OOIR: Observatory of International Research

Papers

(The median citation count of Revue Francaise d'Etudes Americaines is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)

Article	Citations
A Tangent to this Sphere	10
Bénédicte Deschamps	1
Anatomie d’une alliance improbable : la première Coalition Arc-en-ciel de Chicago ou comment redéfinir la solidarité interraciale radicale (1968-1976)	1
Traduire les références à la couleur noire dans le doublage de The Fresh Prince of Bel-Air	1
Anticolonialism in the Era of the American Revolution. An Essay Contest at the Académie de Lyon in the 1780s	1
Hélène Quanquin	1
Dire et traduire l’identité noire en France et aux États-Unis : questions raciales, enjeux linguistiques, perspectives scientifiques	1
Robert D. Richardson	1
Intertextuality and Doubles in Two Black Bohemian Novels of the Harlem Renaissance	1
The West in Construction: Texas and Indian Territory at the Vanguard of American Imperial Expansion	1
For the Writing of Books: Paul Auster’s Report from the Interior	1
Comment rendre les sens du “ N-word ” ? L’exemple de la traduction française de A Time To Kill de John Grisham	0
“These are the last things, she wrote”: Paul Auster’s In the Country of Last Things , Metalepsis and the Problem of Witness	0
Les systèmes de parcs américains à l’Exposition universelle de Paris de 1900	0
Framing Ruins: Impermanence and American Cultural Narratives	0
Noëlle Cuny and Xavier Kalck (eds.)	0
“Stop The War, I Want to Get Out”: DC Comics’ Sgt Rock and Complicating Images of America’s Second World War	0
L’art de la ligne dans As I Lay Dying de William Faulkner : une esthétique de la turbulence	0
The Invention of Solitude: Before the Beginning, After the End	0
« Signifier » les voix souterraines : expérimentations intertextuelles et intermédiales dans les sous-sols de Richard Wright, Ralph Ellison, Richard Saunders et Gordon Parks	0
Thinking Architecture in the United States: An Introduction	0
Framing Ruins: Impermanence and American Cultural Narratives	0
Beyond Sex: Expanding Uses of Nudity in Twenty-First Century American Theatre	0
Comment dire « blackness » en français ? Construire l’identité noire entre l’hexagone, la Martinique et les États-Unis	0
Finding Photographic Recognition in the City: The Chicagoland-in-Pictures Amateur Historical Photography Project	0

Introduction	0
“It’s Called Intersectionality, Bitch” Reboot Politics in Queer as Folk (Peacock, 2022)	0
L’intersectionnalité au scalpel : interroger les discriminations croisées dans les séries médicales mainstream	0
Pauline Peretz	0
Témoignages pour l’autre et autorités en partage, dans Brother, I’m Dying (2007) d’Edwidge Danticat	0
La philosophie pragmatiste à l’épreuve de l’espace architectural urbain : de John Dewey au Frank Lloyd Wright de Broadacre City	0
“Over There”: Making Sense of America’s Partial View of the Second World War. An Interview With Stephen Bourque	0
The Latin Lover Narrator as Cultural Mediator in Jane the Virgin	0
Anticolonialism in the Era of the American Revolution. An Essay Contest at the Académie de Lyon in the 1780s	0
Xavier Kalck	0
Anne Crémieux	0
Légitimité, autorité, canons : perspectives sur la construction d’une identité étasunienne	0
Reading Cather Backward: In Search of a Nonhuman Post-America	0
“Disclosing Burlesque: On the Possibilities of Satire and the (Fe)Male Gaze in Chicago (1926, 1975, 2002)”	0
(Ré-)incarner la souffrance de l’autre : la circulation intermédiale de l’image-choc The Scourged Back , de la photographie au podcast S-Town	0
“The Most Important Sentence in a Book is the First Sentence”	0
Ezra Pound’s Negative Canon: The Worst Great Poets	0
Materiality Without Matter in The Wings of the Dove	0
William Sites	0
Marie-Jeanne Rossignol	0
Subversions : Jazz , revue d’exil grivoise (Paris, 1924-1927)	0
Florian Tréguer	0
Resistance under the Influence? “Subliminal Rebellion” in My Year of Rest and Relaxation by Ottessa Moshfegh	0
Three Volumes from the “ To ” Poetry Series	0
Une Panthère à la conquête du pouvoir : Larry Little, le mouvement noir et l’empouvoirement par les urnes à Winston-Salem en Caroline du Nord (1969-1985)	0
Denis Lacorne, De la race en Amérique , Paris : Gallimard, 2025, 223 p.	0
An independent state encircled in the American Union. Ambition et ambiguïté du Kentucky post-révolutionnaire	0
Sylvie Bauer, Nawelle Lechevalier-Bekadar et Florian Tréguer, dir.	0
Hervé Mayer and David Roche (eds).	0
Beyond the Frontier Line: the Deported Southeastern Indigenous Nations as “Civilizers” of the Great Plains	0
Confronting the “Good War”: The Policies of the Radical Left in the United States	0
Hyperbole historique : l’Histoire mobilisée dans le débat sur les armes nucléaires au Texas pendant les années 1980	0
Jason Schwartz, ou la fiction brisée	0
“I, too, dislike it”: Ben Lerner’s Poetic Filiation with Marianne Moore	0
Arielle Zibrak, Writing Against Reform: Aesthetic Realism in the Progressive Era , Amherst: University of Massachusetts Press, 2024, 280 p.	0
Hugo Bouvard, Gays et lesbiennes en politique. Représenter les minorités sexuelles en France et aux États-Unis , Presses universitaires du Septentrion, Lille, 2024, 375 p.	0
“On Performing Burlesque and Nakedness”: An Interview with Lefty Lucy, New York City, April 30th, 2021	0
Untitled Feminist Show : Nudity as Fluidity	0
Énonciation des pronoms et subjectivités militantes dans l’activisme étatsunien contemporain	0
Straight Lines and Deviating Paths in Lydia Maria Child’s Hobomok; A Tale of Early Times (1824)	0
Émeline Jouve, Un siècle d’avant-garde. Essai sur le théâtre étasunien , Montpellier : Éditions Deuxième Époque, 2025, 152 p.	0
Kelly Ross	0
Toujours aussi étrange ? La forme expérimentale de Strange Interlude à l’épreuve du temps	0
A Contested Legacy: The Memory of World War II in the United States	0
Pilar Martínez Benedí & Ralph James Savarese	0
Paroles des sans-voix et silences des pères : traduire Abundance de Jakob Guanzon	0
Four Founding Fathers on the Road: New Government Design in the United States and the Netherlands, 1776-1815	0
To Give a Language: A Study of Storytelling in Colson Whitehead’s The Nickel Boys	0
« Text-paintings », « book-paintings » et « code poems » : repenser l’histoire de la confiscation de l’écrit chez trois artistes africains américains, Glenn Ligon, Theaster Gates et Adam Pendleton	0
Déconstruction du droit et à-venir de la justice dans « Benito Cereno » de Herman Melville : à propos de la déposition d’Amasa Delano	0

Empowering to Better Crush Martha Mitchell: Gaslit (StarzPlay, 2022), a Revisionist Take on Watergate	0
Les défis des alliances interraciales aux États-Unis du XIX e au XX e siècle	0
The Promise of a Personal Relevance: an Interview with Beth Blum	0
Metafiction and Empowerment in Post-Network Television: the Case of GLOW (Netflix, 2017-2019)	0
“Infinite Subdued Vexation”: Love, Agency, and Frustration in Melville’s Pierre; or the Ambiguities	0
“Over There”: Making Sense of America’s Partial View of the Second World War. An Interview With Stephen Bourque	0
The West in Construction: Texas and Indian Territory at the Vanguard of American Imperial Expansion	0
“According to Family Legend”: 4 3 2 1 ’s Overture	0
Earth and Heaven in American Poetry: An Essay in Astrocriticism	0
Denijal Jegić	0
“Showing Her Ass Off in Her Iron Cage”: Dis(-re-)membering the Black Female Body in Suzan-Lori Parks’s Venus	0
Nicholas Manning	0
The Front Line in American War Literature	0
Metafiction and Empowerment in Post-Network Television: the Case of GLOW (Netflix, 2017-2019)	0
Chloé Thomas	0
Emmanuelle Delanoë-Brun	0
Intimacies of Resistance: Black-Jewish Marriages in the Civil Rights Movement	0
Marco Malvestio	0
Concrete Ecologies: Brutalist Architecture in the United States	0
Entre fonction et symbole : Lewis Mumford, penseur de l’architecture	0
Stephen E. Ambrose, Patriot and Historian	0
Victor Gruen, architecte de l’environnement ?	0
Nakedness: the Empty Signifier of Contemporary Bodies in Performance?	0
Odes to the Revolution: Alfieri’s L’America libera	0
Facing Two Revolutions: Contemporaneous German Public Opinions of the American and French Revolutions	0
De lecteur à performeur : réflexions méthodologiques pour une enquête sur la lecture à voix haute de poésies plurilingues nord-américaines	0
Christen Bryson, Anne Légier, Amélie Ribieras, eds, Womanhoods and Equality in the United States: 20-21 st Century Perspectives , New York: Routledge, 2024, 242 p.	0
Stéphane Vanderhaeghe	0
“Strike till the iron is hot”: Listening to Marianne Moore through Virgil Thomson	0
Adam Kelly, New Sincerity. American Fiction in the Neoliberal Age , Stanford: Stanford University Press, 2024, 386 p.	0
Lara Langer Cohen	0
Resistance under the Influence? “Subliminal Rebellion” in My Year of Rest and Relaxation by Ottessa Moshfegh	0
Holland Dames : la place des femmes dans la fabrique des origines néerlandaises de New York au XIX e siècle	0
Odes to the Revolution: Alfieri’s L’America libera	0
Celeste-Marie Bernier	0
L’autorité en question dans The Gold Bug Variations de Richard Powers	0
Intersectionality in the Galactic Empire: Foundation and the Politics of “Woke” Sci-Fi	0
Daniel Cirera, Guy Groux et Mark Kesselman (dir.)	0
Empowering to Better Crush Martha Mitchell: Gaslit (StarzPlay, 2022), a Revisionist Take on Watergate	0
Oaths and Anti-Masonry in the Early American Republic	0
Olivier Burtin	0
Voix littéraires africaines américaines : (Dé)faire autorité, de la Renaissance de Harlem à aujourd’hui	0
« There is a sound and alteration » : musicalité, mécanisation sonore et silence dans Adam & Eve & The City (1936) de William Carlos Williams	0
“Disclosing Burlesque: On the Possibilities of Satire and the (Fe)Male Gaze in Chicago (1926, 1975, 2002)”	0
Adam Kelly, New Sincerity. American Fiction in the Neoliberal Age , Stanford: Stanford University Press, 2024, 386 p.	0
Concrete Ecologies: Brutalist Architecture in the United States	0
“This Spirit of Persecution Was the Cause of Our Convention”: the National Colored Conventions of the 1830s as an Early Movement for Black Civil Rights	0
Leigh Claire La Berge	0
L’exil du Black Panther Party à Alger (1969-1972) : l’idéal révolutionnaire à l’épreuve de ses limites	0
Three Volumes from the “ To ” Poetry Series	0
Beyond Sex: Expanding Uses of Nudity in Twenty-First Century American Theatre	0
“People Who Don’t Drink Wilkins Coffee Just Blow up Sometimes”: Advertising Power and Puppet Punishment in Jim Henson’s Commercials	0
“On Performing Burlesque and Nakedness”: An Interview with Lefty Lucy, New York City, April 30th, 2021	0
À contre-voix : résonances de la note dans Annotations (1995) de John Keene et Ordinary Notes (2023) de Christina Sharpe	0
The Front Line in American War Literature	0
Écouter, composer et jouer de la old-time music : pratiques musicales ordinaires et marchandisation de la musique (États-Unis, 1930-1940)	0
“People Who Don’t Drink Wilkins Coffee Just Blow up Sometimes”: Advertising Power and Puppet Punishment in Jim Henson’s Commercials	0
Nudity in Digital Performance: Reappraising the Early Online Works of Annie Sprinkle and Frank Moore	0
Jess A. Goldberg, Abolition Time: Grammars of Law, Poetics of Justice , Minneapolis and London: University of Minnesota Press, 2024, 270 p.	0
“The fear that the experiment in freedom may fail”: an Interview with John Lauritz Larson	0
Thinking Architecture in the United States: An Introduction	0
Bare Broadway Bodies: How Nudity Brought the Gay Community and Broadway Cheek to Cheek	0
Yasna Bozhkova	0
What About Juvenile Delinquency? (1955)	0
Robert D. Richardson	0
“We have to be open to the future”	0
“Showing Her Ass Off in Her Iron Cage”: Dis(-re-)membering the Black Female Body in Suzan-Lori Parks’s Venus	0
Can You Sell an Intersectional Narrative in the Early 2010s? The Case of Dee Rees’s Pariah (2011)	0
The Dharma Gaze of Poet Anne Waldman: an Interview on the Founding of Naropa University and its “Infrastructure Poetics”	0
Claude McKay and Early Jazz, from “The Negro Dancers” to Home to Harlem (1919-1928)	0
Marjolaine Boutet	0
« To redpill a normie » : les stratégies de communication de l’ alt-right et la voix politique d’extrême droite sur Internet	0
The Promise of a Personal Relevance: an Interview with Beth Blum	0
The Case of Scotland in the Constitutional Debate on the American Colonies: Benjamin Franklin’s and Adam Smith’s Visions of Empire (1754-1776)	0
Lines of Erasure: How the Survey of William Penn’s Settlement Design Redefined Lenape Sovereignty in the Delaware Valley	0
From Democratic to Restless America 1815-1860: A Paradigm Shift	0
“resonant / beyond escape”: Adrienne Rich’s Fugitive Voice	0
Pilar Martínez Benedí and Ralph James Savarese	0
Incursions dans la Post-Amérique	0
Approaching the Contours of an American [Man] of Letters : William Gilmore Simms (1806-1870)	0

Mainstreaming Intersectionality in Contemporary Cinema and Television	0
Untitled Feminist Show : Nudity as Fluidity	0
Pouvoir / Empouvoirement : prises de pouvoir politiques et esthétiques aux États-Unis	0
A Tangent to this Sphere	0
Nicholas Manning	0
Olivier Zunz	0
Thomas Constantinesco	0
Nude Descending a Staircase at the National Endowment for the Arts: A Legal Anatomy of Karen Finley’s Constitutional Challenge	0
Vincent Broqua	0
« Caractéristiques de l’expression nègre » : traduire la langue de Zora Neale Hurston	0
Michaël Roy	0
Paolo Pitari, The Problem of Free Will in David Foster Wallace , London: Routledge, 2024, 286 p.	0
Ben Bascom, Feeling Singular: Queer Masculinities in the Early United States , New York: Oxford University Press, 2024, 280 p.	0
Frustrations individuelles et collectives dans In the House in the Dark of the Woods , de Laird Hunt : l’écriture réparatrice ?	0
Moses Roper, Josiah Henson, Deux récits d’esclaves fugitifs . Traduction, introduction et notes de Simone Chambon, Claire Parfait et Michaël Roy. Mont-Saint-Aignan, Presses universitaires de Rouen et	0
Une dignité majuscule ? Nomination de soi et luttes symboliques dans l’histoire africaine-américaine	0
Alexis de Tocqueville dans le « désert » : la poursuite infructueuse de l’Indien « authentique » dans l’Amérique jacksonienne	0
Chant for Siri Chant for Paul	0
Leigh Claire La Berge	0
Intertextuality and Doubles in Two Black Bohemian Novels of the Harlem Renaissance	0
The Case of Scotland in the Constitutional Debate on the American Colonies: Benjamin Franklin’s and Adam Smith’s Visions of Empire (1754-1776)	0
Practical Feminist Politics in Minx (HBO, Starz, 2022-2023): Mainstreaming the Roots of Intersectionality in TV Series	0
Nakedness: the Empty Signifier of Contemporary Bodies in Performance?	0
Réception et traduction de l’œuvre de Paul Auster en France	0
Cody Marrs	0
Luke Stewart, ed.	0
Olivier Zunz	0
Paolo Pitari, The Problem of Free Will in David Foster Wallace , London: Routledge, 2024, 286 p.	0
American Heroes: Moon Palace , Invisible , and Growing up in Historical Time	0
Frustrating Facts: Susan Howe’s Special View of History	0
“Infinite Subdued Vexation”: Love, Agency, and Frustration in Melville’s Pierre; or the Ambiguities	0
Peter Charles Hoffer, The Brave New World: A History of Early America (third edition) , Baltimore: Johns Hopkins UP, 2023, 616 p.	0
Dana Luciano, How the Earth Feels: Geological Fantasy in the Nineteenth-Century United States , Durham: Duke University Press, 2024, 242 pages	0
Daniel G. Williams, ed., The Werner Sollors Reader: Ethnicity, Cosmopolitanism, and Particularism , Edinburgh: Edinburgh University Press, 2025, 480 p.	0
Le postféminisme et la dépolitisation néolibérale de l’identité : d’un féminisme collectif à la célébration de l’individualisme ?	0
Stephen E. Ambrose, Patriot and Historian	0
“This Spirit of Persecution Was the Cause of Our Convention”: the National Colored Conventions of the 1830s as an Early Movement for Black Civil Rights	0
“Don’t Take the Bait:” The Role of Marshals in the Regulation of New York City Protests	0
Scott Fitzgerald « dernière manière » : inachèvement, fragmentation, et mélange des genres dans Le Dernier Nabab	0
« Hoʻoulu Lāhui » : alliances et indigénéité à Hawai`i, 1792-1850	0
Jean Kempf	0
“I, too, dislike it”: Ben Lerner’s Poetic Filiation with Marianne Moore	0
Facing Two Revolutions: Contemporaneous German Public Opinions of the American and French Revolutions	0
Home Front Lines: The Telegraphic Ballistics of Emily Dickinson’s Civil War Poetry	0
Lines of Erasure: How the Survey of William Penn’s Settlement Design Redefined Lenape Sovereignty in the Delaware Valley	0
Nawelle Lechevalier-Bekadar	0
From Democratic to Restless America 1815-1860: A Paradigm Shift	0
Le lyrisme ténébreux de Jesmyn Ward dans Let Us Descend (2023)	0
François Doppler-Speranza	0
“Don’t Take the Bait:” The Role of Marshals in the Regulation of New York City Protests	0
“resonant / beyond escape”: Adrienne Rich’s Fugitive Voice	0
Une mise en musique de l’urgence et du nihilisme : la naissance du punk hardcore américain	0
Confronting the “Good War”: The Policies of the Radical Left in the United States	0
To Give a Language: A Study of Storytelling in Colson Whitehead’s The Nickel Boys	0
“Vatic Lips”: Opening (in) Auster’s Poems	0
Beyond the Frontier Line: the Deported Southeastern Indigenous Nations as “Civilizers” of the Great Plains	0
Nudity in Digital Performance: Reappraising the Early Online Works of Annie Sprinkle and Frank Moore	0
Jesse McCarthy, The Blue Period: Black Writing in the Early Cold War , Chicago: University of Chicago Press, 2024, 298 pages	0
Was it a Good War? Film, Memoir, and the Memory of the American Strategic Bombing Campaign	0
Yohanna Alimi-Levy	0
Introduction	0
How Can a White Man Sound Black? The Racialization of the Voices of Black Music Disc Jockeys in the U.S. (1950s-1960s)	0
Architecture and/as Hospitality: Thoreau and Adorno	0
A Life of Making Sentences: Paul Auster’s Baumgartner	0
Global Jim. Translating African American Voices in Mark Twain’s Adventures of Huckleberry Finn Worldwide	0
“The fear that the experiment in freedom may fail”: an Interview with John Lauritz Larson	0
The First French “Americanists” of the 1770s and 1780s, the American Revolution and Atlantic History: Beyond Mirages in the West	0
“Stop The War, I Want to Get Out”: DC Comics’ Sgt Rock and Complicating Images of America’s Second World War	0
Home Front Lines: The Telegraphic Ballistics of Emily Dickinson’s Civil War Poetry	0
Hervé Mayer and David Roche (eds).	0
Straight Lines and Deviating Paths in Lydia Maria Child’s Hobomok; A Tale of Early Times (1824)	0
Claude McKay and Early Jazz, from “The Negro Dancers” to Home to Harlem (1919-1928)	0
Laurence Cossu-Beaumont	0
Kelly Ross	0
Countercultural Environmentalism and Indigenous Religions in the Long Sixties: Empowerment and Appropriation	0
Countercultural Environmentalism and Indigenous Religions in the Long Sixties: Empowerment and Appropriation	0
Bare Broadway Bodies: How Nudity Brought the Gay Community and Broadway Cheek to Cheek	0
Xavier Kalck	0
Was it a Good War? Film, Memoir, and the Memory of the American Strategic Bombing Campaign	0
Humanoïdes Associés, Le Sagittaire, and the Race to Publish Charles Bukowski in France in 1977-1978	0
A New Beginning or the End of Everything? War in Paul Auster’s Man in the Dark	0
A Contested Legacy: The Memory of World War II in the United States	0
« Where are the names of our illustrious ones? » . La construction d’un panthéon africain-américain, années 1820-guerre de Sécession	0
Noëlle Cuny and Xavier Kalck (eds.)	0
Christen Bryson, Anne Légier, Amélie Ribieras, eds, Womanhoods and Equality in the United States: 20-21 st Century Perspectives , New York: Routledge, 2024, 242 p.	0
La Frustration	0
Lionel Larré, ed.	0
The South, the Nation, and Regional Identity in New England’s Federalists’ Writings: Jedidiah Morse’s American Geographies	0
The Dharma Gaze of Poet Anne Waldman: an Interview on the Founding of Naropa University and its “Infrastructure Poetics”	0
Nude Descending a Staircase at the National Endowment for the Arts: A Legal Anatomy of Karen Finley’s Constitutional Challenge	0
Claire Cazajous-Augé	0
“It Would Take a lot of Wisdom to Say ‘Go slow’”: Faulkner’s Public Sights on Race, the American Press and the Response of the Civil Rights Movement	0
Oaths and Anti-Masonry in the Early American Republic	0
Lign(é)es de chasseurs dans Goat Mountain de David Vann	0
Frustrating Facts: Susan Howe’s Special View of History	0