Canadian Theatre Review

Article	Citations
Theatre as Service … My Experience During the Global Pandemic in Canada	6
A Moment of Reckoning, an Activation of Refusal, a Project of Re-Worlding	5
Tiny Sparks Everywhere: Birch Bark Biting as Land-Based Dramaturgies	3
Ownership and Engagement in Performance Art: The Black Drum Signed Musical Theatre Case Study	2
Casting Blackface in Canada: Unmasking the History of ‘White and Black’ Minstrel Shows	2
Pursuing Universal Accessibility for Everyone: The Linguistic Experience at Partition/Ensemble Conference	2
PXR2020: Re-Seeing the Possibilities of Theatre in Virtual, Augmented, and Mixed Reality	2
Staging Grenfell: The Ethics of Representing Housing Crises in London	1
We Are Holding our Breath: Canadian Theatre after the Explosions	1
“Transformation Is Imperative”: Play Selection and Casting at Theatre Training Institutions	1
“I’m So Happy I’m Here Tonight”	1
Intercultural Collaboration: Lessons Learned and Friendships Forged	1
Interview with Natasha Bacchus, aka Courage (ASL-English Transcript)	1
Jiimaan, That Teaching Sister: Practices of Archival Care	1
Editorial: Intersections of Allyship, Action and Artistic Access	1
The Conscious-Casting Conundrum	1
From Stage to Aural Streaming: Adaptation through a Slow Ethic of Care	1
Jingle is for Healing	1
Introduction: Casting Calls/Calls for Change	1
Creative Enabling: Relations and Structures of Support for Disabled Artists	1
All I Want for Christmas Is a New Massey Commission	1
HGTV’sHouse Huntersand the Right to Coziness	1
A Survivor’s Guide to Institutional Racism	1
Editorial: Ethics and Socially Engaged Theatre	1
On Mobilizing an Artist Brigade to Stay with the Trouble	1

Front Matter	0
Creation Practices in Participatory Performance	0
Terroir as Territory: Frybread and Fermentation as Critical Settler and Decolonial Practice	0
Casting Audiences: How Theatre Passe Muraille’s ‘Black Out Nights’ Challenge Conventional Approaches to Audience	0
Matriarchal Word Warriors in aPaddle Songfor E. Pauline Johnson Tekahionwake	0
An Artist’s (Unpaid) Sabbatical	0
Improv Walk: Nature Is a Part of Me	0
On How to Live Well: Houses as Theatres of the Good Life in Mexico City	0
Lessons from the Road: Indigenous Creative Spaces Project	0
Moccasins on the Ground: Rerooting the Indigenous Performing Body	0
“How Tremendous Are Your Deeds!”: The Reluctant Celebrity and Affective-Feminist Life of Forough Farrokhzad	0
Ça a l’air synthétique bonjour hi	0
Co-Writing with Care: Ethics in/as Rehearsal	0
Critical Community-Engaged Scholarship: An Antidote to the Representation and Interpretation of Young People’s Experiences in Socially Engaged Theatre?	0
Alternate Reality Gaming: Mad and Crip Potentialities in Digital Storytelling	0
of healing in :: 2,500 words	0
Stanley Février: Performing the Invisible	0
Theatre for the Offended: “Safety”—Sashay Away	0
When in Quarantine: Bringing Theatre Home with Boca del Lupo	0
“Working On and Against” Classic Burlesque Conventions in Zyra Lee Vanity’sIrie Love	0
Thinking Beyond Failure	0
4inXchange	0
Welcome to the Department of Utopian Arts and Letters	0
Queering ‘Queer’ Toronto Space: Transgressive QTBIPoC Drag Artists and Disrupting Homonormativity	0
Developmentally, Cognitively, and Intellectually Disabled People Are Artists, Not Pet Projects	0
The Red Devil (Djalli I Kuq)	0
Redressing the Social Model of Disability: Autopathography, Performance, and the Material Body	0
Soundings	0
The Artist and the Activist	0
Voicing with Code in Public	0
Rehearsing Re-existence	0
Performing Paces, Sandrine Schaefer’s Embodied Know-How	0
A Lesson in Failure: Vivek Shraya’s How to Fail as a Popstar	0
Reconsidering the Black Archive: It’s About Time and Black Dance in Canada	0
Dwellings	0
Lightly Casting a Light on Casting; or, A Note on Auditions by an Actor-Director	0
Engaging Indigenous Artistic Process through Embodied Practice	0
Verbatim Voices: An Investigation of Housing and Development in Kingston	0
The Itinerary: Playtest	0
Queering Actor Training and Supporting Gender Dissidence	0
The Waves	0
“The Highest Form of Resistance to Survive”: Basil AlZeri’s The Most Prized of All Closets	0
Keeping Good Company	0
All of Him	0
Editorial	0
BODY POLITIX: QTIBPOC/NB Drag Revolutions in Vancouver	0
SummerWorks Leaders Interviews	0
Pandemic Forum: Reflections from Canadian Theatremakers	0
Colouring In	0
The Pedagogy of Grief: Lessons from Making Zoom Theatre During a Pandemic	0

Connecting the Space between Us: An Interview with Multisensory Artist Salima Punjani	0
Artistic Fraud’s The Other Side of This	0
Where Does Sustainability Belong in the Creative Process?	0
Editorial	0
Reflections on Collaboration as Performance and the Performance of Collaboration in an Age of COVID and Climate Crisis	0
Kohkum & me	0
Rita Baga Takes Les Reines de Noël on Tour throughout Quebec	0
In the Blink of an Eye	0
Editorial: Sustaining This Stage	0
Lost Together	0
Unveiled	0
A Catalyst for Rethinking and Rescripting Understanding of Disabled Performances	0
Participating in the Age of Pandemic	0
Wonderland	0
Across Cyberspace and Time Zones: How Ways of Being Explores Performances of Self in Material and Digital Spaces	0
Notes from the Loving Arms of the Police: Activism, Performance, Scholarship	0
Holy Moly	0
Who’s Afraid of Cabaret? A Conversation with Dainty Smith and Golboo Amani	0
In PLACE OF SHOUTING	0
Accountability. Intervention. Community.: On the Making of a Two-Spirit Music Video for Pride Toronto Summer 2021	0
When the Theatre Went Dark …	0
Editorial: Performance in an Age of Gross Incompetence	0
Say It Loud: A Round Table of IBPOC Accent Coaches	0
Reflecting from the Middle: Ethics within an Interactive Theatre Project Working for Social Equity	0
Performing the Lived Experience of Dementia: Revealing Humanity through Evidence-Based Collaborative Creation	0
Vocal Alignment	0
Making Change from Within: Political Adaptation as Activism	0
SummerWorks with an Accent	0
Connecting Climate Change and Canadian Theatre: Reflecting on the Impact of the NAC’s Climate Cycle	0
A Proposed Guide to Witnessing: Dialoguing with Streaming Life: Storying the 94 as a Site for Call-and-Response	0
Gather (2021)	0
Come to My Garbage Show!: Semiotics and Audience Development for Wastelands	0
Experiments in Care as a Reciprocal Act	0
Le First-Ever Drag Ball Acadien: Le Category Is Maritime Realness!	0
The Social Distancing Festival	0
The River Clyde Pageant: Inventing and Reinventing the Conditions for Planetary Performance	0
Pam Hall as House: A Conversation	0
Built of Earth: The Casona and Vernacular Earthen Architecture in Oaxaca, Mexico	0
Zooming In: The Privilege of Performing Home	0
The Show Did Go On	0
Bold Moves	0
Moral Horizons of Pain	0
The Darkness (La Noirceur)	0
Tell Us When You’re Uncomfortable: An Anti-Colonial Poetic Script with Mosquito, Lisa, Knowing, Western, Caesarean, Written Word, Marion, Being, Medicine, Sarah, and Other Unruly Characters	0
Transformational Voice Work: Using Theatre-Based Vocal Practice to Support Gender-Diverse Voices	0
Power to the Pause: A Pandemic Conversation with Jess Dobkin	0
Persevering, Preserving, and Sharing Our Mother	0
Funerally Yours: A Collective Re-Membering of Taking It to the Grave	0
The Queer Ethereal: Hybrid Forms and the Making of a Drag Queen	0
Space, Time, and Reactivity: Designing Software for Online Theatre	0
Glossary	0
FCJ Youth Network: Perceptions on Theatre	0
Even Darkness Is Made of Light	0
Illness as Inspiration for Creating Theatre	0
To the Girls Club	0
The Antigone Play	0
If Not Democratic	0
Outcast: Limits and Possibilities in Casting Black Performers in the Age of Granular Dramaturgy	0
“This, too, belongs”	0
Words have Weight (unless you’ve never had to carry that weight): The White Lens in Theatre	0
Editorial: Focal Constellations	0
“Traces Devised Reminiscence”	0
Lucky (An Excerpt)	0
Is Dearth a Little or a Lot?	0
Embracing the Distance: Accessing Dances of Connection	0
Loss, Great Grief, and Preservation: Brandy Leary’s Suspended	0
Voice Coaching at the Stratford Festival: A Vocation of Service	0
Drag on Pointe: Dancer, Television Sensation, and Drag Superstar Brooke Lynn Hytes Is Queering Ballet	0
“Room for Failure Was Abundant”	0
Queens of Northern Ontario: Paloma Marquez (Collin Graham) and Lily Corangie-Tremayne (Don McMahon)	0
On Being a Walking Body: Dramaturgies of Participatory Pandemic Theatre	0
Limit-Less	0
I Slept with Tony Trouble	0
Intimate Audio-Materialities: Reinventing Audio Drama for Community-Engaged Crisis Response in Ghost River Theatre’s SensoryBox	0
The Possibility of New Work in the COVID Era	0
Editorial: Transforming the Carbon World	0
The Funny Thing about Cancer	0
Reading the TRC Summary Report Together: Collective Durational Practice	0
“What Is Still to Be Sustained?”: Performing Climate Justice through Staging Transnational Sustainability from Canada to the Philippines	0
Crip, Arts: Community Trajectories and Agendas	0

Writer-Designer Intersections at MODULE Digital Alchemy Creation Lab: A Conversation between Taylor Marie Graham and Beth Kates	0
Frontline Faces of COVID-19: Digital Pandemic Portraits	0
The Lives and Laughs of Bunglers, Incompetents, and Ineffectuals	0
Front Matter	0
A Grown-Up’s Guide to Flying	0
Some Must Watch While Some Must Sleep	0
Who Can Afford SummerWorks?	0
“It Comes with Practice”: Pierogi-Making as Preserving and Imagining Polonia	0
Chapter 21—a Photo Diary: My Journey to Becoming	0
Deepening Body Awareness: Key Practices for Equity	0
Living with/on the Land	0
“Let the Breath Drop In”: The Story of Canada’s National Voice Intensive	0
Decolonizing the Canada Council for the Arts: A Historical Perspective	0
A Round Table Conversation on the State of Hiring and Labour in Theatre and Performance Studies in Canada	0
Review: Canadian Performance Documents and Debates: A Sourcebook	0
Da Capo! Eternal Recurrence, Clinical Vignettes, Grand Rounds	0
Capturing Elusiveness	0
Relational Perspectives on Change: The Theory, Stories, and Practice of Postmarginality	0
Embrace	0
The Prophetic Place	0
White Man’s Indian	0
Disability Theatre in Canada: Working Together and Closing the Gaps in the East	0
Women’s Voices Resonating in Public Space: LASTESIS’s A Rapist in Your Path in the Streets of Toronto	0
Rita Baga Takes Les Reines de Noël on Tour throughout Quebec	0
Editorial: On Sustaining Attention and ‘Staying with the Trouble’	0
The Theatre of the Oppressed in Tehran: Dilemma of Ethics and Engagement	0
Making Space: A List Distilled from the Wisdom of Three Creative Placemakers	0
Why Us? Why Now?	0
Freedom in the Invitation: Lilith & Cie’s Invisible	0
Editorial: What Is Voice Work?	0
Medicine Boy	0
Reaching Toward: Seeding Connection within the Matriarchs Uprising Festival	0
When the Crow Caws: Performance and the Relational Politics of Hospitality in Hurmat Ain and Rabbya Naseer’s Art Practice	0
Editorial: The Politics of Performing House: Transnational Perspectives	0
Catherine Dorion’s Fashion Show: Professional Dress in Quebec’s National Assembly	0
Performing at Home in the Pandemic: Boca del Lupo’s Plays2Perform@Home Collection	0
“How Could WeNotGo to Mosul?”: Empathy,Anagnorisis, and the Politics of Recognition inOrestes in Mosul	0
Making a CoMotion	0
Some Must Watch While Some Must Sleep: An Impromptu Text Thread	0
The Sounds of Rebellion: A Radionovela by and for Migrant Domestic Workers	0
“Letting My Body Take the Lead”: EDAM’s Peter Bingham on Choreographing with Parkinson’s	0
Intensive Connections	0
A Thought Full of Thoughts or Timely Musings	0
Introduction: Performance and Pathography	0
Vista20	0
Art in the Age of Digital Re-Interpretation: Scratch Log	0
The Scarcity Mindset Has a Death Grip on Casting	0
Writers and Race: Why Playwrights of Colour Should Write Themselves into Their Plays	0
Editorial: Re-Storying Ensembles	0
St Peon of Parkdale	0
Breathing New Legacies Forward	0
SensoryBox	0
A Generous Incantation: Interdependent Magic: Disability Performance in Canada	0
Editorial	0
“There Is No Such Thing as Colour-Blindness”: Artistic Directors on Culturally Specific Casting	0
Augmented Reality ASL for 11:11 at Theatre Passe Muraille	0
How Many Performance Artists Does it Take to Change a Light Bulb (for Martha Wilson)	0
Extending Voice Work	0
Staff of Life: Preserving Yeast, Memory, and Humanity	0
A Salute to Our Canadian Kings	0
Clean Irene in the Parking Lot	0
Co-Carrying Rupture and Repair	0
Rita Baga et Les Reines de Noël explorent le Québec en tournée	0
Unwieldy Desires	0
Access Me	0
LET US GUIDE YOU: A Series of 2S/Trans/Non-binary Monologues	0
Meditations on Mediations: Feeling Digital Performances	0
The Weight of Ants and Other Things	0
The Cost of Entry Is a Heartbeat	0
Drag from the Inside Out: Examining Drag Agency in the Winnipeg Theatre Scene	0
Gumshoes and Blanket Wings: Care in Pandemic Performances for Youth	0
Editorial: Acts of Preservation	0
Breaking Ground	0
Hope, Radicalism, and Performances of Illness in Theatre for Young Audiences	0
What Was I Thinking? Rageful Ramblings…	0
1939 Reflections on Adaptation, Indigenous Theatre, and Shakespeare’s Legacy	0
The Princess Show	0
Capital Queen: Real Conversations with an Ottawa Faux Queen	0
How We Gather Now: A Finding Aid	0
Front Matter	0
Editorial: Rules of Engagement	0
Staying with More of the Trouble: Arts and Climate, Again and Always	0
Theatrical Collisions in Laurence Dauphinais’s Cyclorama	0
Introduction: Theatre After the Explosion	0
Ec(h)o-Location: The Story of My Voice as I Know It	0
Performing in Public: Ethics of a Site-Specific Theatre Practice	0
Editorial: (pause) A Pandemic Time Capsule	0
Tiny Houses, Treesits, and Housing on the Front Lines of the TMX Pipeline Resistance	0
Reflections on Canadian Soundings: Plumbing the Depths of Voice in Canadian Theatre/Profondeurs de la Voix du Théâtre Canadien	0
Seeing Salome, Seeing Salome, Seeing Seeing: Atom Egoyan’s Salome at the Canadian Opera Company	0
Telling It Back Different but the Same	0
Thinking through Moving Together	0
A Negotiation of Collaborative Play: asses.masses	0
“The Biggest Mistake You Ever Made Was Thinking That Nobody Cared about Me”: The Representation of Black Lives in Our Fathers, Sons, Lovers and Little Brothers	0
Hiding in Plain Sight: The Art of Drag	0