Opera Quarterly

Papers
(The TQCC of Opera Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
“Whether it has a certain musical form, maybe no one cares, except for some people”: George E. Lewis, Sean Griffin, and Catherine Sullivan talk with Alexander K. Rothe about Afterword, an opera1
Jeremy Eichler, Time’s Echo: The Second World War, the Holocaust, and the Music of Remembrance0
Between Exclusivity and Accessibility: An Analysis of Instagram Branding at Two Nordic Opera Companies0
Breathe in the World (the problems with you, me, we, they, hear and see)0
Dramaturgies of the Ear: Experiments in Opera’s Expanded Field. A Note from the Guest Editor0
Complaint and the Aesthetics of Inexpression0
Opera and Film in the Loop: Persona Speaking, Persona Singing. A Conversation with Composer Keeril Makan0
Dossier: Romeo Castellucci: Il Combattimento (2000–2001)Edited by Mauro Calcagno0
The Tense Present0
Innere Stimme: Recordings and the Imaginal Engagements of the Ear0
“To see what lovely Japanese our young people can be”: American Jewish Community Performance, Racial Appropriation, and Gilbert and Sullivan’s Mikado, 1885–19390
What Opera Can Be: Joan La Barbara and Gelsey Bell in Conversation0
Franz Lehár’s Das Land des Lächelns and Totalitarian Listenership0
Jennifer Walshe on Opera, Music Theater, and Collaboration: Interview by Elaine Fitz Gibbon0
Leveling Up in Oper Frankfurt’s Lost Highway (2018)0
Dossier: Romeo Castellucci: Il Combattimento (2000–2001)Edited by Mauro Calcagno0
Transcribing Disnarration0
When Film Becomes Opera: The Challenges of Adaptation on the Verge of Metamorphosis0
The CHEAP Collective’s Magic Flute: An Opera in Six Steps0
Philip Glass’s Cocteau Trilogy, or the Multiple Ways of Adapting Film into Opera0
In Opera, the Close-up Is the Aria0
In Ear-Shot: Lin-Manuel Miranda’s Hamilton: An American Musical0
Omar at the San Francisco Opera0
Experiments in Opera Today: Opera and Multidisciplinary Art after 2000 – A Note from the Guest Editors0
Graphanalysis, Technological Reproduction, and the Acoustical Unconscious: Reflections on an Error in Beckett’s Krapp’s Last Tape0
My approach is always empathy0
“You died yesterday, I’m sorry for your loss”: After Life in Film and Opera0
Dallapiccola’s Ulisse in Frankfurt0
low intensity conflicts—a mini-opera for non-musicians0
Afterthoughts on Lost Highway0
Opera on the Way: Jonathan Harvey’s Wagner Dream0
Puccini’s Material Girls: Tensions of the Spiritual Body in Le Villi0
From Film to Opera – A Note from the Guest Editors0
Abandoned or Embalmed?: A Semi-Staged Conversation Between Nina Sun Eidsheim and Juliana Snapper0
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