History of Photography

Papers
(The median citation count of History of Photography is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
What the Police are Not Trained to See: Wisconsin Death Trip and the Blind Spots of Photographic Evidence2
Contact Zones: Photography, Migration, and Cultural Encounters in the United States1
Picturing the Ottoman Armenian World: Photography in Erzurum, Harput, Van and Beyond1
The Revolution Will (Not?) Be Colourised: Photographs from the Indonesian National Revolution (1945–49) on Social Media1
Learning to Collect Photographs in the 1970s1
Grievous Images: Working with Photographs of Pain and Defeat1
American Arcadia? The Shift of the Homoerotic Gaze in Herbert List’s Work1
‘The thing will be alive’: Nancy Newhall and a Vision for Photography0
Empire, Early Photography and Spectacle: The Global Career of Showman Daguerreotypist J.W. Newland0
From Art History Pedagogic Resource to Post-Digital Art Medium: Shifting Cultural Values in a Dismantled Slide Library0
Artwork Reproductions in Polish Identity Building after World War II0
Mike Weaver 1937–20240
Warring Visions: Photography and Vietnam0
Contributors0
‘Letting the pictures […] do the job’: Sandy Phillips at SFMOMA0
Numbering The Ladies Waldegrave: Questions of Status and Display0
Lateness and Longing: On the Afterlife of Photography0
Contributors0
Naomi Savage: Stretching the Limits of Photography0
Reproductions, a Special Issue of History of Photography0
‘Working with Grievous Images’, a special issue of History of Photography : Q&A from questions posed by the editors Daniel Foliard and Sean Willcock to authors Pierr0
Maria Morris Hambourg: A Curator Lighthouse for Photography0
The Portrait and the Colonial Imaginary: Photography between France and Africa 1900–19390
Contributors0
‘Picturing a Moment’: The Colonial Visions of Newspaper Photography in Early Twentieth-century Korea0
Picturing Budapest’s 1956 Uprising: Cold War Politics, News Photography, and Art0
Enfolding History: Identities, Performances and Contexts in an Early Ethnographic Album from Natal, South Africa0
Illuminating the Science of Art History: The Advent of the Slide Lecture in France0
Anne Wilkes Tucker with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 4–6 April 20220
Maria Morris Hambourg with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 2–4 May 20220
Cruising Europe in World War II: Epistemological Challenges of German Vernacular Trophy Photography0
Cultural Capital and Photographic Technologies at the Berlin Photographic Company in the USA0
Humanising the Squatter: Photography in the Service of Resettlement in Emergency-era Malaya0
Visualising Order: Photography and the Production of the Colonial Police in India0
Somebody’s – Or Nothing: Visual Evidence, Blackness and the Limits of Legal Seeing0
From the Gestell to the Reprogestell: Notes on the Technological Continuum0
The Institutionalisation of Medical Photography, Public Funding and Medical Reform in Parisian Hospitals (1878–1913)0
Demanding Images and Memories of Colonial Violence in Tanzania0
The ‘Chok’ of Image ‘Constellations in Themselves’: Reframing Walter Benjamin’s ‘Little History of Photography’ (1931)0
Feminist In/Visibilities: Questions of Consent when Policing Domestic Violence with Photographic Evidence0
The Mechanical against Objectivity: Industrialism and Inoperativity in Eadweard Muybridge’s Animal Locomotion (1887)0
Intimate Archive: Dayanita Singh, the Photo-book and Feminist Iteration0
Women Photographers of the Pacific World, 1857–19300
Contributors0
Arresting Optics: Black Femme Witnessing in Protest Photojournalism and the Anti-Black Techniques of Police Vision0
Experimental Self-Portraits in Early French Photography0
The Brutalised Bodies of a Colonial Conquest Before the Court of Global Opinion: Photography, Media Uses and Emotions during the Italo-Turkish War in Tripolitania (1911–12)0
Contributors0
Latinx Photography in the United States: A Visual History0
Photographs and the Practice of History: A Short Primer0
Thérèse Bonney, the Bonney Service and the Business of Syndicated Photography, 1922–450
Another Country: British Documentary Photography since 19450
Correction0
Capitalism and the Camera: Essays on Photography and Extraction0
Contributors0
Coming into Visibility in the Indian Ocean0
Beyond Sentimentality: The Family as Patron, Subject and Author of Early Photography in Colonial Australia0
Countersurveillance, Photography and Revolution in the Irish War of Independence0
See/Saw: Looking at Photographs, Essays 2010–20200
Victorian Facebooks: Privacy Concerns at William Notman’s Studio0
Cold War Camera0
Contributors0
Photography in the Great War: The Ethics of Emerging Medical Collections from the Great War0
Photography and Early Motor Touring in Britain0
An African Looks at America: Picturing Racial Integration for Africa, 1956–680
Light Writing on the Lathi Raj: Bombay, 1930–310
A Lexicon for Positioning ‘The Idea Photography’ in Our Nation’s Art Museum0
Negative/Positive: A History of Photography0
Making Modernity in the Islamic Mediterranean0
Persuasion by Projection: Charles Piazzi Smyth and the Performance of Scientific Expertise0
After the Flood: Notes on Photography and the Archive0
The Black Panthers of Israel and Ya’akov Shofar’s Musrara Photographs: Taming and Politicisation (1978–83)0
Contributors0
Municipal Law Enforcement and Its Transmissions0
Sandra S. Phillips with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 21–23 March 20220
Vivan Sundaram is Not a Photographer: The Photographic Work of Vivan Sundaram0
Working Together: Louis Draper and the Kamoinge Workshop0
Panoramic Ambitions: Collecting Rubens’s Oeuvre in Reproduction, 1877–19270
Framing the Field : An Intergenerational Conversation about the Making of Photography in US Museums0
‘A Lot of People to Live With’: Dyadic Departures in Mary Ellen Mark’s Pursuit of Faces in Tandem0
Photography in the Big Frame: Conflicting Media Uses of the 1931 Arrest Photograph of the Scottsboro Nine0
A Necropolitical Visual Regime: Banditry in Colombia, 1958–19640
Sarah Greenough with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 7–9 March 20220
Manet and Photography: Looking at Olympia0
Bertillon, Ravachol and the Explosive Potential of Police Portraiture0
Performing Violence, Displaying Evidence: Photographs of Criminals and Political Inmates in Qajar Iran (1860s–1910s)0
Contributors0
Ungovernable Eye: Photography, Colonial Governmentality and Irish Insurgency0
Correction0
Stefano Lecchi: A Photographic Pilgrimage of War0
Photography and Policing, a Special Issue of History of Photography0
A Death Squad Dossier: Counterrevolutionary Policing, Photographs of Disappearing Identities and Evidentiary Aesthetics in Postwar Guatemala0
The Slide Lecture: Introduction to a Special Issue of History of Photography0
Since 1839 … Eleven Essays on Photography0
Photography, Reconstruction and the Cultural History of the Postwar European City0
Inventing a Photographic Past for Japan: From A Century of Japanese Photography (1968) to the Construction of the Tokyo Metropolitan Museum of Photography0
Deborah Willis with Allison Pappas and Natalie Zelt: Excerpt from Framing the Field Interview Transcript, 8–9 June 20220
‘All we see is dots’: Aerial Objectivity and Mass Surveillance in Baltimore0
0.034018993377686