OOIR: Observatory of International Research

Papers

(The median citation count of Studies in Canadian Literature-Etudes en Litterature Canadienne is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
Negotiating Chinese Canadian Masculinity: Fred Wah’s Diamond Grill	2
Indigenous Practices and Performances of Mobility as Resistance and Resurgence	2
Trauma and the Ethics of Literary Culture in the Time of Pandemic: Emily St. John Mandel’s Station Eleven and Saleema Nawaz’s Songs for the End of the World	2
Anticipating “What the World Is Waiting For”: Interrogating the Entrepreneurial Spirit in Lisa Moore’s Flannery	2
Visualizing the Canada-US Border: Comic Adaptations of Wayde Compton’s “The Blue Road” and Thomas King’s “Borders”	2
Rethinking Liveness through the Digital Real: The Virtual as a Performance Venue in Empirical Theatre Research	2
Sortir au du restaurant : enjeux sociaux et narratifs d’un renversement de focalisation dans quelques romans montréalais contemporains	1
Documentary Ethics, Para-Judicial Fantasies, and the Transgressive Desires of Lynn Crosbie’s Paul’s Case	1
Monsieur Lazhar ou le « bon immigrant » algérien qui récitait Balzac	1
Notes on Contributors	1
“But How, How to Exist and Not to Belong?”: Hybridity and Trauma in Rawi Hage’s Cockroach	1
Igniting Conciliation and Counting Coup as Redress: Red Reasoning in Tailfeathers, Johnson, and Lindberg	1
Habiter le territoire exproprié de Kouchibouguac : étude géopoétique d’Infini de Jean Babineau	1
Eating Cake, Staying Quiet: The Rupture of Many Selves in Shyam Selvadurai’s The Hungry Ghosts	1
A Word with an Edge	1
“Just Shut Up, You; and Listen”: Cherie Dimaline’s Empire of Wild and the Echoes of Oral Storytelling in Indigenous Audiobooks	1
The Sound of a Silenced Letter: Souvankham Thammavongsa and the Kinetic Archive	1
« Ce qui aurait pu être, ce qui pourrait être » : penser les études noires, entre les lignes du canon. Entretien avec Philippe Néméh-Nombré	1
Three Riots: A Biotext for Watts, Rodney King, and George Floyd	1
“Not Longer than Mine”: Anxious Unbelonging in Margaret Laurence’s The Diviners	1
Finding Indigenous Place in Colonial Space: Place-Based Redress in Leanne Simpson’s This Accident of Being Lost	1
“Sovereign Storytellers, Sovereign Space”: A Conversation about Indigenous Theatre with Kevin Loring	1
Colonial Constraint, White Supremacy, and Ceding Authority in An Antane Kapesh’s Eukuan nin matshi-manitu innushkueu	1
Counter-Memorial Documentary and Kincentric Honouring Practices in Marie Clements’s The Unnatural and Accidental Women	1
“Merely an Independent Public Man”: Joseph Howe’s Public Works	1

“A book doesn’t need to stand up like a body does”: A Conversation with D.M. Bradford	1
Tsawalk: Rupturing Canada’s First World War Origin Story in Redpatch	1
Called to Relationship and Reckoning through Story: Reflections on Reading, Teaching, and Writing about Residential School Literatures	1
« Le pays par excellence du recommencement et de l’entente » : (re)lire le colonialisme de peuplement dans les reportages de la série Peuples du Canada de Gabrielle Roy (1942-1943)	1
Anishinaabemowin in Indianland, The Marrow Thieves, and Crow Winter as a Key to Cultural and Political Resurgence	1
Les trois exils de Christian E. ou l’hybridation conte-théâtre dans le monologue acadien	1
Bringing Stories to the Screen and “Out of Silence”: An Interview with Hannah Moscovitch	1
The Work of Reading Sachiko Murakami’s Rebuild: Situating Community-Engaged Learning in the Classroom	1
Indigenous Refusal and Settler Complicity: Listening Positionality and Critical Reorientations in Helen Knott’s In My Own Moccasins: A Memoir of Resilience	1
Gun Island and Blaze Island: Improbability, Risk, and Eco-Cosmopolitanism in Two Recent Climate-Change Novels	0
Vincent Brault — un auteur québécois à découvrir	0
Critical Territories: Race, Colonialism, and the Québécois Imaginary	0
Speculative Health Futures: Contemporary Canadian Health Policies and the Planetary Health Commons in Larissa Lai’s The Tiger Flu	0
“And Whom We Have Become”: Indigenous Women’s Narratives of Redress in Quebec	0
Le conflit des souverainetés linguistiques au Québec	0
Performing Complaint in Contemporary Canadian Academic Drama	0
Written on the Body: Personal Monumentalization in the Work of David Chariandy and Tessa McWatt	0
Passing Black Indigeneity: The Forces of Authenticity and Affect in Lawrence Hill’s Black Berry, Sweet Juice	0
Ice Cod Bell or Stone: Poetry, Canon, Memory	0
Notes on Contributors	0
“To Have a Body / Is a Cruel Joke”: The T.E. Lawrence Poems and Gwendolyn MacEwen’s Shameful Subversion of Cultural Singularity	0
Doubling Back on the Spectre: The Textual Ruptures and Deconstructive Trajectories of Earle Birney’s Revisions to “Can.Lit.”	0
A.B. Walker’s Neith (1903-04) and the Aesthetic Grammars of Black Modernism in Canada	0
“This Accounting Is Impossible!”: Kaie Kellough’s Rereading of Hubert Aquin’s Hamidou Diop	0
Notes on Contributors	0
Scottishness, Humour, and the Aesthetics of Settler Colonialism in Thomas Chandler Haliburton’s The Clockmaker	0
“Forget What Disney Tells You”: Redressing Popular Culture in Elle-Máijá Tailfeathers’ A Red Girl’s Reasoning	0
Decolonial Poetics and Trans-Subjective Lyric: Jordan Abel’s Un/Inhabited and Injun	0
Anna Minerva Henderson’s Citadel and Gloria Ann Wesley’s To My Someday Child: A Close Reading of Two Maritime Voices	0
Radical Solidarities in Mercedes Eng’s Hybrid Poetics	0
Naissance et légitimation de la poésie vocale et des chansonniers	0
A Little Gentleness	0
Virtuality and Actuality in Janet Cardiff’s Solo and Collaborative Walking Tours with George Bures Miller	0
“And I May Mutate into a Matriarch”: Aging, Crisis, and Speculative Fiction in Margaret Laurence’s The Fire-Dwellers	0
Staging Strategies in Canadian Drama and Performing Arts: Where Have We Been and Where Are We Going?	0
Literary Creative Practices as Sites of Redress	0
Silenced Resilience: Models of Survival in David Chariandy’s Brother	0
Finding a Place for the Subject: Rethinking Place in Early to Modern Canadian Criticism	0
“Walking Backwards”: From Truth to Reconciliation	0
Reimagining the American Road Trip in Nicole Brossard’s Le désert mauve	0
Resurgence of Land-Based Pedagogy in Yvette Nolan’s The Unplugging	0
Putting Black Lives Matter into Canadian Literary Studies	0
Penser les relations éthiques dans et avec la littérature des pensionnats : réflexions autour du roman Le vent en parle encore de Michel Jean	0
Becoming Fish: Settler Deeds, Salmon Resistance, and Multi-Species Accords in Gail Anderson-Dargatz’s The Spawning Grounds	0
(Re)Claiming Montreal as the Legacy of Angélique in Afro-Québécois Literature	0
Hugh MacLennan and the Two Solitudes of Hockey	0
Public Health Disruptions in Susanna Moodie’s Roughing It in the Bush and Catharine Parr Traill’s The Backwoods of Canada	0
Untitled	0
Pathogen Textures	0
To Carry Pain, to Heal through Ceremony: Indigenous Women’s Standpoint in Indigenous Australian and Canadian Literatures	0

Duppy Kno Who Fi Frighten	0
Crossing Lines, Crossing Borders: The Translator’s Role in Subverting Power Structures in Naghmeh Samini’s The Child	0
Ruptured Relationships in a Patriarchal Commons: Mother-Daughter Conflict in Priscila Uppal’s Projection: Encounters with My Runaway Mother	0
« Ce que tu dois savoir, Julie »	0
Reading Poetry and Its Paratexts for Evidence of Fair Dealing	0
I Will Answer by the Mouth of (Your) Can(n)on(s)! Indigenous Theatre’s Riposte to Quebec’s Literary Canon	0
Petrocolonialism, Ecosickness, and Toxic Politics in David Huebert’s “Chemical Valley” Stories	0
Understanding Vallières’ Stubborn Endurance: On Anti-Anti-Racism in Contemporary Quebec	0
Playing in the Basement	0
“We are the living archive”: An Interview with El Jones on Abolition and Writing	0
Two Poems: Dancing with Creation & A Call for Love	0
Spin the Tale Inside: Opacity and Respectful Distance in Lee Maracle’s Celia’s Song	0
Richesse et pauvreté des portraits de Seth en postures de fan	0
Struggling toward Identity in George Elliott Clarke’s The Motorcyclist	0
Territoire et rencontres interculturelles	0
Representing the Refugee Body: Liminality, Precarity, and Alterity in Ahmad Meree’s Suitcase/Adrenaline	0
The Surreptitious Advocacy of Kim Thúy: Quebec’s Favourite Immigrant/Refugee	0
Wittgenstein’s Dreamer: Skepticism in John Mighton’s Possible Worlds	0
Revisionist Narratology in Ruth Ozeki’s A Tale for the Time Being	0
Telling Tales: The True Story of The Handmaid’s Tale	0
“Wanting Justice . . . Wanting Answers . . . Wanting Change”: Staging Multiple and Diverse Identities in Canadian Theatre for Young Audiences	0
“Not Everybody Who’s Peculiar Is Insane”: The Lavender Scare in Girl in the Goldfish Bowl	0
The Gothic Genre and Indigenous Fiction: A Reading of Eden Robinson’s Monkey Beach and Patricia Grace’s Baby No-Eyes	0
Notes on Contributors	0
Past, Present, and Future Ruptures to the Commons	0
Not Who to Blame but in Whose Name	0
“Somehow, a City”: Unsettling Urban Resilience Narratives	0
Performing Virtual Intimacy in Landline	0
Trinidadian/Canadian Food and the Fiction of Belonging in David Chariandy’s Brother	0
Notes on Contributors	0