Shaw-The Journal of Bernard Shaw Studies

Papers
(The TQCC of Shaw-The Journal of Bernard Shaw Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
The Shaw Bot: Creating Literature Bots Using IBM Artificial Intelligence and Cloud Computing Platform1
Ding Xilin's Chinese Translation of The Man of Destiny1
Shaw in Mid-Twentieth-Century Iran1
Bernard Shaw and the Smallpox Epidemic of 1901–21
NOTICES0
The Rule and the Exception: Katharine Cornell and Peggy Wood Reviving Candida0
Shaw's High Wire Act0
Shaw’s Criticism and Philosophy Dramatized0
Racism and Shaw0
“To Your Tents, Oh Israel!”0
The Tangled Tree: A Radical New History of Life0
Researching Shaw in Performance: An Interview with Aisling Smith0
Front Matter0
Postcolonial Self-Creation in the Hong Kong Adaptation of Pygmalion0
Introduction0
Introduction to Shaw, Journalist0
International Shaw Society0
Victorian Masculinity and Mrs Warren's Profession0
NOTICES0
Remembering The Independent Shavian0
Loosening the Stays: Victorian Shaw0
Female Faust in Pygmalion0
20th Anniversary of The International Shaw Society0
INTERNATIONAL SHAW SOCIETY0
Shaw Abroad—Art Without Dragons (Bernard Shaw and the Spanish-Speaking World)0
War, Pandemic, and Immortality: 1918 and the Drama of Eternal Life0
International Shaw Society0
Adaptation, Litigation, and Petrifaction: Bernard Shaw and That “loathsome plagiarism” The Chocolate Soldier0
Toy Gods0
Introduction0
Shaw’s Village Wooing: Love and Language from A to Z0
Shaw Among the Utopians (Utopian Drama: In Search of a Genre)0
The Joy of Taxes0
Revisiting Mander and Mitchenson’s Companion (Theatrical Companion to SHAW: A Pictorial Record of First Performances of the Plays of G. B. S. with Synopses, Casts and Detailed Notes0
Subverting the Melodramatic in The Devil’s Disciple0
INTERNATIONAL SHAW SOCIETY0
David Staller in Conversation: A Look Into the New York World of David Staller0
Ghosts, Part 2 or Getting Married: Shaw’s Emendation of the Ibsenian New Woman0
Bernard Shaw, New Journalist (1885–1898)0
NOTICES0
An Introduction to Bernard Shaw's “To Your Tents, Oh Israel!”0
Bernard Shaw: Book Critic0
“I’m a slave now, for all my fine clothes”: Bernard Shaw’s Pygmalion and the Dido Myth0
Bernard Shaw + Richard Rorty = Two Dialectical Peas in a Jesusian Pragmatist Pod0
INTERNATIONAL SHAW SOCIETY0
Pygmalion in Paris0
Shaw Disarms the Man: War, Colonialism, and Theater in the 1890s (Arms and the Man, The Devil’s Disciple, and Caesar and Cleopatra)0
Translation – Adaptation – Transcreation: Jitta’s Atonement, Translated by Bernard Shaw0
Pygmalion and the Technologies of Global English0
Conversation and Catering: Bernard Shaw and the Winstens—a Symbiotic Relationshipat Ayot St Lawrence and Beyond0
Introduction0
Shaw's Letters to Newspapers0
A Bibliography of Bernard Shaw’s Works in Japanese Translation in Memory of Masahiko Masumoto0
Joan of Arc on the Stage and Her Sisters in Sublime Sanctity0
Introduction0
Mr. Bernard Shaw, Special Interview0
The Serbian Shaw0
Notices0
Finding Shaw Among His Irish and Chinese Contemporaries (The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters)0
Resolving the Jangling Discords of Inconsonant Nations0
My Dear Loraine: Bernard Shaw's Letters to an Actor0
Shaw the Fighter (Bernard Shaw and the Censors. Fights and Failures, Stage and Screen)0
A CONTINUING CHECKLIST OF SHAVIANA0
“Whole Play Complete, Only Waiting to Be Filled Out”: The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton0
A Continuing Checklist of Shaviana0
Front Matter0
Bernard Shaw and the Charles Macdona Partnership: Part II0
Eliza Doolittle at Buckingham Palace: An Assessment of Shaw’s Impact in the Twentieth-First Century0
Introduction0
Shavian Perspectives on the Cusp of Change and War (Pygmalion, Heartbreak House, and St. Joan)0
Collections of Bernard Shaw's Journalism0
Two Translations of a Cockney Girl in Shaw’s Pygmalion: The Works of Julio Broutá and Floreal Mazía0
Introduction0
A Continuing Checklist of Shaviana0
The Quintessence of Ibsen’s A Doll’s House (Henrik Ibsen’s A Doll’s House)0
International Shaw Society0
Judging Shaw: An Exhibition0
Bernard Shaw's Gnostic Genius0
Was Shaw a Victorian? We Need to Ask Another Question0
Metadrama and Language (Language and Metadrama in Major Barbara and Pygmalion: Shavian Sisters)0
Shaw and Legacy: Introduction0
History and Religious Imagination: Bernard Shaw and the Irish Literary Revival—an Overview0
“When I Am No Longer in Control of the Performing Rights”: Staging and Reception of Saint Joan at the Abbey Theatre during the Celtic Tiger Years0
The Sewing Machine and Spectral Presences: Connolly, Shaw, and O’Casey0
A Tale of Two Prints0
Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”)0
GBS Illustrated: Shaw the Film Star0
“Tomfoolery” That Deserves Our Attention (Playlets)0
Philip Hagemann—a Shavian Composer?0
A CONTINUING CHECKLIST OF SHAVIANA0
Man and Roboman, or The Secret Co-Author of Man and Superman0
Bernard Shaw at the Brighton School of Art: A Lecture on “Art and Public Money”0
Three Early Shaw Plays That Interrogate Marriage, the Family, and Women’s Roles (Mrs. Warren’s Profession, Candida, and You Never Can Tell)0
Miss Baxter and Mrs. Warren0
Bernard Shaw and the Charles Macdona Partnership: Part I0
Shaw's Legacy at the National Gallery of Ireland0
Judging Shaw—A Play Extract: Sketches on the Life (and Afterlife) of George Bernard Shaw0
Introduction0
Bernard Shaw as Political Writer0
Mourning Agnes: The Hidden Impact on Bernard Shaw of the Death of His Sister0
George Eliot, Bernard Shaw, and Their Doctors’ Dilemmas0
Staging Shaw: An Interview with Colin Murphy0
On Translating Bernard Shaw’s Arms and the Man in Bulgarian0
Remembering a Life in Writing0
A Superb Resource for Lovers of Shaw0
A Pen Portrait of SHAW's Creative Evolution0
Directing Bernard Shaw at the Abbey Theatre: Interview with Annabelle Comyn0
Heroism and Anti-Heroism: From Arms and the Man to Saint Joan0
An Introduction to Bernard Shaw's “Mr. Bernard Shaw, Special Interview”0
Can We Still Take Shaw Seriously?0
Mr. Bernard Shaw on Syndicalism: Advises People to Treat It Very Politely0
Bernard Shaw's Interior Authors0
Pygmalion in Ricoeurian Colors: Bernard Shaw, Paul Ricoeur, and the Shared Nexus between the Capable Human Being and Mutual Recognition0
INTERNATIONAL SHAW SOCIETY0
Personal and Political Marriages (Bernard Shaw: Reimagining Women and Ireland, 1892–1914)0
An Introduction to Bernard Shaw's “On the Municipal Gallery”0
“To Thank a Zealous, Slightly Impudent Translator”: Bernard Shaw and Floryan Sobieniowski0
On Vegetarianism by Bernard Shaw0
World Bettering Partnerships (Sidney and Beatrice Webb: An Academic Biography)0
The “Shavian Pattern” of Hallucinatory Experience: Saint Joan and the Problem of the Voices0
Shaw and Irish Studies0
International Shaw Society0
A CONTINUING CHECKLIST OF SHAVIANA0
“Un ‘Pygmalion’ québécois: une victoire”: Éloi de Grandmont’s Translation of Bernard Shaw’s Pygmalion0
“Built on the Money”: The Financialization of Capitalism and the Sense of History in Josie Rourke’s Stage Production of Shaw’s Saint Joan0
The Apple Cart & On the Rocks: Is Bernard Shaw a Supporter of Reformative Dictatorship?0
Shaw’s Proposal and Churchill’s Hope0
“True of Voice”: Shaw, Florence Farr, and George J. Lee's The Voice0
Water Supply and the Hygiene of the Poorest in G. B. Shaw’s Pygmalion0
Growing Up Like Romola: The Spiritual Evolutions of George Eliot and Bernard Shaw0
Operatic Adaptations of Shaw’s Plays The Devil’s Disciple and The Music Cure0
An Introduction to “Mr. Bernard Shaw on Syndicalism”0
On the Municipal Gallery: Interview with Mr. Bernard Shaw The Danger of Fire The Poor and Pictures Municipal Art Gallery The Bridge Site0
Notices0
Amending Shakespeare: Bernard Shaw’s Displeasure with Cymbeline, Act 5, in the Contexts of Modern Bardolatry and Syncretism0
A Selected Bibliography of Writings by Bernard Shaw on Americans and the United States0
From the Shaw Bot to ChatGPT: An Assessment of ChatGPT and Recommendations for Improvement0
INTERNATIONAL SHAW SOCIETY0
Cosmopolitan versus Parochial Irishness in Bernard Shaw's Music Journalism (1877–1894)0
Producing Mrs. Warren’s Profession in São Paulo, Brazil0
Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals)0
Irish Übermenschen (Nietzsche and Irish Modernism)0
GBS Illustrated: Adrien Barrère: Shaw the Court Jester0
Theatrical Marriages0
Shavian Arias and Virtuosity: Patrick Mason on Directing Shaw0
Cultural Hybridity, Discordant Relationships, and Critical Perspectives0
Political Extravaganzas and a Jonsonian Comedy0
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