OOIR: Observatory of International Research

Papers

(The median citation count of American Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Is Country Music Quintessentially American?	9
This Is (Not) America(n Music)	1
Indonesian Cultural Diplomacy and the First International Gamelan Festival and Symposium at Expo 86	1
Herrman S. Saroni: Paths to Success as a Composer in New York, 1844–52	1
Navigating Black Identity and White Desire: Seven-Eleven and the 1920s Crossover Musical Comedy	1
Stephen Foster and the Slavery Question	1
The Sonic Politics of the US Abortion Wars	1
“We Provide a Place to Not Be Okay”: Emotional Labor in Performance and Queer Amateur Music Spaces	1
Nonmusicians as “Pillars” and “Icons” of US DIY Music Scenes	1
Music, Memory, Pixar	1
Animated Broadway: Disney and Musical Theater in the 1990s and Early 2000s	1
Soaring into Song: Youth and Yearning in Animated Musicals of the Disney Renaissance	1
Doing Tai Chi with “American Music”	1
Make Mine Pop Music: Walt Disney Films and American Popular Music, 1940–1955	1
Snow Whiteand the Seventh Art: Sound, Song, and Respectability in Disney’s First Feature	0
Rock ’n’ Roll (Archipelagic American Music Studies)	0
Capitalism and the Future of American Classical Music Scholarship	0
Editor's Introduction	0
Podcasts, Partnerships, and Laboratories for American Music	0
What's at Stake? Considering the Case for “Asian American Jazz”	0
“Doing the hearing, the making, and the explaining”: Putting the Work of Guthrie P. Ramsey, Jr., and Camille Norment in Conversation	0
Diaghilev's Ballets Russes in the American Midwest	0
Una historia de la música colonial hispanoamericana	0
Im/Mobility Paradox: Jazz Making in the Incarceration Camps of World War II	0
Nostalgia for a Past Futurism: The Main Street Electrical Parade	0

Earl Scruggs and “Foggy Mountain Breakdown”: The Making of an American Classic	0
A “Brilliant Talk” and a “Stirring Appeal”: How Women of Grand Rapids, Michigan, Built an Audience for the Ballets Russes in 1917	0
Cooking Lessons: Guthrie P. Ramsey's Generational Influence	0
Music, Movement Culture, and the Politics of Bodily Health	0
Wagner on the Midway: Reassessing Sonic Divisions at the 1893 World's Columbian Exposition	0
Touring the Screen: Cinematic Resonances of Diaghilev's Ballets Russes	0
“One Fine Night in Veracruz”	0
A Leap of Faith with Dr. Guthrie Ramsey	0
From Moana to Vaiana: Voicing the French and Tahitian Dubbed Versions of Disney’s Moana	0
Imported Sophistication: The Ballets Russes Tours of the 1930s–50s and Toronto's Quest for Cultural Significance	0
Forgetting and Remembering: The Case of Leo Sowerby’sThe Canticle of the Sun	0
“Something New in the Musical Line”: The Emergence of the Song Recital during the 1870s and 1880s	0
“The Most Misunderstood Man in the Territory?”: Jud Fry and the Politics of Oklahoma! (1943) in the Twenty-First Century	0
Conference Report: Asian/American Jazz: Past, Present, Future	0
Transpacific Im/Mobilities: Two Movements in Nisei Musical Practice	0
Moments	0
How a White Supremacist Became Famous for His Black Music: John Powell andRhapsodie nègre(1918)	0
Applying Commemorative Museum Pedagogy to Public Music Studies	0
“If That Be Treason, Let Them Make the Most of It!”: Olin Downes, the Spanish Civil War, and Civil Liberties in the United States	0
“The Music Industry Funds Private Prisons”: Analyzing Hip-Hop Urban Legend	0
Virtual Citizenship and Revolutionary Transatlantic Republicanism in the Musical Lives of Exiled United Irishmen	0
Bossa Mundo: Brazilian Music in Transnational Media Industries	0
The Music of the Accordion and Bajo Sexto: Cultural Heritage at the U.S.–Mexico Border	0
Women's Work in Music	0
Race and the Legacy of the World’s Columbian Exposition in American Popular Theater from the Gilded Age toShow Boat(1927)	0
The 701 Articles of American Music: A Quantitative Study of Forty Years of Scholarship	0
Performing Tsarist Russia in New York: Music, Émigrés, and the American Imagination	0
The Invention of Latin American Music: A Transnational History	0
Leonard Bernstein and the Language of Jazz	0
The Multimusicverse of Jon Jang	0
The Way We Do the Things We Do: “Staying in the Pocket” with Guthrie P. Ramsey, Jr.	0
“Do You Hear Me, Though?”: Ramsey and the Politics of Black Music Inquiry	0
Working Collectively: Thoughts toward a Better Music Studies from the Project Spectrum Graduate Student Committee	0
Chicago, the “City We Love to Call Home!”: Intersectionality, Narrativity, and Locale in the Music of Florence Beatrice Price and Theodora Sturkow Ryder	0
What Will I Be: American Music and Cold War Identity	0
Guest Editor’s Introduction	0
Silent No More: Anti-Asian Racism in Music	0
Black and Asian Stories, Citations, and Epistemic Shifts in American Music Studies: A Response to Guthrie P. Ramsey, Jr.	0
Public Musicology, Public Radio: Some Approaches to Diversity, Equity, and Inclusion from Classical Radio	0
The New Jazz Studies Continues	0
“It Must Be Preserved”: Adolph Bolm's Revival of Le Coq d'Or	0
Distortion and Subversion: Punk Rock Music and the Protest for Free Public Transportation in Brazil (1996–2011)	0
Not Yet “Bridging the Gender Gap”: Women’s Experiences in Composing for the Twenty-First-Century Wind Ensemble	0
Island Gospel: Pentecostal Music and Identity in Jamaica and the United States	0
American Gamelan and the Ethnomusicological Imagination	0
Black Musicological World-Making in Who Hears Here?	0
Composing a Nation in Crisis: Musical Americanism and US National Identity in Elie Siegmeister's Vietnam War Works	0
Skin in the Game: The Ethics of Who Hears Here?	0
“You Gotta Accentuate the Positive”: Japanese American Affirmation and Resilience in The Camp Dance: The Music and the Memories	0
Elite Art Worlds: Philanthropy, Latin Americanism, and Avant-garde Music	0

Significant Difference in American Music Studies	0
Smears, Laughs, and Barnyard Hokum: Early Jazz Trombone and the Problem of Novelty	0
Elizabeth Taylor Greenfield's Mid-to-Late Career, Philanthropy, and Activism in Nineteenth-Century America	0
“Let me just share my screen”: Perspectives on the Discipline through the Prism of Pandemic Online Conferences	0
Defining Conjunto Quantitatively: Classical and Modernist Styles in a Texas-Mexican Genre	0
Jazz Places: How Performance Spaces Shape Jazz History	0
Reparations in Music Scholarship	0
Finding the “Frontier” in a Page of Music: Imperial Evidence and the Legacy of Settler Colonialism	0
Front Matter	0
Launchpads, Observation Decks, and Springboards	0
“A Very Ingenious and Superior Invention”: Sailing Ship Windlass Technology and the Burgeoning of Sailors’ Chanties	0
Unsettled Scores: Politics, Hollywood, and the Film Music of Aaron Copland & Hanns Eisler	0
Asian American Female Composers and Digital Memory	0
Músicas coloniales a debate: Procesos de intercambio euroamericanos	0
Bars	0
Musicking in Lumpkin County, Georgia, 1909–1928	0
The Art of the Black Feminist Scholar-Performer	0
Rethinking American Music	0
Cambodian American Listening as Memory Work	0
Polycultural Synthesis in the Music of Chou Wen-chung	0
The Foreign and the Other in the Music of Mulan (1998)	0
Interlocking Themes: American Music, Race, and Music Scholarship	0
Editor's Introduction	0
Anti-Asian Hate and the Transpacific History of American Music; Or, Why Is “Chinatown, My Chinatown” Still Played?	0
Music, Migration, and Cultural Membership in Close Harmony	0
Making an American Opera Career: Conductor May Valentine (1890–1974) and a Woman's Role(s) in the Business of Opera	0
From Jonkonnu and Son de los diablos to Congo Square and Son Jarocho: Global Histories of the Jawbone/Quijada as a Black Musical Instrument	0
Rites, Rights & Rhythms: A Genealogy of Musical Meaning in Colombia’s Black Pacific	0
John Sullivan Dwight, Blindness, and Music Education	0
Samuel “Golden Rule” Jones: Music and the Social Good in Progressive Era Toledo, Ohio	0
Whose Ear Here?	0
Editor's Introduction	0
The World We Make: Black Colleges and Black Music Studies	0
Guest Editors’ Introduction: Opening Conversations that Matter in Public Music Studies	0
Guest Editor's Introduction: The Ballets Russes in North America	0
Valuing Collaboration in American Music Studies	0
After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti	0
Reparative Public Musicology: Empowering and Centering Community Knowledge Production through Counter-Storytelling Practice	0
New Currents in Film Music, Television Music, and Streaming Media Music Studies	0
“Where Are You From?” Asian Americans on Indigenous Lands	0