OOIR: Observatory of International Research

Papers

(The TQCC of Canadian Journal of Film Studies-Revue Canadienne d'Etudes Cinematogra is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
The Cinematographic Refrain: Memory and Repetition in the Films of Hong Sang-soo and Apichatpong Weerasethakul	9
Italian Cinema and the World Cinema Stress Test	3
World Cinema as Method	2
Cinémas et médias autochtones dans les Amériques : récits, communautés et souverainetés	2
The Political and Economic Intervention of Non-Fiction Money Literacy Film in the Post-2008 Era	2
“Come to Canada”: Wartime Tourism Promotion and the Amateur Film Movement	2
Inuit Visual and Sensate Sovereignty in Alethea Arnaquq-Baril’s Angry Inuk	1
Shanghaied in Singapore: Dogmas of Orientalism	1
You and I . . . We’re the Same: Men and Women outside the Romance Pact	1
World Cinema 3.0? The “World as Backdrop” for a Multimedial Age	1
Auto-histoires et représentations communautaires dans le cinéma des femmes autochtones	1
“See the Big Picture”: Cineplex Entertainment and Branded Cinemagoing	1
The Erotic-Grotesque versus Female Agency in Colonial Korea in Park Chan-wook’sThe Handmaiden	1
The Two Sides of American Sniper: Reflections on Clint Eastwood’s “Doubleness” Ten Years Later	1
“Everyone Says I Love You”: Four Comic Encomia on Love in the Marx Brothers’ Horse Feathers	1
Tóta Tánon Ohkwá:ri: A Community-Driven Production and the Renormalization of the Kanien’kéha Language	1
Feng Xiaogang’s Youth and the Nostalgic Imagination	0
Italian Neorealism: A Cultural History and Neorealist Film Culture, 1945-1954: Rome, Open Cinema	0
The Affects of Animosity: Action Cinema, Enemy Making, and Moral Indignation as Film Mood	0
A Mode of Agitation between Verfremdungseffekt and Empathy: Breaking the Fourth Wall in Craig Gillespie’s I, Tonya	0
The American Girl Goes to War: Women and National Identity in U.S. Silent Film	0
Haerenga Wairua: Spirit(ual) Journeys in Twenty-First-Century Māori Cinema	0
Introduction: 100 Years of 16mm in Canada	0
Reclaiming Popular Documentary	0
Promise Motivation: Films with Good News about Climate Change	0

La politique du cinéma indépendant en Turquie : Une nouvelle vague nationale a-t-elle jamais existé?	0
Forfaiture de Cecil B. Demille	0
Moments of Perception: Experimental Film in Canada	0
Hinterland Remixed: Media, Memory, and the Canadian 1970s By Andrew Burke	0
ReFocus: The Films of Xavier Dolan	0
Excavating Animal Planet’s Lost Tapes: The Unruly Images of a Posthuman Counter-Archive	0
Korean Financial Thrillers: Neo-liberal Governmentality in Default and Black Money	0
The City Symphony Phenomenon: Cinema, Art, and Urban Modernity between the Wars	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars	0
“Well somebody has to do something!”: First Reformed and Conceptualizing Climate Crisis	0
Indigenous Cinema in Expansion: Challenges and Promises of an Intercultural Relationship	0
Femmes, nation et nature dans le cinéma québécois	0
Figure and Force in Animation Aesthetics	0
New Media and Revolution: Resistance and Dissent in Pre-uprising Syria	0
Transmission et historiographie du cinéma : l’influence de Georges Sadoul sur Nijat Özön, pionnier marxiste de l’histoire turque du cinéma	0
André Bazin’s Film Theory: Art, Science, Religion By Angela Dalle Vacche	0
Norman McLaren: Between the Frames	0
Documenting the Anthorpocene: The Burtynsky Trilogy	0
Salt and Seaweed	0
L’empathie en réalité virtuelle comme posture d’auteur : Une étude québécoise	0
The Man Who Changed the Climate: Frédéric Back’s Film Adaptation of The Man Who Planted Trees	0
Originality, Imitation, and Re-indigenization: Kuiba: Z (2011) as a Culturally Hybrid Animated Film	0
The Imagination at War: Visionary Poetics in Humphrey Jennings’s “I See London” and London Can Take It!	0
Les archives à l’épreuve du temps : les recadrements temporels des courts métrages de la sérieSouvenir	0
Soft-Core Sovereignty: Absorbing Canada’s Doukhobors inThe Naked Flame(1964)	0
The Films of Denys Arcand	0
David Cronenberg: Interviews	0
Screening the Red Army Faction: Historical and Cultural Memory	0
Recasting History: How CBC Television Has Shaped Canada’s Past	0
“Keeping Continuity: Institutional Memory and the FSAC/ACÉC Newsletter”	0
The Cinema of Sara Gómez: Reframing Revolution	0
Angry Inuk, Listening to Science, and the Perpetuation of the Climate Crisis in Film	0
A History of Icelandic Film	0
Resetting the Scene: Classical Hollywood Revisited	0
Indigenous Cinema and Media in the Americas: Storytelling, Communities, and Sovereignties	0
Introduction: Reflections on the World Cinema Turn	0
Back to the Future: An Ode to 16mm Film	0
À la mémoire d’Yves Lever	0
Dans toute son exubérance : Affirmation de soi et autoreprésentation chez Caroline Monnet	0
In Memoriam: Dave Barber	0
Disease Transmission and Theatres: Creating Respectable Spaces	0
Entretien avec la cinéaste kanienkéhà:ka (mohawk), Sonia Bonspille Boileau	0
Le cinéma turc à l’épreuve de l’immigration : l’espace filmique comme porte-parole de la culture	0
Crawley Films and Canada’s Audiovisual Infrastructure for Resource Extraction	0
Climate Change and Cinema	0
Entre prized content et lesbian multicasting : étude comparative entre la saison 1 et la saison 2 de la série web québécoise Féminin/Féminin	0
Closing the Gap: Storytelling in Nonfiction Virtual Reality	0
The Canadian Travel Film Library: Non-Theatrical Distribution and Tourism Promotion in the Postwar Period	0
On the Wings of Hypothesis: Collected Writings on Soviet Cinema	0
Mon ami, Pierre	0

L’écrit à l’écran : écriture, texte et lisibilité dans la transcréation québécoise	0
The Institutionalization of Educational Cinema: North America and Europe in the 1910s and 1920s	0
Japonisme and the Birth of Cinema	0
Cinema of Pain: On Quebec’s Nostalgic Screen	0
The Revisability of Film History	0
The Northern Story of the “World’s Finest 16mm Camera”: The Ciné-Kodak Special in Canada and Québec	0
Ad Astra ou paradoxes et dynamiques intermédiales dans l’œuvre d’Henri Hébert	0
Remembering Genocide: The Sacred Madonna and Narrative Closure in Atom Egoyan’s Ararat	0
Getting the Queer Word Out: Word is Out and 16mm Distribution as Gay and Lesbian Activism	0
Playful Visions: Optical Toys and the Emergence of Children’s Media Culture	0
Hairy Screens, Filmic Follicles: The Uses of Hair in a Selection of Films by Claire Denis	0