Opera Quarterly

Papers
(The TQCC of Opera Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
“Whether it has a certain musical form, maybe no one cares, except for some people”: George E. Lewis, Sean Griffin, and Catherine Sullivan talk with Alexander K. Rothe about Afterword, an opera2
Opera Fandom in the Digital Age: A Case Study from the Teatro alla Scala1
Jennifer Walshe on Opera, Music Theater, and Collaboration: Interview by Elaine Fitz Gibbon0
Experiments in Opera Today: Opera and Multidisciplinary Art after 2000 – A Note from the Guest Editors0
Omar at the San Francisco Opera0
“To see what lovely Japanese our young people can be”: American Jewish Community Performance, Racial Appropriation, and Gilbert and Sullivan’s Mikado, 1885–19390
In Opera, the Close-up Is the Aria0
My approach is always empathy0
“You died yesterday, I’m sorry for your loss”: After Life in Film and Opera0
Opera and Film in the Loop: Persona Speaking, Persona Singing. A Conversation with Composer Keeril Makan0
The CHEAP Collective’s Magic Flute: An Opera in Six Steps0
Philip Glass’s Cocteau Trilogy, or the Multiple Ways of Adapting Film into Opera0
Hearing Real Magic in …(Iphigenia)0
Between Exclusivity and Accessibility: An Analysis of Instagram Branding at Two Nordic Opera Companies0
Breathe in the World (the problems with you, me, we, they, hear and see)0
Abandoned or Embalmed?: A Semi-Staged Conversation Between Nina Sun Eidsheim and Juliana Snapper0
From Film to Opera – A Note from the Guest Editors0
Francesca Vella, Networking Operatic Italy0
Puccini’s Material Girls: Tensions of the Spiritual Body in Le Villi0
Transcribing Disnarration0
When Film Becomes Opera: The Challenges of Adaptation on the Verge of Metamorphosis0
Afterthoughts on Lost Highway0
Leveling Up in Oper Frankfurt’s Lost Highway (2018)0
Svadba on the Beach: Opera for the Streaming Age0
Bearing Witness: Critical Reception and Operatic Activism in Beck and Fleischmann’s Another City0
Detroit’s Bohème0
Axel Körner and Paulo M. Kühl, ed. Italian Opera in Global and Transnational Perspective: Reimagining Italianità in the Long Nineteenth Century0
What Opera Can Be: Joan La Barbara and Gelsey Bell in Conversation0
Rehearsing Callas0
Dallapiccola’s Ulisse in Frankfurt0
low intensity conflicts—a mini-opera for non-musicians0
The Tense Present0
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