Sculpture Review

Papers
(The TQCC of Sculpture Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Sculpture's Tools & Materials: Their Origin and Birth1
The Women's Rights Pioneers Monument for Central Park, New York City1
Passages: In Memoriam 20230
The Daniel Chester French Study Collections Gallery at Chesterwood0
A Studio Visit with Sculptor Warren King0
0
A Sculptor's Realm0
From the Editors: The Changing Perspective0
Three‐D Imaging as a Sculpture Tool0
Whose Iconoclasm? The Controversies Over Public Sculpture0
From the Editors: The Fourth Plinth—Trafalgar Square0
Letter from the National Sculpture Society0
Young Sculptors New Directions0
From the Editors: Thoughts on the Removal and Vandalism of Public Sculpture0
Sculpture Studios and Workspaces0
Passages0
Humor in the Public Space0
Medal Winners of the National Sculpture Society: 89th Annual Awards Exhibition0
From the Editors: Taking Stock!0
Book Review: Jock Reynolds’ Biography of Manuel Neri0
0
Medals of the Year0
Art and Anatomy, Part IV: Sculpting Animals in Motion0
Sculpture Studios and Workspaces0
Paul Moore's Centennial Land Run Monument0
0
0
The Future of Public Sculpture (The Elephant in the Room)0
Doug Erion on Collecting Art Publicly and Privately0
The Hercules of Bronze: Chad Fisher at the Lyme Academy of Fine Arts0
Passages: In Memoriam0
Releasing Sculpture from Stone0
Sculpture Studios and Workspaces0
The Original Plan for the Theodore Roosevelt Monument0
Art: A Champion for Endangered Wildlife0
Sculptor's Casting Materials: Complete Review of Materials Available0
From the Offices of the National Sculpture Society0
0
StickWork in Nature: Sculpture by Patrick Dougherty0
Representing the World: Ethnicity and the NSS0
Notes from the Awards Committee0
0
The Ambassador Program0
From the Editors: Beyond the City Centers0
National Sculpture Society0
“So Close to the Banks of Oblivion” An American Master is Rediscovered0
Sculpture, Monuments, and Open Space0
From the Editors: Empty Pedestals0
Becoming Carter: “If I Could Sculpt Like That…”0
National Sculpture Society0
Remaking History0
From the Editors: Public Sculpture—A Continuing Need for Discussion0
Prix De West: The World's Premier Western Art Exhibition & Sale0
The Singing Stones of Cliff Fragua0
Photo Essay: Sculptors of Italian Ancestry0
Artificial Intelligence: Its Growing Shadows and Its Potential Impact on the Arts0
Art and Anatomy, Part II: Bird Sculpture0
0
0
From the Editors: Two Steps Forward, One Step Back0
Our NSS Texas and Oklahoma Community0
National Sculpture Society0
0
Southeastern Wildlife Exposition: Celebrating sculpture, and sculptors, for 40 years0
Luisa Granero: A Feminine Force0
The Outside Looking In, The Inside Looking Out0
A Monumental Challenge: Overseeing Thousands of Outdoor Sculptures at Brooklyn's Green‐Wood Cemetery0
From the Offices of the National Sculpture Society0
Introduction from the Editors Medallic Art in America and Abroad0
National Sculpture Society’s 90th Annual Awards Exhibition at Brookgreen Gardens, SC0
Coming Attractions: At American Museums By The Editors0
The Hirshhorn Museum Sculpture Garden Plan Designing in Reverse0
Sculpture Studios and Workspaces0
Reflections on a Father's Recent Work Sergey Eylanbekov and the Making of the National Dwight D. Eisenhower Memorial Sculptures0
Letter from the National Sculpture Society0
Escapes to Nature: Pocket Parks and Intimate Green Spaces Around Manhattan0
Letter from the National Sculpture Society0
Sculptor's Mold‐Making Materials: Complete Review of Materials Available0
SR Fall 2021 Photo Essay: Sculptors of European Ancestry0
Sculpture Conservation: (Part Science…Part Elbow Grease)0
From the Editors: Destruction In Ukraine0
Letter from the National Sculpture Society0
0
Sculpture Studios and Workspaces0
From the Editors: 9/11 A Commemoration0
Sculpture Studios and Workspaces: Classic Workspace in Philadelphia0
Letter from the National Sculpture Society0
A Closer Look: 86th Annual Award Winners0
Recognizing Sculptors: The Alex J. Ettl Grant0
Art and Anatomy, Part III: Sculpting Outdoors in One Session0
0
Celebrating Freedom0
From the Editors: Culture at Risk0
Letter from the National Sculpture Society0
Sculpture Studios and Workspaces0
Glenna Goodacre 1939–20200
Medals are Sculpture For Everyone0
Southern Light in a Beautiful Sculpture Garden0
Anish Kapoor: Another Shiny Surface0
The Importance of Small Realistic Sculpture in the Post Modern Abstract Art World0
The Contemporary Art Medal in America0
American Medal and Coin Designers and the United States Mint0
Materials and Methods of Medallic Sculpture0
Confederate Monuments: Removal, Defacing, or Destruction0
The Intersection of Art + Technology in Texas0
The Land Art Movement and its Continued Influence into the 21st Century0
The Piccirilli Family: A Stone Carving Dynasty0
Guest Editorial0
Sculpture Studios and Workspaces: My Studio By The Bay0
The National Sculpture Society's Dexter Jones Affiliated Residency at Chesterwood: A Pilot Program0
0
National Sculpture Society's 2022 Alex J. Ettl Grant Recipient Elizabeth N. Jordan0
Passages…0
A Closer Look: The 88th Annual Medal Winners0
0
Nature's One Pattern and Beyond: Part I0
Mind, Hand, and Eye: Creating Marble Sculpture0
0
Letter from the National Sculpture Society0
Exhibitions 2021 and 20220
The Fourth Plinth: Dynamic Installations in Trafalgar Square0
African Studies in the Field: Bringing The Work Back to the Studio0
Harriet Tubman: The Subject of Two Recent Traveling Exhibits0
From the Offices of the National Sculpture Society0
Sculpture Basics: Armature, Clay, Tools & Instruction0
A Sense of the Times0
From the Offices of the National Sculpture Society0
0
NSS Members of Scandinavian Ancestry0
Sculptura Virtual Events0
Exhibitions‐Current and Upcoming: National Sculpture Society, 6 East 39th Street, Suite 903 New York, NY 10016, (212) 764‐56450
The Northern California Ambassador Community of the NSS0
Passion with a Purpose: Ed Fraughton on His Life's Work0
Foundry Services & Foundry Estimates0
Sculpting Together0
Suffragette Memorials Around the Country0
Prominent Sculptors Who Have Continued To Exhibit In The Prix West Annual Weekend Celebration Over Many Years0
Margaret French Cresson at Chesterwood0
Sculpting on Site: Field Trips into Deep Africa0
0
Scratching the Surface0
Sculpture Studios & Workspaces: A “Marvellous” Studio0
Molding the West: The Sculptors of Prix de West0
Location is Everything0
Creating the NSS Southern California Ambassador Community0
NSS Utah Community: Building the Traditions of the Past and Embracing the Creativity of the Future0
The NSS 88th Annual Awards Exhibition0
From the Offices of the National Sculpture Society0
National Sculpture Society0
Illuminating the Night: Sculpture at Brookgreen Gardens During Nights of a Thousand Candles0
Richard Blake, FNSS: The Medal of Honor Recipient of the National Sculpture Society0
Flying Off the Walls0
The J. Sanford Saltus Award0
Toppling Statues: Iconoclasm Yesterday, Today, and Tomorrow0
Stories in Your Pocket: How FIDEM Influenced US Medallic Art0
Introduction from the Editors: Moving Toward More Creative Online Activities & Exhibitions0
0.025192022323608