OOIR: Observatory of International Research

Papers

(The median citation count of Muzikoloski Zbornik is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
The Practice of Embellishments During Giuseppe Tartini’s Lifetime	5
Traditional Village Music and Dance in Urban Milieu	2
Tabula gratulatoria	1
	1
Predgovor	1
Theorising on the Genesis of <i>Chorus Baila</i>	1
The Rediscovery of Giuseppe Tartini through 78 rpm Records	1
Temporal Evolution of Makam and Usul Relationship in Turkish Makam	1
Moldavian Csángó Folk Musical Instruments and Ensembles Changes through Temporal, Social, and Political Perspectives	0
Sacred Folk Songs and the Slovenian Immigrant Community in Switzerland	0
Folk Dance Education Based on Structural Analysis in Hungary<sup></sup>	0
Introduction	0
Fragmente der Prämonstratenserprovenienz aus dem Bestand des Archivs der Stadt Košice (Kaschau)	0
Is It Chaotic? An Examination of the Harmonic Materials in Razak Abdul Aziz’s Etude No. 5 for Solo Piano	0
John Paul Edward Harper-Scott and Oliver Chandler: <i>Return to Riemann: Tonal Function and Chromatic Music</i>	0
»Svet čudovite lahkosti zvenenja sodobne glasbe«	0
The Proper Office for St Pancras (Pancratius) in the Cluniac Breviary-Missal of Lewes, Cambridge, Fitzwilliam Museum, Ms. 369	0
Revealing the Secret Sounds and Movements	0
The Indigenous Historical Trauma of Naga Society and Its Musical Manifestations	0
Zgodovina glasbe na Slovenskem, knjige 1, 3 in 4	0
Frančiškanske rokopisne knjige kot izraz umetniške občutljivosti svojega časa	0
Foreword	0
Bibliografija Jurija Snoja	0
“One of the Men Who Most Shaped the History of Istria”	0
	0

Giulio Meneghini’s Concertoni from Giuseppe Tartini’s Opus I Sonatas	0
Belonging in the Mix	0
Razvoj platforme Trubadur in novi izzivi v prihajajočih letih	0
Aleviness, Music, and Hospitality	0
Slavic Music or <i>In Crudo</i> Village Tradition?	0
Zarlinov nauk o kontrapunktu in antična glasbena teorija	0
Revolutionizing Music Production with ChatGPT Applications: Accessibility, Creativity, and Impact on the Industry in China	0
	0
Vladimir Lovec v vlogi glasbenega kritika	0
Recepcija gregorijanskega korala v ljubljanski škofiji v dolgem 19. stoletju	0
<i>Metamorfosi legittime o fedelissime?</i>	0
Domenico Scarlatti’s Musical Style: His Keyboard Sonata K. 288	0
Claiming Indigenous Sovereignty Online	0
Uglasbitev kantika magnifikat Simoneja Gatta na primeru skladbe Magnificat primi toni	0
Textual Dimensions of the Public Ḥaḍra in Egyptian Sufism	0
Per la storia del breviario notato nel secolo XI	0
Musical Ritual and Ritual Music	0
V zrcalu glasbene iskrenosti: Vladimir Lovec (1922–1992)	0
Can Social Media Replace a Suspended Rite?	0
Foreword	0
Theoretical Aspects of Preservation and Reduction of Traditional Wedding Rituals of the Volga German Ethnic Minority in the Russian Federation	0
The <i>Trinajsto prase</i> Ensemble and the Folk Music Revival in Slovenia<sup></sup>	0
Benjamin Stillingfleet, Tartini, and the Pursuit of Universal Harmony	0
Foreword	0
	0
The Change of the Performance Style of a Fiddler from the Gyimes Region Depending on the Collecting Situations<sup></sup>	0
Trubadur: nadgradnja platforme za e-učenje glasbene teorije	0
»Hodim nekam svoja pota.« Slogovna vprašanja ob simfoničnem opusu Vladimirja Lovca	0
Tartini’s Friends and Enemies	0
Predgovor	0
	0
In Memory of Józef Pacholczyk (1938–2021)	0
Between Acts	0
A Classless Society or Your Kingdom Come?	0
Pregled življenjske poti in glasbenega delovanja Vladimirja Lovca (1922–1992)	0
Tartini’s Music in Venice	0
A Digital Approach to Tartini’s Theoretical Works	0
Pariška zapuščina Janeza Matičiča – Svoboda dvojnosti	0
	0
Edvard Grieg’s Norwegian Dances op. 35: Two Orchestral Versions, Two Destinies	0
Historical Power Imbalances and the Branding of <i>Vannam</i> Dances as Sinhalese Cultural Heritage	0
Discubuit Iesus: Škof Tomaž Hren, Gornji Grad in slovenski koral	0
Ruptures, Junctures, and Difference	0
	0
The Role of Orchestration in Shaping Musical Form	0
Zgodovina in izzivi digitalne etno/muzikologije v Sloveniji	0
Negotiating Authenticity through Folk Singing Interpretations<sup></sup>	0
The Role of Informants and Archive Films in the Hungarian Folk Dance Revival Movement<sup></sup>	0
Cultural Continuity and Transition	0
Med odrom in zaodrjem	0

»Afera Butterfly«	0
Transcoding as a Compositional Paradigm	0
Computational Research of Music Criticism between 1878 and 1941 in Serbian	0