Journal of Cultural Economics

Papers
(The median citation count of Journal of Cultural Economics is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Content valuation strategies for digital subscription platforms27
What does it take to survive in a digital world? Resource-based theory and strategic change in the TV industry26
From the Artist’s Contract to the blockchain ledger: new forms of artists’ funding using equity and resale royalties25
Does music soothe the soul? Evaluating the impact of a music education programme in Medellin, Colombia16
Innovation and diversity in the digital cultural and creative industries13
Who is an artist? Heterogeneity and professionalism among visual artists13
Do museums foster innovation through engagement with the cultural and creative industries?12
Arts, Entrepreneurship, and Innovation10
An empirical analysis of price differences for male and female artists in the global art market10
The Economics of Filmed Entertainment in the Digital Era10
The art of crowdfunding arts and innovation: the cultural economic perspective9
The behavioural economics of culture8
Cultural Heritage and natural disasters: the insurance choice of the Italian Cathedrals8
Digital piracy and the perception of price fairness: evidence from a field experiment7
New forms of finance and funding in the cultural and creative industries. Introduction to the special issue7
Women artists: gender, ethnicity, origin and contemporary prices6
The value of digital archive film history: willingness to pay for film online heritage archival access6
Book Review: Jason Potts Innovation Commons: The Origin of Economic Growth, Oxford, UK: Oxford University Press. ISBN: 97801909375086
The market for meaning: A new entrepreneurial approach to creative industries dynamics6
Drivers of cultural participation of immigrants: evidence from an Italian survey6
Beyond the realm of cash: street performers and payments in the online world5
Public preferences for heritage conservation strategies: a choice modelling approach5
Specialization and the firm in Renaissance Italian art5
Similar but special: an econometric analysis of live performing arts attendance in mainland China5
It takes two, baby! Feature artist collaborations and streaming demand for music5
Arts majors and the Great Recession: a cross-sectional analysis of educational choices and employment outcomes4
The “Great Lockdown” and cultural consumption in the UK4
Economies of scope in artists’ incubator projects4
The rise and fall and rise again of the contemporary art market4
To fake or not to fake: An empirical investigation on the fine art market3
Financing the cultural and creative industries through crowdfunding: the role of national cultural dimensions and policies3
Battle of the ballet household decisions on arts consumption3
Oscar awards and foreign language film production: evidence for a panel of countries3
First impression biases in the performing arts: taste-based discrimination and the value of blind auditioning3
The China museum visit boom: Government or demand driven?3
Live and digital engagement with the visual arts3
Measuring nepotism and sexism in artistic recognition: the awarding of medals at the Paris Salon, 1850–18803
Uncovering potential barriers of using initial coin offerings to finance artistic projects3
More is worse: the evolution of quality of the UNESCO World Heritage List and its determinants3
Brace yourselves, pirates are coming! the effects of Game of Thrones leak on TV viewership2
What Makes an Artrepreneur?2
Direct memberships in foreign copyright collecting societies as an entrepreneurial opportunity for music publishers – needs, challenges, opportunities and solutions2
Student loan debt and the career choices of college graduates with majors in the arts2
Cultural expenditure of those who enter (or exit) unemployment2
Residual variance and asset pricing in the art market2
Career challenges facing musicians in the United States2
Eppur si muove: an evaluation of museum policy reform in Italy2
How people vote in contests: new findings from Immortal Songs 22
Correction to: Content valuation strategies for digital subscription platforms2
Reluctantly independent: motivations for self-employed artistic work2
Some economics of movie exhibition: increasing returns and Imax revenue premium1
Intermediary liability and trade in follow-on innovation1
From Bilbao to Bodø: how cultural flagships are transforming local cultural life1
The economics of art history1
Globalization and the rise of action movies in hollywood1
The rule of tome? Longer novels are more likely to win literary awards1
How Monet became a millionaire: the importance of the artist’s account books1
Starving the golden goose? Access to finance for innovators in the creative industries1
Socio-economic and spatial determinants of municipal cultural spending1
Workers’ access to Swedish opera houses and concert halls, 1898–20191
Knocking on Hell’s door: dismantling hate with cultural consumption1
Originality, influence, and success: a model of creative style1
Music preferences as an instrument of emotional self-regulation along the business cycle1
Two old masters and a young genius: the creativity of Francis Bacon, Lucian Freud, and Jean-Michel Basquiat1
Diana S. Greenwald: Painting by numbers—data-driven histories of nineteenth-century art, Princeton University Press, 20211
Flocking to the crowd: Cultural entrepreneur mobility guided by homophily, market size, or amenities?1
Preferences for perceived attractiveness in modern dance1
Donating money and time to cultural heritage: evidence from the European Union1
The Eurovision Song Contest: voting rules, biases and rationality1
David Challis: foreign currency volatility and the market for French modernist art; studies in the history of collecting & art markets, Vol.12 Brill, Leiden, 20211
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