Canadian Journal of Film Studies-Revue Canadienne d'Etudes Cinematogra

Papers
(The median citation count of Canadian Journal of Film Studies-Revue Canadienne d'Etudes Cinematogra is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Angry Inuk, Listening to Science, and the Perpetuation of the Climate Crisis in Film9
Excavating Animal Planet’s Lost Tapes: The Unruly Images of a Posthuman Counter-Archive3
The Imagination at War: Visionary Poetics in Humphrey Jennings’s “I See London” and London Can Take It!2
Resetting the Scene: Classical Hollywood Revisited1
Soft-Core Sovereignty: Absorbing Canada’s Doukhobors in The Naked Flame (1964)1
Back to the Future: An Ode to 16mm Film1
Hinterland Remixed: Media, Memory, and the Canadian 1970s By Andrew Burke1
Getting the Queer Word Out: Word is Out and 16mm Distribution as Gay and Lesbian Activism1
Japonisme and the Birth of Cinema0
The Canadian Travel Film Library: Non-Theatrical Distribution and Tourism Promotion in the Postwar Period0
Climate Change and Cinema0
The Cinematographic Refrain: Memory and Repetition in the Films of Hong Sang-soo and Apichatpong Weerasethakul0
Promise Motivation: Films with Good News about Climate Change0
Moments of Perception: Experimental Film in Canada0
Originality, Imitation, and Re-indigenization: Kuiba: Z (2011) as a Culturally Hybrid Animated Film0
André Bazin’s Film Theory: Art, Science, Religion By Angela Dalle Vacche0
“Something to Fall Through”: Grid Forms in The Adventure of Faustus Bidgood (1986)0
The Cinema of Sara Gómez: Reframing Revolution0
Ad Astra ou paradoxes et dynamiques intermédiales dans l’œuvre d’Henri Hébert0
La politique du cinéma indépendant en Turquie : Une nouvelle vague nationale a-t-elle jamais existé?0
On the Wings of Hypothesis: Collected Writings on Soviet Cinema0
Reclaiming Popular Documentary0
In Memoriam: Dave Barber0
Documenting the Anthropocene: The Burtynsky Trilogy0
Crawley Films and Canada’s Audiovisual Infrastructure for Resource Extraction0
A Mode of Agitation between Verfremdungseffekt and Empathy: Breaking the Fourth Wall in Craig Gillespie’s I, Tonya0
“Well somebody has to do something!”: First Reformed and Conceptualizing Climate Crisis0
The Films of Denys Arcand0
Forfaiture de Cecil B. Demille0
“Everyone Says I Love You”: Four Comic Encomia on Love in the Marx Brothers’ Horse Feathers0
Remembering Genocide: The Sacred Madonna and Narrative Closure in Atom Egoyan’s Ararat0
David Cronenberg: Interviews0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars0
“See the Big Picture”: Cineplex Entertainment and Branded Cinemagoing0
Italian Neorealism: A Cultural History and Neorealist Film Culture, 1945-1954: Rome, Open Cinema0
Bad Blood: Serial Killers, True Crime, and the Racial Imaginary in Shadow of a Doubt0
Cinema of Pain: On Quebec’s Nostalgic Screen0
Construction et déconstruction des mythes de fondation de l’Ouest américain au cinéma. Sur quatre plans iconiques du Western. Stagecoach, The Ox-Bow Incident, The Searchers, On0
The Man Who Changed the Climate: Frédéric Back’s Film Adaptation of The Man Who Planted Trees0
L’empathie en réalité virtuelle comme posture d’auteur : Une étude québécoise0
Introduction: 100 Years of 16mm in Canada0
Korean Financial Thrillers: Neo-liberal Governmentality in Default and Black Money0
The Northern Story of the “World’s Finest 16mm Camera”: The Ciné-Kodak Special in Canada and Québec0
Closing the Gap: Storytelling in Nonfiction Virtual Reality0
New Media and Revolution: Resistance and Dissent in Pre-uprising Syria0
Mapping the Rockumentary: Images of Sound and Fury. Edited by Gunnar Iversen and Scott MacKenzie0
Feng Xiaogang’s Youth and the Nostalgic Imagination0
The American Girl Goes to War: Women and National Identity in U.S. Silent Film0
The Two Sides of American Sniper: Reflections on Clint Eastwood’s “Doubleness” Ten Years Later0
The Revisability of Film History0
Salt and Seaweed0
“ What if there were puppets? ” : L’esthétique queer de la franchise transmédiatique Carmilla (2014–2017)0
Entretien avec la cinéaste kanienkéhà:ka (mohawk), Sonia Bonspille Boileau0
Figure and Force in Animation Aesthetics0
“Keeping Continuity: Institutional Memory and the FSAC/ACÉC Newsletter”0
“Come to Canada”: Wartime Tourism Promotion and the Amateur Film Movement0
Boys Don’t Cry. By Chase Joynt and Morgan M. Page0
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