Journal of Film and Video

Papers
(The TQCC of Journal of Film and Video is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
From Self-Promotion to Demystification: Self-Reflexivity and Realism in Chinese Cinema4
Bedraggled Magnolias: Song of the South's 1986 Return to Atlanta4
The Female Avenger, Women's Anger and Rape-Revenge Film and Television4
Editor's Introduction3
Ethics in Documentary Film Production: Asserting and Changing Norms2
Black Panther, The Wretched of the Earth, The Spook Who Sat by the Door, and the Endurance of Black Radical Politics2
Editor's Introduction2
My Love Is in Cairo (1966): Pan-Arab, Commercial, and Asymmetrical Collaborations between Egypt and Yemen1
Star Trek Discovery and the Female Gothic: Tell Fear No1
“Othering Africa”: The Representation of Africa in Chinese Films1
“A Truer Test of Woodcraft”: Bell & Howell Camera Advertising, Nature Magazine, and the Creation of the Modern “Camera Hunter”1
“Why Don't You Go Down to Wall Street and Get Some Real Crooks?”: Capitalism and Masculinity in GoodFellas, Casino, and The Wolf of Wall Street0
Neon Knight Forever: The Legacy of Joel Schumacher's Batman Duology0
Academic Freedom and Freedom of Expression in the University Film and Video Association: Creating Legitimacy for Asserting Norms0
Direct-to-Video (On Demand): New Industrial and Cultural Valuations of Nontheatrical Film Releases0
Editor's Introduction0
Sharing Stories: Melinda Levin Receives UFVA Life Member Award0
From Sundance to Netflix: South Korean Cinema in the US Film Market, 1996–20240
Editor's Introduction0
Forum on Non-Professional Actors in Independent Cinema0
The Documentary Filmmaker's Intuition: Creating Ethical and Impactful Non-Fiction Films0
Border Tunnels: A Media Theory of the U.S.-Mexico Underground0
Filming Death: End-of-Life Documentary Cinema0
“Beauty and the Beast”: Romance, Reform, and Mystery in the Films of Lon Chaney0
Talking Back through Peripheral Visions and Negotiating Identity: Kokborok and Bengali Films and Music Videos in Tripura0
Crafting Contemporary Documentaries and Docuseries for Global Screens: Documania0
Forum of Essays on Buster Keaton0
A Study of Mordor and Coruscant as Paradigms of Neo-Baroque Digital Landscapes0
Automotive Associations in Post–New Wave Films by Czech Directors0
Building a Timeline for LGBTQ+ Global Cinemas (1910–2019): Movie Production Trends from a Collaborative Internet Cinema Database0
Queer for Fear: Horror Film and The Queer Spectator0
Roasting Mulan: Chinese Cultural Confidence and Tucao Video Remixes on Bilibili0
Neoliberalism and Disclosure's New Trans Activism: The Politics of Discrimination in Hollywood and How to Fight It0
Order versus Chaos in Stanley Kubrick's Spartacus (1960)0
Editor's Introduction0
Motion Picture Paradise: A History of Florida's Film and Television Industry0
Pitch Decks, Project Development, and Creative Labor for Contemporary Hollywood TV Series0
Facing the End of the World:Take Shelteras Horror Ecocinema0
The Magnificent Fragility of the Empire in Karel Zeman's Invention for Destruction (1958)0
There's No Place Like Home(land) in American and Soviet Fantasy Cinema of 1939: The Wizard of Oz and Vasilisa the Beautiful0
The Relevance of the FCC in Contemporary Media Culture0
The Divine President: Populism, Political Theology, and Gabriel over the White House0
More Human Than Human: The Exile in Blade Runner0
Wooded and Watery Landscapes: Evolving Hollywood Depictions of “the Wilderness” and “the Frontier”0
Asanghadithar : Spotlighting Women's Community and Labor Rights Protest in Malayalam Cinema0
Editor's Introduction0
“Everything for Someone”: The Evolution of Sundance Now's Specialty Streaming Service0
Editor's Introduction0
Geniuses, Addicts, and Scribbling Women: Portraits of the Writer in Popular Culture0
The Sinful Maternal: Motherhood in Possession Films0
An Ecological Context That Scars: Reflections on Three Nature Documentaries of 20200
Time Bomb from the West: Video, the Advertising Industry, and Consumer Culture in Late-Socialist Czechoslovakia0
Interview with Terésa Dowell-Vest0
Americanizing the Scandinavian Super Underdog in Eighteen Film Remakes0
Editor's Introduction0
Allusion, Intertext, and Ethnic Flattening in Groucho Marx and Carmen Miranda's Copacabana0
Acting and Race in Night of the Living Dead (1968)0
Editor's Introduction0
Middle of Nowhere (2012): Waiting Studies, Cinema, and Temporal Experience0
Cinema is the Strongest Weapon: Race-Making and Resistance in Fascist Italy0
Forum of Award-Winning Films0
Defining New Thai Cinema through the Filmographies of Nonzee Nimibutr, Pen-ek Ratanaruang, Apichatpong Weerasethakul, and Wisit Sasanatieng0
A Selection from Award-Winning UFVA Films (2022–2023)0
“White Girls, They Get You Every Time”: Get Out's Horror of Miscegenation and Its Conception of the Black Bro'mance0
Editor's Introduction0
Star Wars After Lucas: A Critical Guide to the Future of the Galaxy0
Changing Perceptions of Buster Keaton's 1926 The General0
According to the Narrator, It Was a Dark and Stormy Night: Styles of Narration-as-Advocation in True-Crime Documentary Series0
New Rural Cinema: Landscape, Community and Poverty in Recent US Indie Films0
Documentary Film and the Flint Water Crisis: Incorporating the Sociological Imagination0
Before Fanfiction: Recovering the Literary History of American Media Fandom0
Editor's Introduction0
Forum on Artificial Intelligence0
Rewound Repression, Freaky Metamorphoses, Final Girls, and Downward Spirals: On the Rise of the Science Fiction Slasher0
Disability as Fear Factor: Stereotyping of Disability in Malayalam Horror Cinema0
Thelma and Louise0
Challenging the Narrative: Documentary Film as Participatory Practice in Conflict Situations0
Batman's Villains and Villainesses: Multidisciplinary Perspectives on Arkham's Souls0
The Omnipresent Gaze: Exploring Surveillance in Amir Naderi's Goodbye Friend (1971)0
Editor's Introduction0
Playing the Percentages: How Film Distribution Made the Hollywood Studio System0
Movie-Made Los Angeles0
Editor's Introduction0
Ideological Baggage: An Analysis of Sully (Clint Eastwood, 2016) and Flight (Robert Zemeckis, 2012)0
The Hippie, the Cowboy, and the City: Aesthetic and Political Layers in Tarantino's Once upon a Time . . . in Hollywood0
Automobility in Daniel Oriahi's Taxi Driver: Oko Ashewo (2015) and Rogba Arimoro's Tokunbo (2019)0
Imperiled Whiteness: How Hollywood and Media Make Race in “Postracial” America0
Encounters in Video Art in Latin America0
Contrasting Depictions in 1920s Italian and British Colonial Missionary Documentaries0
Queer Child, Decolonial Child: Beasts of the Southern Wild Revisited through an Ecocritical Lens0
Eleanor Roosevelt on Screen: The First Lady's Appearances in Film and Television, 1932–19620
The Paradox of Steve Coogan: Performing Class in British Film Acting0
Audiovisual Silence: A Lever for Narrative Change and Transition0
Orientalized Imagery in Posthuman Science-Fiction Cities: From the Explosive Chinatown to the Generic Metropolis0
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