Contemporary Music Review

Papers
(The TQCC of Contemporary Music Review is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Notes on the Stage Music of Jorge Peixinho: Contributions Towards a Dialogue Between Theatre and Music7
RETRACTED ARTICLE: A Diptych of Eidetic Imagery and an Acoustic Essay on Time: The Road to Damascus and The First Eastern Dream6
The Compositional Process in Diaries: On the Notes in György Kurtág’s Sketches4
Listening to Éliane3
The World Upside Down : A Digital Assemblage for Witnessing Trauma and Political Loss3
Serbian Musical Identity: An Introduction3
Femininity in the Loop: Repetitive Music, Postdramatic Theatre, and the Construction of Meaning in Two Operas by Serbian Women Composers3
Building a Personal Artistic Identity as a Tribute to One ’ s ‘Heroes’: Vlastimir Trajković’s ‘Le Tombeau de la Bonne Musique’2
Searching for the Unusual: New Methods of Composing for Gamelan2
Queer Community Building, Academic Activism, and the Labour of Care: An Introduction2
Legal Aliens: Serbian Composers in Western Europe Today2
Presence and Absence: Notes on Éliane Radigue's ARP 2500 Synthesiser Technique2
Isolation Journal: Remote Interactions in the Time of the COVID-19 Pandemic2
Morton Feldman, the Kronos Quartet, and the Sound of Schubert2
Music Theory in Serbia: Tracing the Legitimation of the Disciplinary Identity2
The Student Cultural Center in Belgrade as a Cultural Phenomenon and a Propagator of Yugoslav Experimental Minimalism in the 1970s and 1980s2
Problem as Possibility: A Dialogue about Performance and Analysis with Lucia Dlugoszewski’s Experimental Notation as Case Study2
Heterogeneous Intertext and Creative (Re)Production in Kurtág’s Beethoven Homages2
DJ Minimalism, Black Market Sounds, the House Revolution: Sounding Histories of Cold War Exchange2
Queering the Padam , Embodying the Story: Performance as Method for Queer Worldings2
Telematic and Networked Performance During and Around the Pandemic1
Radiguian Explorations1
Being a Friend with the Kronos Quartet1
Chaos Bells: Instrument Size and Entangled Music Performance1
The Quality of the Relational—Challenges in a Triangulated Analysis of ‘Theatre-Musicking’ in German Contemporary Theatre1
The Radiant Exterior: Lionel Marchetti performing Éliane Radigue1
Assembling Meredith Monk and Vocal Ensemble, 1975–19911
Reflections on a More Than 30-Year Collaboration with Kronos Quartet1
Sonic Directions to the Urban Student: Lyotard, the Megalopolis, and Not Listening as Pedagogy1
György Kurtág at 1001
Miguel and Paula Azguime and the New Op-Era1
Approaches for Working with the Body in the Design of Electronic Music Performance Systems1
A Retrospective Celebration of Kronos Quartet's Early Music (Lachrymæ Antiquæ)1
The Phenomena of Minimalism in Hungarian Music: A Historical Overview—Creative Workshops, Composers, and Works1
Re-Thinking Virtuosity for the Hybrid Era of Multifarious Approaches1
Hauntological Reflections on Yang Joon-il: Resurrection as a Spectre of 1990s Korea1
Constança Capdeville and the ColecViva Group: Alejandro Erlich Oliva in Interview with Filipa Magalhães1
Deine Zauber binden wieder, was die Mode streng geteilt …  Conducting Beethoven’s Ninth as a Case of Public Music Education1
The Cyborg Hand: Gesture, Technology, Disability and Interdisciplinarity in Whatever Weighs You Down1
Reflections on Performing Éliane Radigue's OCCAM I1
Beyond the Audible: Éliane Radigue’s OCCAM works and Inter/Listening1
On the Liberation upon Hearing in the Intermediate State1
The Role of New Instruments in the Musical Works of Composers/Sound Artists in Indonesia1
Éliane Radigue at 901
The Performer as Posthuman Assemblage: Performer-Machine Interactions in Contemporary Music1
Companion Thinking in Improvised Musicking Practice1
Picturing Pärt: A Corpus Study of Tintinnabuli in Film1
Opera in Portugal in the Last Quarter of the Twentieth Century: A Reflection on the Theatrical and Musical Issues in Creating Music Theatre1
Defining and Classifying Minimalism in Lithuanian Contemporary Music1
Transaurality: On Listening to SOPHIE Against Queer Theory1
Music Gatherings Grow Strands of Connectivity1
‘ Ce désert est faux ’ : Thoughts on Restaging Constança Capdeville’s Scenic Works1
Reading Queer Continuums in Gymnopédie No. 3 : A Conversation with Satie, and Cage, and Me (and You)1
Developing Live-Interactive Approaches to New Music for Organ and Electronics Through Collaboration1
DIY Music and Contemporary Art Spaces: Centre for Contemporary Arts, Transmission and the Art-Music Nexus in Glasgow1
Between Affect and a Data Driven World1
Points of Balance and the Infra-thin in Éliane Radigue’s Endless Music1
The Piano in the Portuguese Experimental Music Scene: Approaches, Contexts, and Practices1
Hindustani Dhrupad Vocal Music Pedagogy: An Ethnographic Contribution to the Digital Turn1
Sonic Pedagogies and Politics1
Ergodynamics of the Open Machine : Material Engagement and Modular Synthesis Performance Practice1
You’ve Stolen My Heart: Songs from R. D. Burman’s Bollywood with Asha Bhosle1
A Ghost in the Minimalist Machine?: Henryk Górecki and the ‘Symphony of Sorrowful Songs’1
(Post)Minimalism and Postmodern Spirituality: Vuk Kulenović’s Hilandar Bells1
Engaging Analysis and Performance1
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