Shaw-The Journal of Bernard Shaw Studies

Papers
(The TQCC of Shaw-The Journal of Bernard Shaw Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Introduction1
Toy Gods1
A CONTINUING CHECKLIST OF SHAVIANA0
Personal and Political Marriages (Bernard Shaw: Reimagining Women and Ireland, 1892–1914)0
“Built on the Money”: The Financialization of Capitalism and the Sense of History in Josie Rourke’s Stage Production of Shaw’s Saint Joan0
INTERNATIONAL SHAW SOCIETY0
INTERNATIONAL SHAW SOCIETY0
Introduction0
Finding Shaw Among His Irish and Chinese Contemporaries (The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters)0
An Introduction to “Mr. Bernard Shaw on Syndicalism”0
Resolving the Jangling Discords of Inconsonant Nations0
Growing Up Like Romola: The Spiritual Evolutions of George Eliot and Bernard Shaw0
Notices0
Heroism and Anti-Heroism: From Arms and the Man to Saint Joan0
Shaw and Irish Studies0
Metadrama and Language (Language and Metadrama in Major Barbara and Pygmalion: Shavian Sisters)0
Operatic Adaptations of Shaw’s Plays The Devil’s Disciple and The Music Cure0
Victorian Masculinity and Mrs Warren's Profession0
Introduction0
Mr. Bernard Shaw on Syndicalism: Advises People to Treat It Very Politely0
INTERNATIONAL SHAW SOCIETY0
Was Shaw a Victorian? We Need to Ask Another Question0
Bernard Shaw and the Charles Macdona Partnership: Part II0
Racism and Shaw0
An Introduction to Bernard Shaw's “Mr. Bernard Shaw, Special Interview”0
Bernard Shaw's Interior Authors0
Bernard Shaw as Political Writer0
Shaw the Fighter (Bernard Shaw and the Censors. Fights and Failures, Stage and Screen)0
Mr. Bernard Shaw, Special Interview0
Theatrical Marriages0
Introduction0
NOTICES0
Shaw Among the Utopians (Utopian Drama: In Search of a Genre)0
Translation – Adaptation – Transcreation: Jitta’s Atonement, Translated by Bernard Shaw0
World Bettering Partnerships (Sidney and Beatrice Webb: An Academic Biography)0
The Shaw Bot: Creating Literature Bots Using IBM Artificial Intelligence and Cloud Computing Platform0
Shaw’s Proposal and Churchill’s Hope0
Postcolonial Self-Creation in the Hong Kong Adaptation of Pygmalion0
Miss Baxter and Mrs. Warren0
Shaw's Letters to Newspapers0
Political Extravaganzas and a Jonsonian Comedy0
Bernard Shaw, New Journalist (1885–1898)0
A CONTINUING CHECKLIST OF SHAVIANA0
Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals)0
A Selected Bibliography of Writings by Bernard Shaw on Americans and the United States0
Conversation and Catering: Bernard Shaw and the Winstens—a Symbiotic Relationshipat Ayot St Lawrence and Beyond0
“I’m a slave now, for all my fine clothes”: Bernard Shaw’s Pygmalion and the Dido Myth0
“Tomfoolery” That Deserves Our Attention (Playlets)0
Revisiting Mander and Mitchenson’s Companion (Theatrical Companion to SHAW: A Pictorial Record of First Performances of the Plays of G. B. S. with Synopses, Casts and Detailed Notes0
Collections of Bernard Shaw's Journalism0
Subverting the Melodramatic in The Devil’s Disciple0
“Un ‘Pygmalion’ québécois: une victoire”: Éloi de Grandmont’s Translation of Bernard Shaw’s Pygmalion0
A Continuing Checklist of Shaviana0
“To Your Tents, Oh Israel!”0
NOTICES0
Philip Hagemann—a Shavian Composer?0
20th Anniversary of The International Shaw Society0
A Superb Resource for Lovers of Shaw0
George Eliot, Bernard Shaw, and Their Doctors’ Dilemmas0
Shavian Perspectives on the Cusp of Change and War (Pygmalion, Heartbreak House, and St. Joan)0
Two Translations of a Cockney Girl in Shaw’s Pygmalion: The Works of Julio Broutá and Floreal Mazía0
International Shaw Society0
Shaw Abroad—Art Without Dragons (Bernard Shaw and the Spanish-Speaking World)0
From the Shaw Bot to ChatGPT: An Assessment of ChatGPT and Recommendations for Improvement0
Mourning Agnes: The Hidden Impact on Bernard Shaw of the Death of His Sister0
Remembering a Life in Writing0
Irish Übermenschen (Nietzsche and Irish Modernism)0
Water Supply and the Hygiene of the Poorest in G. B. Shaw’s Pygmalion0
International Shaw Society0
Eliza Doolittle at Buckingham Palace: An Assessment of Shaw’s Impact in the Twentieth-First Century0
Loosening the Stays: Victorian Shaw0
Bernard Shaw's Gnostic Genius0
Ding Xilin's Chinese Translation of The Man of Destiny0
Bernard Shaw and the Charles Macdona Partnership: Part I0
International Shaw Society0
David Staller in Conversation: A Look Into the New York World of David Staller0
Cultural Hybridity, Discordant Relationships, and Critical Perspectives0
Man and Roboman, or The Secret Co-Author of Man and Superman0
A Bibliography of Bernard Shaw’s Works in Japanese Translation in Memory of Masahiko Masumoto0
“To Thank a Zealous, Slightly Impudent Translator”: Bernard Shaw and Floryan Sobieniowski0
A CONTINUING CHECKLIST OF SHAVIANA0
On Vegetarianism by Bernard Shaw0
Bernard Shaw + Richard Rorty = Two Dialectical Peas in a Jesusian Pragmatist Pod0
Shaw’s Criticism and Philosophy Dramatized0
On the Municipal Gallery: Interview with Mr. Bernard Shaw The Danger of Fire The Poor and Pictures Municipal Art Gallery The Bridge Site0
History and Religious Imagination: Bernard Shaw and the Irish Literary Revival—an Overview0
The Rule and the Exception: Katharine Cornell and Peggy Wood Reviving Candida0
The “Shavian Pattern” of Hallucinatory Experience: Saint Joan and the Problem of the Voices0
On Translating Bernard Shaw’s Arms and the Man in Bulgarian0
A Tale of Two Prints0
Pygmalion and the Technologies of Global English0
Cosmopolitan versus Parochial Irishness in Bernard Shaw's Music Journalism (1877–1894)0
The Apple Cart & On the Rocks: Is Bernard Shaw a Supporter of Reformative Dictatorship?0
Amending Shakespeare: Bernard Shaw’s Displeasure with Cymbeline, Act 5, in the Contexts of Modern Bardolatry and Syncretism0
Remembering The Independent Shavian0
Adaptation, Litigation, and Petrifaction: Bernard Shaw and That “loathsome plagiarism” The Chocolate Soldier0
Introduction0
Pygmalion in Ricoeurian Colors: Bernard Shaw, Paul Ricoeur, and the Shared Nexus between the Capable Human Being and Mutual Recognition0
Bernard Shaw at the Brighton School of Art: A Lecture on “Art and Public Money”0
Shaw Disarms the Man: War, Colonialism, and Theater in the 1890s (Arms and the Man, The Devil’s Disciple, and Caesar and Cleopatra)0
Three Early Shaw Plays That Interrogate Marriage, the Family, and Women’s Roles (Mrs. Warren’s Profession, Candida, and You Never Can Tell)0
War, Pandemic, and Immortality: 1918 and the Drama of Eternal Life0
Producing Mrs. Warren’s Profession in São Paulo, Brazil0
Female Faust in Pygmalion0
The Sewing Machine and Spectral Presences: Connolly, Shaw, and O’Casey0
INTERNATIONAL SHAW SOCIETY0
Bernard Shaw: Book Critic0
Introduction0
Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”)0
Introduction to Shaw, Journalist0
GBS Illustrated: Adrien Barrère: Shaw the Court Jester0
GBS Illustrated: Shaw the Film Star0
Shaw’s Village Wooing: Love and Language from A to Z0
The Quintessence of Ibsen’s A Doll’s House (Henrik Ibsen’s A Doll’s House)0
Ghosts, Part 2 or Getting Married: Shaw’s Emendation of the Ibsenian New Woman0
“Whole Play Complete, Only Waiting to Be Filled Out”: The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton0
NOTICES0
An Introduction to Bernard Shaw's “On the Municipal Gallery”0
INTERNATIONAL SHAW SOCIETY0
The Joy of Taxes0
Introduction0
The Serbian Shaw0
Pygmalion in Paris0
An Introduction to Bernard Shaw's “To Your Tents, Oh Israel!”0
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