OOIR: Observatory of International Research

Papers

(The median citation count of Nordic Theatre Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)

Article	Citations
What Kind of Bodies Will Come Together in Passage 468?	1
Performing The Eighteenth Century: Theatrical Discourses, Practices and Artefacts	1
The emergence of the independent theatre scene in Estonia (1987–92)	1
The Cathartic Value of Applied Theatre	1
Icebreakers	1
The Displeasure of Implication in Fix & Foxy’s Dark Noon (2019)	1
The Wet Pants - Becoming an Audience with the More than Human	0
Aesthetics and Dramaturgies of Immersive and Interactive Theatre Since the Turn of the Millennium	0
Introducing Behavioral Wedges and Nudging Into the Production Process to Reduce CO2	0
Sexuality and the Transgression of Gaze in the Theatre	0
Som en vildfågel i en bur	0
Theatre and Transgression	0
Silence and Affect in the Swedish Performing Arts After #MeToo	0
Harriet Bosse’s Autobiography	0
Theatre and Displeasure	0
Expanded choreography and history writing in the flesh	0
Turning Points and Conflicting Interests	0
Coeval Dancefutures in the Nordics	0
The Enabling Materialities of the Charcoal Suit	0
Nordic Gore?	0
Aesthetics of Presence: Philosophical and Practical Reconsiderations	0
SCAN-AESTHETICS – Aesthetic strategies in Scandinavian and Nordic-Baltic independent theatre and performing arts: 1960-2010	0
How to Resolve the Trauma of Exile?	0
Polishing Reykjavík	0
Kim Skjoldager-Nielsen 1971-2022	0

Theatre Talks	0
When Contextual Events Become Central to Fiction	0
Migration and Opera Old and New	0
Theatre Making “Space for the Unassimilable”	0
Hamlet and Its Danish Double. The Historical Performance as Medium for a Utopian Monarchy	0
Performances that Disappeared	0
Rise and Fall of Theatre NO99 in Estonia	0
“We Are Still Not Being Heard”	0
Disseminating Shakespeare in the Nordic Countries	0
Building an Ideal Theatre	0
I avantgardets skugga	0
Late Nineteenth-Century Radical Utopias in Theatre Reviews	0
Pirrko Koski	0
Reconstructing Shakespeare in the Nordic Countries National Revival and Interwar Politics, 1870 – 1940	0
Gertrude Steins skuespil	0
When the Utopian Performative Encounters Beauty	0
Performative Representation of “Others” in the Opera Genre	0
Essentially Contested	0
Performativity and Transgression	0
Reduce, Reuse, or Refuse?	0
Speculative Geographies and the Horizons of Performance Studies	0
Swedish Whiteness, German Multiculturalism, French National Identity, and American Racial Profiling	0
Magic of Presence	0
Thinking Matter(s) in Theatre Practice	0
Utopia and Performance	0
Utopian Realism	0
Stop Making Sense	0
Precarization in the Name of Freedom	0
Original Portrayal of Mozart’s Don Giovanni	0
Opera-film Baņuta	0
“Ready to fly with a lust for life”	0
Life in the Posthuman Condition. Critical Responses to the Anthropocene	0
Performative Protest Actions in the Baltic States Against Sexual Violence in Russia’s War in Ukraine	0
Hen: Queer Puppet Cabaret, Utopian Perspectives for Sexual Bodies	0
Theatre and Social Responsibility	0
Actors as Co-Creators in Contemporary Latvian Theatre	0
Unknown Stories	0
Cause of Death: Lähiö	0
On Ibsen and Strindberg. The Reversed Telescope.	0
Maciunas	0
“Solos” with Sourdough and Drying, Cracking: Dramaturgy with Other-Than-Human Species	0
Theatre displeasure touching society’s raw nerves: Castellucci and Frljić	0
Rethinking Nordic	0
Keep calm, the corridor will be open soon	0
Theatre and Materiality	0
Touching the Unknown	0