OOIR: Observatory of International Research

Papers

(The TQCC of Studies in Canadian Literature-Etudes en Litterature Canadienne is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)

Article	Citations
Negotiating Chinese Canadian Masculinity: Fred Wah’s Diamond Grill	5
Anticipating “What the World Is Waiting For”: Interrogating the Entrepreneurial Spirit in Lisa Moore’s Flannery	2
Rethinking Liveness through the Digital Real: The Virtual as a Performance Venue in Empirical Theatre Research	2
Visualizing the Canada-US Border: Comic Adaptations of Wayde Compton’s “The Blue Road” and Thomas King’s “Borders”	2
Indigenous Practices and Performances of Mobility as Resistance and Resurgence	2
“But How, How to Exist and Not to Belong?”: Hybridity and Trauma in Rawi Hage’s Cockroach	1
Documentary Ethics, Para-Judicial Fantasies, and the Transgressive Desires of Lynn Crosbie’s Paul’s Case	1
The Sound of a Silenced Letter: Souvankham Thammavongsa and the Kinetic Archive	1
Notes on Contributors	1
Mobilizing Affect and Intellect in Erotic Citizenship: or, The Becoming Lover of Erín Moure’s Citizen Trilogy	1
“To Have a Body / Is a Cruel Joke”: The T.E. Lawrence Poems and Gwendolyn MacEwen’s Shameful Subversion of Cultural Singularity	1
A Word with an Edge	1
Bringing Stories to the Screen and “Out of Silence”: An Interview with Hannah Moscovitch	1
Anishinaabemowin in Indianland, The Marrow Thieves, and Crow Winter as a Key to Cultural and Political Resurgence	1
Finding Indigenous Place in Colonial Space: Place-Based Redress in Leanne Simpson’s This Accident of Being Lost	1
“Just Shut Up, You; and Listen”: Cherie Dimaline’s Empire of Wild and the Echoes of Oral Storytelling in Indigenous Audiobooks	1
“Merely an Independent Public Man”: Joseph Howe’s Public Works	1
Trauma and the Ethics of Literary Culture in the Time of Pandemic: Emily St. John Mandel’s Station Eleven and Saleema Nawaz’s Songs for the End of the World	1
Notes on Contributors	1
Queer Parenting and the Challenge to Queer Theory	1
Igniting Conciliation and Counting Coup as Redress: Red Reasoning in Tailfeathers, Johnson, and Lindberg	1
The Work of Reading Sachiko Murakami’s Rebuild: Situating Community-Engaged Learning in the Classroom	1
“Sovereign Storytellers, Sovereign Space”: A Conversation about Indigenous Theatre with Kevin Loring	1
Tsawalk: Rupturing Canada’s First World War Origin Story in Redpatch	1
Parodies of Manhood Bent: Ann-Marie MacDonald’s Queer Verona	1

“A book doesn’t need to stand up like a body does”: A Conversation with D.M. Bradford	1
Queer Bodies	1
Called to Relationship and Reckoning through Story: Reflections on Reading, Teaching, and Writing about Residential School Literatures	1
Three Riots: A Biotext for Watts, Rodney King, and George Floyd	1
“Not Longer than Mine”: Anxious Unbelonging in Margaret Laurence’s The Diviners	1
Counter-Memorial Documentary and Kincentric Honouring Practices in Marie Clements’s The Unnatural and Accidental Women	1
Indigenous Refusal and Settler Complicity: Listening Positionality and Critical Reorientations in Helen Knott’s In My Own Moccasins: A Memoir of Resilience	1
Eating Cake, Staying Quiet: The Rupture of Many Selves in Shyam Selvadurai’s The Hungry Ghosts	1
Les trois exils de Christian E. ou l’hybridation conte-théâtre dans le monologue acadien	1
Habiter le territoire exproprié de Kouchibouguac : étude géopoétique d’Infini de Jean Babineau	1