Opera Quarterly

Papers
(The median citation count of Opera Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Voice, Race, and Imperial Ethnology in Colonial Siam: Madama Butterfly at the Court of Chulalongkorn1
Review Colloquy: 7 Deaths of Maria Callas, Live stream from the Bayerische Staatsoper, Munich, September 20201
Opera’s Inconvenient Truths in the Anthropocene Age: CO2 and Anthropocene1
When Film Becomes Opera: The Challenges of Adaptation on the Verge of Metamorphosis0
Beastly Variations: Allegories on Race, Migration, and Marriage0
Opera Fandom in the Digital Age: A Case Study from the Teatro alla Scala0
Puccini’s Material Girls: Tensions of the Spiritual Body in Le Villi0
My approach is always empathy0
Minding the Gap: The Politics of the Body-Voice Relationship in Multimedia Opera0
Hearing Real Magic in …(Iphigenia)0
Francesca Vella, Networking Operatic Italy0
The Tense Present0
A Visceral Circus Experience: Death Camps in the Time of Coronavirus0
Transcribing Disnarration0
Svadba on the Beach: Opera for the Streaming Age0
In Opera, the Close-up Is the Aria0
Between Exclusivity and Accessibility: An Analysis of Instagram Branding at Two Nordic Opera Companies0
Rehearsing Callas0
“To see what lovely Japanese our young people can be”: American Jewish Community Performance, Racial Appropriation, and Gilbert and Sullivan’s Mikado, 1885–19390
A “Fantasia” Goes Digital: Heartbeat Opera’s Lady M Virtual Soirée0
The Lighthouse: A Tale of Collective Madness0
Erratum to: “Opera’s Inconvenient Truths in the Anthropocene Age: CO2 and Anthropocene” doi: 10.1093/oq/kbaa0110
Opera and Film in the Loop: Persona Speaking, Persona Singing. A Conversation with Composer Keeril Makan0
Live in the Limo: Remediating Voice and Performing Spectatorship in Twenty-First-Century Opera0
Philip Glass’s Cocteau Trilogy, or the Multiple Ways of Adapting Film into Opera0
Roger Parker and Susan Rutherford, eds. London Voices, 1820 − 1840: Vocal Performers, Practices, Histories0
Dallapiccola’s Ulisse in Frankfurt0
Axel Körner and Paulo M. Kühl, ed. Italian Opera in Global and Transnational Perspective: Reimagining Italianità in the Long Nineteenth Century0
Leveling Up in Oper Frankfurt’s Lost Highway (2018)0
“You died yesterday, I’m sorry for your loss”: After Life in Film and Opera0
Harriet Boyd-Bennett, Opera in Postwar Venice: Cultural Politics and the Avant-Garde0
From Film to Opera – A Note from the Guest Editors0
Absence Makes the Heart Grow Fonder:The Met “At Home” Gala0
Suzanne Aspden, ed. Operatic Geographies: The Place of Opera and the Opera House0
Detroit’s Bohème0
Desiring the Countertenor: Operatic Indulgence in Corigliano and Adamo’s The Lord of Cries0
Afterthoughts on Lost Highway0
Omar at the San Francisco Opera0
Bearing Witness: Critical Reception and Operatic Activism in Beck and Fleischmann’s Another City0
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