Muzikoloski Zbornik

Papers
(The TQCC of Muzikoloski Zbornik is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
The Dissemination of Polyphonic Compositions through Gifts across Central Europe, ca.1550–16302
The Practice of Embellishments During Giuseppe Tartini’s Lifetime2
1
Traditional Village Music and Dance in Urban Milieu1
Predgovor1
Theorising on the Genesis of <i>Chorus Baila</i>1
The Rediscovery of Giuseppe Tartini through 78 rpm Records1
Temporal Evolution of Makam and Usul Relationship in Turkish Makam1
Continuity and Change0
Foreword0
The Closing Bars of the Austro-Hungarian Monarchy0
0
Independent Musicians and “New Downtown Music” in New York City0
0
A Digital Approach to Tartini’s Theoretical Works0
John Paul Edward Harper-Scott and Oliver Chandler: <i>Return to Riemann: Tonal Function and Chromatic Music</i>0
Recepcija gregorijanskega korala v ljubljanski škofiji v dolgem 19. stoletju0
Is It Chaotic? An Examination of the Harmonic Materials in Razak Abdul Aziz’s Etude No. 5 for Solo Piano0
Bedřich Bělohlávek0
Prizadevanja Franceta Marolta proti nemškim vplivom v slovenski ljudski glasbi0
Uglasbitev kantika magnifikat Simoneja Gatta na primeru skladbe Magnificat primi toni0
The Change of the Performance Style of a Fiddler from the Gyimes Region Depending on the Collecting Situations<sup></sup>0
The Proper Office for St Pancras (Pancratius) in the Cluniac Breviary-Missal of Lewes, Cambridge, Fitzwilliam Museum, Ms. 3690
Zgodovina glasbe na Slovenskem, knjige 1, 3 in 40
Foreword0
Pregled življenjske poti in glasbenega delovanja Vladimirja Lovca (1922–1992)0
Benjamin Stillingfleet, Tartini, and the Pursuit of Universal Harmony0
Bibliografija Jurija Snoja0
Giulio Meneghini’s Concertoni from Giuseppe Tartini’s Opus I Sonatas0
Zgodovina in izzivi digitalne etno/muzikologije v Sloveniji0
Tartini’s Music in Venice0
Belonging in the Mix0
»Hodim nekam svoja pota.« Slogovna vprašanja ob simfoničnem opusu Vladimirja Lovca0
Slavic Music or <i>In Crudo</i> Village Tradition?0
V zrcalu glasbene iskrenosti: Vladimir Lovec (1922–1992)0
Zarlinov nauk o kontrapunktu in antična glasbena teorija0
0
Domenico Scarlatti’s Musical Style: His Keyboard Sonata K. 2880
The Indigenous Historical Trauma of Naga Society and Its Musical Manifestations0
Folk Dance Education Based on Structural Analysis in Hungary<sup></sup>0
<i>Metamorfosi legittime o fedelissime?</i>0
»Svet čudovite lahkosti zvenenja sodobne glasbe«0
Between the Representation of Tradition and Cultural Mediation0
Claiming Indigenous Sovereignty Online0
Med odrom in zaodrjem0
Cultural Continuity and Transition0
Pariška zapuščina Janeza Matičiča – Svoboda dvojnosti0
Revolutionizing Music Production with ChatGPT Applications: Accessibility, Creativity, and Impact on the Industry in China0
Per la storia del breviario notato nel secolo XI0
Predgovor0
Constructing Tradition0
“One of the Men Who Most Shaped the History of Istria”0
The <i>Trinajsto prase</i> Ensemble and the Folk Music Revival in Slovenia<sup></sup>0
Foreword0
Computational Research of Music Criticism between 1878 and 1941 in Serbian0
Fragmente der Prämonstratenserprovenienz aus dem Bestand des Archivs der Stadt Košice (Kaschau)0
Trubadur: nadgradnja platforme za e-učenje glasbene teorije0
Transcoding as a Compositional Paradigm0
Tartini’s Friends and Enemies0
Historical Power Imbalances and the Branding of <i>Vannam</i> Dances as Sinhalese Cultural Heritage0
Predgovor0
Frančiškanske rokopisne knjige kot izraz umetniške občutljivosti svojega časa0
Moldavian Csángó Folk Musical Instruments and Ensembles Changes through Temporal, Social, and Political Perspectives0
Between Acts0
Vinko Žganec’s Legacy at the Crossroads0
Vladimir Lovec v vlogi glasbenega kritika0
Generative Artificial Intelligence as Decision Support in Creative Industries0
France Marolt med znanostjo, umetnostjo in kulturno politiko0
Theoretical Aspects of Preservation and Reduction of Traditional Wedding Rituals of the Volga German Ethnic Minority in the Russian Federation0
Negotiating Authenticity through Folk Singing Interpretations<sup></sup>0
Discubuit Iesus: Škof Tomaž Hren, Gornji Grad in slovenski koral0
Between Field Notes and Arrangements0
Archival Collections, Contested Legacies and the Development of the Macedonian Ethnomusicology0
Edvard Grieg’s Norwegian Dances op. 35: Two Orchestral Versions, Two Destinies0
Razvoj platforme Trubadur in novi izzivi v prihajajočih letih0
0
The Role of Orchestration in Shaping Musical Form0
0
0
The Role of Informants and Archive Films in the Hungarian Folk Dance Revival Movement<sup></sup>0
Tabula gratulatoria0
»Afera Butterfly«0
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