Muzikoloski Zbornik

Papers
(The TQCC of Muzikoloski Zbornik is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
The Practice of Embellishments During Giuseppe Tartini’s Lifetime5
Traditional Village Music and Dance in Urban Milieu2
Tabula gratulatoria1
1
Predgovor1
Theorising on the Genesis of <i>Chorus Baila</i>1
The Rediscovery of Giuseppe Tartini through 78 rpm Records1
Temporal Evolution of Makam and Usul Relationship in Turkish Makam1
Fragmente der Prämonstratenserprovenienz aus dem Bestand des Archivs der Stadt Košice (Kaschau)0
Is It Chaotic? An Examination of the Harmonic Materials in Razak Abdul Aziz’s Etude No. 5 for Solo Piano0
The Proper Office for St Pancras (Pancratius) in the Cluniac Breviary-Missal of Lewes, Cambridge, Fitzwilliam Museum, Ms. 3690
John Paul Edward Harper-Scott and Oliver Chandler: <i>Return to Riemann: Tonal Function and Chromatic Music</i>0
»Svet čudovite lahkosti zvenenja sodobne glasbe«0
The Indigenous Historical Trauma of Naga Society and Its Musical Manifestations0
Zgodovina glasbe na Slovenskem, knjige 1, 3 in 40
Revealing the Secret Sounds and Movements0
Foreword0
Frančiškanske rokopisne knjige kot izraz umetniške občutljivosti svojega časa0
“One of the Men Who Most Shaped the History of Istria”0
Bibliografija Jurija Snoja0
Giulio Meneghini’s Concertoni from Giuseppe Tartini’s Opus I Sonatas0
0
Razvoj platforme Trubadur in novi izzivi v prihajajočih letih0
Belonging in the Mix0
Aleviness, Music, and Hospitality0
Slavic Music or <i>In Crudo</i> Village Tradition?0
Zarlinov nauk o kontrapunktu in antična glasbena teorija0
Revolutionizing Music Production with ChatGPT Applications: Accessibility, Creativity, and Impact on the Industry in China0
0
Vladimir Lovec v vlogi glasbenega kritika0
Recepcija gregorijanskega korala v ljubljanski škofiji v dolgem 19. stoletju0
<i>Metamorfosi legittime o fedelissime?</i>0
Claiming Indigenous Sovereignty Online0
Domenico Scarlatti’s Musical Style: His Keyboard Sonata K. 2880
Per la storia del breviario notato nel secolo XI0
Uglasbitev kantika magnifikat Simoneja Gatta na primeru skladbe Magnificat primi toni0
Textual Dimensions of the Public Ḥaḍra in Egyptian Sufism0
V zrcalu glasbene iskrenosti: Vladimir Lovec (1922–1992)0
Can Social Media Replace a Suspended Rite?0
Musical Ritual and Ritual Music0
Theoretical Aspects of Preservation and Reduction of Traditional Wedding Rituals of the Volga German Ethnic Minority in the Russian Federation0
Foreword0
Benjamin Stillingfleet, Tartini, and the Pursuit of Universal Harmony0
The <i>Trinajsto prase</i> Ensemble and the Folk Music Revival in Slovenia<sup></sup>0
0
Foreword0
The Change of the Performance Style of a Fiddler from the Gyimes Region Depending on the Collecting Situations<sup></sup>0
Trubadur: nadgradnja platforme za e-učenje glasbene teorije0
»Hodim nekam svoja pota.« Slogovna vprašanja ob simfoničnem opusu Vladimirja Lovca0
Tartini’s Friends and Enemies0
Predgovor0
0
In Memory of Józef Pacholczyk (1938–2021)0
Between Acts0
A Classless Society or Your Kingdom Come?0
Pregled življenjske poti in glasbenega delovanja Vladimirja Lovca (1922–1992)0
A Digital Approach to Tartini’s Theoretical Works0
Tartini’s Music in Venice0
Edvard Grieg’s Norwegian Dances op. 35: Two Orchestral Versions, Two Destinies0
Pariška zapuščina Janeza Matičiča – Svoboda dvojnosti0
0
Discubuit Iesus: Škof Tomaž Hren, Gornji Grad in slovenski koral0
Ruptures, Junctures, and Difference0
Historical Power Imbalances and the Branding of <i>Vannam</i> Dances as Sinhalese Cultural Heritage0
The Role of Orchestration in Shaping Musical Form0
0
Negotiating Authenticity through Folk Singing Interpretations<sup></sup>0
Zgodovina in izzivi digitalne etno/muzikologije v Sloveniji0
Cultural Continuity and Transition0
The Role of Informants and Archive Films in the Hungarian Folk Dance Revival Movement<sup></sup>0
Med odrom in zaodrjem0
»Afera Butterfly«0
Transcoding as a Compositional Paradigm0
Computational Research of Music Criticism between 1878 and 1941 in Serbian0
Moldavian Csángó Folk Musical Instruments and Ensembles Changes through Temporal, Social, and Political Perspectives0
Sacred Folk Songs and the Slovenian Immigrant Community in Switzerland0
Folk Dance Education Based on Structural Analysis in Hungary<sup></sup>0
Introduction0
0.21491289138794