Popular Music and Society

Article	Citations
Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization	15
The Streaming Paradox: Untangling the Hybrid Gatekeeping Mechanisms of Music Streaming	11
Who let the DAWs Out? The Digital in a New Generation of the Digital Audio Workstation	6
Datafication, Literacy, and Democratization in the Music Industry	6
“Things Done Changed”: Recalibrating the Real in Hip-Hop	5
Paradoxes of Gender, Technology, and the Pandemic in the Iranian Music Industry	4
Introduction to Music and the Politics of Memory: Resounding Antifascism across Borders	4
Music, Digitalization, and Democracy	3
Nail the Mix: Standardization in Mixing Metal Music?	3
Prince as the Post-Civil Rights Archetype: Navigating between Assimilation and Self-Determination	3
Between Cultural Policies, Industry Structures, and the Household: A Feminist Perspective on Digitalization and Musical Careers in Hungary	2
“We are the Partisans of Our Time”: Antifascism and Post-Yugoslav Singing Memory Activism	2
Independent Canadian Music in the Streaming Age: The Sound from above (Critical Political Economy) and below (Ethnography of Musicians)	2
Western Popular Music, Ethnomusicology, and Curricular Reform: A History and a Critique	2
Music and the Performance of Aspiration: The Case of Os Monstros in Late Colonial Lourenço Marques, Mozambique	2
Resisting Neoliberal Totality: The “New” Nueva Canción Movement in Post-Authoritarian Chile	2
What is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers	2
Listening, but Not Being Heard: Young Women, Popular Music, Streaming, and Radio	2
One More Turn after the Algorithmic Turn? Spotify’s Colonization of the Online Audio Space	2
“The Right Amount of Odd”: Vocal Compulsion, Structure, and Groove in Two Love Songs from Around the World in a Day	2
Pop Life: Prince in the Recording Studio	1
“A Teenager in Love”: How Black Adolescents Became “Teenagers” in Rock and Roll Music, 1956-1960	1
(Dis)locating Democratization: Music Technologies in Practice	1
The Center at the Margins: American Exceptionalism in California Punk, ca. 1977-1983	1
Vera Lynn, 1917-2020	1

Music-making Beyond the Pub: The Importance of Community Music and DIY Enterprise in Maintaining Regional Music Scenes (Gippsland Case Study)	1
Rocking the Closet: How Little Richard, Johnnie Ray, Liberace, and Johnny Mathis Queered Pop Music	1
From Prince’s “Party Up” to “Baltimore”: Three Decades of Social Protest and Social Awareness	1
Searching for “Australia’s Woodstock”: The Forgotten Australian Rock Festivals of 1970 – 1975	1
“Some Stick around 4 the Aftershow”: Reproducing Prince during Public Mourning	1
Digitalization and the Musical Mediation of Anti-Democratic Ideologies in Alt-Right Forums	1
Nothing on Their Tongue but Hallelujah: Why Leonard Cohen’s Dark Hymn Will Forever Escape Trumping	1
Holographic ABBA: Examining Fan Responses to ABBA’s Virtual “Live” Concert	1
Mobile Safe Spaces and Preset Emotions: Making Music with Apps as a Digital Technology of the Self	1
“That’s the Kind of Music You Hear on the Subway without Headphones!”: Musical Evaluation Practices of Adolescents in Vienna	1
(Re)claiming the Public Sphere: Greek Cypriot Dialect Hip-Hop and the Right to Say It in One’s Own Language	1
Being a Musician in Socialist Mozambique: From Invisibility to Unfeasibility (1974–1994)	1
“A Line from a Song that Punches You in the Stomach” –Music and the Negotiations of Cultural Memory in Facebook	1
Kasahare: Demystifying Rap Lyricism and Artistry in Ghana’s Hiplife Music	1
The Return to Craft: Taylor Swift, Nostalgia, and Covid-19	1
American Punk and the Rhetoric of “Political Correctness”	0
Destination Lonely Street: 32 Tearjerkers for My Shadow, My Echo, and Me Destination Lonely Street: 32 Tearjerkers for My Shadow, My Echo, and Me , Various Artists, Bear	0
Local Digital: Staging Geographies and Sonic Identities Through Auto-Tune Effects and Streaming Sites in North Indian Popular Music	0
Judith Durham (1943-2022)	0
Headin’ for the Christmas Ball: 31 Swing and R&B Christmas Crooners, by Various Artists	0
Ramsey Lewis (1935-2022)	0
Digital Man or Jocko Homo: Rush, Devo, and competing visions of the technofuture	0
Istikhbars and Improvisations	0
Transmissions, 1962–1968 Transmissions, 1962–1968 , by Dusty Springfield, 2020, Audio Vaults AV 201831, 3 CDs, $21.31	0
White Stripes, White Rock: The Uncontested Blues Appropriations of the White Stripes	0
Scott Walker and the Song of the One-All-Alone Scott Walker and the Song of the One-All-Alone , by Scott Wilson, New York, Bloomsbury Academic, 2020, 232 pp., $35.95 (pa	0
The Routledge Companion to Popular Music and Humor	0
Talkin’ Bout a Revolution(ary): The Music and Politics of Tracy Chapman	0
Norteño Corporeality: Body, Gender, Sound, and Economy in Commercialized Norteño Music Videos	0
Ways of Hearing: Reflections on Music in 26 Pieces Ways of Hearing: Reflections on Music in 26 Pieces , edited by Scott Burnham, Marna Seltzer, and Dorothea von Moltke,	0
Patches of Survival in the Anthropocene: Melancholy and Ecstasy within Go_A’s 2021 Eurovision Song Contest Performance of “SHUM” (ШУМ)	0
“Everyday Fidelity”: Analyzing Sound Quality in Ubiquitous Listening Practices	0
Stories and Data: Australian Musicians Navigating the Spotify for Artists Platform	0
Robins, Bluebirds, Buzzards, and Orioles: The Bobby Day Story, 1952–1962Robins, Bluebirds, Buzzards, and Orioles: The Bobby Day Story, 1952–1962, Bobby Day, Jasmine Records JASCD 1077, 2021, CD, $13.0	0
From Babylon to Ethiopia: Continuities and Variations of Utopianism in Rastafari Reggae Music	0
The Performance of Authenticity: The Making of Jazz and the Self in Autobiography The Performance of Authenticity: The Making of Jazz and the Self in Autobiography , Teo	0
When You Find Love You’re Feelin’ Good	0
An Exploration of the East Indian and African Music Traditions in Trinidad and Tobago: The Case of Mungal Patasar and Pantar	0
Win the War Blues: The Blues and World War II	0
“Rapping Done Let Us Down”: Prince’s Hip-Hop Ambivalence	0
No Home Record	0
Cherokee Missed: Indigenous Influence and Natural Metaphysics in the Music of Jimi Hendrix	0
Black Flag’sMy WarSide Two: Cultural and Aesthetic Legacies in Studio Recording	0
Sounding Dissent: Rebel Songs, Resistance, and Irish Republicanism	0
Challenges through Cultural Heritage in the North-Spanish Rural Musical Underground	0
From Innocence to Experience, and Other Transitions in Selected Lyrics of John Prine	0
Brian Eno: Oblique Music	0
Rockin’ Movie Soundtracks	0
Remembering Berlin: David Bowie’s “‘Heroes’” (1977)	0
Tom Jones: Live on Air 65–68	0

Revisiting the South Korean Youth Culture and T’ongkit’a Music	0
Critiquing the “What Is Jazz” Puzzle in a Diasporic Setting: “Jazz-Related” Performance and Patronage in Australia before “Jazz”	0
The Wild Tchoupitoulas	0
The Lo-Fi Lens: Interpretations of Memphis Rap Tape Rips in the Online Mediascape	0
Pharoah Sanders (1940-2022)	0
These Arms of Mine: The Birth of Southern Soul	0
At Home in Our Sounds: Music, Race, and Cultural Politics in Interwar Paris	0
“Filipino Seekers of Fortune”: Jazz as Labor in 1920s Colonial Asia	0
Pop Music Diegesis and the 360º Video	0
Pop Music and Hip Ennui: A Sonic Fiction of Capitalist Realism	0
“Big Map Idea”: Diasporic Currents in South African Music	0
Stage, Street, Garden, or Parlour: The Ubiquitous Popular Songs of Late Georgian England	0
The (New) Awakening of Soviet Jazz Culture in the 1960s	0
A Rockin’ Good Way	0
Our Proper Business Now Is Revolution: John Cage and the Beatles	0
Tony Williams—The Signature Voice of The Platters: Volume One, 1955–1961	0
Listening to Bob Dylan	0
“Both Sides Now”: Folk-Rock Authorship, Interpretation, and the Cover Version	0
R. Serge Denisoff Award	0
Sensing Vinyl: Ritual, Memory, Materiality	0
Why Karen Carpenter Matters	0
Moving Target: Mythopoeia and Meaning in a British Music Emblem	0
Go West, Young Man! Definitive Western Themes, Classics, & Rarities Go West, Young Man! Definitive Western Themes, Classics, & Rarities , by Various Artists, Oxf	0
Singing a New Technology of Car Riding: Jitney-Bus Songs, 1915-1917	0
BeyondHeimatsehnsucht: Rammstein’s Approach toVergangenheitsbewältigungand German Identity	0
Raving upon Thames: An Untold Story of Sixties London Raving upon Thames: An Untold Story of Sixties London , by Andrew Humphreys, London, Paradise Road, 2022, 314 pp.,	0
Crooner: Singing from the Heart from Sinatra to Nas Crooner: Singing from the Heart from Sinatra to Nas , by Alex Coles, London, Reaktion Books, 2023, 208 pp., $18.00 (p	0
ArethaAretha, by Aretha Franklin, Rhino Entertainment R2-643,463, 2020, 4 CDs, $36.95	0
“A Living Memorial for the Edelweißpiraten”: Musical Memories of Cologne’s Anti-Hitler Youth	0
1957: The Year That Launched the American Future	0
How Music Empowers: Listening to Modern Rap and Metal How Music Empowers: Listening to Modern Rap and Metal , Steven Gamble, New York, Routledge, 2021, 188 pp., $48.95 (	0
Jerry Rodnitzky, 1936-2020	0
More Than Just Sixteen Candles	0
Cornell ’77: The Music, the Myth, and the Magnificence of the Grateful Dead’s Concert at Barton Hall	0
The Clash Takes on the World: Transnational Perspectives on the Only Band That Matters	0
The Genesis and Structure of the Hungarian Jazz Diaspora The Genesis and Structure of the Hungarian Jazz Diaspora , by Ádám Havas, New York, Routledge, 2022, 194 pp., $1	0
DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community	0
“More Champion than the Champions”: Female Masculinity in Lālehzari Music and Filmfarsi	0
“Town’s Dead”: Contemporary Irish Popular Music and Dublin City	0
Made in France: Studies in Popular Music Made in France: Studies in Popular Music , edited by Gérôme Guibert and Catherine Rudent, London, Routledge Global Popular Music	0
The Little Angels of Popera	0
This City Needs Street Music: Practices, Experiences, and Meanings in the Busking Scene of Hong Kong	0
Audiencing in China: Foreign Rock Musicians’ Perceptions of Difference and Sameness	0
The Birth of Porto’s Jazz Scene: Culture, Spaces, and Networks	0
“L’estaca:” Transnational Trajectories of a Catalan Antifascist Song	0
R. Serge Denisoff Award	0
Music, Digitalization, and Democratic Elections: The Changing Soundtrack of Electoral Politics in the UK	0
Destination Health: Doc Feelgood’s Rock Therapy	0
The “Mojo Man” Presents Blink Before Christmas: A Koko Mojo Celebration	0
Ton Steine Scherben: A Unique Hybrid of Psychedelic Rock and Battle Song	0
Looking to Get Lost: Adventures in Music and Writing	0
The Cambridge Companion to Music in Digital Culture	0
Western Bias, Canonicity, and Cultural Globalization: Introduction to “Jazz Diasporas”	0
Saturation Season: Inclusivity, Queerness, and Aesthetics in the New Media Practices of Brockhampton	0
Designed for Hi-Fi Living: The Vinyl LP in Midcentury America Designed for Hi-Fi Living: The Vinyl LP in Midcentury America , by Janet Borgerson and Jonathan Schroeder,	0
Special Issue of Rock Music Studies Steely Dan at 50	0
R. Serge Denisoff Award	0
Where’s the Money, Honey? A Compendium of Blues Songs Where’s the Money, Honey? A Compendium of Blues Songs , Various Artists, Jasmine Records JASMCD 3171, 2021, CD, $13	0
Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era: An “Integrated Effort,” Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era:	0
Fifty Years of Popular Music and Society: Workin’ on a Groovy Thing	0
Rap Music and the Youth in Malawi: Reppin’ the Flames Rap Music and the Youth in Malawi: Reppin’ the Flames , by Ken Lipenga Jr., NewYork/London, Palgrave Macmillan, 202	0
The Invention and Reinvention of Big Bill Broonzy	0
Punk Crisis: The Global Punk Rock Revolution	0
Musicians as Workers and the Gig Economy	0
Correction	0
Memphis Mayhem: A Story of the Music That Shook Up the World Memphis Mayhem: A Story of the Music That Shook Up the World , by David A. Less, Toronto, Ontario, Canada, E	0
Musicking Assemblages and the Material Contingency of Sound: Mostly Other People Do the Killing’s Re-enactment of Kind of Blue	0
The Force of Environmental Lyrics in Pop Songs: The Case of Gorillaz’s Plastic Beach	0
Special Issue: Jazz Diasporas	0
Rock, Soul, and Roll: Greatest Hits and More, 1957–1961Rock, Soul, and Roll: Greatest Hits and More, 1957–1961, Larry Williams, Jasmine JASCD 1091, 2021, CD, $13.99	0
Peter Gabriel: Global Citizen Peter Gabriel: Global Citizen , by Paul Hegarty, London, Reaktion Books, 2018, 248 pp., $16.00 (paperback), ISBN 978-1-78023-976-7	0
St. Vincent: Postmodern Guitar Hero	0
Presenting the Studio on Record Covers: Changing the Understanding of Swedish Jazz Records	0
Rock Rock , The “5” Royales, Bear Family Records BCD 17522, 2021, CD, $12.00	0
K-Pop and the Creative Participatory Engagement of Thai Fans: When Cultural Hybridity Becomes Cultural Authenticity	0
The Birth of Loud: Leo Fender, Les Paul, and the Guitar-Pioneering Rivalry That Shaped Rock ’n’ Roll	0
Light Come Shining: The Transformations of Bob Dylan	0
Born to Run : The Transmedia Evolution of the Bruce Springsteen Memoir from Book to Stage and Screen	0
Black Fatherhood, Hip Hop, and Inner Life: Reading Rapsody’s “The Man” and Mama Sol and the N.U.T.S.’s “Manhood”	0
Brithop: The Politics of UK Rap in the New Century	0

Distillation of Sound: Dub and the Creation of Culture	0
Prince’s Rhythm Programming: 1980s Music Production and the Esthetics of the LM-1 Drum Machine	0
Ornette Coleman: The Territory and the Adventure Ornette Coleman: The Territory and the Adventure , Maria Golia, London, Reaktion, 2022, 368 pp., $22.50 (hardback), ISBN	0
Solid State: The Story of Abbey Road and the End of the Beatles	0
Major Labels: A History of Popular Music in Seven Genres Major Labels: A History of Popular Music in Seven Genres , by Kelefa Sanneh, New York, Penguin, 2021, 496 pp., $	0
Ripped, Torn, and Cut: Pop, Politics and Punk Fanzines from 1976 Ripped, Torn, and Cut: Pop, Politics and Punk Fanzines from 1976 , edited by The Subcultures Group, Manc	0
Weekend Societies: Electronic Dance Music Festivals and Event-Cultures	0
“Go Out and Bring Me Lazarus”: O Brother, Allegory, and a Work Song’s Circuitous Journey	0
Live in Boston 1982: The Complete Concert Live in Boston 1982: The Complete Concert , George Thorogood and the Destroyers, Craft Records CR 00340, 2020, 2 CDs, $22.00	0
Introduction: The Quest of Princian Research?	0
Punk Rock on the Gothic Line: Resounding the World War II Antifascist Resistenza in Contemporary Italy	0
Subverting the Restorative Nostalgia of Black Metal: Reading Swiss Band Zeal & Ardor Through an Afropessimistic Lens	0
Popular Music and Automobiles	0
Post Dictatorships, Cosmopolitanism, Punk, and Post-punk in Portugal and Spain from 1974 to 1984	0
What Is Popular Music? What Is an Album? A Review of Two Recordings What Is Popular Music? What Is an Album? A Review of Two Recordings Towards a Frontier	0
Making Music American: 1917 and the Transformation of Culture	0