History of Photography

Papers
(The TQCC of History of Photography is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
The Revolution Will (Not?) Be Colourised: Photographs from the Indonesian National Revolution (1945–49) on Social Media2
Contact Zones: Photography, Migration, and Cultural Encounters in the United States2
Grievous Images: Working with Photographs of Pain and Defeat2
Picturing the Ottoman Armenian World: Photography in Erzurum, Harput, Van and Beyond1
Demanding Images and Memories of Colonial Violence in Tanzania1
Weimar Goes East: Lotte Jacobi’s Photographs and Soviet Imperialism in Central Asia1
The Big Thing: ‘“Day Breaks — Cold, Shrieking and Bloody”’1
Learning to Collect Photographs in the 1970s1
American Arcadia? The Shift of the Homoerotic Gaze in Herbert List’s Work1
Photography, Reconstruction and the Cultural History of the Postwar European City1
‘What’s the Deal, Joe?’ Teaching Photography through an Archival Conversation0
Early Armenian Photographic Communities in the Ottoman Empire: The Cases of Abdullah Frères and Yesayi Garabedian0
Sandra S. Phillips with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 21–23 March 20220
Vivan Sundaram is Not a Photographer: The Photographic Work of Vivan Sundaram0
‘Letting the pictures […] do the job’: Sandy Phillips at SFMOMA0
Medium and Message: Interactions between Photography and Modern Printmaking in Republican-era China0
Julia Margaret Cameron: The Colonial Shadows of Victorian Photography0
Framing the Field : An Intergenerational Conversation about the Making of Photography in US Museums0
See/Saw: Looking at Photographs, Essays 2010–20200
Picturing Budapest’s 1956 Uprising: Cold War Politics, News Photography, and Art0
The Resurrection of Raúl Eduardo Mahecha: Allegorical Indexical Realism against the Archival Violence of the United Fruit Company0
Beyond Sentimentality: The Family as Patron, Subject and Author of Early Photography in Colonial Australia0
Correction0
The Stakes of Naming: Claudio Perna’s Anonymous Photography of Venezuela0
Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World0
Illuminating the Science of Art History: The Advent of the Slide Lecture in France0
‘Working with Grievous Images’, a special issue of History of Photography : Q&A from questions posed by the editors Daniel Foliard and Sean Willcock to authors Pierr0
Victorian Facebooks: Privacy Concerns at William Notman’s Studio0
Stefano Lecchi: A Photographic Pilgrimage of War0
Making Modernity in the Islamic Mediterranean0
Enfolding History: Identities, Performances and Contexts in an Early Ethnographic Album from Natal, South Africa0
Cold War Camera0
Since 1839 … Eleven Essays on Photography0
From Art History Pedagogic Resource to Post-Digital Art Medium: Shifting Cultural Values in a Dismantled Slide Library0
A Lexicon for Positioning ‘The Idea Photography’ in Our Nation’s Art Museum0
Humanising the Squatter: Photography in the Service of Resettlement in Emergency-era Malaya0
Contributors0
‘The thing will be alive’: Nancy Newhall and a Vision for Photography0
Negative/Positive: A History of Photography0
Working Together: Louis Draper and the Kamoinge Workshop0
Women Photographers of the Pacific World, 1857–19300
A Very Strange Comparison0
A Necropolitical Visual Regime: Banditry in Colombia, 1958–19640
Contributors0
Another Country: British Documentary Photography since 19450
Experimental Self-Portraits in Early French Photography0
Photographs and the Practice of History: A Short Primer0
Contributors0
‘Picturing a Moment’: The Colonial Visions of Newspaper Photography in Early Twentieth-century Korea0
‘A Lot of People to Live With’: Dyadic Departures in Mary Ellen Mark’s Pursuit of Faces in Tandem0
Capitalism and the Camera: Essays on Photography and Extraction0
The Portrait and the Colonial Imaginary: Photography between France and Africa 1900–19390
Correction0
Naomi Savage: Stretching the Limits of Photography0
Photography and Racial Capitalism: A Special Issue of History of Photography0
Accounting Difference: Institutional Avant-Gardism and Class Representation in Mir Seid Ali’s Photographic Archive0
Symbolic Violence: Pacific Islander Labourers and Photography0
Deborah Willis with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 8–9 June 20220
Everywhen: Photography and Indigeneity0
Contributors0
The Mechanical against Objectivity: Industrialism and Inoperativity in Eadweard Muybridge’s Animal Locomotion (1887)0
Contributors0
The Institutionalisation of Medical Photography, Public Funding and Medical Reform in Parisian Hospitals (1878–1913)0
Inventing Photography – William Henry Fox Talbot in the Bodleian Library0
The Black Panthers of Israel and Ya’akov Shofar’s Musrara Photographs: Taming and Politicisation (1978–83)0
Inventing a Photographic Past for Japan: From A Century of Japanese Photography (1968) to the Construction of the Tokyo Metropolitan Museum of Photography0
The Slide Lecture: Introduction to a Special Issue of History of Photography0
Intimate Archive: Dayanita Singh, the Photo-book and Feminist Iteration0
Mike Weaver 1937–20240
Empire, Early Photography and Spectacle: The Global Career of Showman Daguerreotypist J.W. Newland0
Relics of War: The History of a Photograph0
An African Looks at America: Picturing Racial Integration for Africa, 1956–680
Warring Visions: Photography and Vietnam0
Anne Wilkes Tucker with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 4–6 April 20220
Contributors0
The Brutalised Bodies of a Colonial Conquest Before the Court of Global Opinion: Photography, Media Uses and Emotions during the Italo-Turkish War in Tripolitania (1911–12)0
Photography in the Great War: The Ethics of Emerging Medical Collections from the Great War0
Contributors0
Picturing the Western Front: Photography, Practices and Experiences in First World War France0
Maria Morris Hambourg: A Curator Lighthouse for Photography0
Thérèse Bonney, the Bonney Service and the Business of Syndicated Photography, 1922–450
Contributors0
Sarah Greenough with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 7–9 March 20220
Photography in the Big Frame: Conflicting Media Uses of the 1931 Arrest Photograph of the Scottsboro Nine0
Napoleon Sarony’s Living Pictures: The Celebrity Photograph in Gilded Age New York0
Contributors0
Imagining a Real Australia: The Documentary Style 1950–19800
Maria Morris Hambourg with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 2–4 May 20220
Cruising Europe in World War II: Epistemological Challenges of German Vernacular Trophy Photography0
Photography and Early Motor Touring in Britain0
How Photography Changed Philosophy0
Contributors0
From the Gestell to the Reprogestell: Notes on the Technological Continuum0
Black and White and Red All Over: Photography Between Race and Class in the American Communist Press, 1928–320
Latinx Photography in the United States: A Visual History0
The ‘Chok’ of Image ‘Constellations in Themselves’: Reframing Walter Benjamin’s ‘Little History of Photography’ (1931)0
After the Flood: Notes on Photography and the Archive0
Photographic Returns: Racial Justice and the Time of Photography0
Persuasion by Projection: Charles Piazzi Smyth and the Performance of Scientific Expertise0
Lateness and Longing: On the Afterlife of Photography0
0.1122670173645