Neohelicon

Article	Citations
On Beowulf and the Nibelungenlied: counselors, queens, and characterization	7
Love and hope: affective labor and posthuman relations in Klara and The Sun	6
Anarchy in the Game of Thrones	5
Conscious application of creativity dynamics as an approach to the formation and appreciation of literary creativity	4
Ephemerality in the digital world: Estonian case studies of digital literature and digital literary heritage projects	3
Materiality and literature: an introduction	3
Virtual museums: interpreting and recreating digital cultural content	2
Terry Pratchett’s thought experiments about the body	2
Disabled and vulnerable bodies in Indra Sinha’s Animal’s People: transcending the human and nonhuman world	2
The ephemerae of digital literature	2
Media, genres, facts and truth: revisiting basic categories of narrative diversification	2
Power imbalance in translaboration: a perspective from Chinese translation history	2
The mushrooms of the Nibelung: how Twitter-paratexts about Friedrich Hebbel’s staging at Rheinisches Landestheater Neuss deal with ephemera	2
Interfaith marriage goes wrong: Belle Kendrick Abbott’s Leah Mordecai	1
Introduction to special cluster on “The body and the Anthropocene”	1
Globalisation du roman et figuration de l’agent : considérations anthropologico-littéraires à partir de M. Houellebecq, A. Ernaux, P. Grace et A. Kourouma	1
Representations of Istanbul at the intersection of modern Turkish literature and world literature	1
Towards a theory of nonhuman narrative	1
The Well-Worn Book and the reading child: cultural and cognitive aspects of materiality in German children’s literature	1
Trapped in class? Material manifestations of poverty and prosperity in Alice Munro’s “Royal Beatings” and “The Beggar Maid”	1
Camus, Roth, Covid-19: the dangers of forgetting	1
Autism, representation and culture in Mark Haddon’s The Curious Incident of the Dog in the Night-Time and Yonghong Hu’s My Running Shadow	1
Transmedia principles in impressionism spanning painting, music and literature	1
Strategies for transnational projection through international book fairs	1
Universality, heterogeneity, and worlding: meanings of comparison in Chinese comparative literature	1

Post-global and post-digital children’s literature: some users’ legitimation strategies on the Net	1
Introduction to the special cluster “Never really far from us—epidemics and plagues in literature”	1
Rendering the unsayable: unnatural acts of narration in koan literature	1
Paralipsis and intention(ality)	1
Similar archetypes and different narratives: a comparative study of Chinese “Yeh Hsien” and European Cinderella stories	1
Orientalism and international relations: a case study of Sino-Vietnamese relations	1
Storytelling for a republic of childhood: rebranding China’s national images in children’s literature	1
Various voices in dialect and the frequency issue in the Chinese translations of Tess of the d’Urbervilles	1
Essential (mostly neglected) questions and answers about artificial intelligence	1
Negotiation between social structure and personal feelings—An inquiry into the covert progressions in Ian McEwan’s Machines like me	1
Betwixt and between: Liminality in the translation of Çalıkuşu	1
On ginseng and Iroquois	1
Falling in love with machine: emotive potentials between human and robots in science fiction and reality	1
Introduction: Ephemerality in the digital age—creating, preserving, and sharing practices across media	1
The problem of nonhuman agency and bodily intentionality in the Anthropocene	1
Caribbean legacies and interspecies community: Nalo Hopkinson’s decolonial strategies in Midnight Robber	1
Translation as subversion and subjugation: Sándor Petőfi’s “Liberty and Love” in China	1
Images of Chinese in Australian nationalist literature	0
The dis/entanglements of knowledge: transversing matter, subjectivity and identity in VS Naipaul and Igshaan Adams	0
Affective cyborgs and other artificial constructs in feminist science fiction: Sideshow and Six Moon Dance by Sheri Tepper	0
Questioning rationality: Martel’s philosophy of transpersonal self in Life of Pi	0
Patrick White and the agency of literary masks	0
Secular criticism in Dystopia: Time, Space, and mobility in Boualem’s 2084 La Fin du Monde	0
The pause button on ecophobia: reflections on Pilgrim at Tinker Creek, fifty years in	0
Narrative theory across borders	0
Détonnants voyageurs	0
Introduction: The fifty-year history of Neohelicon, Acta Comparationis Litterarum Universarum, and beyond	0
Censor’s scissors in Croatian literature: Shaping a(n) (inter)national community	0
Landscapes and Taoism in Ezra Pound’s Cantos	0
Landscape/mindscape/langscape: The ephemerality of the digital and of the real in Marlene Creates’s video-poems for ice and snow	0
The Habsburg monarchy in the long nineteenth century: new directions in censorship research	0
On human expendability: AI takeover in Clarke’s Odyssey and Stross’s Accelerando	0
Sounds national: mediating the ballad in nineteenth-century Scotland and Transylvania	0
World literature and the passion of self-defense: on the literary economies of German protectionism	0
On some aspects of the binary in the context of the ternary and the plural in Juri Lotman’s semiotics of literature	0
(Selbst-)Zerstörung der Schuld—Chance der Entschuld(ig)ung: Schuld und Schulden in der Lyrik von Attila József	0
Debatable genre: comparative poetics in the wild animal stories of Ernest Thompson Seton and Shixi Shen	0
AI emotion in science fiction: An introduction	0
Between nation, post-empire, and world-literature	0
The politics and gendering of disability in Raymond Williams’s fiction	0
Cosmopolitanism and cosmo-poethics: the cultural migrations of a ‘concept’	0
Human emotions projected onto androids: a manifestation of internal crisis—human–android interactions in “The Sand-Man” by E.T.A. Hoffmann as example	0
Wang Xiaobo: la libération sexuelle contre une société castratrice	0
Italo Calvino’s Invisible cities as a postmodern parody of The travels of Marco Polo	0
Papierstauraum: Bücher und Objekte in Katalogen	0
Ephemeral identities, blurred geographies, and social media in twenty-first-century French fiction: a reading of Licorne by Nora Sandor and Un amour d’espion by Clément Bénech	0
From the margins of the National Centre: two plays by Native American playwright Hanay Geiogamah	0
Aristotle’s influence in Dante’s works	0
Das Bild der arabischen Welt in der deutschen Gegenwartsliteratur als Reflexionsfläche politischer Umbrüche im 21. Jahrhundert	0
Rerooting the core: Cold War anticommunism and North American Influence in Romanian postmodernism	0

The post-memory of the Armenian genocide and the myth of origins in Antonia Arslan’s works	0
Lotman in the context of semiotic literary criticism: Introduction	0
La traduction comme réécriture : deux versions de L’Avare en Chine moderne	0
La parola alle cose. Alcuni esempi nella poesia italiana del Novecento	0
Worlding in Georgi Gospodinov’s There, where we are not	0
“No Place Like Home”: trauma and placelessness in Elizabeth Bowen’s The House in Paris	0
Humanist transfer of knowledge from foreign lands: modes of cognitive perception of the world among Florentine travelers to America between 1490 and 1530	0
Correction to: Nation and gender in The eclipse of the crescent moon	0
Materiality in Julio Cortázar’s literature—rereading “Axolotl,” “No se culpe a nadie” and the almanac books	0
The tragic complexity of Purgatory	0
Afterword: new horizons in materiality and literature	0
Amphibolic space of Central Europe in the writings of Aleksandar Tišma and Danilo Kiš	0
Une construction historique de l’identité nationale: l’image de la Hongrie dans les écrits autobiographiques de François II Rákóczi	0
The art of narrative deferral: Madani’s L’histoire peut attendre	0
L’Europe des Lumières et les colloques de Mátrafüred	0
József Szili (1929-2021)	0
Agency in growing up in troubled times: re-presenting the Chinese Cultural Revolution in contemporary international youth literature	0
Genre ambiguity and (ephemeral) digital epitexts: co-constructing Michael Chabon’s Moonglow	0
Lotman’s semiotics of literature in terms of “space as language”	0
Affect and narrative rhythm in Heart of darkness	0
Masochism, literature, and aesthetic form	0
L’œuvre de David Mitchell ou la fable du contemporain	0
Une Étude critique de Madame la présidente de Fatou Fanny-Cissé	0
Jelena Dimitrijević et Pierre Loti : l’Orient et l’Occident en contact	0
Tracing Huxley’s orientalism: the European ‘Oriental’ background and Jesting Pilate as intellectual travelogue	0
Alterity and divergence: reflections on interculturality via Levinas and Jullien	0
Metal cultures, ecocriticism, decolonization, and Tara June Winch’s The Yield	0
Anatomy of the “deathly silence”: Slovenian newspapers in Carniola and the pre-March censorship	0
Narrating the Holocaust: a focalization reading of Michael Chabon’s The Final Solution	0
Do you need foreknowledge about Bulgakov and Woland? Making Juliane Blank’s comics adaptation parameters more flexible	0
Théories littéraires et indéfinition de la littérature : pour une ontologie moindre de la littérature	0
Epic traditions in Balkan world literature	0
Burning: silenced rage in Lee and Faulkner	0
Writing the history of “you”: second-person narration and the plight of the Nubian in Idris Ali’s Below the poverty line	0
Transcending the national: on worlding the peripheral literatures	0
The feminine voice of subversion and inversion: a comparative reading of “The Story of Yingying” and The Tale of Genji	0
Dialecticizing realism: aesthetics, forms, and the European bildungsroman	0
Literary translation during the Chinese Cultural Revolution	0
Art, politics and identity in de Staël’s Corinne ou l’Italie	0
Pushkin’s Tatiana, read through Shakespeare and Lotman	0
On literary meaning	0
Topography and mappability in Virgil’s underworld narrative	0
‘By creating plot texts, man learnt to distinguish plots in life and thus to make sense of life’: a discussion of narratology in the work of Juri Lotman	0
Interconnecting public interests with private concerns: biopolitics, female bodies, and guilt in Mo Yan’s Frog and Zola’s fruitfulness	0
La traduction pour la recherche en sinologie : le cas des titres traduits dans Le Siècle des Youên	0
“Monasteri neri”: letteratura ungherese e italiana e scrittura popolare nella Prima Guerra Mondiale	0
Fear of body and animality: Freak bodies and minds in Edward Gant’s amazing feats of loneliness	0
The Roman and Viennese indices of prohibited books in Austrian and Bohemian lands under Maria Theresa	0
“Writing as enlightenment”: Don DeLillo’s Buddhism and postsecular writing	0
A Bourdieusian and Simmelian analysis of the doomed interpersonal relationships in Eileen Chang’s “Red rose, white rose” and Elfriede Jelinek’s Die Liebhaberinnen	0
Evolutionary emotion of AI and subjectivity construction in The Windup Girl	0
W. H. Auden’s syllabic poetics within the framework of world literature	0
From sacred geometry to an old man: on the figure of the Father in Dante’s Divine Comedy and in Michelangelo’s Sistine Chapel	0
Musical affect and the emotion–cognition interaction in The Phantom of the Opera	0
Deconstructing master narratives through cognitive games in Hanay Geiogamah’s Body Indian, Foghorn, and 49	0
Between policing and literary criticism: Habsburg censorship of literature in Lombardy-Venetia	0
Zwischen Moos und Wetterglas: Naturkundliche Interieurs und Objekte in der Literatur der deutschsprachigen Aufklärung	0
The culture and politics of the trash and the trash pickers in Jia Pingwa’s Happy Dreams	0
Writing about women in ghost stories: subversive representations of ideal femininity in “Nie Xiaoqian” and “Luella Miller”	0
Ezra Pound, Chinese culture and the variation theory	0
Contesting the man-eater animal(ity): changing paradigms of the colonial-colonised relationship	0
Introduction to the special issue World literature and the strategies of nation-building	0
The spatialized narratives in Alain Robbe-Grillet’s “The secret room” and Wang Anyi’s “The public kitchen”	0
Le double entre fantastique et folie : Dostoïevski, Nabokov et le cinéma contemporain	0
“Men separate from women and domesticity”: empire builders, coolie laborers, and the imperialist economy in Joseph Conrad’s “Typhoon”	0
The Princip principle	0
Departures and returns: cultural identities, historical traumas and personal paths in Susan R. Suleiman’s Budapest Diary	0
Das Spiel mit den Falten	0
A study of desires and emotions in Do Androids Dream of Electric Sheep?	0
Metaphorical conceptualization of beauty in Donna Tartt’s The Secret History: translation perspectives	0
Verbal art across language and culture: poetry as music	0
Reading Julian of Norwich within the context of influence	0
Semantik und Materialität in der Wiener Gruppe am Beispiel der Gemeinschaftsarbeiten	0
Overpopulation and cognitive mapping of freedom: Jonathan Franzen’s Freedom	0
Postmodern philosophy of history and reading its traces in postcolonial (re)writing	0
Défis et Enjeux d’une historiographie littéraire comparatiste: « Histoire comparée des littératures de langues européennes » et Neohelicon	0
La responsabilité de l’écrivain antillais contemporain de l’exterieur	0
Tracing ecophobia through bios/zoё dichotomy in Margaret Atwood’s Surfacing	0
Irony and sentiment in the literary field: Prešeren’s sonnets and the Slovenian alphabet-censorship war	0
Two perceptions of childhood: Alexander Baron (1917-1999) and Howard Jacobson (1942-)	0

The empire as the embodiment of modern intellect: a critical reading of Coetzee’s Waiting for the Barbarians through Levinas	0
Motion from a fixed point: third-person reference in The education of Henry Adams	0
Metaphors of violence and survival: Primo Levi’s philosophy of chemistry	0
Who is at the helm? Mary Wollstonecraft’s contribution to the romantic construct of the imagination	0
“Christianity is an epidemic”: on Hölderlin and the plague	0
Climate change and migration	0
The “Jewish Question” in interwar literature: Irène Némirovsky and Károly Pap	0
The cognitive-pragmatic inference in literary translation: a comparative study of Mai Jia’s Jie Mi and its English version	0
AIDS and its representation in the works of William S. Burroughs	0
Confessional text in the light of Yuri Lotman’s semiotic research	0
Towards a hermeneutics of the postmodern transnational space: the case of contemporary Australian literature	0
La lettura schellinghiana della Divina Commedia	0
On metaphor of diseases in the classical Chinese novel Liaozhai Zhiyi	0
Virgilio nel Purgatorio di Dante: poesia, politica e morale	0
Intimacy and alienation: Mór Jókai in China	0
A comparative study of the body and power between Han Feizi and Michel Foucault	0
An experience of in-betweenness: Translation as border writing in Gene Luen Yang’s American Born Chinese	0
Framing, rewriting, and reception in world literature: the case of Wolf Totem	0
Correction to: Papierstauraum: Bücher und Objekte in Katalogen	0
The rhetoric of factuality and fictionality in Julian Barnes’s the noise of Time and the Man in the Red Coat	0
The Chinese Caribbean diaspora and performative subjectivity in Jan Lowe Shinebourne’s The Last Ship	0
Material dimensions of a chivalric romance: metanarrative and book history in Ortúñez de Calahorra’s Espejo de príncipes y cavalleros and other libros de caballerías	0
The horror of censorship in fin-de-siècle Hungarian journalism	0
Dreary useless centuries of happiness: Cordwainer Smith’s “Under Old Earth” as an ethical critique of our current Emotion AI goals	0
The rhetoric of literary fairy tales and their contextual receptions: a case study of “The Little Match Girl” and “The Happy Prince”	0
When disease encounters precepts: healing narratives in the Further biographies of eminent monks (續高僧傳)	0
Alice’s adventures in China: the tourist gaze, the genre of travel writing, and the uncanny	0
Il mistero della prima traduzione ungherese del Dei delitti e delle pene di Cesare Beccaria	0
Habsburg censorship as a multilevel tool in the emergence of modern social subsystems, ca. 1800	0
Alexithymic personality in Philip K. Dick’s Do androids dream of electric sheep?	0
Youth solving pandemics: hopeful futures in Maths Claesson’s novel Pandemic	0
Point of view in Alice Munro's “Runaway”: A cognitive study	0
Venezia, i fratelli Zrínyi e la causa magiara: uno sguardo alla politica e alla letteratura ungherese della metà del XVII secolo	0
The birth of modern Chinese epics: Shi Tang and his Hero of the prairie	0
The Gothic aesthetic in Edgar Allan Poe’s “The Fall of the House of Usher” and Thomas Hardy’s A Pair of Blue Eyes	0
“Arrows are targeted at both the left and the right”: Han Shaogong’s intervention into contemporary Chinese intellectual debate	0
Correction to: Alice’s adventures in China: the tourist gaze, the genre of travel writing, and the uncanny	0
L’arte di ogni tempo nel commento visivo di Tom Phillips all’Inferno dantesco	0
Hungarian writers in the interwar USA: the fiction of József Reményi and Áron Tamási	0
East-Central Europe in comparative literature studies: introduction	0
The medieval Hero and anti-hero in one and the same person: Huon de Bordeaux deconstructive perspectives on medieval literature	0
Creating a national crime fiction through allegory translation: from Sherlock Holmes, the western detective to Relentless Avni, the turkish Sherlock Holmes	0