Music Perception

Papers
(The TQCC of Music Perception is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Music Exposure and Maternal Musicality Predict Vocabulary Development in Children with Cochlear Implants34
Continuous Response to Perceived Affective Intentions in Music Listening22
Is Absolute Pitch Learnable? Implicit and Explicit Absolute Pitch15
Perceived and Induced Affective Responses to Musical Sounds15
Japanese Version of the Experience of Groove Questionnaire (EGQ-JA)14
Metric Accent Affects Perception of Key Center in Pop-Music Chord Loops11
Musical Advantage in Lexical Tone Perception Hinges on Musical Instrument11
Music Perception, Emotions, and Listening Motives in Older Adults and Individuals with Alzheimer Disease11
Slower Response Time When Brake Lights Align with Musical Beats9
Timbre Semantic Associations Vary Both Between and Within Instruments9
Musician Advantage for Segregation of Competing Speech in Native Tonal Language Speakers9
Genre-typical Timbre and the Urge to Move to Music9
Sandra Trehub (1938–2023)9
Beat Perception and Production in Musicians and Dancers8
Editorial8
Yorùbá Speech Surrogacy with the Dùndún Talking Drum8
The Associations Between Music Training, Musical Working Memory, and Visuospatial Working Memory7
The Idiosyncrasy of Involuntary Musical Imagery Repetition (IMIR) Experiences7
The Activated Singer7
Harmonizing Minds6
Instrument Timbre Combinations Influence the Relative Prominence of Perceptual Layers in Orchestral Music6
Marching to Your Own Beat6
From Bach to Pélog5
The Effects of Local and Global Key Consistency on Musical Tension5
Neuroscience in Music Research4
No Heightened Musical Pitch Weighting For Tone Language Speakers in Early Childhood4
Rapid Learning and Long-term Memory in the Speech-to-song Illusion4
Popular Music Excerpts Are Rated As More Memorable And Salient If They Involve Vocals, Compound Hooks, and Choruses4
Learning and Recalling Melodies3
Music’s Familiar Flow3
Consonance Dissonance and Cadences3
Italian Validation of the Barcelona Music Reward Questionnaire3
Effect of Timbre on Goodness-of-Fit Ratings of Short Chord Sequences3
Acoustical and Cultural Explanations for Contextual Tonal Stability3
Appreciation of Form in Bach’s Well-Tempered Clavier3
The Processes and Relationships in Composers Scale3
Unraveling the Filled Duration Illusion and its Stability in Repeated Measurements3
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