Music Perception

Papers
(The TQCC of Music Perception is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Interpersonal Entrainment in Music Performance44
Consonance Preferences Within an Unconventional Tuning System19
Perceived Motor Synchrony With the Beat is More Strongly Related to Groove Than Measured Synchrony18
Phenomenological Differences in Music- and Television-Evoked Autobiographical Memories17
Music to Your Ears13
What Drives Narrative Engagement With Music?11
The Associations Between Music Training, Musical Working Memory, and Visuospatial Working Memory10
Embracing Anti-Racist Practices in the Music Perception and Cognition Community9
Beat Perception and Production in Musicians and Dancers9
Emotions, Mechanisms, and Individual Differences in Music Listening9
Does Timbre Modulate Visual Perception? Exploring Crossmodal Interactions9
Affective and Cognitive Responses to Musical Performances of Early 20th Century Classical Solo Piano Compositions9
Syncopation and Groove in Polyphonic Music8
Playing It Straight7
Singing in the Brain7
Embodied Meter Revisited7
Temporal Perception and Attention in Trained Musicians7
Establishing the Reliability and Validity of Web-based Singing Research6
Instrument Timbre Enhances Perceptual Segregation in Orchestral Music6
The Perceptual and Emotional Consequences of Articulation in Music5
Probe Tone Paradigm Reveals Less Differentiated Tonal Hierarchy in Rock Music4
The Perceptual Attraction of Pre-Dominant Chords4
Timbre Semantic Associations Vary Both Between and Within Instruments4
Assessing Music Expertise4
Effects of Chord Inversion and Bass Patterns on Harmonic Expectancy in Musicians4
The Need for Composite Models of Music Perception4
The Roles of Absolute Pitch and Timbre in Plink Perception3
Experience of Groove Questionnaire3
The Idiosyncrasy of Involuntary Musical Imagery Repetition (IMIR) Experiences3
Investigating the Shared Meaning of Metaphorical Sound Attributes3
Harmonicity and Roughness in the Biology of Tonal Aesthetics3
Three Questions Concerning Consonance Perception3
Violinists Employ More Expressive Gesture and Timing Around Global Musical Resolutions3
Reassessing Syntax-Related ERP Components Using Popular Music Chord Sequences3
Impact of Music on First Pain and Temporal Summation of Second Pain3
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