Music Perception

Papers
(The median citation count of Music Perception is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Interpersonal Entrainment in Music Performance44
Consonance Preferences Within an Unconventional Tuning System19
Perceived Motor Synchrony With the Beat is More Strongly Related to Groove Than Measured Synchrony18
Phenomenological Differences in Music- and Television-Evoked Autobiographical Memories17
Music to Your Ears13
What Drives Narrative Engagement With Music?11
The Associations Between Music Training, Musical Working Memory, and Visuospatial Working Memory10
Affective and Cognitive Responses to Musical Performances of Early 20th Century Classical Solo Piano Compositions9
Embracing Anti-Racist Practices in the Music Perception and Cognition Community9
Beat Perception and Production in Musicians and Dancers9
Emotions, Mechanisms, and Individual Differences in Music Listening9
Does Timbre Modulate Visual Perception? Exploring Crossmodal Interactions9
Syncopation and Groove in Polyphonic Music8
Playing It Straight7
Singing in the Brain7
Embodied Meter Revisited7
Temporal Perception and Attention in Trained Musicians7
Establishing the Reliability and Validity of Web-based Singing Research6
Instrument Timbre Enhances Perceptual Segregation in Orchestral Music6
The Perceptual and Emotional Consequences of Articulation in Music5
Probe Tone Paradigm Reveals Less Differentiated Tonal Hierarchy in Rock Music4
The Perceptual Attraction of Pre-Dominant Chords4
Timbre Semantic Associations Vary Both Between and Within Instruments4
Assessing Music Expertise4
Effects of Chord Inversion and Bass Patterns on Harmonic Expectancy in Musicians4
The Need for Composite Models of Music Perception4
The Roles of Absolute Pitch and Timbre in Plink Perception3
Experience of Groove Questionnaire3
The Idiosyncrasy of Involuntary Musical Imagery Repetition (IMIR) Experiences3
Investigating the Shared Meaning of Metaphorical Sound Attributes3
Harmonicity and Roughness in the Biology of Tonal Aesthetics3
Three Questions Concerning Consonance Perception3
Violinists Employ More Expressive Gesture and Timing Around Global Musical Resolutions3
Reassessing Syntax-Related ERP Components Using Popular Music Chord Sequences3
Impact of Music on First Pain and Temporal Summation of Second Pain3
Perception of Musicality and Emotion in Signed Songs2
On the Roles of Complexity and Symmetry in Cued Tapping of Well-formed Complex Rhythms2
Music Empathizing and Music Systemizing are Associated with Music Listening Reward2
Anti-Colonial Strategies in Cross-cultural Music Science Research2
Timbre Vibrato Perception and Description2
Attention Required for Advertisement Pitch, Tempo, and Timbre to Influence the Perception of Product Features2
Understanding the Relationship Between Catchiness and Groove2
Metrical Restoration From Local and Global Melodic Cues2
Song Imitation in Congenital Amusia2
Do Picardy Thirds Smile? Tonal Hierarchy and Tonal Valence2
Music Exposure and Maternal Musicality Predict Vocabulary Development in Children with Cochlear Implants2
Rhythm and Reading Abilities2
All Eyes on Me2
Veridical and Schematic Memory for Harmony in Melody-and-Accompaniment Textures2
Artificial Intelligence and Musicking1
The Effect of Subjective Fatigue on Auditory Processing in Musicians and Nonmusicians1
Response to Invited Commentaries on “Consonance Preferences Within an Unconventional Tuning System”1
Swinging the Score? Swing Phrasing Cannot Be Communicated via Explicit Notation Instructions Alone1
Editorial1
Valenced Priming with Acquired Affective Concepts in Music1
The Music of Perfume1
Unraveling the Filled Duration Illusion and its Stability in Repeated Measurements1
Constructing the Live Experience at Pop Music Concerts1
Perception of Music and Speech Prosody After Severe Traumatic Brain Injury1
Can the Intended Messages of Mismatched Lexical Tone in Igbo Music Be Understood? A Test for Listeners’ Perception of the Matched Versus Mismatched Compositions1
Learning and Recalling Melodies1
Influence of Regular Rhythmic Versus Textural Sound Sequences on Semantic and Conceptual Processing1
Musical Advantage in Lexical Tone Perception Hinges on Musical Instrument1
The Relationship of Musical Expertise, Working Memory, and Intelligence1
The Whole is Not Different From its Parts1
Semantic Dimensions of Sound Mass Music1
Salience of Frequency Micro-modulations in Popular Music1
Accuracy and Stability of Musical Tempo Memory and the Role of Musical Expertise1
The Metaphor of Sweetness in Medieval and Modern Music Listening1
From Commitment to Action1
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