Muzikoloski Zbornik

Papers
(The TQCC of Muzikoloski Zbornik is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
Traditional Village Music and Dance in Urban Milieu4
Temporal Evolution of Makam and Usul Relationship in Turkish Makam2
Tabula gratulatoria1
Theorising on the Genesis of <i>Chorus Baila</i>1
Predgovor1
»Hodim nekam svoja pota.« Slogovna vprašanja ob simfoničnem opusu Vladimirja Lovca1
1
Predgovor0
V zrcalu glasbene iskrenosti: Vladimir Lovec (1922–1992)0
Aleviness, Music, and Hospitality0
Vladimir Lovec v vlogi glasbenega kritika0
Revealing the Secret Sounds and Movements0
Belonging in the Mix0
Razvoj platforme Trubadur in novi izzivi v prihajajočih letih0
Foreword0
Can Social Media Replace a Suspended Rite?0
Bibliografija Jurija Snoja0
Uglasbitev kantika magnifikat Simoneja Gatta na primeru skladbe Magnificat primi toni0
0
0
Foreword0
Domenico Scarlatti’s Musical Style: His Keyboard Sonata K. 2880
Introduction0
Recepcija gregorijanskega korala v ljubljanski škofiji v dolgem 19. stoletju0
Discubuit Iesus: Škof Tomaž Hren, Gornji Grad in slovenski koral0
0
Edvard Grieg’s Norwegian Dances op. 35: Two Orchestral Versions, Two Destinies0
Zarlinov nauk o kontrapunktu in antična glasbena teorija0
The Proper Office for St Pancras (Pancratius) in the Cluniac Breviary-Missal of Lewes, Cambridge, Fitzwilliam Museum, Ms. 3690
Frančiškanske rokopisne knjige kot izraz umetniške občutljivosti svojega časa0
Slavic Music or <i>In Crudo</i> Village Tradition?0
»Afera Butterfly«0
0
The Role of Informants and Archive Films in the Hungarian Folk Dance Revival Movement<sup></sup>0
The Role of Orchestration in Shaping Musical Form0
Zgodovina in izzivi digitalne etno/muzikologije v Sloveniji0
Zgodovina glasbe na Slovenskem, knjige 1, 3 in 40
0
Theoretical Aspects of Preservation and Reduction of Traditional Wedding Rituals of the Volga German Ethnic Minority in the Russian Federation0
Historical Power Imbalances and the Branding of <i>Vannam</i> Dances as Sinhalese Cultural Heritage0
In Memory of Józef Pacholczyk (1938–2021)0
Sacred Folk Songs and the Slovenian Immigrant Community in Switzerland0
Fragmente der Prämonstratenserprovenienz aus dem Bestand des Archivs der Stadt Košice (Kaschau)0
Is It Chaotic? An Examination of the Harmonic Materials in Razak Abdul Aziz’s Etude No. 5 for Solo Piano0
Folk Dance Education Based on Structural Analysis in Hungary<sup></sup>0
Pregled življenjske poti in glasbenega delovanja Vladimirja Lovca (1922–1992)0
Moldavian Csángó Folk Musical Instruments and Ensembles Changes through Temporal, Social, and Political Perspectives0
The Indigenous Historical Trauma of Naga Society and Its Musical Manifestations0
Transcoding as a Compositional Paradigm0
Cultural Continuity and Transition0
The Change of the Performance Style of a Fiddler from the Gyimes Region Depending on the Collecting Situations<sup></sup>0
Trubadur: nadgradnja platforme za e-učenje glasbene teorije0
Negotiating Authenticity through Folk Singing Interpretations<sup></sup>0
Computational Research of Music Criticism between 1878 and 1941 in Serbian0
Ruptures, Junctures, and Difference0
The <i>Trinajsto prase</i> Ensemble and the Folk Music Revival in Slovenia<sup></sup>0
Pariška zapuščina Janeza Matičiča – Svoboda dvojnosti0
Musical Ritual and Ritual Music0
Med odrom in zaodrjem0
Revolutionizing Music Production with ChatGPT Applications: Accessibility, Creativity, and Impact on the Industry in China0
»Svet čudovite lahkosti zvenenja sodobne glasbe«0
Between Acts0
A Classless Society or Your Kingdom Come?0
Claiming Indigenous Sovereignty Online0
Textual Dimensions of the Public Ḥaḍra in Egyptian Sufism0
Per la storia del breviario notato nel secolo XI0
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