OOIR: Observatory of International Research

Papers

(The TQCC of Revue Francaise d'Etudes Americaines is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
A Tangent to this Sphere	2
Dire et traduire l’identité noire en France et aux États-Unis : questions raciales, enjeux linguistiques, perspectives scientifiques	1
The West in Construction: Texas and Indian Territory at the Vanguard of American Imperial Expansion	1
Intertextuality and Doubles in Two Black Bohemian Novels of the Harlem Renaissance	1
Robert D. Richardson	1
Énonciation des pronoms et subjectivités militantes dans l’activisme étatsunien contemporain	1
Hélène Quanquin	1
Anticolonialism in the Era of the American Revolution. An Essay Contest at the Académie de Lyon in the 1780s	1
Traduire les références à la couleur noire dans le doublage de The Fresh Prince of Bel-Air	1
Anatomie d’une alliance improbable : la première Coalition Arc-en-ciel de Chicago ou comment redéfinir la solidarité interraciale radicale (1968-1976)	1
Bénédicte Deschamps	1
« A kind of Thomas Paine among her sisterhood . » La libre pensée cosmopolite d’Ernestine Rose et les sources hétérodoxes du militantisme pour les droits des femmes aux États-Unis (1830-1860)	0
Une dignité majuscule ? Nomination de soi et luttes symboliques dans l’histoire africaine-américaine	0
The First French “Americanists” of the 1770s and 1780s, the American Revolution and Atlantic History: Beyond Mirages in the West	0
Thomas Constantinesco	0
Emmanuelle Delanoë-Brun	0
From Democratic to Restless America 1815-1860: A Paradigm Shift	0
Denijal Jegić	0
What About Juvenile Delinquency? (1955)	0
“People Who Don’t Drink Wilkins Coffee Just Blow up Sometimes”: Advertising Power and Puppet Punishment in Jim Henson’s Commercials	0
Moses Roper, Josiah Henson, Deux récits d’esclaves fugitifs . Traduction, introduction et notes de Simone Chambon, Claire Parfait et Michaël Roy. Mont-Saint-Aignan, Presses universitaires de Rouen et	0
Odes to the Revolution: Alfieri’s L’America libera	0
“Don’t Take the Bait:” The Role of Marshals in the Regulation of New York City Protests	0
“Infinite Subdued Vexation”: Love, Agency, and Frustration in Melville’s Pierre; or the Ambiguities	0
Yasna Bozhkova	0

Lign(é)es de chasseurs dans Goat Mountain de David Vann	0
Nude Descending a Staircase at the National Endowment for the Arts: A Legal Anatomy of Karen Finley’s Constitutional Challenge	0
Confronting the “Good War”: The Policies of the Radical Left in the United States	0
Thinking Architecture in the United States: An Introduction	0
Resistance under the Influence? “Subliminal Rebellion” in My Year of Rest and Relaxation by Ottessa Moshfegh	0
Vincent Broqua	0
Celeste-Marie Bernier	0
Intertextuality and Doubles in Two Black Bohemian Novels of the Harlem Renaissance	0
L’art de la ligne dans As I Lay Dying de William Faulkner : une esthétique de la turbulence	0
Légitimité, autorité, canons : perspectives sur la construction d’une identité étasunienne	0
Leigh Claire La Berge	0
Alexis de Tocqueville dans le « désert » : la poursuite infructueuse de l’Indien « authentique » dans l’Amérique jacksonienne	0
François Doppler-Speranza	0
Introduction	0
Frustrating Facts: Susan Howe’s Special View of History	0
Olivier Zunz	0
Olivier Burtin	0
Marjolaine Boutet	0
Luke Stewart, ed.	0
“This Spirit of Persecution Was the Cause of Our Convention”: the National Colored Conventions of the 1830s as an Early Movement for Black Civil Rights	0
The Latin Lover Narrator as Cultural Mediator in Jane the Virgin	0
Mathieu Duplay	0
Nakedness: the Empty Signifier of Contemporary Bodies in Performance?	0
Pilar Martínez Benedí & Ralph James Savarese	0
Daniel G. Williams, ed., The Werner Sollors Reader: Ethnicity, Cosmopolitanism, and Particularism , Edinburgh: Edinburgh University Press, 2025, 480 p.	0
The Front Line in American War Literature	0
“Disclosing Burlesque: On the Possibilities of Satire and the (Fe)Male Gaze in Chicago (1926, 1975, 2002)”	0
Peter Charles Hoffer, The Brave New World: A History of Early America (third edition) , Baltimore: Johns Hopkins UP, 2023, 616 p.	0
A Tangent to this Sphere	0
“On Performing Burlesque and Nakedness”: An Interview with Lefty Lucy, New York City, April 30th, 2021	0
Daniel Cirera, Guy Groux et Mark Kesselman (dir.)	0
Earth and Heaven in American Poetry: An Essay in Astrocriticism	0
Stephen E. Ambrose, Patriot and Historian	0
Florian Tréguer	0
Kelly Ross	0
Jesse McCarthy, The Blue Period: Black Writing in the Early Cold War , Chicago: University of Chicago Press, 2024, 298 pages	0
Le lyrisme ténébreux de Jesmyn Ward dans Let Us Descend (2023)	0
David Greven, All the Devils are Here: American Romanticism and Literary Influence , Charlottesville: University of Virginia Press, 2024, 308 pages	0
Untitled Feminist Show : Nudity as Fluidity	0
Xavier Kalck	0
“The fear that the experiment in freedom may fail”: an Interview with John Lauritz Larson	0
Anne Crémieux	0
Hugo Bouvard, Gays et lesbiennes en politique. Représenter les minorités sexuelles en France et aux États-Unis , Presses universitaires du Septentrion, Lille, 2024, 375 p.	0
Hyperbole historique : l’Histoire mobilisée dans le débat sur les armes nucléaires au Texas pendant les années 1980	0
How Can a White Man Sound Black? The Racialization of the Voices of Black Music Disc Jockeys in the U.S. (1950s-1960s)	0
Thinking Architecture in the United States: An Introduction	0
“Over There”: Making Sense of America’s Partial View of the Second World War. An Interview With Stephen Bourque	0
The Case of Scotland in the Constitutional Debate on the American Colonies: Benjamin Franklin’s and Adam Smith’s Visions of Empire (1754-1776)	0
Une mise en musique de l’urgence et du nihilisme : la naissance du punk hardcore américain	0
Toujours aussi étrange ? La forme expérimentale de Strange Interlude à l’épreuve du temps	0

Untitled Feminist Show : Nudity as Fluidity	0
Was it a Good War? Film, Memoir, and the Memory of the American Strategic Bombing Campaign	0
Quelle alliance interraciale ? La rupture du Student Nonviolent Coordinating Committee en 1966	0
Émeline Jouve, Un siècle d’avant-garde. Essai sur le théâtre étasunien , Montpellier : Éditions Deuxième Époque, 2025, 152 p.	0
Chloé Thomas	0
“Stop The War, I Want to Get Out”: DC Comics’ Sgt Rock and Complicating Images of America’s Second World War	0
Facing Two Revolutions: Contemporaneous German Public Opinions of the American and French Revolutions	0
Hervé Mayer and David Roche (eds).	0
Incursions dans la Post-Amérique	0
Pilar Martínez Benedí and Ralph James Savarese	0
L’exil du Black Panther Party à Alger (1969-1972) : l’idéal révolutionnaire à l’épreuve de ses limites	0
Framing Ruins: Impermanence and American Cultural Narratives	0
Nakedness: the Empty Signifier of Contemporary Bodies in Performance?	0
From Democratic to Restless America 1815-1860: A Paradigm Shift	0
Michaël Roy	0
Arielle Zibrak, Writing Against Reform: Aesthetic Realism in the Progressive Era , Amherst: University of Massachusetts Press, 2024, 280 p.	0
Concrete Ecologies: Brutalist Architecture in the United States	0
“Disclosing Burlesque: On the Possibilities of Satire and the (Fe)Male Gaze in Chicago (1926, 1975, 2002)”	0
Comment dire « blackness » en français ? Construire l’identité noire entre l’hexagone, la Martinique et les États-Unis	0
Nicholas Manning	0
Leigh Claire La Berge	0
Pouvoir / Empouvoirement : prises de pouvoir politiques et esthétiques aux États-Unis	0
Frustrations individuelles et collectives dans In the House in the Dark of the Woods , de Laird Hunt : l’écriture réparatrice ?	0
Nicholas Manning	0
Home Front Lines: The Telegraphic Ballistics of Emily Dickinson’s Civil War Poetry	0
Témoignages pour l’autre et autorités en partage, dans Brother, I’m Dying (2007) d’Edwidge Danticat	0
Approaching the Contours of an American [Man] of Letters : William Gilmore Simms (1806-1870)	0
Comment rendre les sens du “ N-word ” ? L’exemple de la traduction française de A Time To Kill de John Grisham	0
Paolo Pitari, The Problem of Free Will in David Foster Wallace , London: Routledge, 2024, 286 p.	0
« Where are the names of our illustrious ones? » . La construction d’un panthéon africain-américain, années 1820-guerre de Sécession	0
Christen Bryson, Anne Légier, Amélie Ribieras, eds, Womanhoods and Equality in the United States: 20-21 st Century Perspectives , New York: Routledge, 2024, 242 p.	0
Paolo Pitari, The Problem of Free Will in David Foster Wallace , London: Routledge, 2024, 286 p.	0
Marco Malvestio	0
Countercultural Environmentalism and Indigenous Religions in the Long Sixties: Empowerment and Appropriation	0
Humanoïdes Associés, Le Sagittaire, and the Race to Publish Charles Bukowski in France in 1977-1978	0
Intersectionality in the Galactic Empire: Foundation and the Politics of “Woke” Sci-Fi	0
Le postféminisme et la dépolitisation néolibérale de l’identité : d’un féminisme collectif à la célébration de l’individualisme ?	0
Nude Descending a Staircase at the National Endowment for the Arts: A Legal Anatomy of Karen Finley’s Constitutional Challenge	0
Laurence Cossu-Beaumont	0
“Stop The War, I Want to Get Out”: DC Comics’ Sgt Rock and Complicating Images of America’s Second World War	0
De lecteur à performeur : réflexions méthodologiques pour une enquête sur la lecture à voix haute de poésies plurilingues nord-américaines	0
Countercultural Environmentalism and Indigenous Religions in the Long Sixties: Empowerment and Appropriation	0
Global Jim. Translating African American Voices in Mark Twain’s Adventures of Huckleberry Finn Worldwide	0
Les systèmes de parcs américains à l’Exposition universelle de Paris de 1900	0
The Dharma Gaze of Poet Anne Waldman: an Interview on the Founding of Naropa University and its “Infrastructure Poetics”	0
Holland Dames : la place des femmes dans la fabrique des origines néerlandaises de New York au XIX e siècle	0
Odes to the Revolution: Alfieri’s L’America libera	0
Lionel Larré, ed.	0
Kelly Ross	0
Can You Sell an Intersectional Narrative in the Early 2010s? The Case of Dee Rees’s Pariah (2011)	0
Beyond Sex: Expanding Uses of Nudity in Twenty-First Century American Theatre	0
“resonant / beyond escape”: Adrienne Rich’s Fugitive Voice	0
Anticolonialism in the Era of the American Revolution. An Essay Contest at the Académie de Lyon in the 1780s	0
« Signifier » les voix souterraines : expérimentations intertextuelles et intermédiales dans les sous-sols de Richard Wright, Ralph Ellison, Richard Saunders et Gordon Parks	0
“On Performing Burlesque and Nakedness”: An Interview with Lefty Lucy, New York City, April 30th, 2021	0
La philosophie pragmatiste à l’épreuve de l’espace architectural urbain : de John Dewey au Frank Lloyd Wright de Broadacre City	0
Beyond the Frontier Line: the Deported Southeastern Indigenous Nations as “Civilizers” of the Great Plains	0
Bare Broadway Bodies: How Nudity Brought the Gay Community and Broadway Cheek to Cheek	0
Pauline Peretz	0
Une Panthère à la conquête du pouvoir : Larry Little, le mouvement noir et l’empouvoirement par les urnes à Winston-Salem en Caroline du Nord (1969-1985)	0
Ezra Pound’s Negative Canon: The Worst Great Poets	0
Was it a Good War? Film, Memoir, and the Memory of the American Strategic Bombing Campaign	0
Cody Marrs	0
How Can a White Man Sound Black? The Racialization of the Voices of Black Music Disc Jockeys in the U.S. (1950s-1960s)	0
« Text-paintings », « book-paintings » et « code poems » : repenser l’histoire de la confiscation de l’écrit chez trois artistes africains américains, Glenn Ligon, Theaster Gates et Adam Pendleton	0
Materiality Without Matter in The Wings of the Dove	0
Beyond the Frontier Line: the Deported Southeastern Indigenous Nations as “Civilizers” of the Great Plains	0
Global Jim. Translating African American Voices in Mark Twain’s Adventures of Huckleberry Finn Worldwide	0
Home Front Lines: The Telegraphic Ballistics of Emily Dickinson’s Civil War Poetry	0
Noëlle Cuny and Xavier Kalck (eds.)	0
Introduction	0
Nawelle Lechevalier-Bekadar	0
Claude McKay and Early Jazz, from “The Negro Dancers” to Home to Harlem (1919-1928)	0
Robert D. Richardson	0
Marie-Jeanne Rossignol	0
The Latin Lover Narrator as Cultural Mediator in Jane the Virgin	0
Lines of Erasure: How the Survey of William Penn’s Settlement Design Redefined Lenape Sovereignty in the Delaware Valley	0
« Caractéristiques de l’expression nègre » : traduire la langue de Zora Neale Hurston	0
Straight Lines and Deviating Paths in Lydia Maria Child’s Hobomok; A Tale of Early Times (1824)	0
Oaths and Anti-Masonry in the Early American Republic	0

Three Volumes from the “ To ” Poetry Series	0
“resonant / beyond escape”: Adrienne Rich’s Fugitive Voice	0
Three Volumes from the “ To ” Poetry Series	0
Confronting the “Good War”: The Policies of the Radical Left in the United States	0
Architecture and/as Hospitality: Thoreau and Adorno	0
“Strike till the iron is hot”: Listening to Marianne Moore through Virgil Thomson	0
Framing Ruins: Impermanence and American Cultural Narratives	0
“Don’t Take the Bait:” The Role of Marshals in the Regulation of New York City Protests	0
Empowering to Better Crush Martha Mitchell: Gaslit (StarzPlay, 2022), a Revisionist Take on Watergate	0
Bare Broadway Bodies: How Nudity Brought the Gay Community and Broadway Cheek to Cheek	0
Voix littéraires africaines américaines : (Dé)faire autorité, de la Renaissance de Harlem à aujourd’hui	0
Xavier Kalck	0
Mathilde Arrivé	0
Adam Kelly, New Sincerity. American Fiction in the Neoliberal Age , Stanford: Stanford University Press, 2024, 386 p.	0
Olivier Zunz	0
The Promise of a Personal Relevance: an Interview with Beth Blum	0
“It Would Take a lot of Wisdom to Say ‘Go slow’”: Faulkner’s Public Sights on Race, the American Press and the Response of the Civil Rights Movement	0
The Dharma Gaze of Poet Anne Waldman: an Interview on the Founding of Naropa University and its “Infrastructure Poetics”	0
Practical Feminist Politics in Minx (HBO, Starz, 2022-2023): Mainstreaming the Roots of Intersectionality in TV Series	0
Reading Cather Backward: In Search of a Nonhuman Post-America	0
Déconstruction du droit et à-venir de la justice dans « Benito Cereno » de Herman Melville : à propos de la déposition d’Amasa Delano	0
The South, the Nation, and Regional Identity in New England’s Federalists’ Writings: Jedidiah Morse’s American Geographies	0
Noëlle Cuny and Xavier Kalck (eds.)	0
À contre-voix : résonances de la note dans Annotations (1995) de John Keene et Ordinary Notes (2023) de Christina Sharpe	0
Frustrating Facts: Susan Howe’s Special View of History	0
Christen Bryson, Anne Légier, Amélie Ribieras, eds, Womanhoods and Equality in the United States: 20-21 st Century Perspectives , New York: Routledge, 2024, 242 p.	0
Earth and Heaven in American Poetry: An Essay in Astrocriticism	0
A Contested Legacy: The Memory of World War II in the United States	0
Hervé Mayer and David Roche (eds).	0
Entre fonction et symbole : Lewis Mumford, penseur de l’architecture	0
Finding Photographic Recognition in the City: The Chicagoland-in-Pictures Amateur Historical Photography Project	0
“Infinite Subdued Vexation”: Love, Agency, and Frustration in Melville’s Pierre; or the Ambiguities	0
L’intersectionnalité au scalpel : interroger les discriminations croisées dans les séries médicales mainstream	0
Intimacies of Resistance: Black-Jewish Marriages in the Civil Rights Movement	0
The Case of Scotland in the Constitutional Debate on the American Colonies: Benjamin Franklin’s and Adam Smith’s Visions of Empire (1754-1776)	0
Dana Luciano, How the Earth Feels: Geological Fantasy in the Nineteenth-Century United States , Durham: Duke University Press, 2024, 242 pages	0
Les défis des alliances interraciales aux États-Unis du XIX e au XX e siècle	0
« Hoʻoulu Lāhui » : alliances et indigénéité à Hawai`i, 1792-1850	0
“Over There”: Making Sense of America’s Partial View of the Second World War. An Interview With Stephen Bourque	0
Metafiction and Empowerment in Post-Network Television: the Case of GLOW (Netflix, 2017-2019)	0
Metafiction and Empowerment in Post-Network Television: the Case of GLOW (Netflix, 2017-2019)	0
Facing Two Revolutions: Contemporaneous German Public Opinions of the American and French Revolutions	0
“It’s Called Intersectionality, Bitch” Reboot Politics in Queer as Folk (Peacock, 2022)	0
Claude McKay and Early Jazz, from “The Negro Dancers” to Home to Harlem (1919-1928)	0
A Contested Legacy: The Memory of World War II in the United States	0
Victor Gruen, architecte de l’environnement ?	0
To Give a Language: A Study of Storytelling in Colson Whitehead’s The Nickel Boys	0
Stephen E. Ambrose, Patriot and Historian	0
“This Spirit of Persecution Was the Cause of Our Convention”: the National Colored Conventions of the 1830s as an Early Movement for Black Civil Rights	0
“Showing Her Ass Off in Her Iron Cage”: Dis(-re-)membering the Black Female Body in Suzan-Lori Parks’s Venus	0
Lines of Erasure: How the Survey of William Penn’s Settlement Design Redefined Lenape Sovereignty in the Delaware Valley	0
Adam Kelly, New Sincerity. American Fiction in the Neoliberal Age , Stanford: Stanford University Press, 2024, 386 p.	0
Resistance under the Influence? “Subliminal Rebellion” in My Year of Rest and Relaxation by Ottessa Moshfegh	0
Mainstreaming Intersectionality in Contemporary Cinema and Television	0
Stéphane Vanderhaeghe	0
Paroles des sans-voix et silences des pères : traduire Abundance de Jakob Guanzon	0
Subversions : Jazz , revue d’exil grivoise (Paris, 1924-1927)	0
Jean Kempf	0
Éliane Elmaleh, Benaouda Lebdai et Delphine Letort	0
Sylvie Bauer, Nawelle Lechevalier-Bekadar et Florian Tréguer, dir.	0
William Sites	0
L’autorité en question dans The Gold Bug Variations de Richard Powers	0
“People Who Don’t Drink Wilkins Coffee Just Blow up Sometimes”: Advertising Power and Puppet Punishment in Jim Henson’s Commercials	0
Concrete Ecologies: Brutalist Architecture in the United States	0
Loïc Wacquant	0
“I, too, dislike it”: Ben Lerner’s Poetic Filiation with Marianne Moore	0
An independent state encircled in the American Union. Ambition et ambiguïté du Kentucky post-révolutionnaire	0
Scott Fitzgerald « dernière manière » : inachèvement, fragmentation, et mélange des genres dans Le Dernier Nabab	0
Yasna Bozhkova	0
Yohanna Alimi-Levy	0
“It Would Take a lot of Wisdom to Say ‘Go slow’”: Faulkner’s Public Sights on Race, the American Press and the Response of the Civil Rights Movement	0
To Give a Language: A Study of Storytelling in Colson Whitehead’s The Nickel Boys	0
The Promise of a Personal Relevance: an Interview with Beth Blum	0
“Showing Her Ass Off in Her Iron Cage”: Dis(-re-)membering the Black Female Body in Suzan-Lori Parks’s Venus	0
Beyond Sex: Expanding Uses of Nudity in Twenty-First Century American Theatre	0
Straight Lines and Deviating Paths in Lydia Maria Child’s Hobomok; A Tale of Early Times (1824)	0
“The fear that the experiment in freedom may fail”: an Interview with John Lauritz Larson	0
Nudity in Digital Performance: Reappraising the Early Online Works of Annie Sprinkle and Frank Moore	0
Benjamin F. Alexander, Ararat in America: Armenian American Culture and Politics in the Twentieth Century , London: I.B. Tauris, 2024, 264 p.	0
The Front Line in American War Literature	0
Claire Cazajous-Augé	0
Jason Schwartz, ou la fiction brisée	0
(Ré-)incarner la souffrance de l’autre : la circulation intermédiale de l’image-choc The Scourged Back , de la photographie au podcast S-Town	0
Nudity in Digital Performance: Reappraising the Early Online Works of Annie Sprinkle and Frank Moore	0
« There is a sound and alteration » : musicalité, mécanisation sonore et silence dans Adam & Eve & The City (1936) de William Carlos Williams	0
« To redpill a normie » : les stratégies de communication de l’ alt-right et la voix politique d’extrême droite sur Internet	0
Empowering to Better Crush Martha Mitchell: Gaslit (StarzPlay, 2022), a Revisionist Take on Watergate	0
Les nouvelles républiques américaines et le culte du héros : Bolívar et Jackson	0
Cody Marrs	0
Lara Langer Cohen	0
Four Founding Fathers on the Road: New Government Design in the United States and the Netherlands, 1776-1815	0
The West in Construction: Texas and Indian Territory at the Vanguard of American Imperial Expansion	0
Architecture and/as Hospitality: Thoreau and Adorno	0
La Frustration	0
“I, too, dislike it”: Ben Lerner’s Poetic Filiation with Marianne Moore	0