Journal of Cultural Economics

Papers
(The median citation count of Journal of Cultural Economics is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
David Challis: foreign currency volatility and the market for French modernist art; studies in the history of collecting & art markets, Vol.12 Brill, Leiden, 202128
Review of a complex systems view on the visual arts by Paul Van Geert23
The “Bloomington Issue”22
Empirical evidence of anchoring and loss aversion from art auctions21
Foreign pop-culture and backlash: the case of non-fan K-pop Subreddits during the pandemic20
Psychological capital, effort costs, and creativity: the trajectories of artistic careers17
Student loan debt and the career choices of college graduates with majors in the arts12
The labor market effect of generative artificial intelligence on artists12
The countervailing effects of spatial competition in the performing arts: examining local versus traded market performance11
Is there a premium for legacy artists? The death effect in exhibition shows and auction transactions11
The impact of COVID-19 on cultural and arts activities: evidence from a large-scale micro-level survey in South Korea10
The effect of consumption incentives on museum attendance: a case study on Milan through human mobility data10
The never-ending book: the role of new material and peer feedback in user-generated content production10
The impact of cultural diplomacy on the Eurovision song contest8
Tales of tails: sales distribution and the role of retail channels in the German book market7
International networks in cultural industries: the case of agencies for opera artists in the immediate post-COVID-19 period7
Review of Culture is not an industry: reclaiming art and culture for the common good by Justin O’Connor, 2024, Manchester: Manchester University Press6
Digital piracy in times of Covid-195
Literary networks: Agglomeration, peers, and productivity5
The global impact of public and private funding on cultural and economic movie success: evidence from German film funding5
Live and digital engagement with the visual arts5
Variation in the economic value of visitation at Monocacy National Battlefield4
The valuation of copies for Chinese artworks4
Determinants of technical efficiencies of cultural enterprises in Togo4
Misattribution stigma and contagion: How did the art auction market react to Australian “Black art scandals”?4
Do public libraries help mitigate crime? Evidence from Kansas City, MO4
The impact of social media activities on theater demand3
Front row or backstage? Evidence on concert ticket preferences from a discrete choice experiment3
The economics of art history3
Originality, influence, and success: a model of creative style3
Valuing cultural heritage through non-monetary scales: a comparison3
Joke economics: the low profile of comedy in the economics of arts and culture3
The rise and fall and rise again of the contemporary art market3
Are authenticity labels effective for local tourism efficiency? A regression discontinuity design approach3
Luis César Herrero Prieto, Juan Prieto Rodríguez (Eds.): La Economía de la Cultura. Una disciplina joven: Estudios en homenaje al profesor Víctor Fernández Blanco3
A theory of co-production as joint household production with illustrations from the arts3
Theoretical foundations of cultural economics: introduction to the special issue3
Engagement-based curation and the evolution of taste2
Testing the empirical validity of the work preference labor supply model: evidence from a guaranteed income program for artists in New York State2
A behavioural approach to understanding cultural participation: evidence from Australia2
Review of filmonomics: economists discuss the silver screen edited by André de Palma and Luc Leruth2
The impact of cultural amenities on inter-urban location: a discrete choice experiment on French students2
From prose to pose: lyric readability and performance success at the Sanremo Music Festival2
Amy Whitaker: Economics of visual art: market practice and market resistance2
Music preferences as an instrument of emotional self-regulation along the business cycle2
Digital technologies and economic performance of Italian museums2
The moral foundations of public funding for the arts. Michael Rushton. Palgrave MacMillan2
Measuring nepotism and sexism in artistic recognition: the awarding of medals at the Paris Salon, 1850–18802
Are the best tunes played on the oldest fiddles? Music copyright and distribution as technology changes2
New forms of finance and funding in the cultural and creative industries. Introduction to the special issue2
Censorship of U.S. movies in China2
Linda Essig: creative infrastructures. Artists, money, and entrepreneurial action2
The spatial dimensions of cultural consumption: how distance influences consumption levels in a spatial setting2
Beyond the big screen: secondary channel releases and their impact on the theatrical market2
List of Reviewers2
Victor Ginsburgh (1939–2025)2
Movie sentiment and home entertainment revenue2
Valuing European tapestry: from riches to rags1
Creators as firms: the organization of creative production1
The rule of tome? Longer novels are more likely to win literary awards1
How Monet became a millionaire: the importance of the artist’s account books1
Arts avocations and the ‘Leonardo effect’: Does artistic imagination fuel innovation?1
QR code-enabled tips to street performers at the Edinburgh Fringe Festival1
The labor market returns of being an artist: evidence from the United States, 2006–20211
Natural monopoly, digitisation, platform economics and cultural policy1
An empirical approach to measure unobserved cultural relations using music trade data1
Two old masters and a young genius: the creativity of Francis Bacon, Lucian Freud, and Jean-Michel Basquiat1
Attracting new audiences to high culture: an analysis of live broadcasted performing arts at cinema theaters1
The gendered returns of film success, women and men directors in French cinema1
Why the Impressionists did not create Impressionism1
Economic valuation of becoming a superhero1
“Innovators” by David W. Galenson1
Revising the canon: how Andy Warhol became the most important American modern artist1
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