Shaw-The Journal of Bernard Shaw Studies

Papers
(The median citation count of Shaw-The Journal of Bernard Shaw Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Ding Xilin's Chinese Translation of The Man of Destiny1
Shaw in Mid-Twentieth-Century Iran1
Bernard Shaw and the Smallpox Epidemic of 1901–21
The Shaw Bot: Creating Literature Bots Using IBM Artificial Intelligence and Cloud Computing Platform1
My Dear Loraine: Bernard Shaw's Letters to an Actor0
Bernard Shaw's Gnostic Genius0
Notices0
Metadrama and Language (Language and Metadrama in Major Barbara and Pygmalion: Shavian Sisters)0
History and Religious Imagination: Bernard Shaw and the Irish Literary Revival—an Overview0
Bernard Shaw and the Charles Macdona Partnership: Part II0
A Tale of Two Prints0
Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”)0
A Continuing Checklist of Shaviana0
“When I Am No Longer in Control of the Performing Rights”: Staging and Reception of Saint Joan at the Abbey Theatre during the Celtic Tiger Years0
Two Translations of a Cockney Girl in Shaw’s Pygmalion: The Works of Julio Broutá and Floreal Mazía0
A CONTINUING CHECKLIST OF SHAVIANA0
Man and Roboman, or The Secret Co-Author of Man and Superman0
Shavian Perspectives on the Cusp of Change and War (Pygmalion, Heartbreak House, and St. Joan)0
“Tomfoolery” That Deserves Our Attention (Playlets)0
Judging Shaw: An Exhibition0
Three Early Shaw Plays That Interrogate Marriage, the Family, and Women’s Roles (Mrs. Warren’s Profession, Candida, and You Never Can Tell)0
Miss Baxter and Mrs. Warren0
The Quintessence of Ibsen’s A Doll’s House (Henrik Ibsen’s A Doll’s House)0
Shaw and Legacy: Introduction0
Judging Shaw—A Play Extract: Sketches on the Life (and Afterlife) of George Bernard Shaw0
Introduction0
Was Shaw a Victorian? We Need to Ask Another Question0
George Eliot, Bernard Shaw, and Their Doctors’ Dilemmas0
Staging Shaw: An Interview with Colin Murphy0
The Sewing Machine and Spectral Presences: Connolly, Shaw, and O’Casey0
A Superb Resource for Lovers of Shaw0
GBS Illustrated: Shaw the Film Star0
A Pen Portrait of SHAW's Creative Evolution0
Philip Hagemann—a Shavian Composer?0
Heroism and Anti-Heroism: From Arms and the Man to Saint Joan0
Bernard Shaw and the Charles Macdona Partnership: Part I0
An Introduction to Bernard Shaw's “Mr. Bernard Shaw, Special Interview”0
Bernard Shaw at the Brighton School of Art: A Lecture on “Art and Public Money”0
Mr. Bernard Shaw on Syndicalism: Advises People to Treat It Very Politely0
Bernard Shaw as Political Writer0
INTERNATIONAL SHAW SOCIETY0
Shaw's Legacy at the National Gallery of Ireland0
An Introduction to Bernard Shaw's “On the Municipal Gallery”0
Pygmalion in Ricoeurian Colors: Bernard Shaw, Paul Ricoeur, and the Shared Nexus between the Capable Human Being and Mutual Recognition0
On Translating Bernard Shaw’s Arms and the Man in Bulgarian0
World Bettering Partnerships (Sidney and Beatrice Webb: An Academic Biography)0
Mourning Agnes: The Hidden Impact on Bernard Shaw of the Death of His Sister0
Shaw and Irish Studies0
On Vegetarianism by Bernard Shaw0
Directing Bernard Shaw at the Abbey Theatre: Interview with Annabelle Comyn0
“Un ‘Pygmalion’ québécois: une victoire”: Éloi de Grandmont’s Translation of Bernard Shaw’s Pygmalion0
Remembering a Life in Writing0
The Apple Cart & On the Rocks: Is Bernard Shaw a Supporter of Reformative Dictatorship?0
A CONTINUING CHECKLIST OF SHAVIANA0
Can We Still Take Shaw Seriously?0
“True of Voice”: Shaw, Florence Farr, and George J. Lee's The Voice0
Bernard Shaw's Interior Authors0
Growing Up Like Romola: The Spiritual Evolutions of George Eliot and Bernard Shaw0
Operatic Adaptations of Shaw’s Plays The Devil’s Disciple and The Music Cure0
“To Thank a Zealous, Slightly Impudent Translator”: Bernard Shaw and Floryan Sobieniowski0
Notices0
Amending Shakespeare: Bernard Shaw’s Displeasure with Cymbeline, Act 5, in the Contexts of Modern Bardolatry and Syncretism0
Personal and Political Marriages (Bernard Shaw: Reimagining Women and Ireland, 1892–1914)0
An Introduction to “Mr. Bernard Shaw on Syndicalism”0
International Shaw Society0
INTERNATIONAL SHAW SOCIETY0
Cosmopolitan versus Parochial Irishness in Bernard Shaw's Music Journalism (1877–1894)0
The “Shavian Pattern” of Hallucinatory Experience: Saint Joan and the Problem of the Voices0
Shaw’s Proposal and Churchill’s Hope0
Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals)0
Irish Übermenschen (Nietzsche and Irish Modernism)0
“Built on the Money”: The Financialization of Capitalism and the Sense of History in Josie Rourke’s Stage Production of Shaw’s Saint Joan0
Shavian Arias and Virtuosity: Patrick Mason on Directing Shaw0
Cultural Hybridity, Discordant Relationships, and Critical Perspectives0
Water Supply and the Hygiene of the Poorest in G. B. Shaw’s Pygmalion0
The Rule and the Exception: Katharine Cornell and Peggy Wood Reviving Candida0
Shaw's High Wire Act0
On the Municipal Gallery: Interview with Mr. Bernard Shaw The Danger of Fire The Poor and Pictures Municipal Art Gallery The Bridge Site0
“To Your Tents, Oh Israel!”0
A Selected Bibliography of Writings by Bernard Shaw on Americans and the United States0
The Tangled Tree: A Radical New History of Life0
From the Shaw Bot to ChatGPT: An Assessment of ChatGPT and Recommendations for Improvement0
Front Matter0
GBS Illustrated: Adrien Barrère: Shaw the Court Jester0
Introduction0
Producing Mrs. Warren’s Profession in São Paulo, Brazil0
International Shaw Society0
Postcolonial Self-Creation in the Hong Kong Adaptation of Pygmalion0
Political Extravaganzas and a Jonsonian Comedy0
Remembering The Independent Shavian0
Theatrical Marriages0
Female Faust in Pygmalion0
NOTICES0
Shaw’s Criticism and Philosophy Dramatized0
Shaw Abroad—Art Without Dragons (Bernard Shaw and the Spanish-Speaking World)0
NOTICES0
International Shaw Society0
INTERNATIONAL SHAW SOCIETY0
Researching Shaw in Performance: An Interview with Aisling Smith0
Toy Gods0
Racism and Shaw0
Shaw’s Village Wooing: Love and Language from A to Z0
The Joy of Taxes0
Revisiting Mander and Mitchenson’s Companion (Theatrical Companion to SHAW: A Pictorial Record of First Performances of the Plays of G. B. S. with Synopses, Casts and Detailed Notes0
Victorian Masculinity and Mrs Warren's Profession0
INTERNATIONAL SHAW SOCIETY0
David Staller in Conversation: A Look Into the New York World of David Staller0
Introduction to Shaw, Journalist0
20th Anniversary of The International Shaw Society0
NOTICES0
An Introduction to Bernard Shaw's “To Your Tents, Oh Israel!”0
Loosening the Stays: Victorian Shaw0
Ghosts, Part 2 or Getting Married: Shaw’s Emendation of the Ibsenian New Woman0
Adaptation, Litigation, and Petrifaction: Bernard Shaw and That “loathsome plagiarism” The Chocolate Soldier0
“I’m a slave now, for all my fine clothes”: Bernard Shaw’s Pygmalion and the Dido Myth0
Bernard Shaw + Richard Rorty = Two Dialectical Peas in a Jesusian Pragmatist Pod0
War, Pandemic, and Immortality: 1918 and the Drama of Eternal Life0
Shaw Among the Utopians (Utopian Drama: In Search of a Genre)0
Shaw Disarms the Man: War, Colonialism, and Theater in the 1890s (Arms and the Man, The Devil’s Disciple, and Caesar and Cleopatra)0
Translation – Adaptation – Transcreation: Jitta’s Atonement, Translated by Bernard Shaw0
Introduction0
Introduction0
Shaw's Letters to Newspapers0
Subverting the Melodramatic in The Devil’s Disciple0
Introduction0
Mr. Bernard Shaw, Special Interview0
Bernard Shaw, New Journalist (1885–1898)0
Finding Shaw Among His Irish and Chinese Contemporaries (The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters)0
INTERNATIONAL SHAW SOCIETY0
Resolving the Jangling Discords of Inconsonant Nations0
Bernard Shaw: Book Critic0
Shaw the Fighter (Bernard Shaw and the Censors. Fights and Failures, Stage and Screen)0
Pygmalion and the Technologies of Global English0
“Whole Play Complete, Only Waiting to Be Filled Out”: The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton0
Pygmalion in Paris0
Front Matter0
A CONTINUING CHECKLIST OF SHAVIANA0
A Bibliography of Bernard Shaw’s Works in Japanese Translation in Memory of Masahiko Masumoto0
Introduction0
Conversation and Catering: Bernard Shaw and the Winstens—a Symbiotic Relationshipat Ayot St Lawrence and Beyond0
Collections of Bernard Shaw's Journalism0
Eliza Doolittle at Buckingham Palace: An Assessment of Shaw’s Impact in the Twentieth-First Century0
The Serbian Shaw0
A Continuing Checklist of Shaviana0
Joan of Arc on the Stage and Her Sisters in Sublime Sanctity0
International Shaw Society0
Introduction0
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