OOIR: Observatory of International Research

Papers

(The median citation count of Nordic Theatre Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)

Article	Citations
The Cathartic Value of Applied Theatre	1
What Kind of Bodies Will Come Together in Passage 468?	1
The Displeasure of Implication in Fix & Foxy’s Dark Noon (2019)	1
Performances that Disappeared	0
Theatre Making “Space for the Unassimilable”	0
The emergence of the independent theatre scene in Estonia (1987–92)	0
When Contextual Events Become Central to Fiction	0
Theatre Talks	0
I avantgardets skugga	0
Opera-film Baņuta	0
Disseminating Shakespeare in the Nordic Countries	0
Performativity and Transgression	0
Thinking Matter(s) in Theatre Practice	0
When the Utopian Performative Encounters Beauty	0
Rethinking Nordic	0
Reconstructing Shakespeare in the Nordic Countries National Revival and Interwar Politics, 1870 – 1940	0
Maciunas	0
Late Nineteenth-Century Radical Utopias in Theatre Reviews	0
Cause of Death: Lähiö	0
Unknown Stories	0
Actors as Co-Creators in Contemporary Latvian Theatre	0
Magic of Presence	0
Nordic Gore?	0
Utopia and Performance	0
Theatre and Transgression	0

Stop Making Sense	0
Introducing Behavioral Wedges and Nudging Into the Production Process to Reduce CO2	0
Precarization in the Name of Freedom	0
The Wet Pants - Becoming an Audience with the More than Human	0
Icebreakers	0
Theatre and Materiality	0
Silence and Affect in the Swedish Performing Arts After #MeToo	0
“Solos” with Sourdough and Drying, Cracking: Dramaturgy with Other-Than-Human Species	0
“We Are Still Not Being Heard”	0
Aesthetics of Presence: Philosophical and Practical Reconsiderations	0
Reduce, Reuse, or Refuse?	0
Speculative Geographies and the Horizons of Performance Studies	0
Essentially Contested	0
Turning Points and Conflicting Interests	0
Theatre displeasure touching society’s raw nerves: Castellucci and Frljić	0
Performative Protest Actions in the Baltic States Against Sexual Violence in Russia’s War in Ukraine	0
Gertrude Steins skuespil	0
Building an Ideal Theatre	0
Pirrko Koski	0
Touching the Unknown	0
Hen: Queer Puppet Cabaret, Utopian Perspectives for Sexual Bodies	0
Aesthetics and Dramaturgies of Immersive and Interactive Theatre Since the Turn of the Millennium	0
Original Portrayal of Mozart’s Don Giovanni	0
Sexuality and the Transgression of Gaze in the Theatre	0
Life in the Posthuman Condition. Critical Responses to the Anthropocene	0
Som en vildfågel i en bur	0
Utopian Realism	0
Performing The Eighteenth Century: Theatrical Discourses, Practices and Artefacts	0
Swedish Whiteness, German Multiculturalism, French National Identity, and American Racial Profiling	0
“Ready to fly with a lust for life”	0
Polishing Reykjavík	0
Harriet Bosse’s Autobiography	0
On Ibsen and Strindberg. The Reversed Telescope.	0
How to Resolve the Trauma of Exile?	0
The Enabling Materialities of the Charcoal Suit	0
SCAN-AESTHETICS – Aesthetic strategies in Scandinavian and Nordic-Baltic independent theatre and performing arts: 1960-2010	0
Theatre and Social Responsibility	0
Performative Representation of “Others” in the Opera Genre	0
Theatre and Displeasure	0
Coeval Dancefutures in the Nordics	0
Keep calm, the corridor will be open soon	0
Expanded choreography and history writing in the flesh	0
Migration and Opera Old and New	0
Kim Skjoldager-Nielsen 1971-2022	0
Hamlet and Its Danish Double. The Historical Performance as Medium for a Utopian Monarchy	0
Rise and Fall of Theatre NO99 in Estonia	0