OOIR: Observatory of International Research

Papers

(The median citation count of Music Perception is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)

Article	Citations
Interpersonal Entrainment in Music Performance	37
Sensorimotor Synchronization with Higher Metrical Levels in Music Shortens Perceived Time	20
Consonance Preferences Within an Unconventional Tuning System	17
Phenomenological Differences in Music- and Television-Evoked Autobiographical Memories	16
Experience of Groove Questionnaire	15
Perceived Motor Synchrony With the Beat is More Strongly Related to Groove Than Measured Synchrony	13
The Selectivity of Musical Advantage	12
A Critical Cross-cultural Study of Sensorimotor and Groove Responses to Syncopation Among Ghanaian and American University Students and Staff	12
Timing Is Everything…Or Is It? Effects of Instructed Timing Style, Reference, and Pattern on Drum Kit Sound in Groove-Based Performance	11
Musical Expertise Facilitates Dissonance Detection On Behavioral, Not On Early Sensory Level	10
What Drives Narrative Engagement With Music?	10
Comparing Methods for Analyzing Music-Evoked Autobiographical Memories	10
The Associations Between Music Training, Musical Working Memory, and Visuospatial Working Memory	9
Learning Music From Each Other: Synchronization, Turn-taking, or Imitation?	9
Musicianship Enhances Perception But Not Feeling of Emotion From Others’ Social Interaction Through Speech Prosody	8
Does Timbre Modulate Visual Perception? Exploring Crossmodal Interactions	8
Social Music	8
The Territory Between Speech and Song	8
Perceived Tension, Movement, and Pleasantness in Harmonic Musical Intervals and Noises	8
Embracing Anti-Racist Practices in the Music Perception and Cognition Community	6
Beat Perception and Production in Musicians and Dancers	6
Syncopation and Groove in Polyphonic Music	6
Affective and Cognitive Responses to Musical Performances of Early 20th Century Classical Solo Piano Compositions	6
Music to Your Ears	6
Singing in the Brain	6

Establishing the Reliability and Validity of Web-based Singing Research	5
Embodied Meter Revisited	5
Instrument Timbre Enhances Perceptual Segregation in Orchestral Music	5
Emotions, Mechanisms, and Individual Differences in Music Listening	4
The Need for Composite Models of Music Perception	4
Assessing Music Expertise	4
Temporal Perception and Attention in Trained Musicians	4
Effects of Chord Inversion and Bass Patterns on Harmonic Expectancy in Musicians	3
The Perceptual Attraction of Pre-Dominant Chords	3
Probe Tone Paradigm Reveals Less Differentiated Tonal Hierarchy in Rock Music	3
The Influence of Rate and Accentuation on Subjective Rhythmization	3
Three Questions Concerning Consonance Perception	3
Playing It Straight	3
Harmonicity and Roughness in the Biology of Tonal Aesthetics	3
Song Imitation in Congenital Amusia	2
Violinists Employ More Expressive Gesture and Timing Around Global Musical Resolutions	2
On the Roles of Complexity and Symmetry in Cued Tapping of Well-formed Complex Rhythms	2
All Eyes on Me	2
Timbre Semantic Associations Vary Both Between and Within Instruments	2
Timbre Vibrato Perception and Description	2
Impact of Music on First Pain and Temporal Summation of Second Pain	2
Metrical Restoration From Local and Global Melodic Cues	2
Experience of Groove Questionnaire	2
Do Picardy Thirds Smile? Tonal Hierarchy and Tonal Valence	2
The Idiosyncrasy of Involuntary Musical Imagery Repetition (IMIR) Experiences	2
The Effect of Subjective Fatigue on Auditory Processing in Musicians and Nonmusicians	1
Editorial	1
Semantic Dimensions of Sound Mass Music	1
The Perceptual and Emotional Consequences of Articulation in Music	1
The Metaphor of Sweetness in Medieval and Modern Music Listening	1
Understanding the Relationship Between Catchiness and Groove	1
The Whole is Not Different From its Parts	1
Swinging the Score? Swing Phrasing Cannot Be Communicated via Explicit Notation Instructions Alone	1
Learning and Recalling Melodies	1
Influence of Regular Rhythmic Versus Textural Sound Sequences on Semantic and Conceptual Processing	1
Reassessing Syntax-Related ERP Components Using Popular Music Chord Sequences	1
The Roles of Absolute Pitch and Timbre in Plink Perception	1
Can the Intended Messages of Mismatched Lexical Tone in Igbo Music Be Understood? A Test for Listeners’ Perception of the Matched Versus Mismatched Compositions	1
Veridical and Schematic Memory for Harmony in Melody-and-Accompaniment Textures	1
Attention Required for Advertisement Pitch, Tempo, and Timbre to Influence the Perception of Product Features	1
Perception of Musicality and Emotion in Signed Songs	1