Sculpture Review

Papers
(The TQCC of Sculpture Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
Letter from the National Sculpture Society2
From the Editors: The Changing Perspective1
Doug Erion on Collecting Art Publicly and Privately1
0
From the Editors: Destruction In Ukraine0
Sculpture Studios and Workspaces0
The Land Art Movement and its Continued Influence into the 21st Century0
Sculpture Studios and Workspaces: My Studio By The Bay0
Sculpture Studios and Workspaces: Classic Workspace in Philadelphia0
Sculpture, Monuments, and Open Space0
A Sculptor's Realm0
Anish Kapoor: Another Shiny Surface0
Passion with a Purpose: Ed Fraughton on His Life's Work0
Artificial Intelligence: Its Growing Shadows and Its Potential Impact on the Arts0
From the Editors: Two Steps Forward, One Step Back0
Illuminating the Night: Sculpture at Brookgreen Gardens During Nights of a Thousand Candles0
Sculpting Together0
National Sculpture Society’s 90th Annual Awards Exhibition at Brookgreen Gardens, SC0
From the Editors: Beyond the City Centers0
0
The Importance of Small Realistic Sculpture in the Post Modern Abstract Art World0
Prominent Sculptors Who Have Continued To Exhibit In The Prix West Annual Weekend Celebration Over Many Years0
Releasing Sculpture from Stone0
The Hercules of Bronze: Chad Fisher at the Lyme Academy of Fine Arts0
From the Editors: Culture at Risk0
Letter from the National Sculpture Society0
Exhibitions‐Current and Upcoming: National Sculpture Society, 6 East 39th Street, Suite 903 New York, NY 10016, (212) 764‐56450
Photo Essay: Sculptors of Italian Ancestry0
Sculpture Studios and Workspaces0
Sculpture's Tools & Materials: Their Origin and Birth0
0
Sculpture Basics: Armature, Clay, Tools & Instruction0
Sculpture Conservation: (Part Science…Part Elbow Grease)0
Art and Anatomy, Part IV: Sculpting Animals in Motion0
A Studio Visit with Sculptor Warren King0
0
Letter from the National Sculpture Society0
Sculpture Studios and Workspaces0
0
Foundry Services & Foundry Estimates0
Medal Winners of the National Sculpture Society: 89th Annual Awards Exhibition0
Escapes to Nature: Pocket Parks and Intimate Green Spaces Around Manhattan0
Sculpture Studios and Workspaces0
Molding the West: The Sculptors of Prix de West0
From the Editors: 9/11 A Commemoration0
The Ambassador Program0
The Hirshhorn Museum Sculpture Garden Plan Designing in Reverse0
NSS Utah Community: Building the Traditions of the Past and Embracing the Creativity of the Future0
Sculpture Studios and Workspaces0
Letter from the National Sculpture Society0
0
Scratching the Surface0
Becoming Carter: “If I Could Sculpt Like That…”0
Medals of the Year0
Sculpture Studios & Workspaces: A “Marvellous” Studio0
Passages: In Memoriam 20230
Passages: In Memoriam0
Book Review: Jock Reynolds’ Biography of Manuel Neri0
0
0
Flying Off the Walls0
Recognizing Sculptors: The Alex J. Ettl Grant0
National Sculpture Society0
From the Editors: Taking Stock!0
Sculptor's Casting Materials: Complete Review of Materials Available0
A Monumental Challenge: Overseeing Thousands of Outdoor Sculptures at Brooklyn's Green‐Wood Cemetery0
The Fourth Plinth: Dynamic Installations in Trafalgar Square0
National Sculpture Society's 2022 Alex J. Ettl Grant Recipient Elizabeth N. Jordan0
From the Editors: Public Sculpture—A Continuing Need for Discussion0
Exhibitions 2021 and 20220
From the Offices of the National Sculpture Society0
Notes from the Awards Committee0
StickWork in Nature: Sculpture by Patrick Dougherty0
From the Editors: Thoughts on the Removal and Vandalism of Public Sculpture0
Passages0
Letter from the National Sculpture Society0
0
Whose Iconoclasm? The Controversies Over Public Sculpture0
Art and Anatomy, Part III: Sculpting Outdoors in One Session0
Letter from the National Sculpture Society0
Humor in the Public Space0
Mind, Hand, and Eye: Creating Marble Sculpture0
A Closer Look: The 88th Annual Medal Winners0
Toppling Statues: Iconoclasm Yesterday, Today, and Tomorrow0
Sculpting on Site: Field Trips into Deep Africa0
0
The Outside Looking In, The Inside Looking Out0
The NSS 88th Annual Awards Exhibition0
The Daniel Chester French Study Collections Gallery at Chesterwood0
Prix De West: The World's Premier Western Art Exhibition & Sale0
From the Offices of the National Sculpture Society0
Our NSS Texas and Oklahoma Community0
Letter from the National Sculpture Society0
Harriet Tubman: The Subject of Two Recent Traveling Exhibits0
The Intersection of Art + Technology in Texas0
SR Fall 2021 Photo Essay: Sculptors of European Ancestry0
From the Editors: The Fourth Plinth—Trafalgar Square0
Creating the NSS Southern California Ambassador Community0
Sculptor's Mold‐Making Materials: Complete Review of Materials Available0
Introduction from the Editors: Moving Toward More Creative Online Activities & Exhibitions0
The Northern California Ambassador Community of the NSS0
Sculptura Virtual Events0
Three‐D Imaging as a Sculpture Tool0
From the Editors: Empty Pedestals0
Young Sculptors New Directions0
0
Luisa Granero: A Feminine Force0
From the Offices of the National Sculpture Society0
From the Offices of the National Sculpture Society0
The Piccirilli Family: A Stone Carving Dynasty0
African Studies in the Field: Bringing The Work Back to the Studio0
0
Richard Blake, FNSS: The Medal of Honor Recipient of the National Sculpture Society0
Sculpture Studios and Workspaces0
Coming Attractions: At American Museums By The Editors0
Location is Everything0
Southeastern Wildlife Exposition: Celebrating sculpture, and sculptors, for 40 years0
Margaret French Cresson at Chesterwood0
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