OOIR: Observatory of International Research

Papers

(The median citation count of Sculpture Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Sculptor's Casting Materials: Complete Review of Materials Available	2
Escapes to Nature: Pocket Parks and Intimate Green Spaces Around Manhattan	1
Sculpture's Tools & Materials: Their Origin and Birth	1
Passion with a Purpose: Ed Fraughton on His Life's Work	0
National Sculpture Society	0
The Future of Public Sculpture (The Elephant in the Room)	0
From the Editors: Two Steps Forward, One Step Back	0
Sculpture Basics: Armature, Clay, Tools & Instruction	0
A Sculptor's Realm	0
StickWork in Nature: Sculpture by Patrick Dougherty	0
The NSS 88th Annual Awards Exhibition	0
Photo Essay: Sculptors of Italian Ancestry	0
Sculpture Studios and Workspaces	0
NSS Utah Community: Building the Traditions of the Past and Embracing the Creativity of the Future	0
Medal Winners of the National Sculpture Society: 89^th Annual Awards Exhibition	0
Sculpture Studios and Workspaces: Classic Workspace in Philadelphia	0
The Importance of Small Realistic Sculpture in the Post Modern Abstract Art World	0
Southeastern Wildlife Exposition: Celebrating sculpture, and sculptors, for 40 years	0
From the Editors: The Changing Perspective	0
From the Editors: Destruction In Ukraine	0
National Sculpture Society’s 90^th Annual Awards Exhibition at Brookgreen Gardens, SC	0
Molding the West: The Sculptors of Prix de West	0
	0
Notes from the Awards Committee	0
Our NSS Texas and Oklahoma Community	0

Richard Blake, FNSS: The Medal of Honor Recipient of the National Sculpture Society	0
SR Fall 2021 Photo Essay: Sculptors of European Ancestry	0
Releasing Sculpture from Stone	0
From the Offices of the National Sculpture Society	0
From the Editors: Empty Pedestals	0
Artificial Intelligence: Its Growing Shadows and Its Potential Impact on the Arts	0
The Fourth Plinth: Dynamic Installations in Trafalgar Square	0
Recognizing Sculptors: The Alex J. Ettl Grant	0
Sculpture Studios and Workspaces: My Studio By The Bay	0
	0
Three‐D Imaging as a Sculpture Tool	0
Creating the NSS Southern California Ambassador Community	0
From the Editors: 9/11 A Commemoration	0
	0
Sculptor's Mold‐Making Materials: Complete Review of Materials Available	0
The Intersection of Art + Technology in Texas	0
Exhibitions 2021 and 2022	0
From the Offices of the National Sculpture Society	0
Illuminating the Night: Sculpture at Brookgreen Gardens During Nights of a Thousand Candles	0
Letter from the National Sculpture Society	0
Passages…	0
The Daniel Chester French Study Collections Gallery at Chesterwood	0
Letter from the National Sculpture Society	0
Foundry Services & Foundry Estimates	0
Luisa Granero: A Feminine Force	0
	0
	0
Art and Anatomy, Part IV: Sculpting Animals in Motion	0
“So Close to the Banks of Oblivion” An American Master is Rediscovered	0
Introduction from the Editors: Moving Toward More Creative Online Activities & Exhibitions	0
Mind, Hand, and Eye: Creating Marble Sculpture	0
The Land Art Movement and its Continued Influence into the 21^st Century	0
Sculpting Together	0
Sculpting on Site: Field Trips into Deep Africa	0
From the Editors: The Fourth Plinth—Trafalgar Square	0
Doug Erion on Collecting Art Publicly and Privately	0
Humor in the Public Space	0
Harriet Tubman: The Subject of Two Recent Traveling Exhibits	0
Margaret French Cresson at Chesterwood	0
Sculpture Studios and Workspaces	0
	0
Sculpture Conservation: (Part Science…Part Elbow Grease)	0
The Piccirilli Family: A Stone Carving Dynasty	0
From the Offices of the National Sculpture Society	0
Letter from the National Sculpture Society	0
	0
From the Editors: Culture at Risk	0
Prix De West: The World's Premier Western Art Exhibition & Sale	0
Suffragette Memorials Around the Country	0
Reflections on a Father's Recent Work Sergey Eylanbekov and the Making of the National Dwight D. Eisenhower Memorial Sculptures	0

Toppling Statues: Iconoclasm Yesterday, Today, and Tomorrow	0
Sculpture Studios and Workspaces	0
From the Editors: Taking Stock!	0
	0
	0
	0
Passages: In Memoriam 2023	0
Young Sculptors New Directions	0
Sculpture, Monuments, and Open Space	0
Becoming Carter: “If I Could Sculpt Like That…”	0
Sculptura Virtual Events	0
African Studies in the Field: Bringing The Work Back to the Studio	0
Scratching the Surface	0
Letter from the National Sculpture Society	0
	0
NSS Members of Scandinavian Ancestry	0
National Sculpture Society's 2022 Alex J. Ettl Grant Recipient Elizabeth N. Jordan	0
The Hirshhorn Museum Sculpture Garden Plan Designing in Reverse	0
The Outside Looking In, The Inside Looking Out	0
From the Offices of the National Sculpture Society	0
Sculpture Studios and Workspaces	0
Flying Off the Walls	0
Sculpture Studios and Workspaces	0
A Closer Look: The 88^th Annual Medal Winners	0
Coming Attractions: At American Museums By The Editors	0
The Ambassador Program	0
Book Review: Jock Reynolds’ Biography of Manuel Neri	0
Letter from the National Sculpture Society	0
Location is Everything	0
Sculpture Studios & Workspaces: A “Marvellous” Studio	0
Art and Anatomy, Part III: Sculpting Outdoors in One Session	0
Anish Kapoor: Another Shiny Surface	0
Passages: In Memoriam	0
Letter from the National Sculpture Society	0
A Studio Visit with Sculptor Warren King	0
Sculpture Studios and Workspaces	0
Medals of the Year	0
	0
The Northern California Ambassador Community of the NSS	0
	0
Whose Iconoclasm? The Controversies Over Public Sculpture	0
Exhibitions‐Current and Upcoming: National Sculpture Society, 6 East 39^th Street, Suite 903 New York, NY 10016, (212) 764‐5645	0
Prominent Sculptors Who Have Continued To Exhibit In The Prix West Annual Weekend Celebration Over Many Years	0
From the Offices of the National Sculpture Society	0
Passages	0
The Hercules of Bronze: Chad Fisher at the Lyme Academy of Fine Arts	0
From the Editors: Beyond the City Centers	0
Letter from the National Sculpture Society	0
From the Editors: Thoughts on the Removal and Vandalism of Public Sculpture	0
From the Editors: Public Sculpture—A Continuing Need for Discussion	0
A Monumental Challenge: Overseeing Thousands of Outdoor Sculptures at Brooklyn's Green‐Wood Cemetery	0
Paul Moore's Centennial Land Run Monument	0