History of Photography

Papers
(The TQCC of History of Photography is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Circulating Photographs: A Special Issue of History of Photography11
Ten Dollar Faces: On Photographic Portraiture and Paper Money in the 1860s10
Manet and Photography: Looking at Olympia2
Somebody’s – Or Nothing: Visual Evidence, Blackness and the Limits of Legal Seeing1
Asserting Photography’s Social Function: Exhibitions of Soviet Photography in Interwar Czechoslovakia1
Coming into Visibility in the Indian Ocean1
A Death Squad Dossier: Counterrevolutionary Policing, Photographs of Disappearing Identities and Evidentiary Aesthetics in Postwar Guatemala1
Electrifying Daguerreotypes: On Correlations Between Electricity and Photography around 18401
Ungovernable Eye: Photography, Colonial Governmentality and Irish Insurgency1
Peeping into China: The Twofold Circulation of Georges Morache’s Photographs of Beijing (1865–2003)1
Performing Violence, Displaying Evidence: Photographs of Criminals and Political Inmates in Qajar Iran (1860s–1910s)1
Framing the Field : An Intergenerational Conversation about the Making of Photography in US Museums0
Photography and Policing, a Special Issue of History of Photography0
Demanding Images and Memories of Colonial Violence in Tanzania0
Documentary in Dispute: The Original Manuscript of Changing New York by Berenice Abbott and Elizabeth McCausland0
Keeper of the Hearth/Picturing Roland Barthes’ Unseen Photograph0
Faux Nudes: Body Stockings and Photography at the fin de siècle0
Cultural Capital and Photographic Technologies at the Berlin Photographic Company in the USA0
Photography in the Big Frame: Conflicting Media Uses of the 1931 Arrest Photograph of the Scottsboro Nine0
Photography in the Great War: The Ethics of Emerging Medical Collections from the Great War0
Learning to Collect Photographs in the 1970s0
Latinx Photography in the United States: A Visual History0
‘All we see is dots’: Aerial Objectivity and Mass Surveillance in Baltimore0
‘The Pictures Which We Publish To-Day Are Fearful to Look Upon’: The Circulation of Images of Atrocity During the American Civil War0
A Utopia of Circulation: The International Society of Pictorial Photographers0
The Revolution Will (Not?) Be Colourised: Photographs from the Indonesian National Revolution (1945–49) on Social Media0
Countersurveillance, Photography and Revolution in the Irish War of Independence0
The Black Panthers of Israel and Ya’akov Shofar’s Musrara Photographs: Taming and Politicisation (1978–83)0
American Arcadia? The Shift of the Homoerotic Gaze in Herbert List’s Work0
Victorian Facebooks: Privacy Concerns at William Notman’s Studio0
Stefano Lecchi: A Photographic Pilgrimage of War0
Maria Morris Hambourg: A Curator Lighthouse for Photography0
Contributors0
Making Modernity in the Islamic Mediterranean0
Arresting Optics: Black Femme Witnessing in Protest Photojournalism and the Anti-Black Techniques of Police Vision0
Feminist In/Visibilities: Questions of Consent when Policing Domestic Violence with Photographic Evidence0
From Art History Pedagogic Resource to Post-Digital Art Medium: Shifting Cultural Values in a Dismantled Slide Library0
(W)Archives: Archival Imaginaries, War and Contemporary Art0
Numbering The Ladies Waldegrave: Questions of Status and Display0
Persuasion by Projection: Charles Piazzi Smyth and the Performance of Scientific Expertise0
The New Woman Behind the Camera0
Since 1839 … Eleven Essays on Photography0
Vivan Sundaram is Not a Photographer: The Photographic Work of Vivan Sundaram0
Correction0
The ‘Chok’ of Image ‘Constellations in Themselves’: Reframing Walter Benjamin’s ‘Little History of Photography’ (1931)0
Naomi Savage: Stretching the Limits of Photography0
Cold War Camera0
Contributors0
Contributors0
Creative Collaborations: Australian Photomurals and International Expositions 1937–400
Contributors0
A Second Life for the Snapshots of Elizabeth Howe Bliss0
The Slide Lecture: Introduction to a Special Issue of History of Photography0
Visualising Order: Photography and the Production of the Colonial Police in India0
Humanising the Squatter: Photography in the Service of Resettlement in Emergency-era Malaya0
Contributors0
Anne Wilkes Tucker with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 4–6 April 20220
Artwork Reproductions in Polish Identity Building after World War II0
Space Framed: Photography, Architecture and the Social Landscape0
‘A Lot of People to Live With’: Dyadic Departures in Mary Ellen Mark’s Pursuit of Faces in Tandem0
Lateness and Longing: On the Afterlife of Photography0
Installation View: Photography Exhibitions in Australia 1848–20200
Enfolding History: Identities, Performances and Contexts in an Early Ethnographic Album from Natal, South Africa0
‘Letting the pictures […] do the job’: Sandy Phillips at SFMOMA0
Another Country: British Documentary Photography since 19450
Sarah Greenough with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 7–9 March 20220
Broken Bridges and Breathless Images: Circulating Wirephotos in Midcentury America0
Warring Visions: Photography and Vietnam0
‘The thing will be alive’: Nancy Newhall and a Vision for Photography0
‘Picturing a Moment’: The Colonial Visions of Newspaper Photography in Early Twentieth-century Korea0
What the Police are Not Trained to See: Wisconsin Death Trip and the Blind Spots of Photographic Evidence0
Illuminating the Science of Art History: The Advent of the Slide Lecture in France0
Photography and the 1851 Great Exhibition0
Empire, Early Photography and Spectacle: The Global Career of Showman Daguerreotypist J.W. Newland0
Capitalism and the Camera: Essays on Photography and Extraction0
See/Saw: Looking at Photographs, Essays 2010–20200
Deborah Willis with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 8–9 June 20220
Photographs and the Practice of History: A Short Primer0
An African Looks at America: Picturing Racial Integration for Africa, 1956–680
The Mechanical against Objectivity: Industrialism and Inoperativity in Eadweard Muybridge’s Animal Locomotion (1887)0
Sandra S. Phillips with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 21–23 March 20220
Photography of Protest and Community: The Radical Collectives of the 1970s0
Panoramic Ambitions: Collecting Rubens’s Oeuvre in Reproduction, 1877–19270
Municipal Law Enforcement and Its Transmissions0
Intimate Archive: Dayanita Singh, the Photo-book and Feminist Iteration0
The Portrait and the Colonial Imaginary: Photography between France and Africa 1900–19390
Contributors0
Beyond Sentimentality: The Family as Patron, Subject and Author of Early Photography in Colonial Australia0
Bertillon, Ravachol and the Explosive Potential of Police Portraiture0
The Latin American Colloquia and the Institutionalisation of Brazilian Photography0
Light Writing on the Lathi Raj: Bombay, 1930–310
After the Flood: Notes on Photography and the Archive0
Maria Morris Hambourg with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 2–4 May 20220
Cruising Europe in World War II: Epistemological Challenges of German Vernacular Trophy Photography0
Photography, Reconstruction and the Cultural History of the Postwar European City0
Negative/Positive: A History of Photography0
Women Photographers of the Pacific World, 1857–19300
Contributors0
Contact Zones: Photography, Migration, and Cultural Encounters in the United States0
A Lexicon for Positioning ‘The Idea Photography’ in Our Nation’s Art Museum0
Photography and Early Motor Touring in Britain0
Contributors0
Inventing a Photographic Past for Japan: From A Century of Japanese Photography (1968) to the Construction of the Tokyo Metropolitan Museum of Photography0
Reproductions, a Special Issue of History of Photography0
Circulating Photomontage: The Appropriation of Soviet Visual Material by French Communist Networks, 1928–19360
From the Gestell to the Reprogestell: Notes on the Technological Continuum0
Contributors0
Picturing the Ottoman Armenian World: Photography in Erzurum, Harput, Van and Beyond0
Correction0
Correction0
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