Canadian Theatre Review

Papers
(The TQCC of Canadian Theatre Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
To the Girls Club6
Unwieldy Desires3
The Cost of Entry Is a Heartbeat2
Tiny Houses, Treesits, and Housing on the Front Lines of the TMX Pipeline Resistance2
“The Highest Form of Resistance to Survive”: Basil AlZeri’s The Most Prized of All Closets2
Dwellings1
An Account of Durational and Distributed Encounters with Corpus CTR1
Editorial: Black Futures and Freedoms1
A Speculative Manifesto: For the Future of Black Canadian Performance1
Artistic Fraud’s The Other Side of This1
Writer-Designer Intersections at MODULE Digital Alchemy Creation Lab: A Conversation between Taylor Marie Graham and Beth Kates1
How I Learned to Stop Worrying and Love the AI: AI as Muse, Disruptor, and the Future of Theatre1
Improv Walk: Nature Is a Part of Me1
Old McDonald Had a Farm: 01000101 01001001 01000101 01001001 01001111: Ecoscenography for an Intractable Future Past1
Lightly Casting a Light on Casting; or, A Note on Auditions by an Actor-Director1
The Antigone Play1
Space, Time, and Reactivity: Designing Software for Online Theatre1
O’kosi1
Relational Perspectives on Change: The Theory, Stories, and Practice of Postmarginality1
A New Day Has Dawned1
Embracing the Distance: Accessing Dances of Connection1
Reading the TRC Summary Report Together: Collective Durational Practice1
4inXchange1
Equitable Freedom beyond Proscenium Stages1
Hourglasses and Hammers: A Reflection on Forty Years of Interculturalism in Canadian Theatre Review0
The Waves0
Seeing Salome, Seeing Salome, Seeing Seeing: Atom Egoyan’s Salome at the Canadian Opera Company0
Front Matter0
Ownership and Engagement in Performance Art: The Black Drum Signed Musical Theatre Case Study0
Frontline Faces of COVID-19: Digital Pandemic Portraits0
Editorial: (pause) A Pandemic Time Capsule0
Encounters with Non/Living Beings: Puppet Artist Brad Brackenridge in Process and Performance0
The Theatre of the Oppressed in Tehran: Dilemma of Ethics and Engagement0
Medicine Boy0
Gumshoes and Blanket Wings: Care in Pandemic Performances for Youth0
Queering Actor Training and Supporting Gender Dissidence0
Accountability. Intervention. Community.: On the Making of a Two-Spirit Music Video for Pride Toronto Summer 20210
Breaking Ground0
One Size Fits One: A Proposal for Board Governance0
Embrace0
Continue without Disabling: Fifty Years of Disability Arts in Canadian Theatre Review0
Summer Magic: Creating a Sense of Welcome Back to Performance0
Performing the Lived Experience of Dementia: Revealing Humanity through Evidence-Based Collaborative Creation0
I Slept with Tony Trouble0
Women’s Voices Resonating in Public Space: LASTESIS’s A Rapist in Your Path in the Streets of Toronto0
Intensive Connections0
Across Cyberspace and Time Zones: How Ways of Being Explores Performances of Self in Material and Digital Spaces0
Da Capo! Eternal Recurrence, Clinical Vignettes, Grand Rounds0
Holy Moly0
Editorial: Intersections of Allyship, Action and Artistic Access0
The Evolution of Themes, Networks, and Intersections in Canadian Theatre Review0
Performing in Public: Ethics of a Site-Specific Theatre Practice0
In the Blink of an Eye0
On Mobilizing an Artist Brigade to Stay with the Trouble0
Jiimaan, That Teaching Sister: Practices of Archival Care0
The Funny Thing about Cancer0
Terroir as Territory: Frybread and Fermentation as Critical Settler and Decolonial Practice0
Editorial: Acts of Preservation0
The Artist and the Activist0
Bold Moves0
Tell Us When You’re Uncomfortable: An Anti-Colonial Poetic Script with Mosquito, Lisa, Knowing, Western, Caesarean, Written Word, Marion, Being, Medicine, Sarah, and Other Unruly Characters0
Decolonization—The Musical: Indigenous Interculturalism as a Way Forward0
A New Ideology on an Old Belief0
Art in the Age of Digital Re-Interpretation: Scratch Log0
The Weight of Ants and Other Things0
On How to Live Well: Houses as Theatres of the Good Life in Mexico City0
Decolonizing the Canada Council for the Arts: A Historical Perspective0
Introduction: Casting Calls/Calls for Change0
Intimate Audio-Materialities: Reinventing Audio Drama for Community-Engaged Crisis Response in Ghost River Theatre’s SensoryBox0
Access Me0
Interactive Theatre, Advocacy, and the Pursuit of Freedom0
“Working On and Against” Classic Burlesque Conventions in Zyra Lee Vanity’s Irie Love0
Outcast: Limits and Possibilities in Casting Black Performers in the Age of Granular Dramaturgy0
Disability Theatre in Canada: Working Together and Closing the Gaps in the East0
If Not Democratic0
Clean Irene in the Parking Lot0
Traces Devised Reminiscence”0
Casting Blackface in Canada: Unmasking the History of ‘White and Black’ Minstrel Shows0
Building Possible Worlds in the Arts Through Collective Imagination0
Systemic Issues Need Not Apply: One Artist’s Journey of Existing in the Margins0
Within Bated Breath: Waiting for the Pause0
Creative Enabling: Relations and Structures of Support for Disabled Artists0
Five by Five: Big Questions for Past Editors0
Lessons from the Road: Indigenous Creative Spaces Project0
Review: Canadian Performance Documents and Debates: A Sourcebook0
Redressing the Social Model of Disability: Autopathography, Performance, and the Material Body0
The Itinerary: Playtest0
TBD0
Experiments in Care as a Reciprocal Act0
Glossary0
Seeding the Future (This Is Not a Metaphor): Creative Acts of Public Gardening with Yarrow Collective0
Jingle is for Healing0
Voice Coaching at the Stratford Festival: A Vocation of Service0
Making Space: A List Distilled from the Wisdom of Three Creative Placemakers0
“Room for Failure Was Abundant”0
Where Does Sustainability Belong in the Creative Process?0
White Man’s Indian0
Limit-Less0
A Hoarding of Memories: Conversations about Feminist Theatre and Its Documentation in Canada0
Rehearsing Re-existence0
Co-Writing with Care: Ethics in/as Rehearsal0
Chauvinism and Its Discontents: Canadian Theatre Review 1 Revisited0
SummerWorks with an Accent0
Colouring In0
Blackout0
Telling It Back Different but the Same0
Editorial: Transforming the Carbon World0
On Being a Walking Body: Dramaturgies of Participatory Pandemic Theatre0
“This, too, belongs”0
Reflections on Collaboration as Performance and the Performance of Collaboration in an Age of COVID and Climate Crisis0
Black Boy Fly0
A Round Table Conversation on the State of Hiring and Labour in Theatre and Performance Studies in Canada0
Canadian Theatre Crossroads: Reaffirming Who We Are0
Humanized Machine, Dehumanized Us: Exploring the Creation of an AI-Collaborated Scene0
Editorial0
Editorial0
The Corporate Side-hustle: Gag or Gift?0
HGTV’sHouse Huntersand the Right to Coziness0
Last Conversations0
Inside The Blacktor’s Studio0
Some Must Watch While Some Must Sleep: An Impromptu Text Thread0
Creation Practices in Participatory Performance0
“Transformation Is Imperative”: Play Selection and Casting at Theatre Training Institutions0
Living with/on the Land0
Gather (2021)0
When the Theatre Went Dark …0
Expanded Quantification: Games and Theatres of Calculation0
Lucky (An Excerpt)0
(Un)Making History? Canadian Theatre History and the Canadian Theatre Review0
Perdre le nord/Losing the North0
Connecting the Space between Us: An Interview with Multisensory Artist Salima Punjani0
How We Gather Now: A Finding Aid0
The Prophetic Place0
A Year in the Life: Canadian Theatre Review, 19880
Mixed with Black: A Canadian Theatre Mixed-Race Manifesto0
Keeping Good Company0
Empathy and Engagement: A Sketch of Theatre Development in the Yukon0
Built of Earth: The Casona and Vernacular Earthen Architecture in Oaxaca, Mexico0
Editorial: Sustaining This Stage0
Editorial: The Politics of Performing House: Transnational Perspectives0
Capturing Elusiveness0
When the Crow Caws: Performance and the Relational Politics of Hospitality in Hurmat Ain and Rabbya Naseer’s Art Practice0
Unruly Sites, Bewildering Buildings, Angry Cities: A Wayward Walk0
Editorial: Ethics and Socially Engaged Theatre0
Augmented Reality ASL for 11:11 at Theatre Passe Muraille0
Matriarchal Word Warriors in aPaddle Songfor E. Pauline Johnson Tekahionwake0
b side0
Agitprop or a Bunch of Observations from a Leftist about Decolonization0
Vista200
Soundings0
Staying with More of the Trouble: Arts and Climate, Again and Always0
Participatory Political Violence: The Sensorial Toll of the Truckers’ Convoy0
Is Dearth a Little or a Lot?0
The Trials and Triumphs of a Tar Baby0
“There Is No Such Thing as Colour-Blindness”: Artistic Directors on Culturally Specific Casting0
Editorial: On Sustaining Attention and ‘Staying with the Trouble’0
Extending Voice Work0
“There is no such thing as a gay play”: Canadian Theatre Review and Gay Politics in the 1970s0
Thinking through Moving Together0
Reaching Toward: Seeding Connection within the Matriarchs Uprising Festival0
How Many Performance Artists Does it Take to Change a Light Bulb (for Martha Wilson)0
Who Can Afford SummerWorks?0
Interview with Natasha Bacchus, aka Courage (ASL-English Transcript)0
Introduction: Performance and Pathography0
Anishinaabe Songs and Dances for the Gtigaan, or, Why I Feel They Can Save the World0
Lost Together0
The Wrong Side of History, or How We Got It Wrong0
Loss, Great Grief, and Preservation: Brandy Leary’s Suspended0
The Show Did Go On0
The Future Is Disabled0
Breathing New Legacies Forward0
Unveiled0
What Was I Thinking? Rageful Ramblings…0
Welcome to the Department of Utopian Arts and Letters0
Who’s Afraid of Cabaret? A Conversation with Dainty Smith and Golboo Amani0
Theatre as Service … My Experience During the Global Pandemic in Canada0
Explorations of Camille Turner’s Unmapped0
Co-Carrying Rupture and Repair0
Editorial: Focal Constellations0
Montreal in Carte Blanche, 19740
“What Is Still to Be Sustained?”: Performing Climate Justice through Staging Transnational Sustainability from Canada to the Philippines0
Wonderland0
Imprint: Reflections on Canadian Theatre Review Play Publication0
Chapter 21—a Photo Diary: My Journey to Becoming0
A Proposed Guide to Witnessing: Dialoguing with Streaming Life: Storying the 94 as a Site for Call-and-Response0
Even Darkness Is Made of Light0
Voicing with Code in Public0
Ministry of Mundane Mysteries0
An Artist’s (Unpaid) Sabbatical0
Crip, Arts: Community Trajectories and Agendas0
All I Want for Christmas Is a New Massey Commission0
A Past-Perfect Future?: Performing the Past as the Future of Theatre in Atlantic Canada0
The Conscious-Casting Conundrum0
The Possibility of New Work in the COVID Era0
Editorial: Rules of Engagement0
St Peon of Parkdale0
Pursuing Universal Accessibility for Everyone: The Linguistic Experience at Partition/Ensemble Conference0
The Pedagogy of Grief: Lessons from Making Zoom Theatre During a Pandemic0
The Designer’s Dilemma 2.0: Visual-ness and Canadian Theatre Review0
Making Change from Within: Political Adaptation as Activism0
Developmentally, Cognitively, and Intellectually Disabled People Are Artists, Not Pet Projects0
Alternate Reality Gaming: Mad and Crip Potentialities in Digital Storytelling0
Hīkoi—It Will be Solved by Walking0
1939 Reflections on Adaptation, Indigenous Theatre, and Shakespeare’s Legacy0
Festival Santiago a Mil0
“I’m So Happy I’m Here Tonight”0
Zooming In: The Privilege of Performing Home0
On This Path Together: Intergenerational Indigenous Performance Writing in Canadian Theatre Review0
A Grown-Up’s Guide to Flying0
SensoryBox0
Unexpected Connections between International Studies and Theatre0
From Stage to Aural Streaming: Adaptation through a Slow Ethic of Care0
Funerally Yours: A Collective Re-Membering of Taking It to the Grave0
Finding Hope Within Disruption: Exploring Prairie-Based Theatre in 20400
Some Must Watch While Some Must Sleep0
New in Town: An Interview with Three Creators of a Cabaret for New Canadian Citizens0
All of Him0
Moral Horizons of Pain0
“From ‘What Is to What If’”: Thinking and Questioning about Canadian Theatre Review’s Next 200 Issues0
Illness as Inspiration for Creating Theatre0
Writers and Race: Why Playwrights of Colour Should Write Themselves into Their Plays0
Ça a l’air synthétique bonjour hi0
“Letting My Body Take the Lead”: EDAM’s Peter Bingham on Choreographing with Parkinson’s0
On Uncomfortable Theatre and Cozy Revolution0
The Sounds of Rebellion: A Radionovela by and for Migrant Domestic Workers0
Ec(h)o-Location: The Story of My Voice as I Know It0
Critical Community-Engaged Scholarship: An Antidote to the Representation and Interpretation of Young People’s Experiences in Socially Engaged Theatre?0
Back to “Normal”?0
Say It Loud: A Round Table of IBPOC Accent Coaches0
A Generous Incantation: Interdependent Magic: Disability Performance in Canada0
Stanley Février: Performing the Invisible0
Staging Grenfell: The Ethics of Representing Housing Crises in London0
Verbatim Voices: An Investigation of Housing and Development in Kingston0
A Negotiation of Collaborative Play: asses.masses0
PXR2020: Re-Seeing the Possibilities of Theatre in Virtual, Augmented, and Mixed Reality0
“Let the Breath Drop In”: The Story of Canada’s National Voice Intensive0
The Politics of an Epic: Why Not Theatre’s Mahabharata at the Shaw Festival0
The River Clyde Pageant: Inventing and Reinventing the Conditions for Planetary Performance0
Persevering, Preserving, and Sharing Our Mother0
“How Tremendous Are Your Deeds!”: The Reluctant Celebrity and Affective-Feminist Life of Forough Farrokhzad0
SummerWorks Leaders Interviews0
Front Matter0
The Survivance Collective: Exploration of Our Intersectionality as Black, Women, Deaf in Canada0
Ungrateful: A Manifesto for Black Freedom in the Face of White Generosity0
Theatrical Collisions in Laurence Dauphinais’s Cyclorama0
Moccasins on the Ground: Rerooting the Indigenous Performing Body0
“It Comes with Practice”: Pierogi-Making as Preserving and Imagining Polonia0
Looking for Dance in Canadian Theatre Review0
Reflecting from the Middle: Ethics within an Interactive Theatre Project Working for Social Equity0
Reconsidering the Black Archive: It’s About Time and Black Dance in Canada0
0.054835081100464