OOIR: Observatory of International Research

Papers

(The median citation count of Nordic Theatre Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Constructing Finno-Ugric Identity through Theatre	2
Russian Relations	2
Cultural Mobility, Networks, and Theatre	1
Keep calm, the corridor will be open soon	1
The Travelling of Dramatic Texts and Memory Patterns	1
Harriet Bosse’s Autobiography	0
Introducing Behavioral Wedges and Nudging Into the Production Process to Reduce CO2	0
On Ibsen and Strindberg. The Reversed Telescope.	0
What Kind of Bodies Will Come Together in Passage 468?	0
The emergence of the independent theatre scene in Estonia (1987–92)	0
I avantgardets skugga	0
Speculative Geographies and the Horizons of Performance Studies	0
Mästerregissören. När Ludvig Josephson tog Europa till Sverige	0
Magic of Presence	0
Aesthetics of Presence: Philosophical and Practical Reconsiderations	0
National Trauma on a Foreign Stage	0
The Grand Tour of Europe	0
Transnational Influences	0
The Enabling Materialities of the Charcoal Suit	0
“We Are Still Not Being Heard”	0
When the Utopian Performative Encounters Beauty	0
The Wet Pants - Becoming an Audience with the More than Human	0
Actors as Co-Creators in Contemporary Latvian Theatre	0
Theatre and Transgression	0
Sexuality and the Transgression of Gaze in the Theatre	0

SCAN-AESTHETICS – Aesthetic strategies in Scandinavian and Nordic-Baltic independent theatre and performing arts: 1960-2010	0
Rethinking Nordic	0
Utopian Realism	0
Migration and Opera Old and New	0
Original Portrayal of Mozart’s Don Giovanni	0
Som en vildfågel i en bur	0
Theatre and Materiality	0
Theatrical Exchanges across the Baltic Sea in the 1930s	0
Swedish Whiteness, German Multiculturalism, French National Identity, and American Racial Profiling	0
Cause of Death: Lähiö	0
Essentially Contested	0
Hen: Queer Puppet Cabaret, Utopian Perspectives for Sexual Bodies	0
Polishing Reykjavík	0
“Solos” with Sourdough and Drying, Cracking: Dramaturgy with Other-Than-Human Species	0
Opera-film Baņuta	0
Theatre Against Stagnation	0
Unknown Stories	0
Kim Skjoldager-Nielsen 1971-2022	0
Precarization in the Name of Freedom	0
Performative Representation of “Others” in the Opera Genre	0
Coeval Dancefutures in the Nordics	0
Theatre Talks	0
Performances that Disappeared	0
Maciunas	0
Thinking Matter(s) in Theatre Practice	0
Utopia and Performance	0
Gertrude Steins skuespil	0
Rise and Fall of Theatre NO99 in Estonia	0
Building an Ideal Theatre	0
Turning Points and Conflicting Interests	0
Disseminating Shakespeare in the Nordic Countries	0
Theatre and Social Responsibility	0
Performativity and Transgression	0
When Contextual Events Become Central to Fiction	0
Hamlet and Its Danish Double. The Historical Performance as Medium for a Utopian Monarchy	0
Performative Protest Actions in the Baltic States Against Sexual Violence in Russia’s War in Ukraine	0
Expanded choreography and history writing in the flesh	0
Pirrko Koski	0
Performing Nordic White Femininity	0
“Ready to fly with a lust for life”	0
Nordic Gore?	0
How to Resolve the Trauma of Exile?	0
Icebreakers	0
Reduce, Reuse, or Refuse?	0
Aesthetics and Dramaturgies of Immersive and Interactive Theatre Since the Turn of the Millennium	0
Inside Frozen Geographies	0
Late Nineteenth-Century Radical Utopias in Theatre Reviews	0