Studies in Canadian Literature-Etudes en Litterature Canadienne

Papers
(The median citation count of Studies in Canadian Literature-Etudes en Litterature Canadienne is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Tekkietsertok’s Anger: Colonial Violence, Post-Apocalypse, and the Inuit in Jeff Lemire’s Sweet Tooth Series3
Queer Parenting and the Challenge to Queer Theory2
Trauma and the Ethics of Literary Culture in the Time of Pandemic: Emily St. John Mandel’s Station Eleven and Saleema Nawaz’s Songs for the End of the World2
Complicating World Literature in the “Minor” Context: Translation and the Acadian Literary Ecosphere1
Parodies of Manhood Bent: Ann-Marie MacDonald’s Queer Verona1
Hugh MacLennan and the Two Solitudes of Hockey1
Neoliberal Environments: Clearing the Smoke of 20201
Three Riots: A Biotext for Watts, Rodney King, and George Floyd1
Écrivaines canadiennes des années 19701
“But How, How to Exist and Not to Belong?”: Hybridity and Trauma in Rawi Hage’s Cockroach1
Between Private and Public Spheres: The Politics of Realism in Rohinton Mistry’s Such a Long Journey1
Automobility or Flight: Transportation and Agency in Disappearing Moon Cafe1
Reading Scofield through Riel: Louis: The Heretic Poems as Dissonance1
Becoming Fish: Settler Deeds, Salmon Resistance, and Multi-Species Accords in Gail Anderson-Dargatz’s The Spawning Grounds1
“We are the living archive”: An Interview with El Jones on Abolition and Writing1
Finding a Place for the Subject: Rethinking Place in Early to Modern Canadian Criticism1
Scottishness, Humour, and the Aesthetics of Settler Colonialism in Thomas Chandler Haliburton’s The Clockmaker1
Reading Poetry and Its Paratexts for Evidence of Fair Dealing1
Beyond “The Last Doubler”: Reproductive Futurism and the Politics of Care in Larissa Lai’s The Tiger Flu1
Hearing Zong! Choreosonographies of Silence1
“Not Enough Raven”: Reading Lee Maracle’s Ravensong as Counter-Hegemonic Ethnography1
The Sound of a Silenced Letter: Souvankham Thammavongsa and the Kinetic Archive1
Queer Bodies0
Recognition, or the Depressive Pleasure of Reading Surfacing0
The Intertextual Condition: Vancouver Poems and the Development of Daphne Marlatt’s Archival Poetics0
Duppy Kno Who Fi Frighten0
Untitled0
“And Whom We Have Become”: Indigenous Women’s Narratives of Redress in Quebec0
Reimagining the American Road Trip in Nicole Brossard’s Le désert mauve0
Vincent Brault — un auteur québécois à découvrir0
“Walking Backwards”: From Truth to Reconciliation0
Looking Away from the Material Self: Collective Ethics in Neoliberal Environments0
Feminist Anthologizing0
H₂Ocean: The Wet Ontology and Blue Ethics of Sue Goyette’s Ocean0
Decolonial Poetics and Trans-Subjective Lyric: Jordan Abel’s Un/Inhabited and Injun0
Entre récit littéraire et brochure touristique : la mise en récit du voyage en train à travers le Canada au début du XXe siècle0
Telling Tales: The True Story of The Handmaid’s Tale0
La réécriture, ou renverser la perspective0
Notes on Contributors0
Understanding David Eastham’s Neuroqueerness0
Notes on Contributors0
Revisiting Sylvia Fraser’s Pandora: Girlhood, Body, and Language0
Documentary Ethics, Para-Judicial Fantasies, and the Transgressive Desires of Lynn Crosbie’s Paul’s Case0
The Weight of Queerness: Reflections on a Digital Storytelling Project0
Indigenous Practices and Performances of Mobility as Resistance and Resurgence0
Two Poems: Dancing with Creation & A Call for Love0
Penser les relations éthiques dans et avec la littérature des pensionnats : réflexions autour du roman Le vent en parle encore de Michel Jean0
After Extraction: Idling in the Ruins in Michael Winter’s and Alistair MacLeod’s Neoliberal Fictions0
Notes on Contributors0
En attente d’identification : applications de rencontre, identité-écran et hétérosomie queer0
Toward a Feminist Archival Ethics of Accountability0
The Progress of Writing in Alice Munro’s “The Office”0
Perfect Mismatch: Gwendolyn MacEwen and the Flat Earth Society0
L’Acayenne des années 1970 : quand les femmes (s’)écrivent0
Silenced Resilience: Models of Survival in David Chariandy’s Brother0
Struggling toward Identity in George Elliott Clarke’s The Motorcyclist0
“Forget What Disney Tells You”: Redressing Popular Culture in Elle-Máijá Tailfeathers’ A Red Girl’s Reasoning0
Trinidadian/Canadian Food and the Fiction of Belonging in David Chariandy’s Brother0
Anna Minerva Henderson’s Citadel and Gloria Ann Wesley’s To My Someday Child: A Close Reading of Two Maritime Voices0
Come Together: Oral Sex as Oral History in Gregory Scofield’s Love Medicine and One Song0
The White Caribou in the Surgical Theatre: Intersex and Whiteness in Kathleen Winter’s Annabel0
Material Frictions: Troubling the Ethics of Experiment in the Ecopoetic Work of Rita Wong and Christian Bök0
“How Do I Live in a World that Hates Me?”: The Emotional Ecology of Neoliberalism in Nikki Reimer’s Downverse0
A.B. Walker’s Neith (1903-04) and the Aesthetic Grammars of Black Modernism in Canada0
Pathogen Textures0
Richesse et pauvreté des portraits de Seth en postures de fan0
Notes on Contributors0
Unsettled Solutions: Petropastoral Poetics in Rita Wong’s undercurrent0
Descent of the Human: Racialized Animality, Queer Intimacy, and Evolutionary Theory in Larissa Lai’s Salt Fish Girl0
Better “Death in Its Most Awful Shapes” than Life in Nova Scotia: Climate Change and the Nova Scotia Maroons, 1796-18000
Bioarchives of Affect: Erín Moure’s The Unmemntioable0
“A Troublesome Weed Which Spreads Like Wildfire”0
Igniting Conciliation and Counting Coup as Redress: Red Reasoning in Tailfeathers, Johnson, and Lindberg0
Notes on Contributors0
Written on the Body: Personal Monumentalization in the Work of David Chariandy and Tessa McWatt0
A Queer Canadian Affair: The Diasporic Indian Woman Negotiating Queerness in Farzana Doctor’s Stealing Nasreen0
Environmental Discourses in Atwood’s MaddAddam Trilogy; Or, The Neoliberal Prometheus0
Des « déchets humains »0
“i am / virus to the system”: Indigiqueer Abjection and the Queering of Language in Joshua Whitehead’s full-metal indigiqueer and Jonny Appleseed0
Scratching the Surface: Marian Engel’s 1970s Writing0
“But the Good Feelings Were There Too”0
A Word with an Edge0
Deracialization in Ying Chen’s Later Series of Novels: A Reading of Querelle d’un squelette avec son double0
Literary Creative Practices as Sites of Redress0
Not Who to Blame but in Whose Name0
The Work of Reading Sachiko Murakami’s Rebuild: Situating Community-Engaged Learning in the Classroom0
Called to Relationship and Reckoning through Story: Reflections on Reading, Teaching, and Writing about Residential School Literatures0
Lola Montez, c’est moi; or, Francesca Replayed0
Mobilizing Affect and Intellect in Erotic Citizenship: or, The Becoming Lover of Erín Moure’s Citizen Trilogy0
Not Yet Alone: Axes of Exclusion in Wayson Choy’s Not Yet: A Memoir of Living and Almost Dying0
Réécrire le récit ancestral chez Gabrielle Roy : vers une lecture ricoeurienne de la transgénéricité0
Exposing the Eugenic Reader0
Ice Cod Bell or Stone: Poetry, Canon, Memory0
Negotiating Chinese Canadian Masculinity: Fred Wah’s Diamond Grill0
Notes on Contributors0
Finding Indigenous Place in Colonial Space: Place-Based Redress in Leanne Simpson’s This Accident of Being Lost0
« Ce que tu dois savoir, Julie »0
Rhizomatic Challenges to Compartmentalization: Rewriting in Anne Carson’s Decreation and Patience Agbabi’s Telling Tales0
Putting Black Lives Matter into Canadian Literary Studies0
Anishinaabemowin in Indianland, The Marrow Thieves, and Crow Winter as a Key to Cultural and Political Resurgence0
The “Great Game”; Archives and Canadian Literature in the 1960s and 1970s0
Indigenous Refusal and Settler Complicity: Listening Positionality and Critical Reorientations in Helen Knott’s In My Own Moccasins: A Memoir of Resilience0
Habiter le territoire exproprié de Kouchibouguac : étude géopoétique d’Infini de Jean Babineau0
A Documentary Film on Fire: Les terribles vivantes/Firewords0
Spin the Tale Inside: Opacity and Respectful Distance in Lee Maracle’s Celia’s Song0
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