and Frljić	0
Turning Points and Conflicting Interests	0
Gertrude Steins skuespil	0
Performative Protest Actions in the Baltic States Against Sexual Violence in Russia’s War in Ukraine	0
Pirrko Koski	0
Building an Ideal Theatre	0
Hen: Queer Puppet Cabaret, Utopian Perspectives for Sexual Bodies	0
Touching the Unknown	0
Aesthetics and Dramaturgies of Immersive and Interactive Theatre Since the Turn of the Millennium	0
Original Portrayal of Mozart’s Don Giovanni	0
Sexuality and the Transgression of Gaze in the Theatre	0
Life in the Posthuman Condition. Critical Responses to the Anthropocene	0
Som en vildfågel i en bur	0
Utopian Realism	0
Performing The Eighteenth Century: Theatrical Discourses, Practices and Artefacts	0
Swedish Whiteness, German Multiculturalism, French National Identity, and American Racial Profiling	0