OOIR: Observatory of International Research

Papers

(The median citation count of Nordic Theatre Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-03-01 to 2025-03-01.)

Article	Citations
Turning Points and Conflicting Interests	1
Theatre and Materiality	0
Coeval Dancefutures in the Nordics	0
SCAN-AESTHETICS – Aesthetic strategies in Scandinavian and Nordic-Baltic independent theatre and performing arts: 1960-2010	0
Som en vildfågel i en bur	0
Original Portrayal of Mozart’s Don Giovanni	0
Migration and Opera Old and New	0
Utopian Realism	0
Thinking Matter(s) in Theatre Practice	0
Icebreakers	0
The Cathartic Value of Applied Theatre	0
Performances that Disappeared	0
Life in the Posthuman Condition. Critical Responses to the Anthropocene	0
When the Utopian Performative Encounters Beauty	0
Harriet Bosse’s Autobiography	0
Silence and Affect in the Swedish Performing Arts After #MeToo	0
Performing The Eighteenth Century: Theatrical Discourses, Practices and Artefacts	0
Precarization in the Name of Freedom	0
Cause of Death: Lähiö	0
Expanded choreography and history writing in the flesh	0
Kim Skjoldager-Nielsen 1971-2022	0
Hamlet and Its Danish Double. The Historical Performance as Medium for a Utopian Monarchy	0
Aesthetics and Dramaturgies of Immersive and Interactive Theatre Since the Turn of the Millennium	0
Swedish Whiteness, German Multiculturalism, French National Identity, and American Racial Profiling	0
Polishing Reykjavík	0

What Kind of Bodies Will Come Together in Passage 468?	0
Performativity and Transgression	0
When Contextual Events Become Central to Fiction	0
On Ibsen and Strindberg. The Reversed Telescope.	0
Introducing Behavioral Wedges and Nudging Into the Production Process to Reduce CO2	0
Actors as Co-Creators in Contemporary Latvian Theatre	0
Magic of Presence	0
Late Nineteenth-Century Radical Utopias in Theatre Reviews	0
Touching the Unknown	0
Performative Representation of “Others” in the Opera Genre	0
Performative Protest Actions in the Baltic States Against Sexual Violence in Russia’s War in Ukraine	0
Sexuality and the Transgression of Gaze in the Theatre	0
“Ready to fly with a lust for life”	0
Theatre Making “Space for the Unassimilable”	0
Stop Making Sense	0
Theatre and Displeasure	0
The Enabling Materialities of the Charcoal Suit	0
Speculative Geographies and the Horizons of Performance Studies	0
Reconstructing Shakespeare in the Nordic Countries National Revival and Interwar Politics, 1870 – 1940	0
Disseminating Shakespeare in the Nordic Countries	0
Hen: Queer Puppet Cabaret, Utopian Perspectives for Sexual Bodies	0
Maciunas	0
I avantgardets skugga	0
How to Resolve the Trauma of Exile?	0
Theatre and Social Responsibility	0
The emergence of the independent theatre scene in Estonia (1987–92)	0
Rise and Fall of Theatre NO99 in Estonia	0
Gertrude Steins skuespil	0
Utopia and Performance	0
Building an Ideal Theatre	0
Theatre and Transgression	0
Essentially Contested	0
Rethinking Nordic	0
The Wet Pants - Becoming an Audience with the More than Human	0
Aesthetics of Presence: Philosophical and Practical Reconsiderations	0
Reduce, Reuse, or Refuse?	0
Theatre displeasure touching society’s raw nerves: Castellucci and Frljić	0
Theatre Talks	0
Unknown Stories	0
Keep calm, the corridor will be open soon	0
Opera-film Baņuta	0
Nordic Gore?	0
“Solos” with Sourdough and Drying, Cracking: Dramaturgy with Other-Than-Human Species	0
“We Are Still Not Being Heard”	0
The Displeasure of Implication in Fix & Foxy’s Dark Noon (2019)	0
Pirrko Koski	0