Shaw-The Journal of Bernard Shaw Studies

Papers
(The TQCC of Shaw-The Journal of Bernard Shaw Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-09-01 to 2024-09-01.)
ArticleCitations
Bernard Shaw and the Smallpox Epidemic of 1901–21
Shaw in Mid-Twentieth-Century Iran1
Ding Xilin's Chinese Translation of The Man of Destiny1
Shaw and Irish Studies0
The Joy of Taxes0
Bernard Shaw: Book Critic0
INTERNATIONAL SHAW SOCIETY0
Bernard Shaw + Richard Rorty = Two Dialectical Peas in a Jesusian Pragmatist Pod0
Pygmalion in Paris0
An Introduction to “Mr. Bernard Shaw on Syndicalism”0
Shaw’s Village Wooing: Love and Language from A to Z0
Pygmalion and the Technologies of Global English0
Translation – Adaptation – Transcreation: Jitta’s Atonement, Translated by Bernard Shaw0
Conversation and Catering: Bernard Shaw and the Winstens—a Symbiotic Relationshipat Ayot St Lawrence and Beyond0
INTERNATIONAL SHAW SOCIETY0
Political Extravaganzas and a Jonsonian Comedy0
Shaw's Letters to Newspapers0
NOTICES0
NOTICES0
An Introduction to Bernard Shaw's “To Your Tents, Oh Israel!”0
Racism and Shaw0
“I’m a slave now, for all my fine clothes”: Bernard Shaw’s Pygmalion and the Dido Myth0
Shaw’s Criticism and Philosophy Dramatized0
A Pen Portrait of SHAW's Creative Evolution0
Victorian Masculinity and Mrs Warren's Profession0
Shaw Disarms the Man: War, Colonialism, and Theater in the 1890s (Arms and the Man, The Devil’s Disciple, and Caesar and Cleopatra)0
Researching Shaw in Performance: An Interview with Aisling Smith0
Adaptation, Litigation, and Petrifaction: Bernard Shaw and That “loathsome plagiarism” The Chocolate Soldier0
Introduction0
Introduction to Shaw, Journalist0
An Introduction to Bernard Shaw's “Mr. Bernard Shaw, Special Interview”0
Judging Shaw: An Exhibition0
Introduction0
Loosening the Stays: Victorian Shaw0
Remembering The Independent Shavian0
Front Matter0
Operatic Adaptations of Shaw’s Plays The Devil’s Disciple and The Music Cure0
Was Shaw a Victorian? We Need to Ask Another Question0
A Continuing Checklist of Shaviana0
International Shaw Society0
Amending Shakespeare: Bernard Shaw’s Displeasure with Cymbeline, Act 5, in the Contexts of Modern Bardolatry and Syncretism0
Philip Hagemann—a Shavian Composer?0
Toy Gods0
Female Faust in Pygmalion0
Introduction0
On the Municipal Gallery: Interview with Mr. Bernard Shaw The Danger of Fire The Poor and Pictures Municipal Art Gallery The Bridge Site0
“Tomfoolery” That Deserves Our Attention (Playlets)0
International Shaw Society0
History and Religious Imagination: Bernard Shaw and the Irish Literary Revival—an Overview0
Bernard Shaw at the Brighton School of Art: A Lecture on “Art and Public Money”0
Introduction0
Bernard Shaw and the Charles Macdona Partnership: Part I0
Miss Baxter and Mrs. Warren0
Shaw's Legacy at the National Gallery of Ireland0
Metadrama and Language (Language and Metadrama in Major Barbara and Pygmalion: Shavian Sisters)0
Shavian Perspectives on the Cusp of Change and War (Pygmalion, Heartbreak House, and St. Joan)0
Introduction0
The Shaw Bot: Creating Literature Bots Using IBM Artificial Intelligence and Cloud Computing Platform0
A Tale of Two Prints0
Staging Shaw: An Interview with Colin Murphy0
Joan of Arc on the Stage and Her Sisters in Sublime Sanctity0
A CONTINUING CHECKLIST OF SHAVIANA0
A Bibliography of Bernard Shaw’s Works in Japanese Translation in Memory of Masahiko Masumoto0
Man and Roboman, or The Secret Co-Author of Man and Superman0
Notices0
Three Early Shaw Plays That Interrogate Marriage, the Family, and Women’s Roles (Mrs. Warren’s Profession, Candida, and You Never Can Tell)0
The Serbian Shaw0
20th Anniversary of The International Shaw Society0
Judging Shaw—A Play Extract: Sketches on the Life (and Afterlife) of George Bernard Shaw0
My Dear Loraine: Bernard Shaw's Letters to an Actor0
The Tangled Tree: A Radical New History of Life0
Two Translations of a Cockney Girl in Shaw’s Pygmalion: The Works of Julio Broutá and Floreal Mazía0
George Eliot, Bernard Shaw, and Their Doctors’ Dilemmas0
A Continuing Checklist of Shaviana0
World Bettering Partnerships (Sidney and Beatrice Webb: An Academic Biography)0
Shaw’s Proposal and Churchill’s Hope0
A Superb Resource for Lovers of Shaw0
The “Shavian Pattern” of Hallucinatory Experience: Saint Joan and the Problem of the Voices0
Introduction0
Shaw the Fighter (Bernard Shaw and the Censors. Fights and Failures, Stage and Screen)0
David Staller in Conversation: A Look Into the New York World of David Staller0
Water Supply and the Hygiene of the Poorest in G. B. Shaw’s Pygmalion0
Revisiting Mander and Mitchenson’s Companion (Theatrical Companion to SHAW: A Pictorial Record of First Performances of the Plays of G. B. S. with Synopses, Casts and Detailed Notes0
Front Matter0
On Vegetarianism by Bernard Shaw0
From the Shaw Bot to ChatGPT: An Assessment of ChatGPT and Recommendations for Improvement0
Bernard Shaw's Gnostic Genius0
Collections of Bernard Shaw's Journalism0
A CONTINUING CHECKLIST OF SHAVIANA0
Bernard Shaw, New Journalist (1885–1898)0
“Whole Play Complete, Only Waiting to Be Filled Out”: The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton0
International Shaw Society0
Cosmopolitan versus Parochial Irishness in Bernard Shaw's Music Journalism (1877–1894)0
Producing Mrs. Warren’s Profession in São Paulo, Brazil0
“When I Am No Longer in Control of the Performing Rights”: Staging and Reception of Saint Joan at the Abbey Theatre during the Celtic Tiger Years0
GBS Illustrated: Adrien Barrère: Shaw the Court Jester0
Irish Übermenschen (Nietzsche and Irish Modernism)0
Theatrical Marriages0
Growing Up Like Romola: The Spiritual Evolutions of George Eliot and Bernard Shaw0
Bernard Shaw as Political Writer0
Cultural Hybridity, Discordant Relationships, and Critical Perspectives0
Mourning Agnes: The Hidden Impact on Bernard Shaw of the Death of His Sister0
Notices0
Shaw's High Wire Act0
Remembering a Life in Writing0
INTERNATIONAL SHAW SOCIETY0
On Translating Bernard Shaw’s Arms and the Man in Bulgarian0
Mr. Bernard Shaw, Special Interview0
Bernard Shaw's Interior Authors0
Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals)0
Directing Bernard Shaw at the Abbey Theatre: Interview with Annabelle Comyn0
Shaw and Legacy: Introduction0
Shavian Arias and Virtuosity: Patrick Mason on Directing Shaw0
Can We Still Take Shaw Seriously?0
Resolving the Jangling Discords of Inconsonant Nations0
International Shaw Society0
The Rule and the Exception: Katharine Cornell and Peggy Wood Reviving Candida0
Personal and Political Marriages (Bernard Shaw: Reimagining Women and Ireland, 1892–1914)0
Shaw Abroad—Art Without Dragons (Bernard Shaw and the Spanish-Speaking World)0
Shaw Among the Utopians (Utopian Drama: In Search of a Genre)0
“To Your Tents, Oh Israel!”0
War, Pandemic, and Immortality: 1918 and the Drama of Eternal Life0
“Un ‘Pygmalion’ québécois: une victoire”: Éloi de Grandmont’s Translation of Bernard Shaw’s Pygmalion0
Mr. Bernard Shaw on Syndicalism: Advises People to Treat It Very Politely0
Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”)0
Subverting the Melodramatic in The Devil’s Disciple0
“True of Voice”: Shaw, Florence Farr, and George J. Lee's The Voice0
An Introduction to Bernard Shaw's “On the Municipal Gallery”0
INTERNATIONAL SHAW SOCIETY0
The Sewing Machine and Spectral Presences: Connolly, Shaw, and O’Casey0
Ghosts, Part 2 or Getting Married: Shaw’s Emendation of the Ibsenian New Woman0
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