OOIR: Observatory of International Research

Papers

(The median citation count of History of Photography is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)

Article	Citations
Ten Dollar Faces: On Photographic Portraiture and Paper Money in the 1860s	10
Circulating Photographs: A Special Issue of History of Photography	10
Photography, Evidence and Concealed Histories from Idi Amin’s Uganda, 1971–79	2
The Postal Service, Circulating Portfolios and the Cultural Production of Modern Networked Identities	2
Asserting Photography’s Social Function: Exhibitions of Soviet Photography in Interwar Czechoslovakia	1
Coming into Visibility in the Indian Ocean	1
Somebody’s – Or Nothing: Visual Evidence, Blackness and the Limits of Legal Seeing	1
Family Unity and Black Activism in the Favela: Januário Garcia’s Photographs of the Morro do Salgueiro, Rio de Janeiro, 1983–84	1
Performing Violence, Displaying Evidence: Photographs of Criminals and Political Inmates in Qajar Iran (1860s–1910s)	1
Ungovernable Eye: Photography, Colonial Governmentality and Irish Insurgency	1
A Death Squad Dossier: Counterrevolutionary Policing, Photographs of Disappearing Identities and Evidentiary Aesthetics in Postwar Guatemala	1
Electrifying Daguerreotypes: On Correlations Between Electricity and Photography around 1840	1
Natural Relief: Antoine Claudet and the Stereoscopic Daguerreotype	1
Manet and Photography: Looking at Olympia	1
Correction	0
A Second Life for the Snapshots of Elizabeth Howe Bliss	0
Bertillon, Ravachol and the Explosive Potential of Police Portraiture	0
Warring Visions: Photography and VietnamWarring Visions: Photography and VietnamThy Phu. Duke University Press, Durham, NC, 2022. 248 pages, with 16 colour and 54 black & white illustrations. Soft	0
Countersurveillance, Photography and Revolution in the Irish War of Independence	0
Light Writing on the Lathi Raj: Bombay, 1930–31	0
Victorian Facebooks: Privacy Concerns at William Notman’s Studio	0
Artwork Reproductions in Polish Identity Building after World War II	0
Photography, Reconstruction and the Cultural History of the Postwar European City Photography, Reconstruction and the Cultural History of the Postwar European City Tom A	0
Contributors	0
Women Photographers of the Pacific World, 1857–1930	0

Broken Bridges and Breathless Images: Circulating Wirephotos in Midcentury America	0
Photography of Protest and Community: The Radical Collectives of the 1970s	0
Unfixed: Photography and Decolonial Imagination in West Africa	0
Capitalism and the Camera: Essays on Photography and Extraction Capitalism and the Camera: Essays on Photography and Extraction Kevin Coleman and Daniel James. Verso, Ne	0
‘Picturing a Moment’: The Colonial Visions of Newspaper Photography in Early Twentieth-century Korea	0
Creative Collaborations: Australian Photomurals and International Expositions 1937–40	0
Persuasion by Projection: Charles Piazzi Smyth and the Performance of Scientific Expertise	0
Photography and the 1851 Great Exhibition	0
Latinx Photography in the United States: A Visual History	0
See/Saw: Looking at Photographs, Essays 2010–2020	0
Beyond Sentimentality: The Family as Patron, Subject and Author of Early Photography in Colonial Australia	0
Contributors	0
Municipal Law Enforcement and Its Transmissions	0
The Magic Lantern at Work: Witnessing, Persuading, Experiencing and Connecting	0
Contributors	0
The Instant and Its Shadow: A Story of Photography	0
Correction	0
Photography in the Great War: The Ethics of Emerging Medical Collections from the Great War	0
Vivan Sundaram is Not a Photographer: The Photographic Work of Vivan Sundaram Vivan Sundaram is Not a Photographer: The Photographic Work of Vivan Sundaram Ruth Rosengar	0
Colorsnap! Colour Photography, the Market in Patents and the 1929 Crash	0
Thilly Weissenborn: Photographer of the Netherlands East Indies	0
Oscar G. Rejlander: Artist Photographer	0
‘All we see is dots’: Aerial Objectivity and Mass Surveillance in Baltimore	0
Negative/Positive: A History of Photography Negative/Positive: A History of Photography Geoffrey Batchen. Routledge, New York, 2020. 288 pages, with 94 colour illustrati	0
Scottish Photography: The First Thirty Years and The Global Flows of Early Scottish Photography: Encounters in Scotland, Canada, and China	0
A Utopia of Circulation: The International Society of Pictorial Photographers	0
Feminist In/Visibilities: Questions of Consent when Policing Domestic Violence with Photographic Evidence	0
The Group Photograph as an Imbricated Ritualistic Event: Duanfang and His Altar Bronzes in Late Qing Antiquarian Praxis	0
‘A Lot of People to Live With’: Dyadic Departures in Mary Ellen Mark’s Pursuit of Faces in Tandem	0
The Slide Lecture: Introduction to a Special Issue of History of Photography	0
Photography, Natural History and the Nineteenth-Century Museum: Exchanging Views of Empire	0
Stefano Lecchi: A Photographic Pilgrimage of War	0
Archaeology and Photography: Time, Objectivity and Archive	0
Keeper of the Hearth/Picturing Roland Barthes’ Unseen Photograph	0
Numbering The Ladies Waldegrave: Questions of Status and Display	0
Inventing a Photographic Past for Japan: From A Century of Japanese Photography (1968) to the Construction of the Tokyo Metropolitan Museum of Photography	0
Packaging Niagara:The Langenheim Brothers and the Transatlantic Circulation of Early Photography	0
Photography and Policing, a Special Issue of History of Photography	0
Contributors	0
Humanising the Squatter: Photography in the Service of Resettlement in Emergency-era Malaya	0
Illuminating the Science of Art History: The Advent of the Slide Lecture in France	0
Contributors	0
The Latin American Colloquia and the Institutionalisation of Brazilian Photography	0
Panoramic Ambitions: Collecting Rubens’s Oeuvre in Reproduction, 1877–1927	0
Carlos Relvas’s Stereoscopic Photography: The Digital Reunion of Negatives and Prints	0
Coal Cultures: Picturing Mining Landscapes and Communities	0
Contributors	0
Projecting Citizenship: Photography and Belonging in the British Empire	0
Peeping into China: The Twofold Circulation of Georges Morache’s Photographs of Beijing (1865–2003)	0
Contributors	0

Cultural Capital and Photographic Technologies at the Berlin Photographic Company in the USA	0
Publications Received	0
Visualising Order: Photography and the Production of the Colonial Police in India	0
Contributors	0
The Black Panthers of Israel and Ya’akov Shofar’s Musrara Photographs: Taming and Politicisation (1978–83)	0
Contributors	0
Another Country: British Documentary Photography since 1945 Another Country: British Documentary Photography since 1945 Gerry Badger, with contributions by Lydia Caston,	0
Publications Received	0
Melodrama’s Fictional System: Fernell Franco’s Photography and the Golden Age of Mexican Cinema	0
What the Police are Not Trained to See: Wisconsin Death Trip and the Blind Spots of Photographic Evidence	0
Installation View: Photography Exhibitions in Australia 1848–2020	0
Reproductions, a Special Issue of History of Photography	0
Correction	0
Circulating Photomontage: The Appropriation of Soviet Visual Material by French Communist Networks, 1928–1936	0
Making Modernity in the Islamic Mediterranean Making Modernity in the Islamic Mediterranean , Edited by Margaret S. Graves and Alex Dika Seggerman. Indiana University Pr	0
Arresting Optics: Black Femme Witnessing in Protest Photojournalism and the Anti-Black Techniques of Police Vision	0
Space Framed: Photography, Architecture and the Social Landscape	0
Empire, Early Photography and Spectacle: The Global Career of Showman Daguerreotypist J.W. Newland	0
From Art History Pedagogic Resource to Post-Digital Art Medium: Shifting Cultural Values in a Dismantled Slide Library	0
(W)Archives: Archival Imaginaries, War and Contemporary Art	0
Photography in the Big Frame: Conflicting Media Uses of the 1931 Arrest Photograph of the Scottsboro Nine	0
The New Woman Behind the Camera	0
Intimate Archive: Dayanita Singh, the Photo-book and Feminist Iteration	0
From the Gestell to the Reprogestell: Notes on the Technological Continuum	0
Naomi Savage: Stretching the Limits of Photography Naomi Savage: Stretching the Limits of Photography Francis M. Naumann. Milton Art Bank, Milton, PA, 2020. 244 pages, w	0
‘The Pictures Which We Publish To-Day Are Fearful to Look Upon’: The Circulation of Images of Atrocity During the American Civil War	0
Faux Nudes: Body Stockings and Photography at the fin de siècle	0
Documentary in Dispute: The Original Manuscript of Changing New York by Berenice Abbott and Elizabeth McCausland	0
A Synthesis of Nature and Abstraction: Unearthing Robert Smithson’s Minimalist Theory of Photography	0
The Portrait and the Colonial Imaginary: Photography between France and Africa 1900–1939	0
Photographs and the Practice of History: A Short PrimerPhotographs and the Practice of History: A Short PrimerElizabeth Edwards. Bloomsbury Academic, London, 2022. 167 pages, with 13 black & white	0
Photography and Tibet	0