Shaw-The Journal of Bernard Shaw Studies

Papers
(The TQCC of Shaw-The Journal of Bernard Shaw Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
INTERNATIONAL SHAW SOCIETY1
Bernard Shaw, the Wisdom-Power Dialectic, and a Constellation of Vindicatory Thematics1
David Staller in Conversation: A Look Into the New York World of David Staller1
A Selected Bibliography of Writings By and About Bernard Shaw on Italian Culture, Politics, and Theater1
Introduction1
World Bettering Partnerships (Sidney and Beatrice Webb: An Academic Biography)0
“The Dream of a Madman”: Prophecy and Planning in Bernard Shaw’s John Bull’s Other Island and Elizabeth Burgoyne Corbett’s A New A0
Shaw Disarms the Man: War, Colonialism, and Theater in the 1890s (Arms and the Man, The Devil’s Disciple, and Caesar and Cleopatra)0
Shavians in Colonial Ghana: Kobina Sekyi and Mabel Dove0
Was Shaw a Victorian? We Need to Ask Another Question0
INTERNATIONAL SHAW SOCIETY0
INTERNATIONAL SHAW SOCIETY0
Pygmalion and the Technologies of Global English0
GBS Illustrated: Adrien Barrère: Shaw the Court Jester0
Subverting the Melodramatic in The Devil’s Disciple0
The Zombie Comstock Law and Shaw: Contraceptives and Abortions0
Bernard Shaw and The Nobel Prize for Literature 1925: A Commemorative Tribute0
A CONTINUING CHECKLIST OF SHAVIANA0
INTERNATIONAL SHAW SOCIETY0
Shaw and World War II: Censorship, Reception, and Repertory0
AI, Robot Shaw ( Bernard Shaw, Automata, Robots, and Artificial Intelligence )0
Widowers’ Houses: The Craft/Graft of the Hustle0
Irish Übermenschen (Nietzsche and Irish Modernism)0
A CONTINUING CHECKLIST OF SHAVIANA0
Bernard Shaw–Portrait of the Author as a Young Irishman in London: 1. Wild Oats 1876–18940
Heroism and Anti-Heroism: From Arms and the Man to Saint Joan0
On Vegetarianism by Bernard Shaw0
Bernard Shaw, Augustin Hamon, and Common Sense about the War0
NOTICES0
INTERNATIONAL SHAW SOCIETY0
Introduction0
INTERNATIONAL SHAW SOCIETY0
Shaw’s Proposal and Churchill’s Hope0
Bernard Shaw + Richard Rorty = Two Dialectical Peas in a Jesusian Pragmatist Pod0
Introduction0
“Built on the Money”: The Financialization of Capitalism and the Sense of History in Josie Rourke’s Stage Production of Shaw’s Saint Joan0
Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals)0
“It is expedient that one woman die for the people”: Shaw’s Saint Joan and O’Casey’s The Shadow of a Gunman 0
Bernard Shaw, Agnes Smedley, and Madame Sun Yat-sen0
Cover0
Shaw and India (Revisiting Shaw: George Bernard Shaw Looks at India)0
Personal and Political: Feminism, Ireland, and Charlotte Shaw0
Pygmalion in Ricoeurian Colors: Bernard Shaw, Paul Ricoeur, and the Shared Nexus between the Capable Human Being and Mutual Recognition0
20th Anniversary of The International Shaw Society0
Introduction0
Philip Hagemann—a Shavian Composer?0
Water Supply and the Hygiene of the Poorest in G. B. Shaw’s Pygmalion0
Bernard Shaw and the Charles Macdona Partnership: Part II0
War, Pandemic, and Immortality: 1918 and the Drama of Eternal Life0
Loosening the Stays: Victorian Shaw0
Shaw’s “The Miraculous Revenge” and its Possible Revelation0
The Quintessence of Ibsen’s A Doll’s House (Henrik Ibsen’s A Doll’s House)0
Remembering The Independent Shavian0
Mrs Shaw Herself (Stage Version)0
Three Early Shaw Plays That Interrogate Marriage, the Family, and Women’s Roles (Mrs. Warren’s Profession, Candida, and You Never Can Tell)0
NOTICES0
A CONTINUING CHECKLIST OF SHAVIANA0
Introduction0
Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”)0
The Joy of Taxes0
Shaw and the 1920s London Theater0
Finding Shaw Among His Irish and Chinese Contemporaries (The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters)0
Miss Baxter and Mrs. Warren0
NOTICES0
Bernard Shaw and the Charles Macdona Partnership: Part I0
Shaw’s Village Wooing: Love and Language from A to Z0
A CONTINUING CHECKLIST OF SHAVIANA0
A Selected Bibliography of Writings by Bernard Shaw on Americans and the United States0
“To Thank a Zealous, Slightly Impudent Translator”: Bernard Shaw and Floryan Sobieniowski0
“I’m a slave now, for all my fine clothes”: Bernard Shaw’s Pygmalion and the Dido Myth0
The Rule and the Exception: Katharine Cornell and Peggy Wood Reviving Candida0
Revisiting Mander and Mitchenson’s Companion (Theatrical Companion to SHAW: A Pictorial Record of First Performances of the Plays of G. B. S. with Synopses, Casts and Detailed Notes0
Insights Deep Within: Layered Lives in Shaw and Woolf ( Bernard Shaw’s and Virginia Woolf’s Interior Authors: Censored and Modern )0
The Discarded Defence: Shaw’s Rearticulation of Roger Casement (Stage Version)0
Amending Shakespeare: Bernard Shaw’s Displeasure with Cymbeline , Act 5, in the Contexts of Modern Bardolatry and Syncretism0
Eliza Doolittle at Buckingham Palace: An Assessment of Shaw’s Impact in the Twentieth-First Century0
The Shaw Bot: Creating Literature Bots Using IBM Artificial Intelligence and Cloud Computing Platform0
The “Shavian Pattern” of Hallucinatory Experience: Saint Joan and the Problem of the Voices0
Shaw the Fighter (Bernard Shaw and the Censors. Fights and Failures, Stage and Screen)0
NOTICES0
“Spirited Rebellion”: Theatre Workshop, the Living Theatre, and Bernard Shaw0
Tim Carroll’s “In Conversation” with the Creative Team behind The Discarded Defence0
Shavian Perspectives on the Cusp of Change and War (Pygmalion, Heartbreak House, and St. Joan)0
From the Shaw Bot to ChatGPT: An Assessment of ChatGPT and Recommendations for Improvement0
Mourning Agnes: The Hidden Impact on Bernard Shaw of the Death of His Sister0
Operatic Adaptations of Shaw’s Plays The Devil’s Disciple and The Music Cure0
Shaw Abroad—Art Without Dragons (Bernard Shaw and the Spanish-Speaking World)0
“Mrs Shaw Herself”: An Introduction0
“[A] woman of that class”: Bernard Shaw, Pygmalion , and the Women’s Movement between Suffrage and Socialism0
Postcolonial Self-Creation in the Hong Kong Adaptation of Pygmalion0
Bernard Shaw and Mrs. Patrick Campbell: A Corpus-Based Study of Their Correspondence0
Ghosts, Part 2 or Getting Married: Shaw’s Emendation of the Ibsenian New Woman0
George Eliot, Bernard Shaw, and Their Doctors’ Dilemmas0
Introduction: Bernard Shaw’s Ireland: An International Perspective0
History and Religious Imagination: Bernard Shaw and the Irish Literary Revival—an Overview0
GBS Illustrated: Shaw the Film Star0
INTERNATIONAL SHAW SOCIETY0
Introduction0
“Whole Play Complete, Only Waiting to Be Filled Out”: The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton0
Sigh No More ( Coward the Dramatist: Morals and Manners )0
Growing Up Like Romola: The Spiritual Evolutions of George Eliot and Bernard Shaw0
“Tomfoolery” That Deserves Our Attention (Playlets)0
Personal and Political Marriages (Bernard Shaw: Reimagining Women and Ireland, 1892–1914)0
The Transformation of the Shavian New Woman: A Comparison of Pygmalion and Three Film Adaptations0
Introduction: Bernard Shaw and the New Modernist Studies0
Mercury’s Heartbreak : From Bernard Shaw to Orson Welles0
Conversation and Catering: Bernard Shaw and the Winstens—a Symbiotic Relationshipat Ayot St Lawrence and Beyond0
The Apple Cart & On the Rocks : Is Bernard Shaw a Supporter of Reformative Dictatorship?0
INTERNATIONAL SHAW SOCIETY0
Embodying Heroism in Saint Joan : Thorndike, Casson, Shaw, and the London Premiere that Reshaped the Modern Theater0
An English Queen through Irish Eyes: Bernard Shaw, Lady Gregory, and Elizabeth I0
Shaw Among the Utopians (Utopian Drama: In Search of a Genre)0
Metadrama and Language (Language and Metadrama in Major Barbara and Pygmalion: Shavian Sisters)0
Adaptation, Litigation, and Petrifaction: Bernard Shaw and That “loathsome plagiarism” The Chocolate Soldier0
0.09358286857605