Shaw-The Journal of Bernard Shaw Studies

Papers
(The median citation count of Shaw-The Journal of Bernard Shaw Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
David Staller in Conversation: A Look Into the New York World of David Staller1
Bernard Shaw, the Wisdom-Power Dialectic, and a Constellation of Vindicatory Thematics1
A CONTINUING CHECKLIST OF SHAVIANA1
INTERNATIONAL SHAW SOCIETY1
Three Early Shaw Plays That Interrogate Marriage, the Family, and Women’s Roles (Mrs. Warren’s Profession, Candida, and You Never Can Tell)1
A Selected Bibliography of Writings By and About Bernard Shaw on Italian Culture, Politics, and Theater1
Introduction1
Postcolonial Self-Creation in the Hong Kong Adaptation of Pygmalion1
George Eliot, Bernard Shaw, and Their Doctors’ Dilemmas1
“To Thank a Zealous, Slightly Impudent Translator”: Bernard Shaw and Floryan Sobieniowski0
A CONTINUING CHECKLIST OF SHAVIANA0
Bernard Shaw + Richard Rorty = Two Dialectical Peas in a Jesusian Pragmatist Pod0
The Rule and the Exception: Katharine Cornell and Peggy Wood Reviving Candida0
Bernard Shaw, Agnes Smedley, and Madame Sun Yat-sen0
“Built on the Money”: The Financialization of Capitalism and the Sense of History in Josie Rourke’s Stage Production of Shaw’s Saint Joan0
NOTICES0
Mercury’s Heartbreak : From Bernard Shaw to Orson Welles0
Bernard Shaw and the Charles Macdona Partnership: Part I0
Subverting the Melodramatic in The Devil’s Disciple0
Revisiting Mander and Mitchenson’s Companion (Theatrical Companion to SHAW: A Pictorial Record of First Performances of the Plays of G. B. S. with Synopses, Casts and Detailed Notes0
Shavian Perspectives on the Cusp of Change and War (Pygmalion, Heartbreak House, and St. Joan)0
Pygmalion in Ricoeurian Colors: Bernard Shaw, Paul Ricoeur, and the Shared Nexus between the Capable Human Being and Mutual Recognition0
Metadrama and Language (Language and Metadrama in Major Barbara and Pygmalion: Shavian Sisters)0
Two Translations of a Cockney Girl in Shaw’s Pygmalion: The Works of Julio Broutá and Floreal Mazía0
Philip Hagemann—a Shavian Composer?0
A Bibliography of Bernard Shaw’s Works in Japanese Translation in Memory of Masahiko Masumoto0
Shaw’s “The Miraculous Revenge” and its Possible Revelation0
INTERNATIONAL SHAW SOCIETY0
Water Supply and the Hygiene of the Poorest in G. B. Shaw’s Pygmalion0
Mrs Shaw Herself (Stage Version)0
Introduction0
NOTICES0
Pygmalion and the Technologies of Global English0
History and Religious Imagination: Bernard Shaw and the Irish Literary Revival—an Overview0
Irish Übermenschen (Nietzsche and Irish Modernism)0
“Un ‘Pygmalion’ québécois: une victoire”: Éloi de Grandmont’s Translation of Bernard Shaw’s Pygmalion0
The Joy of Taxes0
“Tomfoolery” That Deserves Our Attention (Playlets)0
Sigh No More ( Coward the Dramatist: Morals and Manners )0
Operatic Adaptations of Shaw’s Plays The Devil’s Disciple and The Music Cure0
Miss Baxter and Mrs. Warren0
Bernard Shaw, Augustin Hamon, and Common Sense about the War0
The Transformation of the Shavian New Woman: A Comparison of Pygmalion and Three Film Adaptations0
Personal and Political Marriages (Bernard Shaw: Reimagining Women and Ireland, 1892–1914)0
Growing Up Like Romola: The Spiritual Evolutions of George Eliot and Bernard Shaw0
A CONTINUING CHECKLIST OF SHAVIANA0
Conversation and Catering: Bernard Shaw and the Winstens—a Symbiotic Relationshipat Ayot St Lawrence and Beyond0
The Apple Cart & On the Rocks : Is Bernard Shaw a Supporter of Reformative Dictatorship?0
INTERNATIONAL SHAW SOCIETY0
International Shaw Society0
Political Extravaganzas and a Jonsonian Comedy0
Insights Deep Within: Layered Lives in Shaw and Woolf ( Bernard Shaw’s and Virginia Woolf’s Interior Authors: Censored and Modern )0
The Shaw Bot: Creating Literature Bots Using IBM Artificial Intelligence and Cloud Computing Platform0
A Selected Bibliography of Writings by Bernard Shaw on Americans and the United States0
Eliza Doolittle at Buckingham Palace: An Assessment of Shaw’s Impact in the Twentieth-First Century0
The “Shavian Pattern” of Hallucinatory Experience: Saint Joan and the Problem of the Voices0
Embodying Heroism in Saint Joan : Thorndike, Casson, Shaw, and the London Premiere that Reshaped the Modern Theater0
Shaw the Fighter (Bernard Shaw and the Censors. Fights and Failures, Stage and Screen)0
Remembering The Independent Shavian0
Shaw and India (Revisiting Shaw: George Bernard Shaw Looks at India)0
Bernard Shaw and the Charles Macdona Partnership: Part II0
War, Pandemic, and Immortality: 1918 and the Drama of Eternal Life0
Producing Mrs. Warren’s Profession in São Paulo, Brazil0
GBS Illustrated: Adrien Barrère: Shaw the Court Jester0
The Serbian Shaw0
INTERNATIONAL SHAW SOCIETY0
“Spirited Rebellion”: Theatre Workshop, the Living Theatre, and Bernard Shaw0
AI, Robot Shaw ( Bernard Shaw, Automata, Robots, and Artificial Intelligence )0
INTERNATIONAL SHAW SOCIETY0
Loosening the Stays: Victorian Shaw0
Ghosts, Part 2 or Getting Married: Shaw’s Emendation of the Ibsenian New Woman0
Bernard Shaw as Political Writer0
Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”)0
Bernard Shaw and Mrs. Patrick Campbell: A Corpus-Based Study of Their Correspondence0
Translation – Adaptation – Transcreation: Jitta’s Atonement, Translated by Bernard Shaw0
World Bettering Partnerships (Sidney and Beatrice Webb: An Academic Biography)0
NOTICES0
From the Shaw Bot to ChatGPT: An Assessment of ChatGPT and Recommendations for Improvement0
On Vegetarianism by Bernard Shaw0
Introduction0
Shaw’s Proposal and Churchill’s Hope0
INTERNATIONAL SHAW SOCIETY0
Shaw’s Criticism and Philosophy Dramatized0
Pygmalion in Paris0
Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals)0
Shaw Among the Utopians (Utopian Drama: In Search of a Genre)0
INTERNATIONAL SHAW SOCIETY0
On Translating Bernard Shaw’s Arms and the Man in Bulgarian0
The Quintessence of Ibsen’s A Doll’s House (Henrik Ibsen’s A Doll’s House)0
Introduction0
Bernard Shaw at the Brighton School of Art: A Lecture on “Art and Public Money”0
Introduction: Bernard Shaw and the New Modernist Studies0
Amending Shakespeare: Bernard Shaw’s Displeasure with Cymbeline, Act 5, in the Contexts of Modern Bardolatry and Syncretism0
Introduction0
A Superb Resource for Lovers of Shaw0
20th Anniversary of The International Shaw Society0
Mourning Agnes: The Hidden Impact on Bernard Shaw of the Death of His Sister0
Shaw Disarms the Man: War, Colonialism, and Theater in the 1890s (Arms and the Man, The Devil’s Disciple, and Caesar and Cleopatra)0
Was Shaw a Victorian? We Need to Ask Another Question0
Adaptation, Litigation, and Petrifaction: Bernard Shaw and That “loathsome plagiarism” The Chocolate Soldier0
The Sewing Machine and Spectral Presences: Connolly, Shaw, and O’Casey0
Shaw Abroad—Art Without Dragons (Bernard Shaw and the Spanish-Speaking World)0
The Zombie Comstock Law and Shaw: Contraceptives and Abortions0
A CONTINUING CHECKLIST OF SHAVIANA0
Finding Shaw Among His Irish and Chinese Contemporaries (The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters)0
“Mrs Shaw Herself”: An Introduction0
Cultural Hybridity, Discordant Relationships, and Critical Perspectives0
GBS Illustrated: Shaw the Film Star0
Shavians in Colonial Ghana: Kobina Sekyi and Mabel Dove0
NOTICES0
Introduction0
“Whole Play Complete, Only Waiting to Be Filled Out”: The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton0
Shaw’s Village Wooing: Love and Language from A to Z0
Heroism and Anti-Heroism: From Arms and the Man to Saint Joan0
“I’m a slave now, for all my fine clothes”: Bernard Shaw’s Pygmalion and the Dido Myth0
Introduction0
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