OOIR: Observatory of International Research

Papers

(The TQCC of Journal of Cultural Economics is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
From the Artist’s Contract to the blockchain ledger: new forms of artists’ funding using equity and resale royalties	27
Do museums foster innovation through engagement with the cultural and creative industries?	18
Who is an artist? Heterogeneity and professionalism among visual artists	17
Innovation and diversity in the digital cultural and creative industries	14
The art of crowdfunding arts and innovation: the cultural economic perspective	14
The Economics of Filmed Entertainment in the Digital Era	14
Arts, Entrepreneurship, and Innovation	13
New forms of finance and funding in the cultural and creative industries. Introduction to the special issue	11
The market for meaning: A new entrepreneurial approach to creative industries dynamics	11
Public preferences for heritage conservation strategies: a choice modelling approach	11
An empirical analysis of price differences for male and female artists in the global art market	11
The value of digital archive film history: willingness to pay for film online heritage archival access	9
The behavioural economics of culture	9
Similar but special: an econometric analysis of live performing arts attendance in mainland China	8
Financing the cultural and creative industries through crowdfunding: the role of national cultural dimensions and policies	8
Drivers of cultural participation of immigrants: evidence from an Italian survey	7
Live and digital engagement with the visual arts	7
Beyond the realm of cash: street performers and payments in the online world	7
Women artists: gender, ethnicity, origin and contemporary prices	6
Arts majors and the Great Recession: a cross-sectional analysis of educational choices and employment outcomes	6
Specialization and the firm in Renaissance Italian art	5
The “Great Lockdown” and cultural consumption in the UK	5
Workers’ access to Swedish opera houses and concert halls, 1898–2019	4
The rise and fall and rise again of the contemporary art market	4
Economies of scope in artists’ incubator projects	4

What Makes an Artrepreneur?	4
Uncovering potential barriers of using initial coin offerings to finance artistic projects	4
Oscar awards and foreign language film production: evidence for a panel of countries	3
The China museum visit boom: Government or demand driven?	3
Work satisfaction and job permanence in artistic careers: the case of musicians in Belo Horizonte, Brazil	3
First impression biases in the performing arts: taste-based discrimination and the value of blind auditioning	3
More is worse: the evolution of quality of the UNESCO World Heritage List and its determinants	3
Socio-economic and spatial determinants of municipal cultural spending	3
Student loan debt and the career choices of college graduates with majors in the arts	3
Career challenges facing musicians in the United States	3