OOIR: Observatory of International Research

Papers

(The median citation count of Journal of Beckett Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)

Article	Citations
Angela Moorjani, Beckett and Buddhism	2
Joshua Powell, Samuel Beckett and Experimental Psychology: Perception, Attention, Imagery	2
Editorial	1
Editorial	1
Beckett in the Opera Realm: An Interview with Pierre Audi	1
Exhausted Senses: Between the Eye and the Ear in ‘Long Observation of the Ray’ and ‘The Voice/Verbatim’	1
Vice is Perhaps the Heart of Man	1
Beckett’s Early Image of Sade: Dream of Fair to middling Women, More Pricks Than Kicks, and Sadism	1
‘Learn by heart’: Beckett’s Schoolboy Copy of Shakespeare’s Macbeth	1
Editorial	1
Performance Events at the Beckett at Reading 50^th Anniversary, University of Reading	1
Back matter	1
Notes on Contributors	1
Seeing Barbara Bray: Marek Kędzierski on Barbara Bray – Barbara Bray on Samuel Beckett	1
We Wrote to Samuel Beckett	0
‘Repeat play’: Musical Minimalism in the Processes of Samuel Beckett’s Late Drama	0
Embodied Pain and Disability Performance	0
Unfathered Connections: Samuel Beckett and Djuna Barnes	0
Front matter	0
Some Recently Disovered Letters of Sade	0
Toward a Politics of Vocal Expression: Beckett and Video Art	0
Barbara Bray and Samuel Beckett as ‘Translaborators’: The Beckett – Duras – Bray Connection	0
Front matter	0
Gare St Lazare Ireland’s Shades Through a Shade in Dublin, directed by Judy Hegarty Lovett	0
On Writing a Translator's Biography: Bringing Barbara Bray out of the Archives	0

Notes on Contributors	0
Concluding Paragraph of the Marquis of Sade’s Last Will and Testament	0
Editorial	0
Happy Days International Beckett Festival	0
‘Till the whisper…You know…When you can't hear the words’: Narrated Memory and the ‘Fragmented’ Body in Samuel Beckett's Late Drama	0
An Interview with Lily Condell	0
Waiting for Godot 2.0, online, directed by Chong Wang	0
Front matter	0
Michael Coffey's Beckett's Children	0
‘Viewless Forms’/ Form-of-Life: Death, Story and Poiēsis in Texts for Nothing	0
Beckett's afterlives, ed. Jonathan Bignell, Anna McMullan and Pim Verhulst	0
Editorial	0
From ‘Sourcing Aporetics’ to a Genealogy of Beckett's ‘Logoclasm’: A Review Essay of Samuel Beckett's ‘Philosophy Notes’, ed. Steven Matthews and Matthew Feldman	0
Back matter	0
A ‘Classic’ Revisited: May B, Compagnie Maguy Marin	0
‘In Extremissimus’: The Dynamics of Rectification in Beckett's Malone Dies	0
Introduction: The Anthropos in the Room – Beckett and the Anthropocene	0
Pan Pan Theatre Company’s Endgame, directed by Gavin Quinn	0
The Death of Moran's Bees: Beckett and Adorno on the Dialectic of Subject and Object	0
Sade and the Sovereign Man	0
Front matter	0
Waiting for Godot in Porto, directed by Gábor Tompa	0
Influencing Beckett / Beckett Influencing, ed. Anita Rákóczy, Mariko Hori Tanaka and Nicholas E. Johnson	0
‘The sounds that reach me’: On Deafness as Interface inThe Unnamable	0
Notes on Contributors	0
Back matter	0
Samuel Beckett’s Guidance on The Unnamable	0
Notes on Contributors	0
‘to hesitate to die to death’: Reading Augustine and the After-life in Echo’s Bones	0
Front matter	0
Before Play, With Play, After Play: The Shaping of ‘formal integrity’ in the Early Drafts of Play	0
Film, Vidéo, High Definition: Beckett Re-visioned through Rogosin, Lipman, Douglas and Friedkin	0
Samuel Beckett's The North	0
‘Consequences of this Climate’: Disabling Environmental Effects in Beckett's Late Work	0
David Kleinberg-Levin, Beckett’s Words: The Promise of Happiness in a Time of Mourning	0
Back matter	0
Anita Rákóczy, Samuel Beckett's Endgame and Hungarian Opening Gambits	0
Notes on Contributors	0
Beckett's Room by Dead Centre: Beckettian Grafting in a Brown Canon	0
Happy Days in Porto, directed by Niall Henry, Blue Raincoat Theatre Company	0
‘Pfft’: Samuel Beckett and the Ecology of Breathing in the Anthropocene	0
Introduction: Beckett’s Women Contemporaries	0
Back matter	0
Beckett and the Aesthetics of Black Inexpression	0
On Sade’s Sovereign Excess: Beckett Translating Blanchot and Bataille	0
‘I do, I undo, I redo’: Louise Bourgeois and Samuel Beckett	0
Samuel Beckett and Translation, ed. José Francisco Fernández and Mar Garre Garcia, and Translating Samuel Beckett around the World, ed. José Francisco Fernández and Pascale Sardin	0
Maria Irene Fornes and Samuel Beckett: ‘Different and the Same’	0
Insha ka Intezaar in Karachi, directed by Anwer Jafri	0
Back matter	0

Beckett's Counter-Anthropocentric Worlds: Dismantling Dominion	0
Jonathan Boulter, Posthuman Space in Samuel Beckett's Short Prose	0
‘Of her tenacious trace’: Samuel Beckett and Contemporary Art	0
Front matter	0
Corey Wakeling's Beckett’s Laboratory: Experiments in the Theatre Enclosure	0
Front matter	0
Notes on Contributors	0
Poetry’s Beckett	0
Editorial	0
Introduction: Beckett and Contemporary Aesthetic Form	0
Duras and Beckett: Close Encounters at a Distance	0
An Interview with Professor John Oulton Wisdom	0
Attunement Space and Eco-Deconstruction in Malone Dies	0
Sade and the Problem of Evil	0
Samuel Beckett and Technology, ed. Galina Kiryushina, Einat Adar and Mark Nixon	0
Front matter	0
Beckett sa Chreig: Laethanta Sona. Beckett in the Rock: Happy Days, directed by Sarah Jane Scaife (Company SJ & The Abbey Theatre Dublin)	0
Notes on Contributors	0
Back matter	0
Editorial	0
Peering out of the Deadlight	0
Waiting with Beckett in the Anthropocene	0
Vaguening Revenge: Beckett, Marston, and All That Fall	0
Beckett, First Love, directed by JoAnne Akalaitis	0
Introduction The Lost Volume of Transition: Beckett, Duthuit, Sade	0
No Trace Anywhere of Life, Perhaps: Autology and Hauntology in Imagination Dead Imagine	0
Back matter	0
Notes on Contributors	0
Giacometti/Beckett: Rater encore. Rater mieux (Alberto Giacometti/Samuel Beckett: Fail again. Fail better)	0
‘The Young Fellow of Trinity College’: Beckett, Berkeley, and the Genesis of Murphy	0
From Residua to Offal: Beckett’s Counter-Anthropocene(s)	0
How It Was in Silling: Comment c’est and Les 120 journées de Sodome – An Intertextual Case Study	0
James Little, Samuel Beckett in Confinement: The Politics of Closed Space	0
‘A kind of scanner’: Tracking the Work of the Forensic in John Gerrard's Bone Work (Gulf of Mexico)	0
Introduction to the Dialogue entre un Prêtre et un Moribond	0
Andy Wimbush, Still: Samuel Beckett’s Quietism	0
The Marquis of Sade and the Novel of Gloom	0
Waiting for Godot in London, directed by James Macdonald	0
Editorial	0
Happy Days, directed by Trevor Nunn	0
Suzanne: Fragments of Memories	0