Design Issues

Papers
(The TQCC of Design Issues is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Flexible Environments for Hybrid Collaboration: Redesigning Virtual Work Through the Four Orders of Design13
Values that Matter: A New Method to Design and Assess Moral Mediation of Technology12
In the Wake of Universal Design: Mapping the Terrain7
Weaving Together a Decolonial Imaginary Through Design for Effective River Management: Pluriversal Ontological Design in Practice6
Gendered Memory and Miniaturization in Graphic Design: Representations of Women on Israeli Postage Stamps6
On the Politics of Design Framing Practices5
Centering the Periphery: Reassessing Swiss Graphic Design Through the Prism of Regional Characteristics4
(De)Signing Authority: The Indexical Dimension of Typography in Academic Communication3
“Fashions of the Future”: Fashion, Gender, and the Professionalization of Industrial Design3
Split-Screen: Videogame History Through Local Multiplayer Design3
Join the Fold: Video Games, Science Fiction, and the Refolding of Citizen Science3
New Design Knowledge and the Fifth Order of Design3
Integrating Technology and Art in Landscape Design3
Advancing Donald Schön's Reflective Practitioner: Where to Next?2
The Design of Firms: Part 1 – Theory of the Firm2
The Kolam Drawing: A Point Lattice System2
The Forgotten Legacy of Schön: From Materials to “Mediums” in the Design Activity2
Speaking Italian with a Swiss-German Accent: Walter Ballmer and Swiss Graphic Design in Milan2
The Significance of Aristotle's Four Causes in Design Research2
Setting the Stage: Disgust as an Aesthetic Food Experience2
Policy Instrumentation: The Object of Service Design in Policy Making2
Toward a Unified Model of Design Knowledge2
The Influence of Fonts on the Reading Performance in Easy-to-Read Texts: A Legibility Study with 145 Participants2
Reparative Game Creation: Designing For and With Psychosocial Disability2
The Value of Experience-Centered Design to Responsible Software Design and Engineering2
Pandemic Design: Art, Space, and Embodiment2
Introduction: Pragmatism, Dewey, and Design Inquiry2
Introduction: New Perspectives on Swiss Graphic Design2
Swiss Graphic Design: A British Invention?2
Learning from “The Sounding Object”: Sound Design in the Critical Reimagining of Museum Object Narratives2
“Sketching With My Mind”: The Role of Prior Intentions and Intentions in Action for the Creative Process of Design1
Introduction: Knowledge Design – Visual Rhetoric in Science Communication1
Militarizing Monopoly: Game Design for Wartime1
Problematizer Design: A Foucaultian Approach1
The Delightful Phrase: Are There Really Designerly Ways of Knowing?1
Museum Exhibition Design: Histories and Futures1
K and output: Two Student Publications in Light of Mid-Twentieth Century Graphic Design Education1
Design Justice: Community-Led Practices to Build the Worlds We Need (Information Policy) by Sasha Costanza-Chock1
Tangible Care: Design as a Vehicle for Materializing Shifting Relationships between Clinicians and Patients1
Contributors1
Generative Logics and Conceptual Clicks: A Case Study of the Method for Design Materialization1
How Constructive Design Researchers Drift: Four Epistemologies1
Critical Disciplinary Thinking and Curricular Design in Games1
Gaming Xiuhpohualli: A (Chicano) Theory of Game Design1
The Poetics of Service: Making in the Age of Experience1
The Bauhaus of the Seas: A Manifesto for the New European Bauhaus1
Authenticity and Credibility in Science Communication Design: A Rhetorical Approach1
Pre-Reflection-in-Action: Rethinking Schön's Reflective Practice Through the “Habits of Design Artistry”1
Persuasion by Design? Design Theory Between Aesthetics and Rhetoric1
Issue Mapping Strategy: Process of Discovery, Places of Invention and Design Process Fallacies1
Neri Oxman: Material Ecology Museum of Modern Art (February 22–May 25, 2020) (Exhibition Review)1
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