OOIR: Observatory of International Research

Papers

(The TQCC of Shaw-The Journal of Bernard Shaw Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-12-01 to 2025-12-01.)

Article	Citations
Postcolonial Self-Creation in the Hong Kong Adaptation of Pygmalion	1
Three Early Shaw Plays That Interrogate Marriage, the Family, and Women’s Roles (Mrs. Warren’s Profession, Candida, and You Never Can Tell)	1
David Staller in Conversation: A Look Into the New York World of David Staller	1
Introduction	1
Bernard Shaw, the Wisdom-Power Dialectic, and a Constellation of Vindicatory Thematics	1
INTERNATIONAL SHAW SOCIETY	1
A CONTINUING CHECKLIST OF SHAVIANA	1
A Selected Bibliography of Writings By and About Bernard Shaw on Italian Culture, Politics, and Theater	1
Bernard Shaw, Augustin Hamon, and Common Sense about the War	0
NOTICES	0
Loosening the Stays: Victorian Shaw	0
On Vegetarianism by Bernard Shaw	0
The Serbian Shaw	0
“To Thank a Zealous, Slightly Impudent Translator”: Bernard Shaw and Floryan Sobieniowski	0
“Un ‘Pygmalion’ québécois: une victoire”: Éloi de Grandmont’s Translation of Bernard Shaw’s Pygmalion	0
Growing Up Like Romola: The Spiritual Evolutions of George Eliot and Bernard Shaw	0
Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals)	0
Conversation and Catering: Bernard Shaw and the Winstens—a Symbiotic Relationshipat Ayot St Lawrence and Beyond	0
Water Supply and the Hygiene of the Poorest in G. B. Shaw’s Pygmalion	0
The Apple Cart & On the Rocks : Is Bernard Shaw a Supporter of Reformative Dictatorship?	0
International Shaw Society	0
On Translating Bernard Shaw’s Arms and the Man in Bulgarian	0
Bernard Shaw at the Brighton School of Art: A Lecture on “Art and Public Money”	0
The Quintessence of Ibsen’s A Doll’s House (Henrik Ibsen’s A Doll’s House)	0
A Superb Resource for Lovers of Shaw	0

Bernard Shaw + Richard Rorty = Two Dialectical Peas in a Jesusian Pragmatist Pod	0
Political Extravaganzas and a Jonsonian Comedy	0
Bernard Shaw and the Charles Macdona Partnership: Part II	0
Shaw Disarms the Man: War, Colonialism, and Theater in the 1890s (Arms and the Man, The Devil’s Disciple, and Caesar and Cleopatra)	0
Mercury’s Heartbreak : From Bernard Shaw to Orson Welles	0
Shaw’s “The Miraculous Revenge” and its Possible Revelation	0
Shavian Perspectives on the Cusp of Change and War (Pygmalion, Heartbreak House, and St. Joan)	0
Embodying Heroism in Saint Joan : Thorndike, Casson, Shaw, and the London Premiere that Reshaped the Modern Theater	0
George Eliot, Bernard Shaw, and Their Doctors’ Dilemmas	0
INTERNATIONAL SHAW SOCIETY	0
Shaw and India (Revisiting Shaw: George Bernard Shaw Looks at India)	0
AI, Robot Shaw ( Bernard Shaw, Automata, Robots, and Artificial Intelligence )	0
GBS Illustrated: Shaw the Film Star	0
Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”)	0
“Spirited Rebellion”: Theatre Workshop, the Living Theatre, and Bernard Shaw	0
Ghosts, Part 2 or Getting Married: Shaw’s Emendation of the Ibsenian New Woman	0
World Bettering Partnerships (Sidney and Beatrice Webb: An Academic Biography)	0
Philip Hagemann—a Shavian Composer?	0
Producing Mrs. Warren’s Profession in São Paulo, Brazil	0
A CONTINUING CHECKLIST OF SHAVIANA	0
Introduction	0
Shaw’s Village Wooing: Love and Language from A to Z	0
Pygmalion and the Technologies of Global English	0
Introduction	0
A CONTINUING CHECKLIST OF SHAVIANA	0
Shaw’s Proposal and Churchill’s Hope	0
Remembering The Independent Shavian	0
INTERNATIONAL SHAW SOCIETY	0
INTERNATIONAL SHAW SOCIETY	0
“Built on the Money”: The Financialization of Capitalism and the Sense of History in Josie Rourke’s Stage Production of Shaw’s Saint Joan	0
NOTICES	0
Shaw Among the Utopians (Utopian Drama: In Search of a Genre)	0
Bernard Shaw and the Charles Macdona Partnership: Part I	0
War, Pandemic, and Immortality: 1918 and the Drama of Eternal Life	0
NOTICES	0
Bernard Shaw, Agnes Smedley, and Madame Sun Yat-sen	0
Introduction	0
Pygmalion in Ricoeurian Colors: Bernard Shaw, Paul Ricoeur, and the Shared Nexus between the Capable Human Being and Mutual Recognition	0
INTERNATIONAL SHAW SOCIETY	0
Mourning Agnes: The Hidden Impact on Bernard Shaw of the Death of His Sister	0
Shavians in Colonial Ghana: Kobina Sekyi and Mabel Dove	0
Introduction	0
Adaptation, Litigation, and Petrifaction: Bernard Shaw and That “loathsome plagiarism” The Chocolate Soldier	0
INTERNATIONAL SHAW SOCIETY	0
Amending Shakespeare: Bernard Shaw’s Displeasure with Cymbeline, Act 5, in the Contexts of Modern Bardolatry and Syncretism	0
The Sewing Machine and Spectral Presences: Connolly, Shaw, and O’Casey	0
NOTICES	0
Personal and Political Marriages (Bernard Shaw: Reimagining Women and Ireland, 1892–1914)	0
A CONTINUING CHECKLIST OF SHAVIANA	0
Bernard Shaw as Political Writer	0

INTERNATIONAL SHAW SOCIETY	0
Was Shaw a Victorian? We Need to Ask Another Question	0
Translation – Adaptation – Transcreation: Jitta’s Atonement, Translated by Bernard Shaw	0
“Whole Play Complete, Only Waiting to Be Filled Out”: The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton	0
Eliza Doolittle at Buckingham Palace: An Assessment of Shaw’s Impact in the Twentieth-First Century	0
“Mrs Shaw Herself”: An Introduction	0
Miss Baxter and Mrs. Warren	0
Introduction	0
The Transformation of the Shavian New Woman: A Comparison of Pygmalion and Three Film Adaptations	0
The Zombie Comstock Law and Shaw: Contraceptives and Abortions	0
“I’m a slave now, for all my fine clothes”: Bernard Shaw’s Pygmalion and the Dido Myth	0
Introduction: Bernard Shaw and the New Modernist Studies	0
Pygmalion in Paris	0
Operatic Adaptations of Shaw’s Plays The Devil’s Disciple and The Music Cure	0
The Joy of Taxes	0
The Rule and the Exception: Katharine Cornell and Peggy Wood Reviving Candida	0
Insights Deep Within: Layered Lives in Shaw and Woolf ( Bernard Shaw’s and Virginia Woolf’s Interior Authors: Censored and Modern )	0
Shaw’s Criticism and Philosophy Dramatized	0
Sigh No More ( Coward the Dramatist: Morals and Manners )	0
The Shaw Bot: Creating Literature Bots Using IBM Artificial Intelligence and Cloud Computing Platform	0
Shaw the Fighter (Bernard Shaw and the Censors. Fights and Failures, Stage and Screen)	0
Subverting the Melodramatic in The Devil’s Disciple	0
A Bibliography of Bernard Shaw’s Works in Japanese Translation in Memory of Masahiko Masumoto	0
Two Translations of a Cockney Girl in Shaw’s Pygmalion: The Works of Julio Broutá and Floreal Mazía	0
Bernard Shaw and Mrs. Patrick Campbell: A Corpus-Based Study of Their Correspondence	0
A Selected Bibliography of Writings by Bernard Shaw on Americans and the United States	0
GBS Illustrated: Adrien Barrère: Shaw the Court Jester	0
Heroism and Anti-Heroism: From Arms and the Man to Saint Joan	0
Revisiting Mander and Mitchenson’s Companion (Theatrical Companion to SHAW: A Pictorial Record of First Performances of the Plays of G. B. S. with Synopses, Casts and Detailed Notes	0
Mrs Shaw Herself (Stage Version)	0
The “Shavian Pattern” of Hallucinatory Experience: Saint Joan and the Problem of the Voices	0
Shaw Abroad—Art Without Dragons (Bernard Shaw and the Spanish-Speaking World)	0
Metadrama and Language (Language and Metadrama in Major Barbara and Pygmalion: Shavian Sisters)	0
Introduction	0
Irish Übermenschen (Nietzsche and Irish Modernism)	0
20th Anniversary of The International Shaw Society	0
Cultural Hybridity, Discordant Relationships, and Critical Perspectives	0
“Tomfoolery” That Deserves Our Attention (Playlets)	0
Finding Shaw Among His Irish and Chinese Contemporaries (The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters)	0
From the Shaw Bot to ChatGPT: An Assessment of ChatGPT and Recommendations for Improvement	0
History and Religious Imagination: Bernard Shaw and the Irish Literary Revival—an Overview	0