Neohelicon

Article	Citations
Metal cultures, ecocriticism, decolonization, and Tara June Winch’s The Yield	18
Entre autofiction et autobiographie langagière : l’univers artistique de Zeina Abirached	9
Forme e topoi della poesia del buon gusto. L’Arcadia in Italia verso l’Europa	5
Terry Pratchett’s “China” in Interesting Times	5
Lotman’s semiotics of literature in terms of “space as language”	4
East-/Central/East-Central European literature as world literature: introduction	4
Desiring narration: Pinocchio and the rebellion of the body without organs	4
On human expendability: AI takeover in Clarke’s Odyssey and Stross’s Accelerando	4
Correction to: Post-trump masculinity in popular romance novels	3
“Writers like Pamuk”: (un)translatability and the unbearable lightness of pigeonholing an author	3
Chinese farewell poetics in Ezra Pound’s “Taking Leave of a Friend”	3
What comes after Central Europe? Miklós Mészöly’s late prose and contemporary Hungarian literature	3
Strategies for transnational projection through international book fairs	3
Memory and identity in the context of Chinese Australian novels	3
Adapting David Copperfield for children in China: examining the representation of Christian views	2
Towards a hermeneutics of the postmodern transnational space: the case of contemporary Australian literature	2
Electronic literary creation: dialogues through cultural recycling	2
Tangible lessons: object narratives in Hawthorne and Alcott’s children’s stories	2
Migration, reparation, dictation: Faïza Guène’s La discrétion engages the offence of oversight	2
Postmodern philosophy of history and reading its traces in postcolonial (re)writing	2
Herstories in the 21st century	2
Dreary useless centuries of happiness: Cordwainer Smith’s “Under Old Earth” as an ethical critique of our current Emotion AI goals	1
‘By creating plot texts, man learnt to distinguish plots in life and thus to make sense of life’: a discussion of narratology in the work of Juri Lotman	1
La lettura schellinghiana della Divina Commedia	1
The rhetoric of contagion: Poe’s sphinx and its riders—Barthes, Baudrillard, Foucault, Derrida, Miller, and de Man	1

Adventure and contingency in literary theory	1
La vocazione orientale della repubblica degli arcadi	1
Introduction: theorizing chance, or—How does literary theory deal with contingency?	1
Comparative literature within mesoregional framework: the case of East-Central Europe	1
Défis et Enjeux d’une historiographie littéraire comparatiste: « Histoire comparée des littératures de langues européennes » et Neohelicon	1
Intimacy and alienation: Mór Jókai in China	1
Contingency traps: the role of form in creative processes	1
Transcending the national: on worlding the peripheral literatures	1
Dialecticizing realism: aesthetics, forms, and the European bildungsroman	1
Thomson’s Palemon and Lavinia, iconic-material narrative and silkwork pictures as transmedial storytelling platforms	1
Schema and adaptation: a cognitive comparative study of nostalgic themes in the works of Edith Wharton and Eileen Chang	1
Reading Julian of Norwich within the context of influence	1
Contingencies of localization in literary theory	1
The shape of chance: what can stones tell us about artistic creativity and literary theory?	1
The narrative of war in William Empson’s poems on China	1
Epic traditions in Balkan world literature	1
Past present: Coal and Hard Times	1
Introduction to the special issue World literature and the strategies of nation-building	1
Critical realism and romanticism: Kálmán Mikszáth in China	1
Caribbean legacies and interspecies community: Nalo Hopkinson’s decolonial strategies in Midnight Robber	1
Confessional text in the light of Yuri Lotman’s semiotic research	1
Climate change and anti-/colonial discourses in late Qing Chinese science fiction	1
Narratorless narratives	1
Correction to: Alice’s adventures in China: the tourist gaze, the genre of travel writing, and the uncanny	1
Memory and resistance in Natasha Trethewey’s ship island poetry	1
The post-memory of the Armenian genocide and the myth of origins in Antonia Arslan’s works	1
The well-tempered jade flute: a Chinese turn in early twentieth-century European literature	1
Two perceptions of childhood: Alexander Baron (1917-1999) and Howard Jacobson (1942-)	1
Accounting for the religionisation in Ku Hung-Ming’s translations of Confucian classics: From culture and identity to narrative	1
On ceremonial paintings by the Yao people (瑤族) and their acculturation from Taoist Shuilu paintings (道教水陆画)	1
Linda Lê: écrire l’exil dans l’intertexte	0
Das Netzwerk Kassák	0
Arcadia italiana: musica e arte: Il programma di Ferenc Kazinczy per rinnovare la poesia in Ungheria	0
Jean-Philippe Toussaint et le taoïsme	0
From rivers to roads: the depiction of the Chinese revolution in East German documentaries	0
The English-language literary translations of Mihály Babits	0
Objects, designs, experiences: euphoric and dysphoric interiors	0
Metaphorical conceptualization of beauty in Donna Tartt’s The Secret History: translation perspectives	0
Western esotericism, Chinese religion, and the supernatural fiction of Gustav Meyrink: Buddhism and Daoism in The Golem and The White Dominican	0
Rendering the unsayable: unnatural acts of narration in koan literature	0
La métamorphose d’un roman policier : La Maison du juge de Simenon dans le prisme des tendances déformantes d’Antoine Berman	0
Tin cans and tall dancers: Le Guin’s “She Unnames Them” and the posthuman refusal of taxonomy	0
Distinction and connection between three types of readers: readers’ affective responses and empathy in John Banville’s The sea	0
The study of classic Chinese literature from the perspective of historical poetics	0
A comparative study of the body and power between Han Feizi and Michel Foucault	0
From itinerary to map, with “urban villagers” in the Romanian novel. A literary cartography	0
Hungarian writers in the interwar USA: the fiction of József Reményi and Áron Tamási	0
The time of data. theoretical thinking, statistical thinking	0
“Monasteri neri”: letteratura ungherese e italiana e scrittura popolare nella Prima Guerra Mondiale	0
Representations of masculinity in contemporary Italian literature: Francesco Piccolo and Diego De Silva’s narratives	0

Representing stream of consciousness in comics: definition and categorization	0
The fire and the clock: Promethean myth in Mary Shelley and Ahmet Hamdi Tanpınar	0
Worlding in Georgi Gospodinov’s There, where we are not	0
The Roman and Viennese indices of prohibited books in Austrian and Bohemian lands under Maria Theresa	0
Falling in love with machine: emotive potentials between human and robots in science fiction and reality	0
Macbeth in literary history: The Weird Sisters and the mermaids of the Nibelungenlied	0
Ruptures et transmission, entre Mali et Europe (Aya Cissoko, Fatoumata Fathy Sidibé)	0
The Gothic aesthetic in Edgar Allan Poe’s “The Fall of the House of Usher” and Thomas Hardy’s A Pair of Blue Eyes	0
Habsburg censorship as a multilevel tool in the emergence of modern social subsystems, ca. 1800	0
Interfaith marriage goes wrong: Belle Kendrick Abbott’s Leah Mordecai	0
AI Literature: the disenchantment of word and the enchantment of code	0
World literature and the passion of self-defense: on the literary economies of German protectionism	0
Essential (mostly neglected) questions and answers about artificial intelligence	0
“Give me the blade. Some things are worth spilling blood for.” Madeline Miller’s Circe and the issue of claiming agency	0
Robin Hood and resistance: the spatial ethics of “felaushyp” in A Lytell Gest of Robyn Hode	0
Unnamed characters in 19th -century French and English novels	0
Storytelling beyond the symbolic order: repetition and the death drive in Dark Souls	0
Storytelling for a republic of childhood: rebranding China’s national images in children’s literature	0
Italo Calvino’s Invisible cities as a postmodern parody of The travels of Marco Polo	0
Anonymous figures as a new paradigm of identity in narrative fiction	0
Ice: a comparative analysis of a blue humanities element	0
Corollaires d’écritures : Sutures, Berlin à quatre mains (Régine Robin et Serge Clément)	0
Love and hope: affective labor and posthuman relations in Klara and The Sun	0
Venezia, i fratelli Zrínyi e la causa magiara: uno sguardo alla politica e alla letteratura ungherese della metà del XVII secolo	0
“The tape runs on”: Magnetic media, Beckett, and the limits of Kantian subjectivity	0
“Granny Wang”: a female Harlequin archetype in traditional Chinese novels	0
The impossible no: disciplinary boundaries and the problem of science in literary and science fiction studies	0
Anatomy of the “deathly silence”: Slovenian newspapers in Carniola and the pre-March censorship	0
Lost temples, eternal stories: monkey pilgrim and semiotic translation from Nagapattinam to Quanzhou along the maritime silk road	0
A bridge to paramythia: modalities of myth and consolation	0
On Beowulf and Ruodlieb: a folkloric context for Hrothgar’s Sermon	0
Masochism, literature, and aesthetic form	0
On Philip K. Dick and the death of God: Can science really kill a God?	0
Representations of Istanbul at the intersection of modern Turkish literature and world literature	0
He says she says: From indirect speech to a voice of her own	0
Introduction: Accademia dell’Arcadia	0
A study of desires and emotions in Do Androids Dream of Electric Sheep?	0
Post-Trump masculinity in popular romance novels	0
Burning: silenced rage in Lee and Faulkner	0
The pause button on ecophobia: reflections on Pilgrim at Tinker Creek, fifty years in	0
Beyond challenging gender norms: empowering female characters in pseudotranslated story of late Qing China	0
Pushkin’s Tatiana, read through Shakespeare and Lotman	0
Tethered to the present: time and eco-crises	0
Fear of body and animality: Freak bodies and minds in Edward Gant’s amazing feats of loneliness	0
Metaphors of violence and survival: Primo Levi’s philosophy of chemistry	0
Acoustics and olfaction in Jean Giono’s Le Grand troupeau	0
Winging it with Wittgenstein and Benjamin	0
Repositionnements de l’identité culturelle d’un traducteur chinois en France dans l’entre-deux-guerres: le cas de Jing Yinyu	0
The undoing of the enlightenment event in Ian McEwan’s The Children Act	0
Lotman in the context of semiotic literary criticism: Introduction	0
Art, politics and identity in de Staël’s Corinne ou l’Italie	0
Remembering and forgetting in Sara Collins’ The confessions of Frannie Langton	0
Literary translation during the Chinese Cultural Revolution	0
L’Europe des Lumières et les colloques de Mátrafüred	0
Reading the phenomenon of crowds through Kracauer’s concept of the mass ornament	0
A pagan martyr’s allegiance: the Shao Tragedy in Jesuit school adaptations as a case of world literature in eighteenth-century Germany	0
Assessing the paradigmatic status: on the legitimacy and significance of unnatural narratology	0
Framing, rewriting, and reception in world literature: the case of Wolf Totem	0
La migration au féminin dans les romans de Sema Kiliçkaya Le royaume sans racines (2013) et La langue de personne. Humour et tendresse sur l’échec du vivre ensemble (2018)	0
Danilo Kiš and the uses of aestheticism in socialist Yugoslavia	0
Faces of “Revolutionary Romanticism”: Shelley in China (1919-1937)	0
China in the political imaginary of restoration England: revisiting John Webb’s fantasy about the Chinese language	0
The polyphonic principle in the novelistic thinking of Olga Tokarczuk	0
Alice’s adventures in China: the tourist gaze, the genre of travel writing, and the uncanny	0
Unnatural narrative: A cognitive analysis of parallel and circular structures in flash fiction	0
Correction to: Robin Hood and resistance: the spatial ethics of “felaushyp” in A Lytell Gest of Robyn Hode	0
Tense present tense: Nathaniel Rich’s ambivalent temporal rut in Odds against tomorrow	0
Milan Kundera and his “Central European” path to worldliness	0
Defining “Chinese tragedy”: a terminological point of view	0
Communal Pleasure in Jean Rhys’s Fiction	0
From East to West: tracing Chinese influences on Western aesthetic and ideological paradigms	0
The Habsburg monarchy in the long nineteenth century: new directions in censorship research	0
Time and humanity: anthropocene narratives in Liu Cixin’s The Wandering Earth	0
On some aspects of the binary in the context of the ternary and the plural in Juri Lotman’s semiotics of literature	0
Who is at the helm? Mary Wollstonecraft’s contribution to the romantic construct of the imagination	0
Post-colonial gaze and self-colonialization: “Europe in miniature”	0
Jennifer Egan’s polytechnic style	0
Between writer and militant: Arab realism and the accidental	0
The implications of Maoist thoughts and the Chinese revolutionary praxis for a British New Left writer—Raymond Williams	0
« La France est mon sort et ma destinée » : l’œuvre de l’écrivain, journaliste et traducteur André Adorján	0

Der Kanonbildungsprozess von Literatur-Nobelpreisträgern im deutschsprachigen Verlagswesen: eine vergleichende Analyse des Literaturkanons zwischen Herta Müller und Mo Yan	0
Utopian vision and cultural pluralism in early modern fiction: the case of Voyages et Avantures de Jacques Massé	0
Écrivaines migrantes de l’extrême contemporain en Europe: introduction	0
“Accept my rimes”: an intertextual evaluation of the Gower monologues in Pericles, Prince of Tyre	0
Nommer les démons de l’Autre : le cas de la traduction de La Pérégrination vers l’Ouest par André Lévy	0
Norse burial practices and medieval fear of revenants in the myth of Ragnarök	0
Supernatural heroes and legal consciousness: reconsidering the legal discourse in The journey to the west	0
Endangered at birth: from Paul the Deacon’s Lamissio to Agnellus of Ravenna’s Aistulf	0
Queering the female writer in screen biofictions: Daphne (2007) and Shirley (2020)	0
Literary theory between contingency and contiguity: Yakov Druskin’s “Law of Heterogeneity”	0
Climate change and migration	0
Chahdortt Djavann: psychanalyse, exils et tribulations	0
The crowd has its say: a demographic study of Callirhoe by Chariton of Aphrodisias	0
Ezra Pound, Chinese culture and the variation theory	0
Pratica poetica barocca e poesia arcadica: opere occasionali in lingua italiana in Ungheria nel Settecento	0
Les temporalités dans l’adaptation de L’Etranger par Visconti	0
Distressing sons, anxious fathers and worries about the empire in Charles Dickens’s Dombey and Son	0
Why did Meursault kill the Arab? The non-narrated motivation in L’Étranger by Albert Camus	0
AI emotion in science fiction: An introduction	0
Between nation, post-empire, and world-literature	0
The metamorphosis of China: revisiting Angela Carter’s “new-fangled” Orientalism	0
Between policing and literary criticism: Habsburg censorship of literature in Lombardy-Venetia	0
The horror of censorship in fin-de-siècle Hungarian journalism	0
Embodied reality effect: re-visiting the “curtain” in “Hills Like white elephants”	0
EU’s exclusion or enlargement, popularity or populism: an analysis of Robert Menasse’s Die Erweiterung (2022)	0
Théories littéraires et indéfinition de la littérature : pour une ontologie moindre de la littérature	0
From nostalgia to solastalgia: the paradox of extinction photography in Jia Pingwa’s Remembering Wolves (2000)	0
Between utility and aesthetics: localization of Western theories in the rise of the modern Chinese short story	0
Negotiating identity in the face of the canon: Murray Carlin and Derek Walcott’s use of metadrama in Shakespeare adaptations	0
Irony and sentiment in the literary field: Prešeren’s sonnets and the Slovenian alphabet-censorship war	0
Interconnecting public interests with private concerns: biopolitics, female bodies, and guilt in Mo Yan’s Frog and Zola’s fruitfulness	0
Historical fiction: From historical accuracy to prosthetic memory	0
L’anarchive en contrepoint dans Nos richesses de Kaouther Adimi	0
Rabelais’ war narrative and the artillery revolution in early modern Western Europe	0
Negotiation between social structure and personal feelings—An inquiry into the covert progressions in Ian McEwan’s Machines like me	0
Sex, marriage, and prostitution in late medieval and early modern literature, with a focus on Poggio Bracciolini and sixteenth-century German jest narratives (Schwänke)	0
Neohelicon 50: editorial	0
Always needed, always hunted. Witches, female healthcare, and the need for a female history in Ami McKay’s The witches of New York	0
Die Umschreibung des Klassikers: Paratextuelle Strategien und die Kanonisierung von Richard Wilhelms deutscher Übersetzung des Lunyu	0
“Apotheosis of Poesy”: The blue flower as a Romantic theory of the novel	0
Decolonising Gubbna Ghosts through transgenerational blood memory in Anita Heiss’ Dirrayawadha	0
Introduction: The fifty-year history of Neohelicon, Acta Comparationis Litterarum Universarum, and beyond	0
“You are the spawn of Cain!” Grendel’s mother’s literary appropriations	0
Sounds national: mediating the ballad in nineteenth-century Scotland and Transylvania	0
“I’m the strongest and the boldest, and the bravest and the best.” Satire in Maria Dahvana Headley’s 2020 translation of Beowulf	0
A generic mystery: Laura Purcell’s The shape of darkness	0
Geographies of trauma: Place-based perspectives in literary trauma studies	0
The opposite of humanity: the unnatural narrator in the covert progression of Through the Arc of the Rain Forest	0
A liminal space between the self and the other: the metropolitan-local dynamic in Western travel writing on the Hualin Temple, Guangzhou	0
Correction to: Unnatural narrative: A cognitive analysis of parallel and circular structures in flash fiction	0
Censor’s scissors in Croatian literature: Shaping a(n) (inter)national community	0
Whither world literature?	0
Disrupted agency, objects, and intimations of the posthuman in first-person narrative	0
Future present: cli-fi’s representational challenge	0
Cosmopolitanism and cosmo-poethics: the cultural migrations of a ‘concept’	0
Images of Chinese in Australian nationalist literature	0
La traduction pour la recherche en sinologie : le cas des titres traduits dans Le Siècle des Youên	0
Autism, representation and culture in Mark Haddon’s The Curious Incident of the Dog in the Night-Time and Yonghong Hu’s My Running Shadow	0
Enhancing translation reception through paratexts: An analysis of Bonnie McDougall’s translation of Mao Zedong’s “Talks at the Yan’an Conference on Literature and Art”	0
Human emotions projected onto androids: a manifestation of internal crisis—human–android interactions in “The Sand-Man” by E.T.A. Hoffmann as example	0
Affective cyborgs and other artificial constructs in feminist science fiction: Sideshow and Six Moon Dance by Sheri Tepper	0
Evolutionary emotion of AI and subjectivity construction in The Windup Girl	0
Das ökologische Katastrophennarrativ und der death-in-life-Zustand in den Romanen 2.5 Grad: Morgen stirbt die Welt, Der Wald: Er tötet leise, Der zweite Hundekrieg und Aschen der Vorbeigehenden	0
Power and poetics at work: rewriting Mark Twain’s “Cannibalism in the Cars” in Japan and China	0
From Bildungsroman to historical fiction: the genre variation of the translation of Bronze and Sunflower	0