OOIR: Observatory of International Research

Papers

(The median citation count of Journal of Beckett Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Samuel Beckett and Disability Performance	5
Introduction The Lost Volume of Transition: Beckett, Duthuit, Sade	2
Vice is Perhaps the Heart of Man	2
‘To have been always what I am – and so changed from what I was’: Beckett's Female Subject Formation and the Problem of Becoming	1
Beckett's Present Moments	1
Introduction: Beckett’s Women Contemporaries	1
The Marquis of Sade and the Novel of Gloom	1
‘Of her tenacious trace’: Samuel Beckett and Contemporary Art	1
How It Was in Silling: Comment c’est and Les 120 journées de Sodome – An Intertextual Case Study	1
‘Learn by heart’: Beckett’s Schoolboy Copy of Shakespeare’s Macbeth	1
Editorial	1
Concluding Paragraph of the Marquis of Sade’s Last Will and Testament	1
Seeing Barbara Bray: Marek Kędzierski on Barbara Bray – Barbara Bray on Samuel Beckett	1
Happy Days, directed by Trevor Nunn	1
Sade and the Sovereign Man	1
The Death of Moran's Bees: Beckett and Adorno on the Dialectic of Subject and Object	0
Beckett in the Opera Realm: An Interview with Pierre Audi	0
Back matter	0
Trish McTighe reviewsBeckett and Trauma, ed. Mariko Hori Tanaka, Yoshiki Tajiri, and Michiko Tsushima	0
An Interview with Lily Condell	0
Notes on Contributors	0
Notes on Contributors	0
‘Pfft’: Samuel Beckett and the Ecology of Breathing in the Anthropocene	0
Editorial	0
#failbetter	0

Pan Pan Theatre Company’s Endgame, directed by Gavin Quinn	0
Editorial	0
Introduction: Beckett in the Contemporary Political Moment	0
Samuel Beckett’s Guidance on The Unnamable	0
Poetry’s Beckett	0
Suzanne: Fragments of Memories	0
Insha ka Intezaar in Karachi, directed by Anwer Jafri	0
Beckett's Counter-Anthropocentric Worlds: Dismantling Dominion	0
Attunement Space and Eco-Deconstruction in Malone Dies	0
Performance Events at the Beckett at Reading 50^th Anniversary, University of Reading	0
Before Play, With Play, After Play: The Shaping of ‘formal integrity’ in the Early Drafts of Play	0
Some Recently Disovered Letters of Sade	0
‘The sounds that reach me’: On Deafness as Interface inThe Unnamable	0
Front matter	0
Joshua Powell, Samuel Beckett and Experimental Psychology: Perception, Attention, Imagery	0
Andy Wimbush, Still: Samuel Beckett’s Quietism	0
Editorial	0
Back matter	0
Endgame for Our Times? A Virtual Roundtable on Beckett, Celebrity, & Crisis	0
‘to hesitate to die to death’: Reading Augustine and the After-life in Echo’s Bones	0
Exhausted Senses: Between the Eye and the Ear in ‘Long Observation of the Ray’ and ‘The Voice/Verbatim’	0
Sade and the Problem of Evil	0
Unfathered Connections: Samuel Beckett and Djuna Barnes	0
Vaguening Revenge: Beckett, Marston, and All That Fall	0
Editorial	0
Back matter	0
‘The Young Fellow of Trinity College’: Beckett, Berkeley, and the Genesis of Murphy	0
We Wrote to Samuel Beckett	0
From Residua to Offal: Beckett’s Counter-Anthropocene(s)	0
Back matter	0
Waiting for Godot 2.0, online, directed by Chong Wang	0
‘Consequences of this Climate’: Disabling Environmental Effects in Beckett's Late Work	0
‘Repeat play’: Musical Minimalism in the Processes of Samuel Beckett’s Late Drama	0
David Kleinberg-Levin, Beckett’s Words: The Promise of Happiness in a Time of Mourning	0
An Interview with Professor John Oulton Wisdom	0
Samuel Beckett and Translation, ed. José Francisco Fernández and Mar Garre Garcia, and Translating Samuel Beckett around the World, ed. José Francisco Fernández and Pascale Sardin	0
Maria Irene Fornes and Samuel Beckett: ‘Different and the Same’	0
No Trace Anywhere of Life, Perhaps: Autology and Hauntology in Imagination Dead Imagine	0
‘In Extremissimus’: The Dynamics of Rectification in Beckett's Malone Dies	0
Embodied Pain and Disability Performance	0
Back matter	0
On Writing a Translator's Biography: Bringing Barbara Bray out of the Archives	0
Front matter	0
‘I do, I undo, I redo’: Louise Bourgeois and Samuel Beckett	0
Technostalgia, Nationalism, and the Extended Mind inKrapp's Last Tape	0
Front matter	0
Waiting for Godot in Porto, directed by Gábor Tompa	0
Beckett sa Chreig: Laethanta Sona. Beckett in the Rock: Happy Days, directed by Sarah Jane Scaife (Company SJ & The Abbey Theatre Dublin)	0
Jonathan Boulter, Posthuman Space in Samuel Beckett's Short Prose	0
Notes on Contributors	0

Happy Days International Beckett Festival	0
Barbara Bray and Samuel Beckett as ‘Translaborators’: The Beckett – Duras – Bray Connection	0
Happy Days in Porto, directed by Niall Henry, Blue Raincoat Theatre Company	0
‘I use the words you taught me’: Beckett and Political Repetition	0
Front matter	0
‘Till the whisper…You know…When you can't hear the words’: Narrated Memory and the ‘Fragmented’ Body in Samuel Beckett's Late Drama	0
Notes on Contributors	0
A ‘Classic’ Revisited: May B, Compagnie Maguy Marin	0
From ‘Sourcing Aporetics’ to a Genealogy of Beckett's ‘Logoclasm’: A Review Essay of Samuel Beckett's ‘Philosophy Notes’, ed. Steven Matthews and Matthew Feldman	0
Duras and Beckett: Close Encounters at a Distance	0
Beckett, First Love, directed by JoAnne Akalaitis	0
Editorial	0
Introduction: The Anthropos in the Room – Beckett and the Anthropocene	0
Front matter	0
Corey Wakeling's Beckett’s Laboratory: Experiments in the Theatre Enclosure	0
Introduction to the Dialogue entre un Prêtre et un Moribond	0
Front matter	0
Beckett’s Early Image of Sade: Dream of Fair to middling Women, More Pricks Than Kicks, and Sadism	0
Samuel Beckett's The North	0
Notes on Contributors	0
Back matter	0
Notes on Contributors	0
Notes on Contributors	0
Front matter	0
James Little, Samuel Beckett in Confinement: The Politics of Closed Space	0
‘Viewless Forms’/ Form-of-Life: Death, Story and Poiēsis in Texts for Nothing	0
Anita Rákóczy, Samuel Beckett's Endgame and Hungarian Opening Gambits	0
Editorial	0
Back matter	0
Waiting with Beckett in the Anthropocene	0
Notes on Contributors	0
Influencing Beckett / Beckett Influencing, ed. Anita Rákóczy, Mariko Hori Tanaka and Nicholas E. Johnson	0
Editorial	0
Back matter	0
Giacometti/Beckett: Rater encore. Rater mieux (Alberto Giacometti/Samuel Beckett: Fail again. Fail better)	0
Angela Moorjani, Beckett and Buddhism	0
Samuel Beckett and Technology, ed. Galina Kiryushina, Einat Adar and Mark Nixon	0
Front matter	0
On Sade’s Sovereign Excess: Beckett Translating Blanchot and Bataille	0