OOIR: Observatory of International Research

Papers

(The median citation count of Journal of Beckett Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)

Article	Citations
Samuel Beckett and Disability Performance	4
Beckett, Rough for Theatre II and Endgame	2
‘Of her tenacious trace’: Samuel Beckett and Contemporary Art	1
How It Was in Silling: Comment c’est and Les 120 journées de Sodome – An Intertextual Case Study	1
Introduction: Beckett’s Women Contemporaries	1
Sade and the Sovereign Man	1
Concluding Paragraph of the Marquis of Sade’s Last Will and Testament	1
Introduction The Lost Volume of Transition: Beckett, Duthuit, Sade	1
Happy Days, directed by Trevor Nunn	1
The Marquis of Sade and the Novel of Gloom	1
‘To have been always what I am – and so changed from what I was’: Beckett's Female Subject Formation and the Problem of Becoming	1
Beckett's Present Moments	1
Vice is Perhaps the Heart of Man	1
A ‘Classic’ Revisited: May B, Compagnie Maguy Marin	0
Back matter	0
Happy Days in Porto, directed by Niall Henry, Blue Raincoat Theatre Company	0
From ‘Sourcing Aporetics’ to a Genealogy of Beckett's ‘Logoclasm’: A Review Essay of Samuel Beckett's ‘Philosophy Notes’, ed. Steven Matthews and Matthew Feldman	0
Notes on Contributors	0
Samuel Beckett’s Guidance on The Unnamable	0
The Making of volumes for L'Innommable / The Unnamable, Molloy, Malone meurt / Malone Dies, En attendant Godot / Waiting for Godot, Fin de partie / Endgame	0
‘Till the whisper…You know…When you can't hear the words’: Narrated Memory and the ‘Fragmented’ Body in Samuel Beckett's Late Drama	0
Editorial	0
On Sade’s Sovereign Excess: Beckett Translating Blanchot and Bataille	0
Samuel Beckett and Translation, ed. José Francisco Fernández and Mar Garre Garcia, and Translating Samuel Beckett around the World, ed. José Francisco Fernández and Pascale Sardin	0
Corey Wakeling's Beckett’s Laboratory: Experiments in the Theatre Enclosure	0

Back matter	0
Editorial	0
Anita Rákóczy, Samuel Beckett's Endgame and Hungarian Opening Gambits	0
‘I do, I undo, I redo’: Louise Bourgeois and Samuel Beckett	0
György Kurtág, Fin de partie	0
Narrative Disorientation and Beckett's Bureaucratic Space	0
Performance Events at the Beckett at Reading 50^th Anniversary, University of Reading	0
Technostalgia, Nationalism, and the Extended Mind inKrapp's Last Tape	0
James McNaughton, Samuel Beckett and the Politics of Aftermath	0
Giacometti/Beckett: Rater encore. Rater mieux (Alberto Giacometti/Samuel Beckett: Fail again. Fail better)	0
Before Play, With Play, After Play: The Shaping of ‘formal integrity’ in the Early Drafts of Play	0
Some Recently Disovered Letters of Sade	0
Anthony Cordingley, Samuel Beckett's How It Is: Philosophy in Translation	0
Dublin	0
Beckett sa Chreig: Laethanta Sona. Beckett in the Rock: Happy Days, directed by Sarah Jane Scaife (Company SJ & The Abbey Theatre Dublin)	0
Editorial Note	0
Duras and Beckett: Close Encounters at a Distance	0
Beckett as a Second Language	0
Untitled (or ‘They gave me money to teach’)	0
Jonathan Boulter, Posthuman Space in Samuel Beckett's Short Prose	0
Come and Go	0
Editorial	0
Notes on Contributors	0
David Kleinberg-Levin, Beckett’s Words: The Promise of Happiness in a Time of Mourning	0
Endgame for Our Times? A Virtual Roundtable on Beckett, Celebrity, & Crisis	0
‘The Young Fellow of Trinity College’: Beckett, Berkeley, and the Genesis of Murphy	0
Annotating Murphy	0
Beckettian Pedagogies: Learning through Samuel Beckett	0
Beckett in the Opera Realm: An Interview with Pierre Audi	0
Sade and the Problem of Evil	0
An Interview with Professor John Oulton Wisdom	0
‘lips move, uttering inaudibly’: The Female Voice in Samuel Beckett's…but the clouds …	0
Samuel Beckett and Technology, ed. Galina Kiryushina, Einat Adar and Mark Nixon	0
Trish McTighe reviewsBeckett and Trauma, ed. Mariko Hori Tanaka, Yoshiki Tajiri, and Michiko Tsushima	0
Beckett's New Sentence, or la pédagogie de l'empêchement	0
No Trace Anywhere of Life, Perhaps: Autology and Hauntology in Imagination Dead Imagine	0
Front matter	0
The Death of Moran's Bees: Beckett and Adorno on the Dialectic of Subject and Object	0
Notes on Contributors	0
Editorial	0
Notes on Contributors	0
#failbetter	0
Back matter	0
Beckett, Waiting for Godot	0
‘The sounds that reach me’: On Deafness as Interface inThe Unnamable	0
Editorial	0
Barbara Bray and Samuel Beckett as ‘Translaborators’: The Beckett – Duras – Bray Connection	0
Notes on Contributors	0
Back matter	0
Michael Coffey,Samuel Beckett is Closed	0

A Postgraduate Beckett Production at Auckland, New Zealand	0
Exhausted Senses: Between the Eye and the Ear in ‘Long Observation of the Ray’ and ‘The Voice/Verbatim’	0
‘Viewless Forms’/ Form-of-Life: Death, Story and Poiēsis in Texts for Nothing	0
Notes on Contributors	0
An Interview with Tim Parkinson	0
‘The road is free to all’: Inspiring American High School Students	0
Influencing Beckett / Beckett Influencing, ed. Anita Rákóczy, Mariko Hori Tanaka and Nicholas E. Johnson	0
Back matter	0
Introduction to the Dialogue entre un Prêtre et un Moribond	0
Synecdoche's Obloquy: Beckett and the Performance of Indecency	0
‘I use the words you taught me’: Beckett and Political Repetition	0
Why ‘Teach’ Beckett?	0
An Interview with Lily Condell	0
Beckett, First Love, directed by JoAnne Akalaitis	0
Back matter	0
Beckett’s Early Image of Sade: Dream of Fair to middling Women, More Pricks Than Kicks, and Sadism	0
Reading	0
Back matter	0
Notes on Contributors	0
‘to hesitate to die to death’: Reading Augustine and the After-life in Echo’s Bones	0
Back matter	0
Beckett on Film at School, on TV and Online	0
Samuel Beckett's The North	0
Front matter	0
Unfathered Connections: Samuel Beckett and Djuna Barnes	0
We Wrote to Samuel Beckett	0
Front matter	0
Editorial	0
‘Learn by heart’: Beckett’s Schoolboy Copy of Shakespeare’s Macbeth	0
Waiting for Godot in Textbooks of Chinese Senior Secondary Education	0
Beckett in the Support Group	0
Introduction: Beckett in the Contemporary Political Moment	0
Front matter	0
Front matter	0
Maria Irene Fornes and Samuel Beckett: ‘Different and the Same’	0
Waiting for Godot in Porto, directed by Gábor Tompa	0
James Little, Samuel Beckett in Confinement: The Politics of Closed Space	0
Angela Moorjani, Beckett and Buddhism	0
The Postgraduate Beckett Reading Group at Trinity College Dublin	0
Happy Days International Beckett Festival	0
Beckett's Broken Circle: A Literary Fractal	0
Editorial	0
At Home with Beckettians (Notes from the Lockdown)	0
Beckett, How It Is (Part 2)	0
Front matter	0
Samuel Beckett's Reponses to Pedagogy	0
The Aged Radio Body: Corporeality and Old Age in Beckett'sAll That Fall	0
Editorial Note	0
Antwerp	0
Joshua Powell, Samuel Beckett and Experimental Psychology: Perception, Attention, Imagery	0
Pan Pan Theatre Company’s Endgame, directed by Gavin Quinn	0
Andy Wimbush, Still: Samuel Beckett’s Quietism	0
Editorial Introduction	0
‘Upward Bound’ with Beckett	0
Front matter	0
Front matter	0
Seeing Barbara Bray: Marek Kędzierski on Barbara Bray – Barbara Bray on Samuel Beckett	0
Notes on Contributors	0
Ordinary Language in Dystopia: Adapting Beckett's Endgame	0