Yearbook for Traditional Music

Papers
(The TQCC of Yearbook for Traditional Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Fostering Reconciliation through Collaborative Research in Unama’ki: Engaging Communities through Indigenous Methodologies and Research-Creation4
Musicking and DancingImbaluat Namasho: Enacting Indigenous Education Among the Bagisu, Uganda3
Women’s Role in Preserving Lament Songs in the Villages of Gjirokastër, Albania2
“That is Why I am Telling this Story”: Musical Analysis as Insight into the Transmission of Knowledge and Performance Practice of a Wapurtarli Song by Warlpiri Women from Yuendumu, Central Australia1
From Galilee Villages to the Mountains of Al-Sham: Local and Regional Musical Networks among Palestinian Arab Wedding Musicians in Northern Israel1
Naniwa-bushi in Hawai‘i: The Rise and Fall of a Japanese Narrative Art in Diaspora1
Banding Together in Cape Town and Lagos: Engaging Reciprocity as Applied Ethnomusicology1
Looking for the Past: History and Change in Traditional Music Studies in Chile (1990–2020)1
János Fügedi, Colin Quigley, Vivien Szőnyi, and Varga Sándor. Foundations of Hungarian Ethnochoreology: Selected Papers of György Martin. Budapast: Research Centre for the Humanities Institute for Mus1
Roma. 2018. Directed by Alfonso Cuarón, 135 minutes. Mexico: Espectáculos Fílmicos El Coyúl, Pimienta Films; Los Angeles: Participant Media; Sherman Oaks, CA: Esperanto Filmoj (available on Netflix).1
The Act of Singing: Women, Music, and the Politics of Truth and Reconciliation in Indonesia1
Forging Aztecness: Twentieth-Century Mexican Musical Nationalism in Twenty-First Century Los Angeles1
Histories of the Ephemeral. Podcast series hosted by Katherine Butler Schofield. In English.1
BetweenFaqīrandFankār? Sounding Complex Subjectivities through Shah Jo Rāg in Sindh, Pakistan1
Allow Peace to Reign: Musical Genres ofFújìandIslamicAllegorise Nigerian Unity in the Era of Boko Haram1
Stephen Jones: a blog. Produced by Stephen Jones. Written in English with recordings in Chinese and other languages. URL: https://stephenjones.blog/1
Music Research and the Sound Archive: A Meditation on Ethnomusicological Engagement with Collection-Oriented Research and Re(p)(m)atriation1
Affective Aspirations of Activist Musical Diplomacy at the Bicentennial Celebration of Brazilian Independence in Lisbon1
Yuesheng Shengnian 樂生聲年 / Those Days @ THE Confucius Temple. Directed and edited by Chuang Min Tsy 壯敏慈 (2019), 45 minutes. Taipei: M. F. A. graduation film, Graduate Institute of Ethnomusicology, Nati0
Stefan Fiol. Recasting Folk in the Himalayas: Indian Music, Media, and Social Mobility. Urbana: University of Illinois Press, 2017. xiii, 228 pp., list of illustrations, notes, glossary, bibliography,0
Barley Norton, and Naomi Matsumoto, eds. Music as Heritage: Historical and Ethnographic Perspectives. London: Routledge, 2019. xiv, 320pp., list of figures, bibliography, index. ISBN 978-1138228047 (h0
Rebecca Dirksen. After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti. New York: Oxford University Press, 2020. xl, 441 pp., list of illustrations, companion websi0
YTM volume 53 Cover and Front matter0
Adil Johan, and Mayco A. Santaella, eds. Made in Nusantara: Studies in Popular Music. New York: Routledge, 2021. 265pp., list of figures, bibliography, index. ISBN 9780367428464 (paperback), ISBN 97800
Playing the Flute in Shanghai: The Musical Life of Dai Shuhong [沪上箫声:戴树红先生的音乐人生]. 2021. Directed by Helen Rees and Aparna Sharma, 84 minutes. In Chinese with English subtitles. Colour, D0
Siv B. Lie Django Generations: Hearing Ethnorace and Jazz Manouche in France. Chicago and London: University of Chicago Press, 2021. 248 pp. Notes on terminology, list of figures, companion website, a0
Yi Ji-young Gayageum Compilation—Silk Butterfly. 2018. AkdangEban, Inc. ADCD012–017. Mastered by Min Ji-Yeon (Studio Paju). Design by Min Hye-jung (designtuesday). Manufactured by JungMin Printech. 750
Leonardo D’Amico. Audiovisual Ethnomusicology: Filming Musical Cultures. Bern, Switzerland: Peter Lang, 2020. 16,470 pp. bibliography, filmography, list of figures, films listed by content categories.0
Ya Lalla: Jewish Saharans Singing to Birth (https://yalalla.org.uk/) and Past and Present Musical Encounters Across the Strait of Gibraltar: Ya Lalla: A Sonic & Visual Spotlight on Wo0
Between War, Politics, and “Something Nice Back Home”: Uncovering the First Mozambican Experiences within the “World Music” Market (1987–1994)0
Un violador en tu camino: An artistic intervention against patriarchal injustice in Chile0
Jing Wang. Half Sound, Half Philosophy: Aesthetics, Politics, and History of China’s Sound Art. Bloomsbury Academic, 2021. xiv, 232 pp., glossary of terms, bibliography, index. ISBN 978-1501333484 (ha0
Shin Kwaedong-ryu Geomungo Pungnyu Jeonbatang [Full Repertoire of Shin Kwaedong Style Geomungo Pungnyu]. Label Sosul WMED0958. Performed by Yi Hyeonghwan and Kim Youngjae. Recorded by Pa0
Naamyam Songs of Love and Longing (訴衷情:杜煥瞽師地水南音精選), Hong Kong’s Cultural Treasure 1. 2007. Performed by Dou Wun. Produced by Yu Siu-wah. Hong Kong: Bailey Record Co. and the Chinese Music Archive of t0
The Journal of Audiovisual Ethnomusicology (JAVEM). Edited by Ben Harbert and Frank Gunderson. 2022. URL: https://javem.org/0
Political Participation and Engagement in East Germany Through ChileanNueva Canción0
Phursang Kelak Lama: Tibetan Buddhist Religious Music from the Kagyu School. 2017. Pan Records 2064. Recorded by Michael Monhart (tracks 1–4) and Bernard Kleikamp (tracks 5–15). Annotated by Michael M0
Bai Opera: Only the Mountain Echo Responds. 2017. Produced by Bernard Kleikamp. Project directed by Zhang Xingrong. Anthology of Music in China 10. Ethnic Series PAN 2120. Liner notes and (colour) pho0
Ulrich Morgenstern, and Ardian Ahmedaja, eds. Playing Multipart Music: Solo and Ensemble Traditions in Europe (European Voices IV). Vienna: Böhlau, 2022. 319 pp., list of audiovisual examples, 0
Flamenco Trilogy. 1981; 1983; 1986. Directed by Carlos Saura, 4 hours 15 minutes. Spain: Corporación de Radio y Televisión Española, S.A (Spanish Radio and Television Corporation).0
John Holmes McDowell, Katherine Borland, Rebecca Dirksen, and Sue Tuohy, eds. Performing Environmentalisms: Expressive Culture and Ecological Change. Urbana and Chicago: University of Illinois Press, 0
“Purity Is for Chumps”: Filmmakers Reflect on Their Musical Traditions0
Long Hu Wu Shi (Kung Fu Stuntmen). 2020. Directed by Wei Junzi, 92 minutes. Hong Kong and Beijing, China: Hong Kong Stuntman Association and Acme Image (Beijing) Film Cultural Co.0
Frank Gunderson. The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka: Rhumba Kiserebuka! Lanham, MD: Lexington Books, 2018. liii, 299 pp., list of figures, maps, audio examples, gloss0
Cambodian Living Arts (). In English and Khmer. URL: https://www.cambodianlivingarts.org/0
Cuban Chinese. 2010. Directed by Pok Chi Lau. 24 minutes. <https://vimeo.com/18304444>. - Havana Divas. 2019. Directed by Louisa Wei. 96 minutes. Hong Kong: Blue Queen Cultural Communication.0
Veit Erlmann. Lion’s Share: Remaking South African Copyright. Durham, NC, and London: Duke University Press, 2022. xii, 386 pp., appendix, notes, bibliography, index. ISBN 9781478016328 (hardcover) an0
RomArchive—Digital Archive of the Roma. Directed by Franziska Sauerbrey and Isabell Raade. Music section curated by Petra Gelbert, Carol Silverman, and Siv B. Lie. In English, German, and Romani. URL:0
The Cairo Congress of Arab Music 1932. 2015. Sound restoration by Luc Verrier. Original text by Bernard Moussali, edited by Jean Lambert and Pascal Cordereix. Produced by Bibliothèque nationale de Fra0
Sarah Weiss. Ritual Soundings: Women Performers and World Religions. Urbana, Chicago, and Springfield: University of Illinois Press, 2019. x, 181pp., notes, bibliography, index. ISBN 978-0252042294 (h0
Veronica Doubleday and John Baily: Silken Threads. 2019. Sempre/sonustech SETHCD0102. Recorded, engineered, produced, and mastered by Evangelos Himonides. Annotated and produced by Veronica Doubleday 0
Jessica Roda. Se réinventer au présent: Les Judéo-espagnols de France. Famille, communauté et patrimoine musical. Rennes: Presses universitaires de Rennes, 2018. 268 pp., 43 b/w figures, bibliography.0
Gangbe in Badagry, Nigeria: Ogu Women’s Performance Practice, Social Status, and Creative Agency0
Hilde Roos. The La Traviata Affair: Opera in the Age of Apartheid. Oakland, California: University of California Press, 2018. xiii, 271 pp., list of illustrations, note on terminology, appendices, not0
Agangamasor & His Magic Power. 2021. Produced by Joanna Pecore. Smithsonian Folkways Recordings SFW CD 50410. Recorded, mixed, and mastered by Pete Reiniger. Concept and artistic direction by Sara0
Yuan Zheng Yang. Dragon’s Roar: Chinese Literati Musical Instruments in the Freer and Sackler Collections. Hirmer Publishers, 2020. xvii, 240 pp., appendices, chronology, list of tables and figures, g0
Dream of the Bridal Chamber. 2005. Directed by Guo Baochang, 88 minutes. China: Digital Cinema Package (DCP).0
Margaret Kartomi, ed. Performing the Arts of Indonesia: Malay Identity and Politics in the Music, Dance and Theatre of the Riau Islands. Copenhagen: NIAS Press, 2019. xx, 368 pp., list of maps, figure0
YTM volume 54 issue 1 Cover and Front matter0
An Artistic Product of Globalised Singapore? The Damaru Pan-Indian Folk Drumming Ensemble0
The Burda: Reweaving the Mantle, Renovating Arab Music Tradition between Egypt and the Arab Levant0
Marina Peterson. Atmospheric Noise: The Indefinite Urbanism of Los Angeles. Durham and London: Duke University Press, 2021. 256 pp., B/W photographs, figures, bibliography, notes, index. ISBN 978147800
A History of Chinese Musical Instrument Education in Toronto0
Eva Tsai, Tung-Hung Ho, and Miao-Ju Jian, eds. Made in Taiwan: Studies in Popular Music. New York: Routledge, 2019. xix, 288 pp., illustrations, bibliography, index. ISBN 978-0815360155 (hardback) and0
Amanda Harris, Linda Barwick, and Jakelin Troy, eds. Music, Dance, and the Archive. Sydney: Sydney University Press, 2022. vii, 187 pp., black/white illustrations, figures, tables, index. ISBN 97817430
Digging in the Crates with Analog Africa - Angola Soundtrack 2: Hypnosis, Distortions and Other Sonic Innovations. 2014. Produced and with liner notes by Samy Ben Redjeb. Analog Africa CD AALP075. Ma0
Rolling Thunder Revue: A Bob Dylan Story. 2019. Directed by Martin Scorsese. Available on Netflix; also on DVD by Criterion Collection.0
YTM volume 55 issue 1 Cover and Back matter0
YTM volume 52 Cover and Back matter0
François Guesnet, Benjamin Matis, and Antony Polonsky, eds. Polin: Studies in Polish Jewry Volume 32: Jews and Music-Making in the Polish Lands. London: The Littman Library of Jewish Civilization in a0
Celtic Music Festivals in Portugal: Europeanisation, Urban Regeneration, and Regional Development0
General Editor’s Preface0
Memory, Knowledge, and Experience: North Koreans in Britain Reflect on the Music and Dance of Their Distant Homeland0
YTM volume 52 Cover and Front matter0
Mae Mai. Produced by Jon Silpayamanant. In English. URL: https://silpayamanant.wordpress.com/0
Archives musicales d’Afrique de l’Ouest: Les années 1970 à Bouaké / Musical Archives of West Africa: The 1970s in Bouake (Collection Bernard Mondet). 2020. Musée d’ethnographie de Genève MEG-AIMP 117.0
Lonán Ó Briain. Voices of Vietnam: A Century of Radio, Red Music, and Revolution. New York: Oxford University Press, 2021. xiii, 205 pp., list of illustrations, list of abbreviations, notes, reference0
Sekuru’s Stories. Website and digital album co-authored by Tute Chigamba and Jennifer Kyker; all recordings by Kyker unless otherwise indicated. In English and chiShona (Sh.). URL: www.sekuru.org (web0
Pala’wan Highlanders Verbal Arts: A Living Memory in South-East Asia / Les arts de la parole des montagnards Pala’wan: une mémoire vivante en Asie du Sud-Est. 2017. Documented and Directed by Nicole R0
Vari-Colored Songs: A Tribute to Langston Hughes. 2020[2013]. Smithsonian Folkways Recordings (African American Legacy Series co-produced with the Smithsonian National Museum of African American Histo0
Drumming and Dancing in Mahābhārata Performances of the Himalayas: Possession as Transitional States0
Stephen Jones: a blog. Produced by Stephen Jones. Written in English with recordings in Chinese and other languages. URL: https://stephenjones.blog/ – CORRIGENDUM0
YTM volume 53 Cover and Back matter0
Marié Abe. Resonances of Chindon-ya: Sounding Space and Sociality in Contemporary Japan. Middletown, CT: Wesleyan University Press, 2018. xxv, 252 pp., acknowledgements, note on the companion website,0
Songs of the Solomon Islands. 2017. A Tree With Roots Music. Recorded and produced by Andrew Murphy and David Bettencourt. Accompanied by video report available at https://atreewithrootsmusic.wordpres0
Tes Slominski. Trad Nation: Gender, Sexuality and Race in Irish Traditional Music. Middletown, CT: Wesleyan University Press, 2020. xii, 256 pp., notes, bibliography, index. ISBN 978-0819579270 (hardb0
Sound Portraits from Bulgaria: A Journey to a Vanished World 1966–1979 / Звукови картини от България: пътешествие в един изчезнал свят0
Home Coming: The Ethnography of Dong (Kam) People’s New Year “Chun Jie” in Xiaohuang Village. Huí Jiā: Dòngzú Xiǎohuáng Cūn Chūnjié Līsú Zhì. Directed and edited by Zhiyi Qiaoqiao Cheng. Photographed 0
Entre guerra, política e “uma visão positiva lá de casa”: Descortinando as primeiras experiências moçambicanas na senda da “World Music” (1987-1994)0
Deborah Wong. Louder and Faster: Pain, Joy, and the Body Politic in Asian American Taiko. Oakland, CA: University of California Press, 2019. xvi, 273 pp., list of figures, list of video and audio exam0
Mê Thảo Thời Vang Bóng (The Glorious Time in Mê Thảo Hamlet). 2002. Directed by Việt Linh, 108 minutes. Vietnam: Hãng Phim Giải Phóng (Liberation Film Company).0
Avanegar: A History of Music Transcription in Iran. 2022. Produced, filmed, and edited by Behrouz Jamali, 60 minutes. DVD. Washington DC: Dimension Media.0
Mariachi Musicians and Collective Grief during the COVID Pandemic in Southern California0
Dialogue on Multimedia Resources, Music Education, and My People Tell Stories0
Ethnomusicology Today. Produced by Society for Ethnomusicology. Edited by Trevor S. Harvey. In English. URL: https://www.ethnomusicology.org/members/group_content_view.asp?group=156353&id=5345620
Nikos Ordoulidis. Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music. New York: Bloomsbury, 2021. 198 pp., B/W photographs, bibliographical references, index. ISBN 978150
General Editor’s Preface0
YTM volume 55 issue 1 Cover and Front matter0
General Editor’s Preface0
An Unorthodox Voice: The Rise of FemaleQinshi, Their Challenges, and Their Pursuits0
Inside Llewyn Davis. Written, directed, produced, and edited by Joel and Ethan Coen (2013), 105 minutes. Paris: StudioCanal; London: Anton Capital Entertainment; New York: Scott Rudin Productions, Mik0
Hearing Cosmopolitan Nationalism in the Work of Fairuz and the Rahbani Brothers0
Songs to Revitalise Community Solidarity among the Indigenous Mah Meri of Malaysia0
Crossing over the Arirang Pass: Zainichi Korean Music. 2018. In Japanese and Korean with English subtitles, directed by Ko Jeongja and Terada Yoshitaka, produced by the National Museum of Ethnography,0
Evading National Identity: On Translocal Irish Folk Music in Austria0
YTM volume 54 issue 2 Cover and Back matter0
YTM volume 54 issue 2 Cover and Front matter0
Unforgotten––Music from the Balkans and Anatolia. 2020. TouMilou Music, Pan Records. Produced by Michiel van der Meulen and Bernard Kleikamp. Performed by Čalgija. Annotated by Michiel van der Meulen.0
Wu Fei and Abigail Washburn. 2020. Smithsonian Folkways Recordings SFW40236. Produced by Béla Fleck. Performed by Wu Fei and Abigail Washburn. Liner notes by Xiaoshi Wei, Wu Fei, and Abigail Washburn.0
Gamelan Joged: Bali’s Orchestra of Bamboo Marimbas. 2014. Vital Records CD 660. Recorded, annotated, and produced by Wayne Vitale. 8-page liner notes. B/W photographs. CD, 5 tracks (74:10). Recorded i0
Bonnie B. McConnell Music, Health, and Power Singing the Unsayable in The Gambia. New York: Routledge, 2020. 176 pp., figures, recorded selections on the accompanying website, list of abbreviations, o0
Bulang Music: From the Mountains to the Stars 《布朗音乐——从高山到星星》. 2023. Written and directed by Leonardo D’Aimco. Produced by MULTI CULTI. 42 minutes. In Chinese with English narration and subtitles in Ch0
Charles Fairchild. Musician in the Museum: Display and Power in Neoliberal Popular Culture. Bloomsbury Publishing USA, 2021. viii, 255 pp., list of illustrations, bibliography, index. ISBN 978-1-5013-0
Andrea Motis. La trompeta silenciosa. Una història sobre el tromf de la senzillesa. 2018. Directed by Ramon Tort, 81 minutes. Spain: Set Màgic Audiovisual & A Film About Quiet Jazz A.I.E. (availab0
YTM volume 54 issue 1 Cover and Back matter0
Subhas Chanda. The Imdadkhani Baj: India’s Premier Sitar Gharana. Sangeet Natak Akademi and Akansha Publishing House, 2020. xi, 97 pp., appendix, with CD. ISBN 978-8183705493 (hardback).0
Contributors to this Volume0
Andrew Killick. 2020. Global Notation: Visualizing the World’s Music. In English. http://globalnotation.org.uk.0
Talíře nad Velkým Malíkovem (Flying Saucers Over Our Village / Flying Saucers Over Velký Malikov). 1977. Directed by Jaromil Jireš, 89 minutes. Prague, Czech Republic: Filmové Studio Barrandov.0
Jessica A. Schwartz Radiation Sounds: Marshallese Music and Nuclear Silences. Durham and London: Duke University Press, 2021. xi, 299 pp., B/W photographs, figures, notes, bibliography, index. ISBN 970
Kerstin Klenke. The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era. Abingdon and New York: Routledge, 2019. xiv, 330 pp., list of figures, eResources, bibliography, index. IS0
Guest Editors’ Preface0
Victoria Lindsay Levine, and Dylan Robinson, eds. Music and Modernity among First Peoples of North America. Middletown, CT: Wesleyan University Press, 2019. xviii, 330 pp., notes, bibliography, about 0
SanDance!: A Journey to the Heart of Africa’s San Dance Culture. 2020. Directed and written by Richard Wicksteed. Produced by Richard Wicksteed and Edwin Angless. Sixty minutes. DVD and DSL (Digital S0
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