Anq-A Quarterly Journal of Short Articles Notes and Reviews

Papers
(The median citation count of Anq-A Quarterly Journal of Short Articles Notes and Reviews is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
“I Reed a Hard Readinge a whill”: Reconstructing the Reading of Lady Margaret Hoby3
“Maybe the Symbols Don’t Mean What They Seem To”: Mary Elizabeth Counselman and the Language of Modernism3
Grit , True and Otherwise2
The Limits of Language and the Fragmentation of the Western Mind in John Burnside’s the Dumb House2
Confucian and Taoist Wisdom of Williams’s Political Poetry in the 1930s2
Emerson and Marti: Kindred Spirits2
A Translation of a ‘Taoist Aesthete’: A Source for Lord Wotton’s Theory of “Self-Development” in Oscar Wilde’s The Picture of Dorian Gray1
Marlowe’s “Faustus”, the Horse-Courser, and Werewolves1
Fascination in Rudyard Kipling’s “Gunga Din”: Exploring the Ambivalence of the Imperial Gaze1
Auden-Byron Parallel: Lord Byron’s Don Juan as Intertext in W. H. Auden’s Travel Writing1
Norse Mythology and the Nine Herbs Charm1
Voices from an Enclosed Commons: John Clare’s Ecological Textuality and the Archive of Lost Nature1
Trauma Narrative and Reconstruction of Ethical Identity in Abdulrazak Gurnah’s Gravel Heart1
Articulating Asia in the Age of Capitalocene: Techno-Orientalism in Three Cli-Fi Novels1
“In the Grip of Grue”: The Fascination with Horror in Cormac McCarthy’s Suttree1
Twee ‘Dainty, Quaint, Precious, mawkish’1
A Bergsonian Reading of The Ha-Ha by Jennifer Dawson1
Brian Vickers Gentle Shakespeare and Arden of Faversham Another View1
Narrating Rome: Urban Imagination and Narrative Limits in Mark Twain’s The Innocents Abroad1
Ethics of Narrative1
A Woman with Hallucination: Hyperesthesia and Tropical Medicine in E. M. Forster’s A Passage to India1
A Roundtable Discussion of Transnational Crusoe, Illustration and Reading History, 1719–17221
Minor Germanic Deities and the Etymology of Beowulf’s Name1
Exhausting Totalization: Vito Acconci’s “Margins on This Paper are Set”1
Murtherers as Your Selues: Speech Ascription in King Richard III0
“A ‘Found’ Lyric of Henry Wadsworth Longfellow: ‘Walter von der Vogelweide’”0
Setting the Stage for Self-Determined Identity: Amiri Baraka‘s Dutchman as Political Myth0
Literary Studies and Digital Archives: The Curious Case of the Epigraph in Gertrude Stein’s Three Lives0
Instruments of Passion: Media, Device, and Enchanted Consent in Busirane’s House0
James Joyce’s Exile in the Context of an “Adhesive” Diaspora0
“The Robber’s Daughter” and “Die Nymphe des Brunnens”0
On the Dating and Source of OED Quotations0
An Unpublished Letter from Thomas Carlyle to His American Publisher Abraham Hart0
Enter Ftatateeta: Name Symbolism in Bernard Shaw’s Caesar and Cleopatra0
John Brown as Launcelot: The Influence of Tennyson on Herman Melville’s “ The Portent0
Marie Hay’s The Evil Vineyard and Jung’s Memories, Dreams, Reflections0
Developing the Oppositional Gaze: Resistance to the Male Gaze in Jane Rhys’s Wide Sargasso Sea0
Diaspora, Rebellion, and Reconfiguration: Forming Cultural Identity in Shirley Geok-Lin Lim’s Joss and Gold0
“Here is the Why-Poem”: Bodily Privacy in Anne Sexton’s “Wanting to Die”0
Stillness in Locomotion: Exploring the Self-Dissolution of Urban Existence in Bowen’s To the North0
George Henry Lewes’ Diary for January–March 18730
An Icelandic Unferð in Illuga Saga Gríðarfóstra0
Functions of Stamps in Iris Murdoch’s Bruno’s Dream0
Architecture as Metaphor in Washington Irving’s “The Legend of Sleepy Hollow”0
New Evidence Against an Early Date for Hamlet0
Romantic Hypochondria as Metaphor for National Sensitivity in Mary Shelley’s The Last Man0
American (Un)sustainability and Transcendental Resilience in Jack London’s The Scarlet Plague0
From Die Chymische Hochzeit to The Chymical Wedding : A Postmodern Recreation of a Seventeenth-Century Alchemical Fiction0
The Date of Composition of D. H. Lawrence’s “Insouciance”0
The Cat “Looking” Back: Revisiting the “Poorness” of Animals in Hemingway’s “Cat in the Rain”0
From “Abject Body” to “We”: Han Suyin’s Destination Chungking and Sino-Anglophone Solidarity During World War II0
Food Writing in Zakes Mda’s Novels0
Babbalanja’s Theurgy in Melville’s Mardi0
The Mental Mapping of a Heterotopic Space in Jhumpa Lahiri’s The Namesake0
“A Savoury Sacrifice to the Roman Belus”: An Example of John Owen’s Classical and Patristic Allusions in The Death of Death (1648)0
Interpretative Implications of an Authorial Emendation to the MS of Cormac McCarthy’s Blood Meridian0
The Question of Mrs Costello’s Hostility in Henry James’s “Daisy Miller”0
Quarantine Time is “Out of Joint”: Re-Stitching Time as Posthuman Temporalities in Emma Donoghue’sThe Pull of the Stars0
Nature as Home Through the Portrait of Goldberry and Tom Bombadil in J.R.R. Tolkien’s Old Forest0
A Possible Source for Joyce’s “The Sisters” and Its Implications for Understanding His Early Style0
Quarantine Then and Now: Reflections on Year of Wonders and COVID-190
“The Blot Inside: Jonathan Lethem’s A Gambler’s Anatomy , Lack, Dissent, and Corporate Power”0
Textual Beadwork in Zitkala-Ša’s Autobiographical Essays0
Cosmic Egg and Infant Demiurge: Antecedents of McCarthy’s Judge Holden ( Blood Meridian )0
Zombifying Bildung: The Posthuman Anti-Subject in Joyce Carol Oates’s Zombie0
Asimov’s Epigrammatic Style0
A Posthumanist Reading of the Voyage in “The White Ship”0
Two Unpublished Letters of Helen Maria Williams to Hester Lynch Piozzi0
A “Peculiarly American” Sense in T. S. Eliot’s “Tradition and the Individual Talent”0
Allen Ginsberg’s “China Works” and Poetics of “Unobstructed Breath”0
Performative Kingship: Aragorn’s ‘I’ In Tolkien’s The Lord of the Rings0
“You Horrible Lovely Genius”: Assia Wevill, Storytelling, and Feminist Recovery0
W. E. B. Du Bois’s “The Comet” and the Crisis of Black Manhood0
Properties of Death on and Under the Early Modern Stage0
Foreword: The Ethics of Reading, Narrative, and Criticism0
Antarctic Expedition and Geological Agency: A Posthumanist Reading of “At the Mountains of Madness”0
Antedatings of the OED Entry for Chinese Dragon0
What are You Going to Do Now?: Intentional Action in The Graduate0
An Unremarked Collocation0
“Mr. Britnell Knew Nothing of It“: The Other Protagonist in M. R. James’s “The Mezzotint”0
“She Dragged Herself Along”: The Limping Heroine in Edith Wharton’s “All Souls’”0
Is the Name Carfax in Arthur Conan Doyle’s “The Disappearance of Lady Frances Carfax” An Allusion to Oscar Wilde or Bram Stoker?0
A Bibliography of the Literary Works of Bernard Isaac Durward0
The Masculinity Crisis Manifested by Sound and Voices in T. S. Eliot’s Early Poetry0
The Political Unconscious of Jackson Mac Low0
“Things in Heaven and Earth”: The Hamlet Allusions in H. G. Wells’s “In the Avu Observatory”0
“How Many Trades Have I to Live By”: Women’s Informal Labor in Thomas Heywood’s The Wise-Woman of Hogsdon0
Gissing’s Demos as an Antecedent of Chopin’s “The Story of an Hour”0
Intergenerational Rebellion in Edmund Gosse’s Father and Son0
Aemilia Lanyer and the New Astronomy0
“I am Rather Morbid”: An Unpublished George Eliot letter to Sir Henry Maine0
Cogito in Hell: Cartesian Dualism in Harlan Ellison’s “I Have No Mouth, and I Must Scream” (1967)0
More-Than-Human Warfare: Environmental Agency in The Things They Carried0
Ethical Identity: A Keyword of Ethical Literary Criticism0
Washington Allston’s “Belshazzar”: The Key to Poe’s “The Masque of the Red Death”0
Quarantine and the Transformation of Power Dynamics during China’s War of Resistance against Japan0
Diaspora: An Afterword0
Transpositioning Diaspora: Assemblage, Mobility, and Writing0
Jing (敬) and the Storm: Neo-Confucian Virtue in Joseph Conrad’s Typhoon0
Erasing Racial Boundaries in “Hiram Powers’ Greek Slave”0
Reading and Reworking the Bard in Amherst, Massachusetts: Allusions to William Shakespeare’s Tragedies in Three of Emily Dickinson’s Poems0
Three Unpublished John Ruskin Letters0
Armand Aubigny’s Quest for Legitimacy0
“I Never Make Mistakes”: Reimagining Victorian Heroines Through Lucilla’s Image in Margaret Oliphant’s Miss Marjoribanks (1866)0
“And the Splendid Moment Had Come to Speak” Kristevan Subjectivity and Semiotic Silence in A White Heron0
Charles Dickens’s Public Readings in the Newspaper Reviews0
Dogwood, Whippletree , and Swingletree : Cross-Referential Etymologies0
Correction0
Noise Without Work: “Objectless Blasting” and Negative Infrastructure in Conrad’s Heart of Darkness0
“It Merely Happens to One Man and Not to others”: An Unnoted Quote from T. S. Eliot in Dag Hammarskjöld’s Markings0
Masculinity, Trauma, and Literary Rebellion: John Berryman’s Homage to Mistress Bradstreet0
Hijack : Etymology and History0
Atticus Finch and the Unspoken: A Symptomatic Reading of To Kill a Mockingbird0
Intellectual Pleasure: Solitary Leisure of the Jamesian Traveling Self0
Lookism Before Lookism: Sir Walter Elliot in Austen’s Persuasion0
Illness and Ethics of the Other in Philip Roth’s The Anatomy Lesson0
“The Blind Man Eats Many Flies”: From Folk Remedy to Folk Saying?0
George Henry Lewes’ Diary for January–March 18710
“A Man in Babylon”: The Brothel Motif in Twelfth Night0
Falconry in The Battle of Maldon and Kudrun0
The Limping Man in Amelia Edwards’s “Was it an Illusion?“0
Julian Hawthorne Inscriptions in the Library of James Carleton Young0
A Cross-Cultural Comparison of Chinese Yixiang and Western Image0
Performative Sound in Diasporic Narratives of Contemporary Caribbean British Poetry0
Intercultural Spectacle in Asian Shakespeare Intercultural Archive (A|S|I|A)0
Insurrection and Narrativity: The Vitality of Clothes in Great Expectations0
Dickinson’s Self-Cultivation, Optional Summer and Chinese Aesthetic0
Atomic Priesthood(s) and the “Knowing Smirk” of the Wandering Jew in A Canticle for Leibowitz0
Richard Aldington’s Allegory of Reading: The Eaten Heart0
Uncanny Economies: Philip Larkin’s “Toads” and “Toads Revisited”0
Sodomy and the M.O.A.I. Riddle in Twelfth Night0
A Symbiotic Reading of the Rabbit and Mulan in Transnational Writings0
Pasquill’s “Lives of the Saints” and Thomas Nashe’s Almond for a Parrat (1590)0
The Theoretical Cornerstone and Central Concept of Ethical Literary Criticism: Ethical Choice0
Some Overlooked Extracts from Mary Wollstonecraft’s Writings Published in Britain, 1792–17950
George Henry Lewes’ Diary for January–March 18720
Photographic Storytelling and Narrative Indeterminacy in Paul Auster’s “Auggie Wren’s Christmas Story” and Smoke0
The Open Wound: Writing Diaspora in Europe0
Ian McEwan’s Nutshell : A Creative Misreading of Hamlet0
Lost Prose-Format Copies of Piers Plowman : Rejoinder0
The Calm of the Wild: Memory, Inversion and Narrative Authority as a Function of Quarantine in Jack London’sThe Scarlet Plague0
Specter of Shame: Social Melancholy and (De)pathologization of Femininity in Fae Myenne Ng’s Bone0
Symbolic Meanings of Sugarcane with Salt by James Ng’ombe0
Illustrations as Media of Ethical Criticism in Whitefield’s Life of Pamela (1741)0
The Lordlessness of the Danes in Beowulf0
Edward Robinson: A Forgotten English Performer on the Continent in 17110
Two Norse Literary Analogues of J. R. R. Tolkien’s Beacons of Gondor0
Affective Agency of the Floral Imagery in “Odour of Chrysanthemums”0
The Character Helle in De Resurrectione Domini , the Old English Cotton Vespasian D.xiv Version of Christ’s Descent into Hell in the Gospel of Nicodemus0
Jig’s Polemics in “Hills like White Elephants”0
The Ethics of Reading Revisited in the Age of Artificial Intelligence0
The Eastern Objects as Moral Others in Murdoch’s Jackson’s Dilemma0
Behind Every Great Man: Phelps’ Profound Impact on Howells’ Portrayal of Female Characters0
The Cosmology of Hank Morgan’s Daughter in A Connecticut Yankee0
Mixed-Race Flâneuse : Identity Quest Through Flânerie in Han Suyin’s The Mountain Is Young0
Royal Wassail in Hamlet Reconsidered0
Homeland Behind the Iron Curtain: Steinbeck’s Depoliticized Writing in A Russian Journal0
Madness as Resistance in Alice Walker’s By the Light of My Father’s Smile0
“That Noisome and Contagious Receptacle”: Quarantine and Horror in Charles Brockden Brown’s “The Man at Home”0
The Image of Hats in Katherine Mansfield’s “The Garden Party”0
Cinematic Qualities and Visual Pleasure in John Updike’s “A&P”0
Foot Picts: Faerie Lore and the Second Sight0
Behind the Scenes: Exposing the American West in Peter Handke’s Short Letter, Long Farewell0
Nietzsche Rethought: Testing Virtue Ethics in John Banville0
Conflicting Promises in the Book of Joshua and Chaucer’s “Franklin’s Tale”0
The Rise of the Arm Chair and the Fall of the Discipline—Philosophy and Quarantine: An Introduction to the Quarantine Special Issue0
The Chinese Impact on African Literature0
The Demonic Herd: A Markan Reading of Burke’s “Swinish Multitude” in Reflections on the Revolution in France0
Roaming Pauses in Cormac McCarthy’s The Road0
Anne Sexton and the Affect of Ekphrasis0
Hybrid Body-Making of the Chinese Diaspora and the Changing Global Landscape in Larissa Lai’s Salt Fish Girl0
Hillbilly : Etymology, Semantics, and Topographical Allusion0
Correction0
The Lady with the Camp: Mary Seacole’s Rivalry with Florence Nightingale0
Two Possible Sources in F. Scott Fitzgerald’s “The Curious Case of Benjamin Button”0
Old English Wlītan and Wlātian : Poetic Verbs of Looking (And Seeing)0
Spunk, Gormless , and Their Multi-Factor Etymologies0
Inhabiting a Comfortable Fiction of the Self: J.M. Coetzee’s Summertime0
Inhabiting a Damaged World: Utopian Ruins and Compromised Survival within the Anthropocene in Heroes and Villains0
The Romanticization of Cape Horn in Virginia Woolf’s Orlando0
Echoes of the Biblical Story of Joseph and His Brothers in Willa Cather’s O Pioneers!0
The Portrayal of King Cynewulf in the Entry for 755 in the Anglo-Saxon Chronicle0
The “Runaway Style”: Zadie Smith’s White Teeth as Diaspora Writing in the Age of Globalization0
An Early Fragment of Cormac McCarthy’s The Passenger0
“Soul Astray”: Spatial Trauma and the Fragmentation of Home in Elizabeth Bowen’s The Heat of the Day0
Katherine Mansfield’s “Bliss”: A Portrait of the Bourgeoisie0
Static and Dynamic: Chronotopes in The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African0
(Un)drawn Conclusions: The Visual Language in Breakfast of Champions0
Deconstructing “Novotny’s Pain”: From Absurd Diagnosis to Embodied Resistance0
Rewriting the Sexual Contract in Octavia E. Butler’s “Bloodchild”0
Social and Ecological Relationships in South Korean Quarantine and COVID-19 Literature0
The Ghostliness of the Proper Name in Shakespeare’s Hamlet0
Playing the Dozens: Etymology Reconsidered0
Hamlet’s Task of Re-Membering0
The Quadrant and the Sextant: Taking the Measure of the Cosmos in Herman Melville’s Moby-Dick and Cormac McCarthy’s The Road0
George Henry Lewes’ Diary for 18700
Angela Carter and the “Sociology of clothes” in The Infernal Desire Machines of Doctor Hoffman0
Repeated Phrases and Early Modern Authorship: Arden of Faversham as a Case Study0
The Interaction of Qi-Things in the Anthropocene: A Study of Amy Tan’s Saving Fish from Drowning0
Cornix and May: Further Parallels in Gower and Chaucer0
The Nikeres of the Middle English Wade and Hildebrand Fragment0
Slime, Gender, and Environment: Misogyny’s Slimic Entanglements with Ecophobia0
More Unpublished George Eliot-George Henry Lewes Letters0
Aesthetical Ethics and the Subjectivity of AI Aesthetics0
A Spatial Narrative Interpretation of The Story of an Hour0
Emily Dickinson’s Warning of the Power of Words in “A Man May Make a Remark –”0
“Medievalizing Complexity”: A Knights Hospitaller Allusion in M. R. James’s “The Mezzotint”0
Ecological Refusals: Animal Agency and the Unmaking of Empire in Doris Lessing’s The Grass is Singing (1950)0
Shakespearean Echoes in Beaumont’s The Knight of the Burning Pestle0
On the Differences between Gulliver’s Travels and Han Man You0
“Hic Jacet”: Oliver Onions’s Doppelganger Tale for the Artistic Types0
Marxism as Perceived by Native Nigerian Writers0
George Eliot, Harriet Martineau, and the ‘Boldest’ Book in the English Language0
Raymond Chandler’s Gun Play: Chapters 14-16 of The Big Sleep as Three-Act Farce0
Knitting Time: Embodied Duration in Woolf’s To the Lighthouse0
Hamlet Things Thus Unknown0
“Worldes Faierie”: The Narrative Controversies over Constance in Confessio Amantis0
Faces and Gazes in The Winter’s Tale0
Arthurian Sacrificial Meaning in the Western Legacy: Death and Rhetorical Leadership in Pericles’ Funeral Oration0
“Of Him the Harpers Sadly Sing”: Fragmentary Ballad Diction and Transmission in The Lord of the Rings0
Sounding Resistance: The Politics of Voice in Thomas Wyatt’s ‘My Lute, Awake!’0
How to Understand AI Literature from the Perspective of Ethical Literary Criticism0
The Neglected Aestheticism in Scotland: Robert Louis Stevenson’s Bohemian Aesthetics0
Crossing the Spheres: Female Sentiment and Political Power in Woman in the Nineteenth Century and Uncle Tom’s Cabin0
Sherman Alexie’s “Green World” and Don Quixote0
The Transformation of Mark Twain’s “The Californian’s Tale” into “Shan Jia Qi Yu”0
Plague and “Anti-Quarantine” Writing in Traditional Chinese Biography0
A New George Eliot Letter0
Jewels in Mrs. Dalloway : Signifiers of Political Power and a New World Order0
Deep Time, Prehistoric Animals, and the Crystal: J. G. Ballard and Haeckel’s Evolutionary Biology0
Variation and Reconstruction in Chinese Translations of Gulliver’s Travels , 1872-1948: Texts and Paratexts0
Emersonian Borrowings in Two Early Poems of Wallace Stevens0
Face and Ethics in Frank O’Connor’s “Guests of the Nation”0
Sankofa, Pets, and Familiars: How Animal Characters Encourage Interspecies Decolonization, Liberation, and Kinship in Alice Walker’sThe Temple of My Familiar0
Morrison’s The Bluest Eye and the Myth of Persephone: An Ecofeminist Critique0
Heremod and the Jutes0
Plague Writing and Quarantine in Zijian Chi’s Snow Crow0
Grendel and the Witches: Germanic Mythology and Beowulf Line 1630
A Posthumanist Reading of the Dog in The Narrative of Arthur Gordon Pym of Nantucket0
Byrhtwold’s Speech in The Battle of Maldon : A New Analogue in Saxo Grammaticus’s Gesta Danorum0
Hemingway’s The Old Man and the Sea : Paired Oppositions as a Narrative Strategy0
“A Small Lantern in His Hand”: Evoking Diogenes in H. G. Wells’s “In the Avu Observatory”0
Ought I To Worry? Christopher Isherwood’s Admirable Struggle With Spiritual Doubt0
Pricing and Competition in Early London Editions of Robinson Crusoe , 1719–17470
‘New Themes for the Bold’: The POOL Group’s Prototypically Queer Perspectives on Cinema0
Geographies of Masculinity and Racial Anxiety in Jack London’s The Valley of the Moon0
Charles Henry Smith, Florida Promoter0
“Laetitia Pilkington’s “ Verses Wrote in a Library ” and the Poetical Imagination”0
Arrested Initiation: An Existentialist Reading of Hemingway’s “Indian Camp”0
Rewriting the Human: AI, Ethics, and the Crisis of Community in Machines Like Me0
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