Journal of Film and Video

Papers
(The median citation count of Journal of Film and Video is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Stranger Things, Nostalgia, and Aesthetics2
Activist Praxis Meets Project-Based Learning: A Case Study of Student Involvement at the Chicago Feminist Film Festival2
The Disneyfication of Authorship: Above-the-Line Creative Labor in the Franchise Era2
“Narrative Life” in Film and the Role of Screenwriting Practices2
“I’m Taken … by Myself”: Romantic Crisis in the Self-Centered Indie Rom-Com1
Atomic Tests: Experimental Filmmaking in the Nuclear Era1
Aging, Auteurism, and the Bergfilm: Olivier Assayas’s Sils Maria/Clouds of Sils Maria (2014) and Paolo Sorrentino’s La giovinezza/Youth (2015)1
“This Is What's Real”: The Pathology of Black Addiction in the Hood Films of the 1990s1
CLASSICAL STORYTELLING AND CONTEMPORARY SCREENWRITING: ARISTOTLE AND THE MODERN SCRIPTWRITER1
Awakening from Neoliberal Rationalities: The Ecological Conversion of Brit Marling's Protagonist in The East1
Camp X-Ray and the Task of Critique: Torturability and the Politics of Ethical Recognition in Guantanamo1
Navigating Alma’s Gang Culture: Exploring Testimonio, Identity, and Violence through an Interactive Documentary1
AVANT-DOC: INTERSECTIONS OF AVANT-GARDE CINEMA0
THE LONG TAKE: ART CINEMA AND THE WONDROUS0
Building a Timeline for LGBTQ+ Global Cinemas (1910–2019): Movie Production Trends from a Collaborative Internet Cinema Database0
NOBODY’S GIRL FRIDAY0
The Fix Is In: Dubbing as Transcultural and Transmedia Adaptation0
LOS ANGELES DOCUMENTARY AND THE PRODUCTION OF PUBLIC HISTORY, 1958-19770
Queer Child, Decolonial Child: Beasts of the Southern Wild Revisited through an Ecocritical Lens0
Media Arts Festivals: Scholarship and Artistry in Practice0
To Have and to Hold: The Possessive Spectator, the Spinster Narrative, and Katharine Hepburn in David Lean’sSummertime(1955)0
What Is Cinematography in the Age of Virtual Film Production? Posing a New Definition for the Practice of Cinematography0
Neoliberalism and Disclosure's New Trans Activism: The Politics of Discrimination in Hollywood and How to Fight It0
Festival Mamas Building the Women’s Club: A Case Study0
Transcendental Style Reconsidered: Absence, Presence, and a “Place Which Is Not-a-Place”0
Direct-to-Video (On Demand): New Industrial and Cultural Valuations of Nontheatrical Film Releases0
Back Matter0
Back Matter0
BEYOND METHOD: STELLA ADLER AND THE MALE ACTOR0
Facing the End of the World:Take Shelteras Horror Ecocinema0
Amphibious Magical Realism? The Shape of Water as Cinematic Trauma Narrative0
UFVA’s 2020 Virtual Conference: A Path Forward0
Oedipus the King as a Paradigm for Family Trauma Cinema0
Violence against Women and Girls: Female Filmmakers Critique the Menace0
GOING VIRAL: ZOMBIES, VIRUSES, AND THE END OF THE WORLD0
Documentary Film and the Flint Water Crisis: Incorporating the Sociological Imagination0
“Why Don't You Go Down to Wall Street and Get Some Real Crooks?”: Capitalism and Masculinity in GoodFellas, Casino, and The Wolf of Wall Street0
VAMPIRES, RACE, AND TRANSNATIONAL HOLLYWOODS0
I-DOCS: THE EVOLVING PRACTICES OF INTERACTIVE DOCUMENTARY0
INTERPRETING ANIME0
“White Girls, They Get You Every Time”: Get Out's Horror of Miscegenation and Its Conception of the Black Bro'mance0
Challenging Ontological Order: Walls and Historical Space in Narrative Films0
Editor's Introduction0
Audiovisual Silence: A Lever for Narrative Change and Transition0
“A Truer Test of Woodcraft”: Bell & Howell Camera Advertising, Nature Magazine, and the Creation of the Modern “Camera Hunter”0
There's No Place Like Home(land) in American and Soviet Fantasy Cinema of 1939: The Wizard of Oz and Vasilisa the Beautiful0
BACKWARDS AND IN HEELS: THE PAST, PRESENT AND FUTURE OF WOMEN WORKING IN FILM0
Americanizing the Scandinavian Super Underdog in Eighteen Film Remakes0
Film Festivals of the 1970s and the Subject of Feminist Film Studies: Collaborations and Regimes of Knowledge Production0
The Imaginary in the Biopic: Deconstructing Convention in Ron Howard’s A Beautiful Mind (2001)0
Riding East—Western Myths, Nostalgia, and the Crossing of Generic Boundaries in Hidalgo (2004)0
Front Matter0
OFF THE CLIFF: HOW THE MAKING OF THELMA AND LOUISE DROVE HOLLYWOOD TO THE EDGE0
Time Bomb from the West: Video, the Advertising Industry, and Consumer Culture in Late-Socialist Czechoslovakia0
Front Matter0
Kenneth Anger and the Filmed-Archive Reenactment0
The Ultimate Ride: A Comparative Narrative Analysis of Action Sequences in 1980s and Contemporary Hollywood Action Cinema0
An Ecological Context That Scars: Reflections on Three Nature Documentaries of 20200
FESPACO—Promoting African Film Development and Scholarship0
Editor's Introduction0
“Beauty and the Beast”: Romance, Reform, and Mystery in the Films of Lon Chaney0
PINK-SLIPPED: WHAT HAPPENED TO WOMEN IN THE SILENT FILM INDUSTRIES?0
Introduction to Special Issue0
From the Opening Sequence of Citizen Kane to the Final Shot of The Birds: A Filmic Microanalysis of Three Painted Scenes0
The Paradox of Steve Coogan: Performing Class in British Film Acting0
The Beyond Babel Multilingual Film Festival0
Automotive Associations in Post–New Wave Films by Czech Directors0
A Study of Mordor and Coruscant as Paradigms of Neo-Baroque Digital Landscapes0
Editor's Introduction0
Why Is Reverse Motion Funny? Happy End and the Comic Potential of the Cinematographic Mechanism0
Reconstructing the Uncertain Past: Cracked Docudramas That Question Their Own Authority0
Blurred Visions: Atomic Testing, Live Television, and Technological Failure0
According to the Narrator, It Was a Dark and Stormy Night: Styles of Narration-as-Advocation in True-Crime Documentary Series0
Model Cities: The Landlord, New York Mayor John Lindsay, and the Challenges of Urban Renewal0
More Human Than Human: The Exile in Blade Runner0
The World Screen: Japan’s Cinematic Reinvention and International Film Festivals0
The Dance Company Film0
Monstrous National Allegory: The Making of Monstrous Otherness in Na Hong-jin’s The Wailing0
Constructing the Eternal Present: Chaplin’s Tramp as Lived Principle of Constructivist Organization0
Cruising the Hyper-Real Highway: Edgar Wright’s Baby Driver0
Generic Involution and Artistic Concession in Contemporary Hong Kong Cinema: Overheard Trilogy and Beyond0
Acting and Race in Night of the Living Dead (1968)0
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