Nordic Theatre Studies

Papers
(The median citation count of Nordic Theatre Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-12-01 to 2024-12-01.)
ArticleCitations
Constructing Finno-Ugric Identity through Theatre2
Russian Relations2
The Travelling of Dramatic Texts and Memory Patterns1
Cultural Mobility, Networks, and Theatre1
Keep calm, the corridor will be open soon1
Performances that Disappeared0
Maciunas0
Thinking Matter(s) in Theatre Practice0
Utopia and Performance0
Gertrude Steins skuespil0
Rise and Fall of Theatre NO99 in Estonia0
Building an Ideal Theatre0
Turning Points and Conflicting Interests0
Disseminating Shakespeare in the Nordic Countries0
Theatre and Social Responsibility0
Hamlet and Its Danish Double. The Historical Performance as Medium for a Utopian Monarchy0
Performativity and Transgression0
When Contextual Events Become Central to Fiction0
Performative Protest Actions in the Baltic States Against Sexual Violence in Russia’s War in Ukraine0
Expanded choreography and history writing in the flesh0
Performing Nordic White Femininity0
Pirrko Koski0
Nordic Gore?0
“Ready to fly with a lust for life”0
Icebreakers0
How to Resolve the Trauma of Exile?0
Reduce, Reuse, or Refuse?0
Aesthetics and Dramaturgies of Immersive and Interactive Theatre Since the Turn of the Millennium0
Inside Frozen Geographies0
Late Nineteenth-Century Radical Utopias in Theatre Reviews0
Harriet Bosse’s Autobiography0
Introducing Behavioral Wedges and Nudging Into the Production Process to Reduce CO20
On Ibsen and Strindberg. The Reversed Telescope.0
What Kind of Bodies Will Come Together in Passage 468?0
The emergence of the independent theatre scene in Estonia (1987–92)0
I avantgardets skugga0
Magic of Presence0
Speculative Geographies and the Horizons of Performance Studies0
Mästerregissören. När Ludvig Josephson tog Europa till Sverige0
National Trauma on a Foreign Stage0
Aesthetics of Presence: Philosophical and Practical Reconsiderations0
Transnational Influences0
The Grand Tour of Europe0
“We Are Still Not Being Heard”0
The Enabling Materialities of the Charcoal Suit0
The Wet Pants - Becoming an Audience with the More than Human0
When the Utopian Performative Encounters Beauty0
Theatre and Transgression0
Actors as Co-Creators in Contemporary Latvian Theatre0
Sexuality and the Transgression of Gaze in the Theatre0
SCAN-AESTHETICS – Aesthetic strategies in Scandinavian and Nordic-Baltic independent theatre and performing arts: 1960-20100
Rethinking Nordic0
Utopian Realism0
Migration and Opera Old and New0
Original Portrayal of Mozart’s Don Giovanni0
Som en vildfågel i en bur0
Theatre and Materiality0
Theatrical Exchanges across the Baltic Sea in the 1930s0
Swedish Whiteness, German Multiculturalism, French National Identity, and American Racial Profiling0
Hen: Queer Puppet Cabaret, Utopian Perspectives for Sexual Bodies0
Cause of Death: Lähiö0
Essentially Contested0
Polishing Reykjavík0
“Solos” with Sourdough and Drying, Cracking: Dramaturgy with Other-Than-Human Species0
Theatre Against Stagnation0
Opera-film Baņuta0
Kim Skjoldager-Nielsen 1971-20220
Unknown Stories0
Performative Representation of “Others” in the Opera Genre0
Precarization in the Name of Freedom0
Theatre Talks0
Coeval Dancefutures in the Nordics0
0.015069961547852